Under sandet (2015)
| Theatrical Performance | ||
| Domestic Box Office | $434,640 | Details |
| International Box Office | $4,524,399 | Details |
| Worldwide Box Office | $4,959,039 | |
| OpusData ID: 241730100 More info... | ||
| Further financial details... | ||
Synopsis
As World War Two comes to an end, a group of German POWs, boys rather than men, are captured by the Danish army and forced to engage in a deadly task—to defuse and clear land mines from the Danish coastline. With little or no training, the boys soon discover that the war is far from over.
Metrics
| Opening Weekend: | $13,754 (3.2% of total gross) |
| Legs: | 7.13 (domestic box office/biggest weekend) |
| Domestic Share: | 8.8% (domestic box office/worldwide) |
| Production Budget: | $6,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 3 opening theaters/40 max. theaters, 6.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $579,522 |
Movie Details
| Domestic Releases: | February 10th, 2017 (Limited) by Sony Pictures Classics, released as Land of Mine |
| International Releases: | December 3rd, 2015 (Wide) (Denmark)
March 24th, 2016 (Wide) (Italy) March 31st, 2016 (Wide) (Netherlands) April 7th, 2016 (Wide) (Germany) April 8th, 2016 (Wide) (Austria) ... Show all releases |
| Video Release: | June 6th, 2017 by Sony Pictures Home Entertainment, released as Land of Mine |
| MPA Rating: | R for violence, some grisly images, and language. (Rating bulletin 2416 (Cert #50342), 3/16/2016) |
| Running Time: | 101 minutes |
| Film festival: | Sundance Film Festival 2016 |
| Plot point: | Suicide, War Crimes |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Nordisk Film, Amusement Park, K5 International |
| Production Countries: | Denmark, Germany |
| Languages: | Danish, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2017 | 58 | $13,754 | 3 | $4,585 | $13,754 | 1 | |
| Feb 17, 2017 | 56 | $13,757 | n/c | 5 | $2,751 | $43,350 | 2 |
| Feb 24, 2017 | 58 | $14,008 | +2% | 8 | $1,751 | $67,095 | 3 |
| Mar 3, 2017 | 49 | $37,519 | +168% | 20 | $1,876 | $151,930 | 4 |
| Mar 10, 2017 | 38 | $60,973 | +63% | 40 | $1,524 | $188,409 | 5 |
| Mar 17, 2017 | 43 | $37,935 | -38% | 38 | $998 | $241,876 | 6 |
| Mar 24, 2017 | 45 | $34,017 | -10% | 26 | $1,308 | $298,306 | 7 |
| Mar 31, 2017 | 50 | $20,660 | -39% | 26 | $795 | $333,866 | 8 |
| Apr 7, 2017 | 49 | $20,687 | n/c | 36 | $575 | $366,722 | 9 |
| Apr 14, 2017 | 52 | $16,976 | -18% | 26 | $653 | $400,655 | 10 |
| Apr 21, 2017 | 69 | $5,802 | -66% | 14 | $414 | $415,930 | 11 |
| Apr 28, 2017 | 68 | $5,030 | -13% | 15 | $335 | $423,840 | 12 |
| May 5, 2017 | 73 | $2,876 | -43% | 10 | $288 | $429,191 | 13 |
| May 12, 2017 | 84 | $1,941 | -33% | 3 | $647 | $432,582 | 14 |
| May 19, 2017 | - | $1,266 | -35% | 2 | $633 | $434,640 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2017 | 54 | $29,593 | 3 | $9,864 | $29,593 | 1 | |
| Feb 17, 2017 | 56 | $23,494 | -21% | 5 | $4,699 | $53,087 | 2 |
| Feb 24, 2017 | 49 | $61,324 | +161% | 8 | $7,666 | $114,411 | 3 |
| Mar 17, 2017 | 42 | $60,348 | 38 | $1,588 | $264,289 | 6 | |
| Mar 24, 2017 | 44 | $48,917 | -19% | 26 | $1,881 | $313,206 | 7 |
| Mar 31, 2017 | 47 | $32,829 | -33% | 26 | $1,263 | $346,035 | 8 |
| Apr 7, 2017 | 47 | $37,644 | +15% | 36 | $1,046 | $383,679 | 9 |
| Apr 14, 2017 | 51 | $26,449 | -30% | 26 | $1,017 | $410,128 | 10 |
| Apr 21, 2017 | 66 | $8,682 | -67% | 14 | $620 | $418,810 | 11 |
| Apr 28, 2017 | 68 | $7,505 | -14% | 15 | $500 | $426,315 | 12 |
| May 5, 2017 | 72 | $4,326 | -42% | 10 | $433 | $430,641 | 13 |
| May 12, 2017 | 84 | $2,733 | -37% | 3 | $911 | $433,374 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/31/2017 | $80,150 | 19 | 22 | 133 | $290,949 | 5/15/2017 | |||
| Austria | 4/8/2016 | $1,038 | 5 | 5 | 7 | $1,864 | 6/9/2016 | |||
| Denmark | 12/3/2015 | $0 | 0 | 114 | 258 | $1,666,498 | 6/9/2016 | |||
| Germany | 4/7/2016 | $23,663 | 46 | 46 | 46 | $23,663 | 6/9/2016 | |||
| Italy | 3/24/2016 | $196,905 | 107 | 107 | 280 | $553,654 | 6/9/2016 | |||
| Netherlands | 3/31/2016 | $26,268 | 32 | 59 | 91 | $64,914 | 6/9/2016 | |||
| South Korea | 4/3/2017 | $32,620 | 97 | 97 | 134 | $85,597 | 4/4/2026 | |||
| Spain | 3/10/2017 | $24,340 | 41 | 41 | 96 | $71,108 | 4/21/2017 | |||
| United Kingdom | 8/4/2017 | $19,502 | 25 | 25 | 25 | $19,502 | 8/10/2017 | |||
| Rest of World | $1,746,650 | |||||||||
| International Total | $4,524,399 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Roland Møller | Sgt. Rasmussen | |
| Mikkel Boe Folsgaard | Captain Ebbe |
Supporting
| Louis Hofmann | Sebastian Schumann | |
| Joel Basman | Helmut Morbach | |
| Leon Seidel | Wilhelm Hahn | |
| Emil Belton | Ernst Lessner | |
| Oskar Belton | Werner Lessner | |
| Oskar Bokelmann | Ludwig Haffke | |
| August Carter | Rodolf Selke | |
| Laura Bro | Karin | |
| Zoe Zandvliet | Karin’s Daughter |
Production and Technical Credits
| Martin Zandvliet | Director | |
| Martin Zandvliet | Screenwriter | |
| Mikael Christian Rieks | Producer | |
| Malte Grunert | Producer | |
| Stefan Kapelari | Executive Producer | |
| Silke Wilfinger | Executive Producer | |
| Henrik Zein | Executive Producer | |
| Lena Haugaard | Executive Producer | |
| Torben Majgaard | Executive Producer | |
| Oliver Simon | Executive Producer | |
| Daniel Baur | Executive Producer | |
| Louise Birk Petersen | Line Producer | |
| Simone Bar | Casting Director | |
| Barbara Kreuzer | Make-up and Hair Designer | |
| Stefanie Bieker | Costume Designer | |
| Gitte Malling | Production Designer | |
| Johannes Elling Dam | Sound Mixer | |
| Rasmus Winther Jensen | Sound Designer | |
| Sune Martin | Composer | |
| Per Sandholt | Editor | |
| Molly Malene Stensgaad | Editor | |
| Camilla Hjelm Knudsen | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
As World War Two comes to an end, a group of German POWs, boys rather than men, are captured by the Danish army and forced to engage in a deadly task—to defuse and clear land mines from the Danish coastline. With little or no training, the boys soon discover that the war is far from over.
Metrics
| Opening Weekend: | $13,754 (3.2% of total gross) |
| Legs: | 7.13 (domestic box office/biggest weekend) |
| Domestic Share: | 8.8% (domestic box office/worldwide) |
| Production Budget: | $6,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 3 opening theaters/40 max. theaters, 6.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $579,522 |
Movie Details
| Domestic Releases: | February 10th, 2017 (Limited) by Sony Pictures Classics, released as Land of Mine |
| International Releases: | December 3rd, 2015 (Wide) (Denmark)
March 24th, 2016 (Wide) (Italy) March 31st, 2016 (Wide) (Netherlands) April 7th, 2016 (Wide) (Germany) April 8th, 2016 (Wide) (Austria) ... Show all releases |
| Video Release: | June 6th, 2017 by Sony Pictures Home Entertainment, released as Land of Mine |
| MPA Rating: | R for violence, some grisly images, and language. (Rating bulletin 2416 (Cert #50342), 3/16/2016) |
| Running Time: | 101 minutes |
| Film festival: | Sundance Film Festival 2016 |
| Plot point: | Suicide, War Crimes |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Nordisk Film, Amusement Park, K5 International |
| Production Countries: | Denmark, Germany |
| Languages: | Danish, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2017 | 58 | $13,754 | 3 | $4,585 | $13,754 | 1 | |
| Feb 17, 2017 | 56 | $13,757 | n/c | 5 | $2,751 | $43,350 | 2 |
| Feb 24, 2017 | 58 | $14,008 | +2% | 8 | $1,751 | $67,095 | 3 |
| Mar 3, 2017 | 49 | $37,519 | +168% | 20 | $1,876 | $151,930 | 4 |
| Mar 10, 2017 | 38 | $60,973 | +63% | 40 | $1,524 | $188,409 | 5 |
| Mar 17, 2017 | 43 | $37,935 | -38% | 38 | $998 | $241,876 | 6 |
| Mar 24, 2017 | 45 | $34,017 | -10% | 26 | $1,308 | $298,306 | 7 |
| Mar 31, 2017 | 50 | $20,660 | -39% | 26 | $795 | $333,866 | 8 |
| Apr 7, 2017 | 49 | $20,687 | n/c | 36 | $575 | $366,722 | 9 |
| Apr 14, 2017 | 52 | $16,976 | -18% | 26 | $653 | $400,655 | 10 |
| Apr 21, 2017 | 69 | $5,802 | -66% | 14 | $414 | $415,930 | 11 |
| Apr 28, 2017 | 68 | $5,030 | -13% | 15 | $335 | $423,840 | 12 |
| May 5, 2017 | 73 | $2,876 | -43% | 10 | $288 | $429,191 | 13 |
| May 12, 2017 | 84 | $1,941 | -33% | 3 | $647 | $432,582 | 14 |
| May 19, 2017 | - | $1,266 | -35% | 2 | $633 | $434,640 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2017 | 54 | $29,593 | 3 | $9,864 | $29,593 | 1 | |
| Feb 17, 2017 | 56 | $23,494 | -21% | 5 | $4,699 | $53,087 | 2 |
| Feb 24, 2017 | 49 | $61,324 | +161% | 8 | $7,666 | $114,411 | 3 |
| Mar 17, 2017 | 42 | $60,348 | 38 | $1,588 | $264,289 | 6 | |
| Mar 24, 2017 | 44 | $48,917 | -19% | 26 | $1,881 | $313,206 | 7 |
| Mar 31, 2017 | 47 | $32,829 | -33% | 26 | $1,263 | $346,035 | 8 |
| Apr 7, 2017 | 47 | $37,644 | +15% | 36 | $1,046 | $383,679 | 9 |
| Apr 14, 2017 | 51 | $26,449 | -30% | 26 | $1,017 | $410,128 | 10 |
| Apr 21, 2017 | 66 | $8,682 | -67% | 14 | $620 | $418,810 | 11 |
| Apr 28, 2017 | 68 | $7,505 | -14% | 15 | $500 | $426,315 | 12 |
| May 5, 2017 | 72 | $4,326 | -42% | 10 | $433 | $430,641 | 13 |
| May 12, 2017 | 84 | $2,733 | -37% | 3 | $911 | $433,374 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/31/2017 | $80,150 | 19 | 22 | 133 | $290,949 | 5/15/2017 | |||
| Austria | 4/8/2016 | $1,038 | 5 | 5 | 7 | $1,864 | 6/9/2016 | |||
| Denmark | 12/3/2015 | $0 | 0 | 114 | 258 | $1,666,498 | 6/9/2016 | |||
| Germany | 4/7/2016 | $23,663 | 46 | 46 | 46 | $23,663 | 6/9/2016 | |||
| Italy | 3/24/2016 | $196,905 | 107 | 107 | 280 | $553,654 | 6/9/2016 | |||
| Netherlands | 3/31/2016 | $26,268 | 32 | 59 | 91 | $64,914 | 6/9/2016 | |||
| South Korea | 4/3/2017 | $32,620 | 97 | 97 | 134 | $85,597 | 4/4/2026 | |||
| Spain | 3/10/2017 | $24,340 | 41 | 41 | 96 | $71,108 | 4/21/2017 | |||
| United Kingdom | 8/4/2017 | $19,502 | 25 | 25 | 25 | $19,502 | 8/10/2017 | |||
| Rest of World | $1,746,650 | |||||||||
| International Total | $4,524,399 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Roland Møller | Sgt. Rasmussen | |
| Mikkel Boe Folsgaard | Captain Ebbe |
Supporting
| Louis Hofmann | Sebastian Schumann | |
| Joel Basman | Helmut Morbach | |
| Leon Seidel | Wilhelm Hahn | |
| Emil Belton | Ernst Lessner | |
| Oskar Belton | Werner Lessner | |
| Oskar Bokelmann | Ludwig Haffke | |
| August Carter | Rodolf Selke | |
| Laura Bro | Karin | |
| Zoe Zandvliet | Karin’s Daughter |
Production and Technical Credits
| Martin Zandvliet | Director | |
| Martin Zandvliet | Screenwriter | |
| Mikael Christian Rieks | Producer | |
| Malte Grunert | Producer | |
| Stefan Kapelari | Executive Producer | |
| Silke Wilfinger | Executive Producer | |
| Henrik Zein | Executive Producer | |
| Lena Haugaard | Executive Producer | |
| Torben Majgaard | Executive Producer | |
| Oliver Simon | Executive Producer | |
| Daniel Baur | Executive Producer | |
| Louise Birk Petersen | Line Producer | |
| Simone Bar | Casting Director | |
| Barbara Kreuzer | Make-up and Hair Designer | |
| Stefanie Bieker | Costume Designer | |
| Gitte Malling | Production Designer | |
| Johannes Elling Dam | Sound Mixer | |
| Rasmus Winther Jensen | Sound Designer | |
| Sune Martin | Composer | |
| Per Sandholt | Editor | |
| Molly Malene Stensgaad | Editor | |
| Camilla Hjelm Knudsen | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.