Unfriended: Dark Web (2018)

Unfriended: Dark Web
Theatrical Performance
Domestic Box Office $8,866,745Details
International Box Office $7,567,843Details
Worldwide Box Office $16,434,588
Home Market Performance
Est. Domestic DVD Sales $65,396 Details
Est. Domestic Blu-ray Sales $94,745 Details
Total Est. Domestic Video Sales $160,141
Further financial details...

Synopsis

When a 20-something finds a cache of hidden files on his new laptop, he is thrust into the deep waters of the dark web. From the makers of Unfriended, this thriller unravels in real-time, entirely on a computer screen. A warning for the digital age.

Metrics

Opening Weekend:$3,653,035 (41.2% of total gross)
Legs:2.43 (domestic box office/biggest weekend)
Domestic Share:54.0% (domestic box office/worldwide)
Production Budget:$1,000,000 (worldwide box office is 16.4 times production budget)
Theater counts:1,546 opening theaters/1,547 max. theaters, 2.2 weeks average run per theater
Infl. Adj. Dom. BO $10,492,152

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: July 20th, 2018 (Wide) by OTL Releasing
International Releases: July 19th, 2018 (Wide) (Singapore)
August 8th, 2018 (Wide) (Philippines)
August 10th, 2018 (Wide) (United Kingdom)
December 6th, 2018 (Wide) (Colombia)
December 6th, 2018 (Wide) (Germany)
... Show all releases
Video Release: October 16th, 2018 by Universal Home Entertainment
MPAA Rating: R for some disturbing violence, language and sexual references.
(Rating bulletin 2523 (Cert #51565), 4/18/2018)
R EDITED VERSION - Content is Different from "R" rated version - for some disturbing violence, language and sexual references.
(Rating bulletin 2534 (Cert #51659), 7/4/2018)
Running Time: 88 minutes
Franchise: Unfriended
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Internet, Slasher Horror, Computer Screen Film
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Bazelevs Company, BH Tilt, Blumhouse
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 20, 2018 9 $3,653,035   1,546 $2,363   $3,653,035 1
Jul 27, 2018 11 $1,470,910 -60% 1,547 $951   $7,364,340 2
Aug 3, 2018 25 $223,945 -85% 208 $1,077   $8,635,910 3
Aug 10, 2018 44 $32,035 -86% 57 $562   $8,768,455 4

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jul 20, 2018 9 $1,401,070     1,546 $906   $1,401,070 1
Jul 21, 2018 9 $1,224,220 -13%   1,546 $792   $2,625,290 2
Jul 22, 2018 9 $1,027,745 -16%   1,546 $665   $3,653,035 3
Jul 23, 2018 9 $589,365 -43%   1,546 $381   $4,242,400 4
Jul 24, 2018 9 $741,280 +26%   1,546 $479   $4,983,680 5
Jul 25, 2018 9 $523,300 -29%   1,546 $338   $5,506,980 6
Jul 26, 2018 9 $386,450 -26%   1,546 $250   $5,893,430 7
Jul 27, 2018 11 $480,440 +24% -66% 1,547 $311   $6,373,870 8
Jul 28, 2018 11 $552,180 +15% -55% 1,547 $357   $6,926,050 9
Jul 29, 2018 11 $438,290 -21% -57% 1,547 $283   $7,364,340 10
Jul 30, 2018 11 $279,010 -36% -53% 1,547 $180   $7,643,350 11
Jul 31, 2018 11 $371,625 +33% -50% 1,547 $240   $8,014,975 12
Aug 1, 2018 11 $276,080 -26% -47% 1,547 $178   $8,291,055 13
Aug 2, 2018 15 $120,910 -56% -69% 1,547 $78   $8,411,965 14
Aug 3, 2018 - $65,390 -46% -86% 208 $314   $8,477,355 15
Aug 4, 2018 - $89,205 +36% -84% 208 $429   $8,566,560 16
Aug 5, 2018 - $69,350 -22% -84% 208 $333   $8,635,910 17
Aug 6, 2018 - $34,545 -50% -88% 208 $166   $8,670,455 18
Aug 7, 2018 - $35,000 +1% -91% 208 $168   $8,705,455 19
Aug 8, 2018 - $22,015 -37% -92% 208 $106   $8,727,470 20
Aug 9, 2018 - $8,950 -59% -93% 208 $43   $8,736,420 21
Aug 10, 2018 - $9,560 +7% -85% 57 $168   $8,745,980 22
Aug 11, 2018 - $13,065 +37% -85% 57 $229   $8,759,045 23
Aug 12, 2018 - $9,410 -28% -86% 57 $165   $8,768,455 24
Aug 13, 2018 - $4,290 -54% -88% 57 $75   $8,772,745 25
Aug 14, 2018 - $4,480 +4% -87% 57 $79   $8,777,225 26
Aug 15, 2018 - $3,825 -15% -83% 57 $67   $8,781,050 27
Aug 16, 2018 - $2,935 -23% -67% 57 $51   $8,783,985 28

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 20, 2018 9 $5,893,430   1,546 $3,812   $5,893,430 1
Jul 27, 2018 11 $2,518,535 -57% 1,547 $1,628   $8,411,965 2
Aug 3, 2018 26 $324,455 -87% 208 $1,560   $8,736,420 3
Aug 10, 2018 45 $47,565 -85% 57 $834   $8,783,985 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Austria 12/7/2018 $86,128 30 31 184 $370,328 2/20/2019
Colombia 12/6/2018 $38,372 86 86 114 $72,204 12/28/2018
Ecuador 2/1/2019 $0 0 11 11 $90,894 2/20/2019
France 12/28/2018 $0 0 121 240 $2,028,490 1/18/2019
Germany 12/6/2018 $690,809 323 323 1,735 $2,547,566 5/24/2019
Italy 5/16/2019 $137,810 0 25 48 $191,567 6/13/2019
Mexico 12/13/2018 $59,126 0 0 0 $64,054 12/17/2018
Philippines 8/8/2018 $23,321 26 26 26 $29,008 1/1/2019
Singapore 7/19/2018 $0 0 2 2 $76,812 8/17/2018
Spain 12/28/2018 $382,921 202 214 876 $1,384,143 2/16/2019
United Kingdom 8/10/2018 $284,906 239 239 491 $712,777 9/6/2018
 
International Total$7,567,843 6/13/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Colin Woodell    Matias

Supporting Cast

Betty Gabriel    Nari
Rebecca Rittenhouse    Serena
Andrew Lees    Damon
Connor Del Rio    Aj
Stephanie Nogueras    Amaya DeSoto
Savira Windyani    DJ Lexx
Douglas Tait    Charon IV
Rob Welsh    Charon V
Bryan Adrian    Jack
Chelsea Alden    Kelly
Kiara Beltran    Charon VI
Maya Nalli    Girl in Barrel
Eric Watson    Final Charon

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stephen Susco    Director
Stephen Susco    Screenwriter
Jason Blum    Producer
Timur Bekmambetov    Producer
Adam Sidman    Executive Producer
Couper Samuelson    Executive Producer
Nelson Greaves    Executive Producer
Andrew Wesman    Editor
Kevin Stewart    Diector of Photography
Ryan Turek    Co-Producer
Todd Breau    Co-Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for October 16th, 2018

October 16th, 2018

Ant-Man and the Wasp

Ant-Man and the Wasp is coming out on DVD, Blu-ray Combo Pack, and 4K Ultra HD Combo Pack this week and it is scaring away most of the competition. Fortunately, it is also an amazing movie and a Contender for Pick of the Week. It isn’t the only contender, as both Mamoru Hosoda Movie Collection (Blu-ray) and Whitney (DVD or Blu-ray) were in the race. However, in the end, I went with Ant-Man and the Wasp. More...

Weekend Wrap-Up: July Ends on an Impossibly Good Weekend

July 30th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout was easily the biggest hit of the weekend earning more than the rest of the top five combined. Its opening weekend of $61.24 million was the best in the franchise, but it wasn’t enough to prevent the overall box office from dropping 9.3% from last weekend earning $156 million. This is 8.0% higher than the same weekend last year, which is the more important result. 2018 is now ahead of 2017 by a margin of 8.5% or $570 million at $7.23 billion to $6.66 billion. More...

Weekend Wrap-Up: Equalizer 2 Also has no Equal

July 23rd, 2018

The Equalizer 2

The Equalizer 2 was the surprise winner at the weekend box office chart with $36.01 million over the weekend, which put it just ahead of the $34.95 million earned by Mamma Mia: Here We Go Again! The overall box office topped expectations with $171 million, up 2.7% from last week. This is 5.1% lower than the same weekend last year, but this is better than expected. Also, 2018 is still ahead of 2017 by a sizable margin of $560 million / 8.8% at $6.98 billion to $6.42 billion. Again, if 2018 just maintains the raw dollar margin for the rest of the year, it will be a reason to celebrate. More...

Weekend Estimates: Equalizer more than Equals Mamma Mia

July 22nd, 2018

The Equalizer 2

In a shocking turn of events, The Equalizer 2 overtook Mamma Mia: Here We Go Again! over the weekend with $35.83 million. This is better than predicted and is better than the original managed. Its reviews are not great, but it earned an A from CinemaScore and it is aimed at a more mature target audience, so it should have better than average legs. We will have a better picture this time next week. Internationally, the film managed $3.3 million on 704 screens in 11 markets, including $2.2 million in Australia. The film first didn’t do great internationally, so while this is a 30% improvement, it is still nothing special. More...

Friday Estimates: Mamma Mia is Here to Stay

July 21st, 2018

Mamma Mia: Here We Go Again!

Mamma Mia: Here We Go Again! had a stellar opening earning $14.28 million on Friday, which is enough to put it on pace for nearly $40 million opening. That’s on the very high end of expectations and more than enough to be considered a hit. With strong reviews and an A minus from CinemaScore, the film should have good legs. It won’t have as good legs as the original did, but $100 million is an easy goal after this opening. More...

Thursday Night Previews: Equalizer nearly Equals Mamma Mia

July 20th, 2018

The Equalizer 2

Mamma Mia: Here We Go Again! pulled in $3.4 million during its previews on Thursday, which is a figure that is nearly impossible to judge. There simply are not enough live-action musicals released to compare to. The vast majority if those that do come out come out at Christmas time, so it is a poor comparison. Rock of Ages is the closest both in terms of style (Both films are Jukebox Musicals.) and release dates, but that film came out before midnight shows became standard. I’ve seen some compare it to Pitch Perfect 2, but that was a sequel and that messes with the comparisons. That said, $3.4 million is still a good amount. The reviews suggest good legs and a $35 million opening is likely, which is a little better than predicted, by a little bit. More...

Weekend Predictions: Will Mamma Mia have an Encore on Top?

July 19th, 2018

Mamma Mia: Here We Go Again!

At the beginning of the month, I didn’t have relatively high hopes for this weekend; I thought it could put up a fight in the year-over-year comparison, but would ultimately lose. That has changed and not for the better. Mamma Mia: Here We Go Again! is still widely expected to earn first place over the weekend, but it might not do well enough to finish with $100 million domestically. The Equalizer 2 won’t match its predecessor, not with the amount of action films struggling in theaters. Finally, Unfriended: Dark Web is opening in barely more than 1,500 theaters and it is going nowhere. Hotel Transylvania 3: Summer Vacation should have a good hold, but I’m not sure about any of the rest. This weekend last year, Dunkirk opened with just over $50 million and five other films earned $10 million or more over the weekend. There’s no way 2018 will match that. I don’t even think it will be close. More...

2018 Preview: July

July 1st, 2018

Ant-Man and the Wasp

June was amazing, with two absolute monster hits and a solid $100 million hit. By the end of the month, 2018’s lead over 2017 will be well over $500 million, or close to 10%. Even if 2018 only managed to maintain this lead in terms of raw numbers for the rest of the year, it will be a massive jump at the box office. As for July, there are a couple of potential monster hits, Ant-Man and the Wasp and Mission: Impossible—Fallout, plus four potential $100 million hits. Last July, there was only one monster hit, Spider-Man: Homecoming, and three $100 million hits. I don’t think 2018 will match 2017 at the top, but 2018 appears to have more depth and that should put it a little ahead over the full month. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

When a 20-something finds a cache of hidden files on his new laptop, he is thrust into the deep waters of the dark web. From the makers of Unfriended, this thriller unravels in real-time, entirely on a computer screen. A warning for the digital age.

Metrics

Opening Weekend:$3,653,035 (41.2% of total gross)
Legs:2.43 (domestic box office/biggest weekend)
Domestic Share:54.0% (domestic box office/worldwide)
Production Budget:$1,000,000 (worldwide box office is 16.4 times production budget)
Theater counts:1,546 opening theaters/1,547 max. theaters, 2.2 weeks average run per theater
Infl. Adj. Dom. BO $10,492,152

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: July 20th, 2018 (Wide) by OTL Releasing
International Releases: July 19th, 2018 (Wide) (Singapore)
August 8th, 2018 (Wide) (Philippines)
August 10th, 2018 (Wide) (United Kingdom)
December 6th, 2018 (Wide) (Colombia)
December 6th, 2018 (Wide) (Germany)
... Show all releases
Video Release: October 16th, 2018 by Universal Home Entertainment
MPAA Rating: R for some disturbing violence, language and sexual references.
(Rating bulletin 2523 (Cert #51565), 4/18/2018)
R EDITED VERSION - Content is Different from "R" rated version - for some disturbing violence, language and sexual references.
(Rating bulletin 2534 (Cert #51659), 7/4/2018)
Running Time: 88 minutes
Franchise: Unfriended
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Internet, Slasher Horror, Computer Screen Film
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Bazelevs Company, BH Tilt, Blumhouse
Production Countries: United States
Languages: English

Leading Cast

Colin Woodell    Matias

Supporting Cast

Betty Gabriel    Nari
Rebecca Rittenhouse    Serena
Andrew Lees    Damon
Connor Del Rio    Aj
Stephanie Nogueras    Amaya DeSoto
Savira Windyani    DJ Lexx
Douglas Tait    Charon IV
Rob Welsh    Charon V
Bryan Adrian    Jack
Chelsea Alden    Kelly
Kiara Beltran    Charon VI
Maya Nalli    Girl in Barrel
Eric Watson    Final Charon

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stephen Susco    Director
Stephen Susco    Screenwriter
Jason Blum    Producer
Timur Bekmambetov    Producer
Adam Sidman    Executive Producer
Couper Samuelson    Executive Producer
Nelson Greaves    Executive Producer
Andrew Wesman    Editor
Kevin Stewart    Diector of Photography
Ryan Turek    Co-Producer
Todd Breau    Co-Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for October 16th, 2018

October 16th, 2018

Ant-Man and the Wasp

Ant-Man and the Wasp is coming out on DVD, Blu-ray Combo Pack, and 4K Ultra HD Combo Pack this week and it is scaring away most of the competition. Fortunately, it is also an amazing movie and a Contender for Pick of the Week. It isn’t the only contender, as both Mamoru Hosoda Movie Collection (Blu-ray) and Whitney (DVD or Blu-ray) were in the race. However, in the end, I went with Ant-Man and the Wasp. More...

Weekend Wrap-Up: July Ends on an Impossibly Good Weekend

July 30th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout was easily the biggest hit of the weekend earning more than the rest of the top five combined. Its opening weekend of $61.24 million was the best in the franchise, but it wasn’t enough to prevent the overall box office from dropping 9.3% from last weekend earning $156 million. This is 8.0% higher than the same weekend last year, which is the more important result. 2018 is now ahead of 2017 by a margin of 8.5% or $570 million at $7.23 billion to $6.66 billion. More...

Weekend Wrap-Up: Equalizer 2 Also has no Equal

July 23rd, 2018

The Equalizer 2

The Equalizer 2 was the surprise winner at the weekend box office chart with $36.01 million over the weekend, which put it just ahead of the $34.95 million earned by Mamma Mia: Here We Go Again! The overall box office topped expectations with $171 million, up 2.7% from last week. This is 5.1% lower than the same weekend last year, but this is better than expected. Also, 2018 is still ahead of 2017 by a sizable margin of $560 million / 8.8% at $6.98 billion to $6.42 billion. Again, if 2018 just maintains the raw dollar margin for the rest of the year, it will be a reason to celebrate. More...

Weekend Estimates: Equalizer more than Equals Mamma Mia

July 22nd, 2018

The Equalizer 2

In a shocking turn of events, The Equalizer 2 overtook Mamma Mia: Here We Go Again! over the weekend with $35.83 million. This is better than predicted and is better than the original managed. Its reviews are not great, but it earned an A from CinemaScore and it is aimed at a more mature target audience, so it should have better than average legs. We will have a better picture this time next week. Internationally, the film managed $3.3 million on 704 screens in 11 markets, including $2.2 million in Australia. The film first didn’t do great internationally, so while this is a 30% improvement, it is still nothing special. More...

Friday Estimates: Mamma Mia is Here to Stay

July 21st, 2018

Mamma Mia: Here We Go Again!

Mamma Mia: Here We Go Again! had a stellar opening earning $14.28 million on Friday, which is enough to put it on pace for nearly $40 million opening. That’s on the very high end of expectations and more than enough to be considered a hit. With strong reviews and an A minus from CinemaScore, the film should have good legs. It won’t have as good legs as the original did, but $100 million is an easy goal after this opening. More...

Thursday Night Previews: Equalizer nearly Equals Mamma Mia

July 20th, 2018

The Equalizer 2

Mamma Mia: Here We Go Again! pulled in $3.4 million during its previews on Thursday, which is a figure that is nearly impossible to judge. There simply are not enough live-action musicals released to compare to. The vast majority if those that do come out come out at Christmas time, so it is a poor comparison. Rock of Ages is the closest both in terms of style (Both films are Jukebox Musicals.) and release dates, but that film came out before midnight shows became standard. I’ve seen some compare it to Pitch Perfect 2, but that was a sequel and that messes with the comparisons. That said, $3.4 million is still a good amount. The reviews suggest good legs and a $35 million opening is likely, which is a little better than predicted, by a little bit. More...

Weekend Predictions: Will Mamma Mia have an Encore on Top?

July 19th, 2018

Mamma Mia: Here We Go Again!

At the beginning of the month, I didn’t have relatively high hopes for this weekend; I thought it could put up a fight in the year-over-year comparison, but would ultimately lose. That has changed and not for the better. Mamma Mia: Here We Go Again! is still widely expected to earn first place over the weekend, but it might not do well enough to finish with $100 million domestically. The Equalizer 2 won’t match its predecessor, not with the amount of action films struggling in theaters. Finally, Unfriended: Dark Web is opening in barely more than 1,500 theaters and it is going nowhere. Hotel Transylvania 3: Summer Vacation should have a good hold, but I’m not sure about any of the rest. This weekend last year, Dunkirk opened with just over $50 million and five other films earned $10 million or more over the weekend. There’s no way 2018 will match that. I don’t even think it will be close. More...

2018 Preview: July

July 1st, 2018

Ant-Man and the Wasp

June was amazing, with two absolute monster hits and a solid $100 million hit. By the end of the month, 2018’s lead over 2017 will be well over $500 million, or close to 10%. Even if 2018 only managed to maintain this lead in terms of raw numbers for the rest of the year, it will be a massive jump at the box office. As for July, there are a couple of potential monster hits, Ant-Man and the Wasp and Mission: Impossible—Fallout, plus four potential $100 million hits. Last July, there was only one monster hit, Spider-Man: Homecoming, and three $100 million hits. I don’t think 2018 will match 2017 at the top, but 2018 appears to have more depth and that should put it a little ahead over the full month. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 20, 2018 9 $3,653,035   1,546 $2,363   $3,653,035 1
Jul 27, 2018 11 $1,470,910 -60% 1,547 $951   $7,364,340 2
Aug 3, 2018 25 $223,945 -85% 208 $1,077   $8,635,910 3
Aug 10, 2018 44 $32,035 -86% 57 $562   $8,768,455 4

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jul 20, 2018 9 $1,401,070     1,546 $906   $1,401,070 1
Jul 21, 2018 9 $1,224,220 -13%   1,546 $792   $2,625,290 2
Jul 22, 2018 9 $1,027,745 -16%   1,546 $665   $3,653,035 3
Jul 23, 2018 9 $589,365 -43%   1,546 $381   $4,242,400 4
Jul 24, 2018 9 $741,280 +26%   1,546 $479   $4,983,680 5
Jul 25, 2018 9 $523,300 -29%   1,546 $338   $5,506,980 6
Jul 26, 2018 9 $386,450 -26%   1,546 $250   $5,893,430 7
Jul 27, 2018 11 $480,440 +24% -66% 1,547 $311   $6,373,870 8
Jul 28, 2018 11 $552,180 +15% -55% 1,547 $357   $6,926,050 9
Jul 29, 2018 11 $438,290 -21% -57% 1,547 $283   $7,364,340 10
Jul 30, 2018 11 $279,010 -36% -53% 1,547 $180   $7,643,350 11
Jul 31, 2018 11 $371,625 +33% -50% 1,547 $240   $8,014,975 12
Aug 1, 2018 11 $276,080 -26% -47% 1,547 $178   $8,291,055 13
Aug 2, 2018 15 $120,910 -56% -69% 1,547 $78   $8,411,965 14
Aug 3, 2018 - $65,390 -46% -86% 208 $314   $8,477,355 15
Aug 4, 2018 - $89,205 +36% -84% 208 $429   $8,566,560 16
Aug 5, 2018 - $69,350 -22% -84% 208 $333   $8,635,910 17
Aug 6, 2018 - $34,545 -50% -88% 208 $166   $8,670,455 18
Aug 7, 2018 - $35,000 +1% -91% 208 $168   $8,705,455 19
Aug 8, 2018 - $22,015 -37% -92% 208 $106   $8,727,470 20
Aug 9, 2018 - $8,950 -59% -93% 208 $43   $8,736,420 21
Aug 10, 2018 - $9,560 +7% -85% 57 $168   $8,745,980 22
Aug 11, 2018 - $13,065 +37% -85% 57 $229   $8,759,045 23
Aug 12, 2018 - $9,410 -28% -86% 57 $165   $8,768,455 24
Aug 13, 2018 - $4,290 -54% -88% 57 $75   $8,772,745 25
Aug 14, 2018 - $4,480 +4% -87% 57 $79   $8,777,225 26
Aug 15, 2018 - $3,825 -15% -83% 57 $67   $8,781,050 27
Aug 16, 2018 - $2,935 -23% -67% 57 $51   $8,783,985 28

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 20, 2018 9 $5,893,430   1,546 $3,812   $5,893,430 1
Jul 27, 2018 11 $2,518,535 -57% 1,547 $1,628   $8,411,965 2
Aug 3, 2018 26 $324,455 -87% 208 $1,560   $8,736,420 3
Aug 10, 2018 45 $47,565 -85% 57 $834   $8,783,985 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Austria 12/7/2018 $86,128 30 31 184 $370,328 2/20/2019
Colombia 12/6/2018 $38,372 86 86 114 $72,204 12/28/2018
Ecuador 2/1/2019 $0 0 11 11 $90,894 2/20/2019
France 12/28/2018 $0 0 121 240 $2,028,490 1/18/2019
Germany 12/6/2018 $690,809 323 323 1,735 $2,547,566 5/24/2019
Italy 5/16/2019 $137,810 0 25 48 $191,567 6/13/2019
Mexico 12/13/2018 $59,126 0 0 0 $64,054 12/17/2018
Philippines 8/8/2018 $23,321 26 26 26 $29,008 1/1/2019
Singapore 7/19/2018 $0 0 2 2 $76,812 8/17/2018
Spain 12/28/2018 $382,921 202 214 876 $1,384,143 2/16/2019
United Kingdom 8/10/2018 $284,906 239 239 491 $712,777 9/6/2018
 
International Total$7,567,843 6/13/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.