Uncommon Valor (1983)
| Theatrical Performance | ||
| Domestic Box Office | $27,900,000 | Details |
| OpusData ID: 19840100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,144,367 (11.3% of total gross) |
| Legs: | 6.71 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 989 opening theaters/1,076 max. theaters, 8.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $97,050,296 |
Movie Details
| Domestic Releases: | December 16th, 1983 (Wide) by Paramount Pictures |
| Video Release: | April 25th, 2017 by Paramount Home Video |
| MPA Rating: | R |
| Running Time: | 105 minutes |
| Plot point: | Mercenaries, POW, PTSD, Rescue, War |
| Social setting: | Vietnam War |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paramount Pictures, Milius, Feitshans |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 16, 1983 | 5 | $3,144,367 | 989 | $3,179 | $3,144,367 | 1 | |
| Dec 23, 1983 | 6 | $2,609,423 | -17% | 1,066 | $2,448 | $7,317,070 | 2 |
| Dec 30, 1983 | 6 | $4,159,410 | +59% | 1,069 | $3,891 | $13,880,342 | 3 |
| Jan 6, 1984 | 5 | $2,713,210 | -35% | 1,076 | $2,522 | $17,607,429 | 4 |
| Jan 13, 1984 | 7 | $2,227,818 | -18% | 1,038 | $2,146 | $20,769,826 | 5 |
| Jan 20, 1984 | 8 | $1,530,474 | -31% | 985 | $1,554 | $22,983,127 | 6 |
| Jan 27, 1984 | 9 | $1,406,213 | -8% | 870 | $1,616 | $25,000,123 | 7 |
| Feb 3, 1984 | 13 | $1,135,907 | -19% | 803 | $1,415 | $26,518,493 | 8 |
| Feb 10, 1984 | 13 | $923,917 | -19% | 745 | $1,240 | $27,801,480 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 16, 1983 | 5 | $4,707,647 | 989 | $4,760 | $4,707,647 | 1 | |
| Dec 23, 1983 | 6 | $5,013,285 | +6% | 1,066 | $4,703 | $9,720,932 | 2 |
| Dec 30, 1983 | 5 | $5,173,287 | +3% | 1,069 | $4,839 | $14,894,219 | 3 |
| Jan 6, 1984 | 5 | $3,647,789 | -29% | 1,076 | $3,390 | $18,542,008 | 4 |
| Jan 13, 1984 | 7 | $2,910,645 | -20% | 1,038 | $2,804 | $21,452,653 | 5 |
| Jan 20, 1984 | 8 | $2,141,257 | -26% | 985 | $2,174 | $23,593,910 | 6 |
| Jan 27, 1984 | 9 | $1,788,676 | -16% | 870 | $2,056 | $25,382,586 | 7 |
| Feb 3, 1984 | 12 | $1,494,977 | -16% | 803 | $1,862 | $26,877,563 | 8 |
| Gene Hackman | Col. Cal Rhodes |
Leading
| Patrick Swayze | Kevin Scott |
| Fred Ward | Wilkes | |
| Tim Thomerson | Charts | |
| Randall ‘Tex’ Cobb | Sailor | |
| Michael Dudikoff | Blaster's Assistant |
Supporting
| Todd Allen | Frank Rhodes |
Production and Technical Credits
| Ted Kotcheff | Director | |
| James Horner | Composer | |
| Kenneth Karman | Music Editor | |
| Craig Huston | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,144,367 (11.3% of total gross) |
| Legs: | 6.71 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 989 opening theaters/1,076 max. theaters, 8.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $97,050,296 |
Movie Details
| Domestic Releases: | December 16th, 1983 (Wide) by Paramount Pictures |
| Video Release: | April 25th, 2017 by Paramount Home Video |
| MPA Rating: | R |
| Running Time: | 105 minutes |
| Plot point: | Mercenaries, POW, PTSD, Rescue, War |
| Social setting: | Vietnam War |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paramount Pictures, Milius, Feitshans |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 16, 1983 | 5 | $3,144,367 | 989 | $3,179 | $3,144,367 | 1 | |
| Dec 23, 1983 | 6 | $2,609,423 | -17% | 1,066 | $2,448 | $7,317,070 | 2 |
| Dec 30, 1983 | 6 | $4,159,410 | +59% | 1,069 | $3,891 | $13,880,342 | 3 |
| Jan 6, 1984 | 5 | $2,713,210 | -35% | 1,076 | $2,522 | $17,607,429 | 4 |
| Jan 13, 1984 | 7 | $2,227,818 | -18% | 1,038 | $2,146 | $20,769,826 | 5 |
| Jan 20, 1984 | 8 | $1,530,474 | -31% | 985 | $1,554 | $22,983,127 | 6 |
| Jan 27, 1984 | 9 | $1,406,213 | -8% | 870 | $1,616 | $25,000,123 | 7 |
| Feb 3, 1984 | 13 | $1,135,907 | -19% | 803 | $1,415 | $26,518,493 | 8 |
| Feb 10, 1984 | 13 | $923,917 | -19% | 745 | $1,240 | $27,801,480 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 16, 1983 | 5 | $4,707,647 | 989 | $4,760 | $4,707,647 | 1 | |
| Dec 23, 1983 | 6 | $5,013,285 | +6% | 1,066 | $4,703 | $9,720,932 | 2 |
| Dec 30, 1983 | 5 | $5,173,287 | +3% | 1,069 | $4,839 | $14,894,219 | 3 |
| Jan 6, 1984 | 5 | $3,647,789 | -29% | 1,076 | $3,390 | $18,542,008 | 4 |
| Jan 13, 1984 | 7 | $2,910,645 | -20% | 1,038 | $2,804 | $21,452,653 | 5 |
| Jan 20, 1984 | 8 | $2,141,257 | -26% | 985 | $2,174 | $23,593,910 | 6 |
| Jan 27, 1984 | 9 | $1,788,676 | -16% | 870 | $2,056 | $25,382,586 | 7 |
| Feb 3, 1984 | 12 | $1,494,977 | -16% | 803 | $1,862 | $26,877,563 | 8 |
| Gene Hackman | Col. Cal Rhodes |
Leading
| Patrick Swayze | Kevin Scott |
| Fred Ward | Wilkes | |
| Tim Thomerson | Charts | |
| Randall ‘Tex’ Cobb | Sailor | |
| Michael Dudikoff | Blaster's Assistant |
Supporting
| Todd Allen | Frank Rhodes |
Production and Technical Credits
| Ted Kotcheff | Director | |
| James Horner | Composer | |
| Kenneth Karman | Music Editor | |
| Craig Huston | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.