Unga Astrid (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $120,486 | Details |
| International Box Office | $840,843 | Details |
| Worldwide Box Office | $961,329 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $36,193 | |
| Total | $36,193 | |
| OpusData ID: 322480100 More info... | ||
| Further financial details... | ||
Synopsis
Teenaged Astrid Lindgren, future author of Pippi Longstocking, leads a carefree life in rural Sweden. Eager to break free from her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor. After Astrid becomes pregnant, she leaves home to give birth to a son, whom she reluctantly leaves with a foster mother. When the foster mother falls ill, Astrid uses her imagination and flair for storytelling to reconnect with her child.
Metrics
| Opening Weekend: | $5,361 (4.4% of total gross) |
| Legs: | 6.36 (domestic box office/biggest weekend) |
| Domestic Share: | 12.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/16 max. theaters, 4.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $157,836 |
Movie Details
| Domestic Releases: | November 23rd, 2018 (Limited) by Music Box Films, released as Becoming Astrid |
| International Releases: | November 23rd, 2018 (Wide), released as БЫТЬ АСТРИД ЛИНДГРЕН (Russia (CIS))
November 30th, 2018 (Wide), released as Becoming Astrid (Netherlands) December 7th, 2018 (Wide) (Germany) December 14th, 2018 (Wide), released as Astridos Lindgren jaunystė (Lithuania) January 11th, 2019 (Wide), released as Приказка за Астрид (Bulgaria) ... Show all releases |
| Video Release: | March 19th, 2019 by Music Box Films Video, released as Becoming Astrid |
| MPA Rating: | Not Rated |
| Running Time: | 123 minutes |
| Geographical setting: | Sweden |
| Plot point: | Biography, Writing and Writers |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Nordisk Film, Film i Vast, TV4 Entertainment, DCM Productions, Swedish Film Institute, Danish Film Institute, Nordic Film and TV Fund, Mitteldeutsche Medienfoerderung, Medienboard Berlin-Brandenburg, Creative Europe |
| Production Countries: | Sweden, Denmark |
| Languages: | Swedish, Danish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 23, 2018 | 56 | $5,361 | 3 | $1,787 | $5,361 | 1 | |
| Nov 30, 2018 | 46 | $18,959 | +254% | 15 | $1,264 | $26,980 | 2 |
| Dec 7, 2018 | 56 | $10,038 | -47% | 15 | $669 | $52,049 | 3 |
| Dec 14, 2018 | 56 | $5,233 | -48% | 13 | $403 | $66,126 | 4 |
| Dec 21, 2018 | 63 | $771 | -85% | 3 | $257 | $69,937 | 5 |
| Dec 28, 2018 | 69 | $905 | +17% | 2 | $453 | $72,627 | 6 |
| Jan 4, 2019 | 62 | $2,475 | +173% | 3 | $825 | $76,087 | 7 |
| Jan 11, 2019 | 52 | $8,909 | +260% | 6 | $1,485 | $86,580 | 8 |
| Jan 25, 2019 | 59 | $1,390 | 3 | $463 | $98,727 | 10 | |
| Feb 1, 2019 | 63 | $2,383 | +71% | 2 | $1,192 | $101,110 | 11 |
| Feb 8, 2019 | 72 | $942 | -60% | 3 | $314 | $105,146 | 12 |
| Feb 22, 2019 | 70 | $1,571 | 3 | $524 | $108,444 | 14 | |
| Mar 8, 2019 | 80 | $1,594 | 2 | $797 | $115,376 | 16 | |
| Mar 15, 2019 | 86 | $1,953 | +23% | 3 | $651 | $118,453 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 23, 2018 | 55 | $8,021 | 3 | $2,674 | $8,021 | 1 | |
| Nov 30, 2018 | 46 | $33,990 | +324% | 16 | $2,124 | $42,011 | 2 |
| Dec 7, 2018 | 56 | $18,882 | -44% | 16 | $1,180 | $60,893 | 3 |
| Dec 14, 2018 | 56 | $8,273 | -56% | 13 | $636 | $69,166 | 4 |
| Dec 21, 2018 | 69 | $2,556 | -69% | 3 | $852 | $71,722 | 5 |
| Dec 28, 2018 | 72 | $1,890 | -26% | 3 | $630 | $73,612 | 6 |
| Jan 4, 2019 | 62 | $4,059 | +115% | 4 | $1,015 | $77,671 | 7 |
| Jan 11, 2019 | 56 | $11,920 | +194% | 6 | $1,987 | $89,591 | 8 |
| Jan 18, 2019 | 51 | $7,746 | -35% | 3 | $2,582 | $97,337 | 9 |
| Jan 25, 2019 | 62 | $1,390 | -82% | 3 | $463 | $98,727 | 10 |
| Feb 1, 2019 | 62 | $5,477 | +294% | 4 | $1,369 | $104,204 | 11 |
| Feb 8, 2019 | 77 | $1,701 | -69% | 4 | $425 | $105,905 | 12 |
| Feb 15, 2019 | 79 | $968 | -43% | 2 | $484 | $106,873 | 13 |
| Feb 22, 2019 | 62 | $6,178 | +538% | 5 | $1,236 | $113,051 | 14 |
| Mar 1, 2019 | 89 | $731 | -88% | 1 | $731 | $113,782 | 15 |
| Mar 8, 2019 | 83 | $2,718 | +272% | 3 | $906 | $116,500 | 16 |
| Mar 15, 2019 | 88 | $2,663 | -2% | 3 | $888 | $119,163 | 17 |
| Mar 22, 2019 | 89 | $1,323 | -50% | 3 | $441 | $120,486 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 1/11/2019 | $1,038 | 0 | 0 | 0 | $6,871 | 2/11/2019 | |||
| France | 5/10/2019 | $95,580 | 55 | 67 | 122 | $168,212 | 5/24/2019 | |||
| Germany | 12/7/2018 | $286,740 | 0 | 0 | 0 | $332,142 | 12/16/2018 | |||
| Lithuania | 12/14/2018 | $2,081 | 17 | 17 | 21 | $4,090 | 1/3/2019 | |||
| Netherlands | 11/30/2018 | $33,144 | 30 | 34 | 94 | $131,489 | 1/3/2019 | |||
| Russia (CIS) | 11/23/2018 | $11,287 | 58 | 58 | 115 | $36,004 | 2/1/2019 | |||
| South Korea | 5/12/2021 | $7,984 | 70 | 70 | 130 | $23,887 | 6/4/2021 | |||
| Spain | 3/29/2019 | $64,108 | 52 | 57 | 109 | $138,148 | 4/12/2019 | |||
| International Total | $840,843 | 6/4/2021 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alba August | Astrid |
Supporting
| Maria Bonnevie | Hanna | |
| Magnus Krepper | Samuel | |
| Trine Dyrholm | Marie | |
| Henrik Rafaelsen | Blomberg | |
| Bjorn Gustafsson | Sture | |
| Maria Fahl Vikander | Young Astrid | |
| Li Bradhe | Landlady |
Production and Technical Credits
| Pernille Fischer Christensen | Director | |
| Kim Fupz Aakeson | Screenwriter | |
| Pernille Fischer Christensen | Screenwriter | |
| Anna Anthony | Producer | |
| Maria Dahlin | Producer | |
| Lars G. Lindstrom | Producer | |
| Erik Molberg Hansen | Cinematographer | |
| Åsa Mossberg | Editor | |
| Kasper Leick | Editor | |
| Linda Janson | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Teenaged Astrid Lindgren, future author of Pippi Longstocking, leads a carefree life in rural Sweden. Eager to break free from her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor. After Astrid becomes pregnant, she leaves home to give birth to a son, whom she reluctantly leaves with a foster mother. When the foster mother falls ill, Astrid uses her imagination and flair for storytelling to reconnect with her child.
Metrics
| Opening Weekend: | $5,361 (4.4% of total gross) |
| Legs: | 6.36 (domestic box office/biggest weekend) |
| Domestic Share: | 12.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/16 max. theaters, 4.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $157,836 |
Movie Details
| Domestic Releases: | November 23rd, 2018 (Limited) by Music Box Films, released as Becoming Astrid |
| International Releases: | November 23rd, 2018 (Wide), released as БЫТЬ АСТРИД ЛИНДГРЕН (Russia (CIS))
November 30th, 2018 (Wide), released as Becoming Astrid (Netherlands) December 7th, 2018 (Wide) (Germany) December 14th, 2018 (Wide), released as Astridos Lindgren jaunystė (Lithuania) January 11th, 2019 (Wide), released as Приказка за Астрид (Bulgaria) ... Show all releases |
| Video Release: | March 19th, 2019 by Music Box Films Video, released as Becoming Astrid |
| MPA Rating: | Not Rated |
| Running Time: | 123 minutes |
| Geographical setting: | Sweden |
| Plot point: | Biography, Writing and Writers |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Nordisk Film, Film i Vast, TV4 Entertainment, DCM Productions, Swedish Film Institute, Danish Film Institute, Nordic Film and TV Fund, Mitteldeutsche Medienfoerderung, Medienboard Berlin-Brandenburg, Creative Europe |
| Production Countries: | Sweden, Denmark |
| Languages: | Swedish, Danish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 23, 2018 | 56 | $5,361 | 3 | $1,787 | $5,361 | 1 | |
| Nov 30, 2018 | 46 | $18,959 | +254% | 15 | $1,264 | $26,980 | 2 |
| Dec 7, 2018 | 56 | $10,038 | -47% | 15 | $669 | $52,049 | 3 |
| Dec 14, 2018 | 56 | $5,233 | -48% | 13 | $403 | $66,126 | 4 |
| Dec 21, 2018 | 63 | $771 | -85% | 3 | $257 | $69,937 | 5 |
| Dec 28, 2018 | 69 | $905 | +17% | 2 | $453 | $72,627 | 6 |
| Jan 4, 2019 | 62 | $2,475 | +173% | 3 | $825 | $76,087 | 7 |
| Jan 11, 2019 | 52 | $8,909 | +260% | 6 | $1,485 | $86,580 | 8 |
| Jan 25, 2019 | 59 | $1,390 | 3 | $463 | $98,727 | 10 | |
| Feb 1, 2019 | 63 | $2,383 | +71% | 2 | $1,192 | $101,110 | 11 |
| Feb 8, 2019 | 72 | $942 | -60% | 3 | $314 | $105,146 | 12 |
| Feb 22, 2019 | 70 | $1,571 | 3 | $524 | $108,444 | 14 | |
| Mar 8, 2019 | 80 | $1,594 | 2 | $797 | $115,376 | 16 | |
| Mar 15, 2019 | 86 | $1,953 | +23% | 3 | $651 | $118,453 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 23, 2018 | 55 | $8,021 | 3 | $2,674 | $8,021 | 1 | |
| Nov 30, 2018 | 46 | $33,990 | +324% | 16 | $2,124 | $42,011 | 2 |
| Dec 7, 2018 | 56 | $18,882 | -44% | 16 | $1,180 | $60,893 | 3 |
| Dec 14, 2018 | 56 | $8,273 | -56% | 13 | $636 | $69,166 | 4 |
| Dec 21, 2018 | 69 | $2,556 | -69% | 3 | $852 | $71,722 | 5 |
| Dec 28, 2018 | 72 | $1,890 | -26% | 3 | $630 | $73,612 | 6 |
| Jan 4, 2019 | 62 | $4,059 | +115% | 4 | $1,015 | $77,671 | 7 |
| Jan 11, 2019 | 56 | $11,920 | +194% | 6 | $1,987 | $89,591 | 8 |
| Jan 18, 2019 | 51 | $7,746 | -35% | 3 | $2,582 | $97,337 | 9 |
| Jan 25, 2019 | 62 | $1,390 | -82% | 3 | $463 | $98,727 | 10 |
| Feb 1, 2019 | 62 | $5,477 | +294% | 4 | $1,369 | $104,204 | 11 |
| Feb 8, 2019 | 77 | $1,701 | -69% | 4 | $425 | $105,905 | 12 |
| Feb 15, 2019 | 79 | $968 | -43% | 2 | $484 | $106,873 | 13 |
| Feb 22, 2019 | 62 | $6,178 | +538% | 5 | $1,236 | $113,051 | 14 |
| Mar 1, 2019 | 89 | $731 | -88% | 1 | $731 | $113,782 | 15 |
| Mar 8, 2019 | 83 | $2,718 | +272% | 3 | $906 | $116,500 | 16 |
| Mar 15, 2019 | 88 | $2,663 | -2% | 3 | $888 | $119,163 | 17 |
| Mar 22, 2019 | 89 | $1,323 | -50% | 3 | $441 | $120,486 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 1/11/2019 | $1,038 | 0 | 0 | 0 | $6,871 | 2/11/2019 | |||
| France | 5/10/2019 | $95,580 | 55 | 67 | 122 | $168,212 | 5/24/2019 | |||
| Germany | 12/7/2018 | $286,740 | 0 | 0 | 0 | $332,142 | 12/16/2018 | |||
| Lithuania | 12/14/2018 | $2,081 | 17 | 17 | 21 | $4,090 | 1/3/2019 | |||
| Netherlands | 11/30/2018 | $33,144 | 30 | 34 | 94 | $131,489 | 1/3/2019 | |||
| Russia (CIS) | 11/23/2018 | $11,287 | 58 | 58 | 115 | $36,004 | 2/1/2019 | |||
| South Korea | 5/12/2021 | $7,984 | 70 | 70 | 130 | $23,887 | 6/4/2021 | |||
| Spain | 3/29/2019 | $64,108 | 52 | 57 | 109 | $138,148 | 4/12/2019 | |||
| International Total | $840,843 | 6/4/2021 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alba August | Astrid |
Supporting
| Maria Bonnevie | Hanna | |
| Magnus Krepper | Samuel | |
| Trine Dyrholm | Marie | |
| Henrik Rafaelsen | Blomberg | |
| Bjorn Gustafsson | Sture | |
| Maria Fahl Vikander | Young Astrid | |
| Li Bradhe | Landlady |
Production and Technical Credits
| Pernille Fischer Christensen | Director | |
| Kim Fupz Aakeson | Screenwriter | |
| Pernille Fischer Christensen | Screenwriter | |
| Anna Anthony | Producer | |
| Maria Dahlin | Producer | |
| Lars G. Lindstrom | Producer | |
| Erik Molberg Hansen | Cinematographer | |
| Åsa Mossberg | Editor | |
| Kasper Leick | Editor | |
| Linda Janson | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.