Unlovable (2018)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 364840100 More info... | ||
| Further financial details... | ||
Synopsis
After a suicide attempt, Joy seeks help for sex and love addiction from a 12-step program. While going 30 days without her ex, sex, and romance, she meets her sponsor’s reclusive brother, and they form a garage band, that develops into a secret friendship.
Metrics
Movie Details
| Domestic Releases: | November 2nd, 2018 (Limited) by Orion Classics |
| Video Release: | November 2nd, 2018 by Orion Video |
| Running Time: | 80 minutes |
| Plot point: | Musicians, Romance, Sex Addiction |
| Source: | Based on Real Life Events |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Duplass Brothers, Orion Classics |
| Production Countries: | United States |
| Languages: | English |
Lead Ensemble Member
| Charlene deGuzman | Joy | |
| John Hawkes | Jim | |
| Paul James | Ben | |
| Ellen Geer | Nana | |
| Melissa Leo | Maddie |
Production and Technical Credits
| Suzi Yoonessi | Director | |
| Charlene deGuzman | Screenwriter | |
| Sarah Adina Smith | Screenwriter | |
| Mark Duplass | Screenwriter | |
| Jen Roskind | Producer | |
| Mark Duplass | Producer | |
| Jay Duplass | Producer | |
| Sarah Smick | Producer | |
| Ian Michaels | Producer | |
| Suzi Yoonessi | Producer | |
| Louise Shore | Co-Producer | |
| Patton Oswalt | Associate Producer | |
| Adam Kersh | Associate Producer | |
| Molly Ann Hale | Associate Producer | |
| Kristina Davies | Editor | |
| Moira Morel | Director of Photography | |
| Nino Alicea | Production Designer | |
| John Hawkes | Song Writer | |
| Christopher French | Composer | |
| Dan Wilcox | Music Supervisor | |
| Francesca Roth | Costume Designer | |
| Sunday Boling | Casting Director | |
| Meg Morman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After a suicide attempt, Joy seeks help for sex and love addiction from a 12-step program. While going 30 days without her ex, sex, and romance, she meets her sponsor’s reclusive brother, and they form a garage band, that develops into a secret friendship.
Metrics
Movie Details
| Domestic Releases: | November 2nd, 2018 (Limited) by Orion Classics |
| Video Release: | November 2nd, 2018 by Orion Video |
| Running Time: | 80 minutes |
| Plot point: | Musicians, Romance, Sex Addiction |
| Source: | Based on Real Life Events |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Duplass Brothers, Orion Classics |
| Production Countries: | United States |
| Languages: | English |
Lead Ensemble Member
| Charlene deGuzman | Joy | |
| John Hawkes | Jim | |
| Paul James | Ben | |
| Ellen Geer | Nana | |
| Melissa Leo | Maddie |
Production and Technical Credits
| Suzi Yoonessi | Director | |
| Charlene deGuzman | Screenwriter | |
| Sarah Adina Smith | Screenwriter | |
| Mark Duplass | Screenwriter | |
| Jen Roskind | Producer | |
| Mark Duplass | Producer | |
| Jay Duplass | Producer | |
| Sarah Smick | Producer | |
| Ian Michaels | Producer | |
| Suzi Yoonessi | Producer | |
| Louise Shore | Co-Producer | |
| Patton Oswalt | Associate Producer | |
| Adam Kersh | Associate Producer | |
| Molly Ann Hale | Associate Producer | |
| Kristina Davies | Editor | |
| Moira Morel | Director of Photography | |
| Nino Alicea | Production Designer | |
| John Hawkes | Song Writer | |
| Christopher French | Composer | |
| Dan Wilcox | Music Supervisor | |
| Francesca Roth | Costume Designer | |
| Sunday Boling | Casting Director | |
| Meg Morman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.