Unstrung Heroes (1995)
| Theatrical Performance | ||
| Domestic Box Office | $7,929,000 | Details |
| OpusData ID: 40700100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $185,183 (2.3% of total gross) |
| Legs: | 3.20 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 10 opening theaters/576 max. theaters, 4.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,615,393 |
Movie Details
| Domestic Releases: | September 15th, 1995 (Wide) by Walt Disney |
| Video Release: | June 3rd, 2003 by Walt Disney Home Entertainment |
| MPA Rating: | PG for emotional subject matter |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut |
| Geographical setting: | California |
| Plot point: | Cancer, Dysfunctional Family, Terminal Illness, Young Child Dealing with the Death of a Parent |
| Subgenre: | Comedy Drama |
| Time period setting: | 1960s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 15, 1995 | 34 | $185,183 | 10 | $18,518 | $185,183 | 1 | |
| Sep 22, 1995 | 6 | $2,476,236 | +1,237% | 576 | $4,299 | $2,729,818 | 2 |
| Sep 29, 1995 | 9 | $1,585,220 | -36% | 576 | $2,752 | $4,968,996 | 3 |
| Oct 6, 1995 | 14 | $916,793 | -42% | 523 | $1,753 | $6,311,270 | 4 |
| Oct 13, 1995 | 18 | $540,462 | -41% | 391 | $1,382 | $7,102,027 | 5 |
| Oct 20, 1995 | 24 | $216,913 | -60% | 199 | $1,090 | $7,456,167 | 6 |
| Oct 27, 1995 | 38 | $104,419 | -52% | 112 | $932 | $7,604,648 | 7 |
| Nov 3, 1995 | 45 | $86,604 | -17% | 122 | $710 | $7,716,335 | 8 |
| Nov 10, 1995 | 52 | $57,076 | -34% | 81 | $705 | $7,799,621 | 9 |
| Dec 1, 1995 | 48 | $33,831 | 67 | $505 | $7,894,330 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 15, 1995 | 33 | $253,582 | 10 | $25,358 | $253,582 | 1 | |
| Sep 22, 1995 | 6 | $3,130,194 | +1,134% | 576 | $5,434 | $3,383,776 | 2 |
| Sep 29, 1995 | 10 | $2,010,701 | -36% | 576 | $3,491 | $5,394,477 | 3 |
| Oct 6, 1995 | 13 | $1,167,088 | -42% | 523 | $2,232 | $6,561,565 | 4 |
| Oct 13, 1995 | 18 | $677,689 | -42% | 391 | $1,733 | $7,239,254 | 5 |
| Oct 20, 1995 | 29 | $260,975 | -61% | 199 | $1,311 | $7,500,229 | 6 |
| Oct 27, 1995 | 38 | $129,502 | -50% | 112 | $1,156 | $7,629,731 | 7 |
| Nov 3, 1995 | 45 | $112,814 | -13% | 122 | $925 | $7,742,545 | 8 |
Leading
| Andie MacDowell | Selma Lidz | |
| John Turturro | Sid Lidz | |
| Michael Richards | Danny Lidz |
Supporting
| Maury Chaykin | Arthur Lidz | |
| Jack McGee | Lindquist |
Production and Technical Credits
| Diane Keaton | Director | |
| Richard LaGravenese | Screenwriter | |
| Thomas Newman | Composer | |
| Franz Lidz | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $185,183 (2.3% of total gross) |
| Legs: | 3.20 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 10 opening theaters/576 max. theaters, 4.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,615,393 |
Movie Details
| Domestic Releases: | September 15th, 1995 (Wide) by Walt Disney |
| Video Release: | June 3rd, 2003 by Walt Disney Home Entertainment |
| MPA Rating: | PG for emotional subject matter |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut |
| Geographical setting: | California |
| Plot point: | Cancer, Dysfunctional Family, Terminal Illness, Young Child Dealing with the Death of a Parent |
| Subgenre: | Comedy Drama |
| Time period setting: | 1960s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 15, 1995 | 34 | $185,183 | 10 | $18,518 | $185,183 | 1 | |
| Sep 22, 1995 | 6 | $2,476,236 | +1,237% | 576 | $4,299 | $2,729,818 | 2 |
| Sep 29, 1995 | 9 | $1,585,220 | -36% | 576 | $2,752 | $4,968,996 | 3 |
| Oct 6, 1995 | 14 | $916,793 | -42% | 523 | $1,753 | $6,311,270 | 4 |
| Oct 13, 1995 | 18 | $540,462 | -41% | 391 | $1,382 | $7,102,027 | 5 |
| Oct 20, 1995 | 24 | $216,913 | -60% | 199 | $1,090 | $7,456,167 | 6 |
| Oct 27, 1995 | 38 | $104,419 | -52% | 112 | $932 | $7,604,648 | 7 |
| Nov 3, 1995 | 45 | $86,604 | -17% | 122 | $710 | $7,716,335 | 8 |
| Nov 10, 1995 | 52 | $57,076 | -34% | 81 | $705 | $7,799,621 | 9 |
| Dec 1, 1995 | 48 | $33,831 | 67 | $505 | $7,894,330 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 15, 1995 | 33 | $253,582 | 10 | $25,358 | $253,582 | 1 | |
| Sep 22, 1995 | 6 | $3,130,194 | +1,134% | 576 | $5,434 | $3,383,776 | 2 |
| Sep 29, 1995 | 10 | $2,010,701 | -36% | 576 | $3,491 | $5,394,477 | 3 |
| Oct 6, 1995 | 13 | $1,167,088 | -42% | 523 | $2,232 | $6,561,565 | 4 |
| Oct 13, 1995 | 18 | $677,689 | -42% | 391 | $1,733 | $7,239,254 | 5 |
| Oct 20, 1995 | 29 | $260,975 | -61% | 199 | $1,311 | $7,500,229 | 6 |
| Oct 27, 1995 | 38 | $129,502 | -50% | 112 | $1,156 | $7,629,731 | 7 |
| Nov 3, 1995 | 45 | $112,814 | -13% | 122 | $925 | $7,742,545 | 8 |
Leading
| Andie MacDowell | Selma Lidz | |
| John Turturro | Sid Lidz | |
| Michael Richards | Danny Lidz |
Supporting
| Maury Chaykin | Arthur Lidz | |
| Jack McGee | Lindquist |
Production and Technical Credits
| Diane Keaton | Director | |
| Richard LaGravenese | Screenwriter | |
| Thomas Newman | Composer | |
| Franz Lidz | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.