Unholy Song (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $40,724 | Details |
| OpusData ID: 725630100 More info... | ||
| Further financial details... | ||
Synopsis
A reimagining of the greatest exorcism of all time: the Miracle of the Gerasene Swine, performed by Jesus Christ as chronicled in the New Testament. Set in modern-day Northern California, an obsessed landlord must fight to contain the demonic spirits that have been trapped inside of an audio cassette player. When his tenants unleash the evil force, it is up to their wits and the special skills of Father Bernard to cast the demons back into the bones of the swine — and forever trap the evil under the original spell.
Metrics
| Opening Weekend: | $20,345 (50.0% of total gross) |
| Legs: | 2.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 20 opening theaters/20 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $40,724 |
Movie Details
| Domestic Releases: | February 28th, 2025 (Limited) by Hemdale |
| MPA Rating: | Not Rated (Rated 3/10/2025) |
| Running Time: | 87 minutes |
| Geographical setting: | California |
| Plot point: | Exorcism |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Midnight Castle Productions, Trupeak Entertainment, Hannover House |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | - | $20,345 | 20 | $1,017 | $20,345 | 1 | |
| Mar 7, 2025 | - | $1,274 | -94% | 2 | $637 | $27,084 | 2 |
| Mar 28, 2025 | - | $10,294 | 2 | $5,147 | $40,012 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | - | $7,105 | 20 | $355 | $7,105 | 1 | ||
| Mar 1, 2025 | - | $9,380 | +32% | 20 | $469 | $16,485 | 2 | |
| Mar 2, 2025 | - | $3,860 | -59% | 20 | $193 | $20,345 | 3 | |
| Mar 3, 2025 | - | $1,722 | -55% | 16 | $108 | $22,067 | 4 | |
| Mar 4, 2025 | - | $1,560 | -9% | 16 | $98 | $23,627 | 5 | |
| Mar 5, 2025 | - | $1,118 | -28% | 16 | $70 | $24,745 | 6 | |
| Mar 6, 2025 | - | $1,065 | -5% | 16 | $67 | $25,810 | 7 | |
| Mar 7, 2025 | - | $377 | -65% | -95% | 2 | $189 | $26,187 | 8 |
| Mar 8, 2025 | - | $585 | +55% | -94% | 2 | $293 | $26,772 | 9 |
| Mar 9, 2025 | - | $312 | -47% | -92% | 2 | $156 | $27,084 | 10 |
| Mar 10, 2025 | - | $166 | -47% | -90% | 2 | $83 | $27,250 | 11 |
| Mar 11, 2025 | - | $142 | -14% | -91% | 2 | $71 | $27,392 | 12 |
| Mar 12, 2025 | - | $228 | +61% | -80% | 2 | $114 | $27,620 | 13 |
| Mar 13, 2025 | - | $455 | +100% | -57% | 2 | $228 | $28,075 | 14 |
| Mar 14, 2025 | - | $390 | -14% | +3% | 2 | $195 | $28,465 | 15 |
| Mar 15, 2025 | - | $416 | +7% | -29% | 2 | $208 | $28,881 | 16 |
| Mar 16, 2025 | - | $281 | -32% | -10% | 2 | $141 | $29,162 | 17 |
| Mar 17, 2025 | - | $193 | -31% | +16% | 2 | $97 | $29,355 | 18 |
| Mar 18, 2025 | - | $188 | -3% | +32% | 2 | $94 | $29,543 | 19 |
| Mar 19, 2025 | - | $99 | -47% | -57% | 2 | $50 | $29,642 | 20 |
| Mar 20, 2025 | - | $76 | -23% | -83% | 2 | $38 | $29,718 | 21 |
| Mar 28, 2025 | - | $2,140 | 1 | $2,140 | $31,858 | 29 | ||
| Mar 29, 2025 | - | $5,256 | +146% | 2 | $2,628 | $37,114 | 30 | |
| Mar 30, 2025 | - | $2,898 | -45% | 2 | $1,449 | $40,012 | 31 | |
| Apr 16, 2025 | - | $712 | 1 | $712 | $40,724 | 48 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 44 | $25,810 | 20 | $1,291 | $25,810 | 1 |
Leading
| Eric Parkinson | Father Bernard |
Supporting
| Jessica Chaves | ||
| Chris Orozco | ||
| Sean Gestl | ||
| Quint Gabriel | ||
| Kelly Lord | ||
| Alan Nova | ||
| Alejandro Saldana | ||
| Matthew Nichols | ||
| Bernie Bang | ||
| Kyle Peck | ||
| Paula Vercudia | ||
| Mark Overby | ||
| Mikaela Seamans | ||
| Jessica Stidger | ||
| Anna Alimani | ||
| Rajab Darmousa | ||
| Ke’mari Moore | Rich |
Production and Technical Credits
| Arthur G. Night | Director | |
| Arthur G. Night | Screenwriter | |
| Arthur G. Night | Producer | |
| Victor Reyes | Executive Producer | |
| Quint Gabriel | Executive Producer | |
| Eric Parkinson | Executive Producer | |
| Ian Carre-Burritt | Director of Photography | |
| Jameson Randall | Editor | |
| Jon McCallum | Composer | |
| Quint Gabriel | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A reimagining of the greatest exorcism of all time: the Miracle of the Gerasene Swine, performed by Jesus Christ as chronicled in the New Testament. Set in modern-day Northern California, an obsessed landlord must fight to contain the demonic spirits that have been trapped inside of an audio cassette player. When his tenants unleash the evil force, it is up to their wits and the special skills of Father Bernard to cast the demons back into the bones of the swine — and forever trap the evil under the original spell.
Metrics
| Opening Weekend: | $20,345 (50.0% of total gross) |
| Legs: | 2.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 20 opening theaters/20 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $40,724 |
Movie Details
| Domestic Releases: | February 28th, 2025 (Limited) by Hemdale |
| MPA Rating: | Not Rated (Rated 3/10/2025) |
| Running Time: | 87 minutes |
| Geographical setting: | California |
| Plot point: | Exorcism |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Midnight Castle Productions, Trupeak Entertainment, Hannover House |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | - | $20,345 | 20 | $1,017 | $20,345 | 1 | |
| Mar 7, 2025 | - | $1,274 | -94% | 2 | $637 | $27,084 | 2 |
| Mar 28, 2025 | - | $10,294 | 2 | $5,147 | $40,012 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | - | $7,105 | 20 | $355 | $7,105 | 1 | ||
| Mar 1, 2025 | - | $9,380 | +32% | 20 | $469 | $16,485 | 2 | |
| Mar 2, 2025 | - | $3,860 | -59% | 20 | $193 | $20,345 | 3 | |
| Mar 3, 2025 | - | $1,722 | -55% | 16 | $108 | $22,067 | 4 | |
| Mar 4, 2025 | - | $1,560 | -9% | 16 | $98 | $23,627 | 5 | |
| Mar 5, 2025 | - | $1,118 | -28% | 16 | $70 | $24,745 | 6 | |
| Mar 6, 2025 | - | $1,065 | -5% | 16 | $67 | $25,810 | 7 | |
| Mar 7, 2025 | - | $377 | -65% | -95% | 2 | $189 | $26,187 | 8 |
| Mar 8, 2025 | - | $585 | +55% | -94% | 2 | $293 | $26,772 | 9 |
| Mar 9, 2025 | - | $312 | -47% | -92% | 2 | $156 | $27,084 | 10 |
| Mar 10, 2025 | - | $166 | -47% | -90% | 2 | $83 | $27,250 | 11 |
| Mar 11, 2025 | - | $142 | -14% | -91% | 2 | $71 | $27,392 | 12 |
| Mar 12, 2025 | - | $228 | +61% | -80% | 2 | $114 | $27,620 | 13 |
| Mar 13, 2025 | - | $455 | +100% | -57% | 2 | $228 | $28,075 | 14 |
| Mar 14, 2025 | - | $390 | -14% | +3% | 2 | $195 | $28,465 | 15 |
| Mar 15, 2025 | - | $416 | +7% | -29% | 2 | $208 | $28,881 | 16 |
| Mar 16, 2025 | - | $281 | -32% | -10% | 2 | $141 | $29,162 | 17 |
| Mar 17, 2025 | - | $193 | -31% | +16% | 2 | $97 | $29,355 | 18 |
| Mar 18, 2025 | - | $188 | -3% | +32% | 2 | $94 | $29,543 | 19 |
| Mar 19, 2025 | - | $99 | -47% | -57% | 2 | $50 | $29,642 | 20 |
| Mar 20, 2025 | - | $76 | -23% | -83% | 2 | $38 | $29,718 | 21 |
| Mar 28, 2025 | - | $2,140 | 1 | $2,140 | $31,858 | 29 | ||
| Mar 29, 2025 | - | $5,256 | +146% | 2 | $2,628 | $37,114 | 30 | |
| Mar 30, 2025 | - | $2,898 | -45% | 2 | $1,449 | $40,012 | 31 | |
| Apr 16, 2025 | - | $712 | 1 | $712 | $40,724 | 48 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 44 | $25,810 | 20 | $1,291 | $25,810 | 1 |
Leading
| Eric Parkinson | Father Bernard |
Supporting
| Jessica Chaves | ||
| Chris Orozco | ||
| Sean Gestl | ||
| Quint Gabriel | ||
| Kelly Lord | ||
| Alan Nova | ||
| Alejandro Saldana | ||
| Matthew Nichols | ||
| Bernie Bang | ||
| Kyle Peck | ||
| Paula Vercudia | ||
| Mark Overby | ||
| Mikaela Seamans | ||
| Jessica Stidger | ||
| Anna Alimani | ||
| Rajab Darmousa | ||
| Ke’mari Moore | Rich |
Production and Technical Credits
| Arthur G. Night | Director | |
| Arthur G. Night | Screenwriter | |
| Arthur G. Night | Producer | |
| Victor Reyes | Executive Producer | |
| Quint Gabriel | Executive Producer | |
| Eric Parkinson | Executive Producer | |
| Ian Carre-Burritt | Director of Photography | |
| Jameson Randall | Editor | |
| Jon McCallum | Composer | |
| Quint Gabriel | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.