Under the Skin (2014)
| Theatrical Performance | ||
| Domestic Box Office | $2,614,251 | Details |
| International Box Office | $4,615,682 | Details |
| Worldwide Box Office | $7,229,933 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,592,195 | |
| Blu-ray Sales (estimated) | $1,103,359 | |
| Total | $2,695,554 | |
| OpusData ID: 151720100 More info... | ||
| Further financial details... | ||
Synopsis
An alien of unknown origin arrives on Earth in search of human prey. Taking the form of the perfect female specimen, she prowls the streets looking for men to lure into her otherworldly lair. Her victims are seduced, stripped of their skin and never heard from again. But as time passes, she grows too comfortable in her borrowed skin, placing her very survival at risk.
Metrics
| Opening Weekend: | $133,154 (5.1% of total gross) |
| Legs: | 6.19 (domestic box office/biggest weekend) |
| Domestic Share: | 36.2% (domestic box office/worldwide) |
| Production Budget: | $13,300,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 4 opening theaters/176 max. theaters, 4.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,826,985 |
Movie Details
| Domestic Releases: | April 4th, 2014 (Limited) by A24 |
| International Releases: | March 14th, 2014 (Wide) (United Kingdom)
June 25th, 2014 (Wide) (Belgium) June 25th, 2014 (Wide) (France) July 10th, 2014 (Wide) (Hong Kong) July 18th, 2014 (Wide) (Taiwan) ... Show all releases |
| Video Release: | July 15th, 2014 by Lionsgate Home Entertainment |
| MPA Rating: | R for graphic nudity, sexual content, some violence and language. (Rating bulletin 2299, 11/20/2013) |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Improvised, Limited Dialogue, Non Professional Actor, Unnamed Character |
| Plot point: | Accidental Death, Bodysnatchers, Cannibalism, Food, Hitchhiker, Sex Crimes |
| Social setting: | Alien Invasion |
| Subgenre: | Psychological Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Nick Wechsler, JW Films, Silver Reel Entertainment, Creative Scotland, FilmNation Entertainment |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2014 | 29 | $133,154 | 4 | $33,289 | $133,154 | 1 | |
| Apr 11, 2014 | 22 | $281,650 | +112% | 54 | $5,216 | $472,647 | 2 |
| Apr 18, 2014 | 16 | $422,607 | +50% | 176 | $2,401 | $1,041,475 | 3 |
| Apr 25, 2014 | 23 | $273,167 | -35% | 158 | $1,729 | $1,531,587 | 4 |
| May 2, 2014 | 26 | $169,412 | -38% | 125 | $1,355 | $1,838,419 | 5 |
| May 9, 2014 | 33 | $127,685 | -25% | 93 | $1,373 | $2,067,108 | 6 |
| May 16, 2014 | 39 | $77,587 | -39% | 56 | $1,385 | $2,224,825 | 7 |
| May 23, 2014 | 44 | $51,507 | -34% | 32 | $1,610 | $2,325,289 | 8 |
| May 30, 2014 | 46 | $28,784 | -44% | 28 | $1,028 | $2,395,356 | 9 |
| Jun 6, 2014 | 57 | $22,092 | -23% | 28 | $789 | $2,440,753 | 10 |
| Jun 13, 2014 | 66 | $9,584 | -57% | 31 | $309 | $2,467,903 | 11 |
| Jun 20, 2014 | 70 | $8,457 | -12% | 16 | $529 | $2,485,565 | 12 |
| Jun 27, 2014 | 65 | $12,547 | +48% | 14 | $896 | $2,519,722 | 13 |
| Jul 4, 2014 | 56 | $11,452 | -9% | 12 | $954 | $2,549,881 | 14 |
| Jul 11, 2014 | 57 | $9,855 | -14% | 9 | $1,095 | $2,565,639 | 15 |
| Jul 18, 2014 | 64 | $8,884 | -10% | 9 | $987 | $2,581,112 | 16 |
| Jul 25, 2014 | 66 | $8,144 | -8% | 8 | $1,018 | $2,593,961 | 17 |
| Aug 1, 2014 | 72 | $6,454 | -21% | 5 | $1,291 | $2,605,039 | 18 |
| Aug 8, 2014 | 88 | $2,587 | -60% | 3 | $862 | $2,611,949 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2014 | 28 | $190,997 | 4 | $47,749 | $190,997 | 1 | |
| Apr 11, 2014 | 20 | $427,871 | +124% | 54 | $7,924 | $618,868 | 2 |
| Apr 18, 2014 | 16 | $639,552 | +49% | 176 | $3,634 | $1,258,420 | 3 |
| Apr 25, 2014 | 22 | $410,587 | -36% | 158 | $2,599 | $1,669,007 | 4 |
| May 2, 2014 | 25 | $270,416 | -34% | 125 | $2,163 | $1,939,423 | 5 |
| May 9, 2014 | 32 | $207,815 | -23% | 93 | $2,235 | $2,147,238 | 6 |
| May 16, 2014 | 36 | $126,544 | -39% | 56 | $2,260 | $2,273,782 | 7 |
| May 23, 2014 | 40 | $92,790 | -27% | 32 | $2,900 | $2,366,572 | 8 |
| May 30, 2014 | 45 | $52,117 | -44% | 10 | $5,212 | $2,418,689 | 9 |
| Jun 6, 2014 | 54 | $39,658 | -24% | 12 | $3,305 | $2,458,347 | 10 |
| Jun 13, 2014 | 63 | $18,789 | -53% | 16 | $1,174 | $2,477,136 | 11 |
| Jun 20, 2014 | 51 | $30,067 | +60% | 16 | $1,879 | $2,507,203 | 12 |
| Jun 27, 2014 | 57 | $31,254 | +4% | 14 | $2,232 | $2,538,457 | 13 |
| Jul 4, 2014 | 57 | $17,327 | -45% | 12 | $1,444 | $2,555,784 | 14 |
| Jul 11, 2014 | 55 | $16,444 | -5% | 2 | $8,222 | $2,572,228 | 15 |
| Jul 18, 2014 | 66 | $13,589 | -17% | 0 | $2,585,817 | 16 | |
| Jul 25, 2014 | 68 | $12,768 | -6% | 8 | $1,596 | $2,598,585 | 17 |
| Aug 1, 2014 | 71 | $10,777 | -16% | 5 | $2,155 | $2,609,362 | 18 |
| Aug 8, 2014 | 77 | $4,889 | -55% | 3 | $1,630 | $2,614,251 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/12/2020 | $478 | 1 | 1 | 8 | $205,355 | 6/23/2026 | |||
| Belgium | 6/25/2014 | $42,349 | 15 | 15 | 63 | $136,207 | 12/17/2015 | |||
| France | 6/25/2014 | $305,137 | 50 | 50 | 50 | $305,137 | 12/15/2015 | |||
| Hong Kong | 7/10/2014 | $22,454 | 7 | 7 | 15 | $53,693 | 12/17/2015 | |||
| Philippines | 7/23/2014 | $13,031 | 50 | 50 | 50 | $13,031 | 12/30/2018 | |||
| Spain | 7/10/2020 | $19,624 | 33 | 38 | 144 | $82,683 | 8/24/2020 | |||
| Taiwan | 7/18/2014 | $20,977 | 10 | 10 | 15 | $47,840 | 12/17/2015 | |||
| United Kingdom | 3/14/2014 | $0 | 0 | 23 | 25 | $1,522,586 | 4/4/2026 | |||
| Rest of World | $2,249,150 | |||||||||
| International Total | $4,615,682 | 6/23/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Scarlett Johansson | Laura |
Supporting
| Paul Brannigan | Andrew | |
| Antonia Campbell-Hughes | Shadow Alien | |
| Krystof Hadek | The Swimmer | |
| Jessica Mance | Alien | |
| Robert J. Goodwin | ||
| Joe Szula | ||
| Adam Pearson | ||
| Michael Moreland | ||
| Jeremy McWilliams |
Production and Technical Credits
| Jonathan Glazer | Director | |
| James Wilson | Producer | |
| Nick Wechsler | Producer | |
| Walter Campbell | Screenwriter | |
| Jonathan Glazer | Screenwriter | |
| Michel Faber | Story Creator | |
| Tessa Ross | Executive Producer | |
| Reno Antoniades | Executive Producer | |
| Walter Campbell | Executive Producer | |
| Claudia Bluemhuber | Executive Producer | |
| Ian Hutchinson | Executive Producer | |
| Florian Dargel | Executive Producer | |
| Daniel Landin | Director of Photography | |
| Paul Watts | Editor | |
| Chris Oddy | Production Designer | |
| Mica Levi | Composer | |
| Peter Raeburn | Music Producer | |
| Peter Raeburn | Music Supervisor | |
| Johnnie Burn | Sound Designer | |
| One of Us | Visual Effects Designer | |
| Alexander O'Neal | Co-Producer | |
| Gillian Berrie | Co-Producer | |
| Richard Lloyd | Post-Production Supervisor | |
| Kahleen Crawford | Casting Director | |
| Steven Noble | Costume Designer | |
| Chrissie Beveridge | Make-up and Hair Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An alien of unknown origin arrives on Earth in search of human prey. Taking the form of the perfect female specimen, she prowls the streets looking for men to lure into her otherworldly lair. Her victims are seduced, stripped of their skin and never heard from again. But as time passes, she grows too comfortable in her borrowed skin, placing her very survival at risk.
Metrics
| Opening Weekend: | $133,154 (5.1% of total gross) |
| Legs: | 6.19 (domestic box office/biggest weekend) |
| Domestic Share: | 36.2% (domestic box office/worldwide) |
| Production Budget: | $13,300,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 4 opening theaters/176 max. theaters, 4.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,826,985 |
Movie Details
| Domestic Releases: | April 4th, 2014 (Limited) by A24 |
| International Releases: | March 14th, 2014 (Wide) (United Kingdom)
June 25th, 2014 (Wide) (Belgium) June 25th, 2014 (Wide) (France) July 10th, 2014 (Wide) (Hong Kong) July 18th, 2014 (Wide) (Taiwan) ... Show all releases |
| Video Release: | July 15th, 2014 by Lionsgate Home Entertainment |
| MPA Rating: | R for graphic nudity, sexual content, some violence and language. (Rating bulletin 2299, 11/20/2013) |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Improvised, Limited Dialogue, Non Professional Actor, Unnamed Character |
| Plot point: | Accidental Death, Bodysnatchers, Cannibalism, Food, Hitchhiker, Sex Crimes |
| Social setting: | Alien Invasion |
| Subgenre: | Psychological Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Nick Wechsler, JW Films, Silver Reel Entertainment, Creative Scotland, FilmNation Entertainment |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2014 | 29 | $133,154 | 4 | $33,289 | $133,154 | 1 | |
| Apr 11, 2014 | 22 | $281,650 | +112% | 54 | $5,216 | $472,647 | 2 |
| Apr 18, 2014 | 16 | $422,607 | +50% | 176 | $2,401 | $1,041,475 | 3 |
| Apr 25, 2014 | 23 | $273,167 | -35% | 158 | $1,729 | $1,531,587 | 4 |
| May 2, 2014 | 26 | $169,412 | -38% | 125 | $1,355 | $1,838,419 | 5 |
| May 9, 2014 | 33 | $127,685 | -25% | 93 | $1,373 | $2,067,108 | 6 |
| May 16, 2014 | 39 | $77,587 | -39% | 56 | $1,385 | $2,224,825 | 7 |
| May 23, 2014 | 44 | $51,507 | -34% | 32 | $1,610 | $2,325,289 | 8 |
| May 30, 2014 | 46 | $28,784 | -44% | 28 | $1,028 | $2,395,356 | 9 |
| Jun 6, 2014 | 57 | $22,092 | -23% | 28 | $789 | $2,440,753 | 10 |
| Jun 13, 2014 | 66 | $9,584 | -57% | 31 | $309 | $2,467,903 | 11 |
| Jun 20, 2014 | 70 | $8,457 | -12% | 16 | $529 | $2,485,565 | 12 |
| Jun 27, 2014 | 65 | $12,547 | +48% | 14 | $896 | $2,519,722 | 13 |
| Jul 4, 2014 | 56 | $11,452 | -9% | 12 | $954 | $2,549,881 | 14 |
| Jul 11, 2014 | 57 | $9,855 | -14% | 9 | $1,095 | $2,565,639 | 15 |
| Jul 18, 2014 | 64 | $8,884 | -10% | 9 | $987 | $2,581,112 | 16 |
| Jul 25, 2014 | 66 | $8,144 | -8% | 8 | $1,018 | $2,593,961 | 17 |
| Aug 1, 2014 | 72 | $6,454 | -21% | 5 | $1,291 | $2,605,039 | 18 |
| Aug 8, 2014 | 88 | $2,587 | -60% | 3 | $862 | $2,611,949 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2014 | 28 | $190,997 | 4 | $47,749 | $190,997 | 1 | |
| Apr 11, 2014 | 20 | $427,871 | +124% | 54 | $7,924 | $618,868 | 2 |
| Apr 18, 2014 | 16 | $639,552 | +49% | 176 | $3,634 | $1,258,420 | 3 |
| Apr 25, 2014 | 22 | $410,587 | -36% | 158 | $2,599 | $1,669,007 | 4 |
| May 2, 2014 | 25 | $270,416 | -34% | 125 | $2,163 | $1,939,423 | 5 |
| May 9, 2014 | 32 | $207,815 | -23% | 93 | $2,235 | $2,147,238 | 6 |
| May 16, 2014 | 36 | $126,544 | -39% | 56 | $2,260 | $2,273,782 | 7 |
| May 23, 2014 | 40 | $92,790 | -27% | 32 | $2,900 | $2,366,572 | 8 |
| May 30, 2014 | 45 | $52,117 | -44% | 10 | $5,212 | $2,418,689 | 9 |
| Jun 6, 2014 | 54 | $39,658 | -24% | 12 | $3,305 | $2,458,347 | 10 |
| Jun 13, 2014 | 63 | $18,789 | -53% | 16 | $1,174 | $2,477,136 | 11 |
| Jun 20, 2014 | 51 | $30,067 | +60% | 16 | $1,879 | $2,507,203 | 12 |
| Jun 27, 2014 | 57 | $31,254 | +4% | 14 | $2,232 | $2,538,457 | 13 |
| Jul 4, 2014 | 57 | $17,327 | -45% | 12 | $1,444 | $2,555,784 | 14 |
| Jul 11, 2014 | 55 | $16,444 | -5% | 2 | $8,222 | $2,572,228 | 15 |
| Jul 18, 2014 | 66 | $13,589 | -17% | 0 | $2,585,817 | 16 | |
| Jul 25, 2014 | 68 | $12,768 | -6% | 8 | $1,596 | $2,598,585 | 17 |
| Aug 1, 2014 | 71 | $10,777 | -16% | 5 | $2,155 | $2,609,362 | 18 |
| Aug 8, 2014 | 77 | $4,889 | -55% | 3 | $1,630 | $2,614,251 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/12/2020 | $478 | 1 | 1 | 8 | $205,355 | 6/23/2026 | |||
| Belgium | 6/25/2014 | $42,349 | 15 | 15 | 63 | $136,207 | 12/17/2015 | |||
| France | 6/25/2014 | $305,137 | 50 | 50 | 50 | $305,137 | 12/15/2015 | |||
| Hong Kong | 7/10/2014 | $22,454 | 7 | 7 | 15 | $53,693 | 12/17/2015 | |||
| Philippines | 7/23/2014 | $13,031 | 50 | 50 | 50 | $13,031 | 12/30/2018 | |||
| Spain | 7/10/2020 | $19,624 | 33 | 38 | 144 | $82,683 | 8/24/2020 | |||
| Taiwan | 7/18/2014 | $20,977 | 10 | 10 | 15 | $47,840 | 12/17/2015 | |||
| United Kingdom | 3/14/2014 | $0 | 0 | 23 | 25 | $1,522,586 | 4/4/2026 | |||
| Rest of World | $2,249,150 | |||||||||
| International Total | $4,615,682 | 6/23/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Scarlett Johansson | Laura |
Supporting
| Paul Brannigan | Andrew | |
| Antonia Campbell-Hughes | Shadow Alien | |
| Krystof Hadek | The Swimmer | |
| Jessica Mance | Alien | |
| Robert J. Goodwin | ||
| Joe Szula | ||
| Adam Pearson | ||
| Michael Moreland | ||
| Jeremy McWilliams |
Production and Technical Credits
| Jonathan Glazer | Director | |
| James Wilson | Producer | |
| Nick Wechsler | Producer | |
| Walter Campbell | Screenwriter | |
| Jonathan Glazer | Screenwriter | |
| Michel Faber | Story Creator | |
| Tessa Ross | Executive Producer | |
| Reno Antoniades | Executive Producer | |
| Walter Campbell | Executive Producer | |
| Claudia Bluemhuber | Executive Producer | |
| Ian Hutchinson | Executive Producer | |
| Florian Dargel | Executive Producer | |
| Daniel Landin | Director of Photography | |
| Paul Watts | Editor | |
| Chris Oddy | Production Designer | |
| Mica Levi | Composer | |
| Peter Raeburn | Music Producer | |
| Peter Raeburn | Music Supervisor | |
| Johnnie Burn | Sound Designer | |
| One of Us | Visual Effects Designer | |
| Alexander O'Neal | Co-Producer | |
| Gillian Berrie | Co-Producer | |
| Richard Lloyd | Post-Production Supervisor | |
| Kahleen Crawford | Casting Director | |
| Steven Noble | Costume Designer | |
| Chrissie Beveridge | Make-up and Hair Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.