Upgrade (2018)
| Theatrical Performance | ||
| Domestic Box Office | $11,977,130 | Details |
| International Box Office | $4,999,431 | Details |
| Worldwide Box Office | $16,976,561 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $991,332 | |
| Blu-ray Sales (estimated) | $1,686,776 | |
| Total | $2,678,108 | |
| OpusData ID: 317080100 More info... | ||
| Further financial details... | ||
Synopsis
Grey Trace is a technophobe in a utopian near-future when computers control nearly everything—from cars to crime-surveillance—who is paralyzed in a freak mugging. But when a billionaire technologist offers him an experimental paralysis cure—an implanted computer chip called STEM—Grey finds that the chip has a voice and a mind of its own.
Metrics
| Opening Weekend: | $4,670,905 (39.0% of total gross) |
| Legs: | 2.56 (domestic box office/biggest weekend) |
| Domestic Share: | 70.6% (domestic box office/worldwide) |
| Production Budget: | $3,000,000 (worldwide box office is 5.7 times production budget) |
| Theater counts: | 1,457 opening theaters/1,458 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,724,087 |
Movie Details
| Domestic Releases: | June 1st, 2018 (Wide) by BH Tilt |
| International Releases: | June 1st, 2018 (Wide) (New Zealand)
June 15th, 2018 (Wide) (Australia) August 30th, 2018 (Wide), released as UPGRADE (South Korea) August 31st, 2018 (Wide) (Czech Republic) August 31st, 2018 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | August 14th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for strong violence, grisly images, and language. (Rating bulletin 2517 (Cert #51463), 3/7/2018) |
| Running Time: | 95 minutes |
| Plot point: | Artificial Intelligence, Artisans vs. Automation, Cyborg, Death of a Spouse or Fiancée / Fiancé, Paralysis, Revenge, Wheelchair User |
| Subgenre: | Body Horror |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Goalpost Pictures, Automatik, BH Tilt, Nervous Tick , Blumhouse |
| Production Countries: | Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 2018 | 6 | $4,670,905 | 1,457 | $3,206 | $4,670,905 | 1 | |
| Jun 8, 2018 | 9 | $2,384,415 | -49% | 1,458 | $1,635 | $9,346,020 | 2 |
| Jun 15, 2018 | 16 | $518,330 | -78% | 646 | $802 | $11,078,295 | 3 |
| Jun 22, 2018 | 27 | $94,240 | -82% | 101 | $933 | $11,482,640 | 4 |
| Jun 29, 2018 | 27 | $123,410 | +31% | 96 | $1,286 | $11,664,620 | 5 |
| Jul 6, 2018 | 35 | $69,850 | -43% | 83 | $842 | $11,829,465 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 1, 2018 | 6 | $1,674,340 | 1,457 | $1,149 | $1,674,340 | 1 | ||
| Jun 2, 2018 | 6 | $1,688,745 | +1% | 1,457 | $1,159 | $3,363,085 | 2 | |
| Jun 3, 2018 | 6 | $1,307,820 | -23% | 1,457 | $898 | $4,670,905 | 3 | |
| Jun 4, 2018 | 6 | $602,325 | -54% | 1,457 | $413 | $5,273,230 | 4 | |
| Jun 5, 2018 | 6 | $726,610 | +21% | 1,457 | $499 | $5,999,840 | 5 | |
| Jun 6, 2018 | 6 | $525,775 | -28% | 1,457 | $361 | $6,525,615 | 6 | |
| Jun 7, 2018 | 6 | $435,990 | -17% | 1,457 | $299 | $6,961,605 | 7 | |
| Jun 8, 2018 | 10 | $607,430 | +39% | -64% | 1,458 | $417 | $7,569,035 | 8 |
| Jun 9, 2018 | 9 | $953,390 | +57% | -44% | 1,458 | $654 | $8,522,425 | 9 |
| Jun 10, 2018 | 9 | $823,595 | -14% | -37% | 1,458 | $565 | $9,346,020 | 10 |
| Jun 11, 2018 | 9 | $342,845 | -58% | -43% | 1,458 | $235 | $9,688,865 | 11 |
| Jun 12, 2018 | 9 | $411,135 | +20% | -43% | 1,458 | $282 | $10,100,000 | 12 |
| Jun 13, 2018 | 10 | $307,340 | -25% | -42% | 1,458 | $211 | $10,407,340 | 13 |
| Jun 14, 2018 | 11 | $152,625 | -50% | -65% | 1,458 | $105 | $10,559,965 | 14 |
| Jun 15, 2018 | - | $138,630 | -9% | -77% | 646 | $215 | $10,698,595 | 15 |
| Jun 16, 2018 | - | $185,155 | +34% | -81% | 646 | $287 | $10,883,750 | 16 |
| Jun 17, 2018 | - | $194,545 | +5% | -76% | 646 | $301 | $11,078,295 | 17 |
| Jun 18, 2018 | 15 | $87,485 | -55% | -74% | 646 | $135 | $11,165,780 | 18 |
| Jun 19, 2018 | 15 | $93,850 | +7% | -77% | 646 | $145 | $11,259,630 | 19 |
| Jun 20, 2018 | 14 | $85,235 | -9% | -72% | 646 | $132 | $11,344,865 | 20 |
| Jun 21, 2018 | - | $43,535 | -49% | -71% | 646 | $67 | $11,388,400 | 21 |
| Jun 22, 2018 | - | $33,470 | -23% | -76% | 101 | $331 | $11,421,870 | 22 |
| Jun 23, 2018 | - | $37,570 | +12% | -80% | 101 | $372 | $11,459,440 | 23 |
| Jun 24, 2018 | - | $23,200 | -38% | -88% | 101 | $230 | $11,482,640 | 24 |
| Jun 25, 2018 | - | $16,280 | -30% | -81% | 101 | $161 | $11,498,920 | 25 |
| Jun 26, 2018 | - | $17,315 | +6% | -82% | 101 | $171 | $11,516,235 | 26 |
| Jun 27, 2018 | - | $13,785 | -20% | -84% | 101 | $136 | $11,530,020 | 27 |
| Jun 28, 2018 | - | $11,190 | -19% | -74% | 101 | $111 | $11,541,210 | 28 |
| Jun 29, 2018 | - | $37,380 | +234% | +12% | 96 | $389 | $11,578,590 | 29 |
| Jun 30, 2018 | - | $50,805 | +36% | +35% | 96 | $529 | $11,629,395 | 30 |
| Jul 1, 2018 | - | $35,225 | -31% | +52% | 96 | $367 | $11,664,620 | 31 |
| Jul 2, 2018 | - | $29,435 | -16% | +81% | 96 | $307 | $11,694,055 | 32 |
| Jul 3, 2018 | - | $28,030 | -5% | +62% | 96 | $292 | $11,722,085 | 33 |
| Jul 4, 2018 | - | $20,925 | -25% | +52% | 96 | $218 | $11,743,010 | 34 |
| Jul 5, 2018 | - | $16,605 | -21% | +48% | 96 | $173 | $11,759,615 | 35 |
| Jul 6, 2018 | - | $22,595 | +36% | -40% | 83 | $272 | $11,782,210 | 36 |
| Jul 7, 2018 | - | $31,120 | +38% | -39% | 83 | $375 | $11,813,330 | 37 |
| Jul 8, 2018 | - | $16,135 | -48% | -54% | 83 | $194 | $11,829,465 | 38 |
| Jul 9, 2018 | - | $9,225 | -43% | -69% | 83 | $111 | $11,838,690 | 39 |
| Jul 10, 2018 | - | $12,775 | +38% | -54% | 83 | $154 | $11,851,465 | 40 |
| Jul 11, 2018 | - | $12,075 | -5% | -42% | 83 | $145 | $11,863,540 | 41 |
| Jul 12, 2018 | - | $7,825 | -35% | -53% | 83 | $94 | $11,871,365 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 2018 | 6 | $6,961,605 | 1,457 | $4,778 | $6,961,605 | 1 | |
| Jun 8, 2018 | 9 | $3,598,360 | -48% | 1,458 | $2,468 | $10,559,965 | 2 |
| Jun 15, 2018 | 15 | $828,435 | -77% | 646 | $1,282 | $11,388,400 | 3 |
| Jun 22, 2018 | 27 | $152,810 | -82% | 101 | $1,513 | $11,541,210 | 4 |
| Jun 29, 2018 | 29 | $218,405 | +43% | 96 | $2,275 | $11,759,615 | 5 |
| Jul 6, 2018 | 34 | $111,750 | -49% | 83 | $1,346 | $11,871,365 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/15/2018 | $229,542 | 139 | 139 | 311 | $490,065 | 8/6/2018 | |||
| Czech Republic | 8/31/2018 | $66,505 | 84 | 84 | 216 | $180,554 | 1/1/2019 | |||
| France | 10/5/2018 | $380,372 | 0 | 81 | 81 | $723,610 | 10/26/2018 | |||
| Hong Kong | 7/17/2020 | $10,204 | 0 | 0 | 0 | $112,812 | 9/18/2020 | |||
| Italy | 11/22/2018 | $57,393 | 0 | 0 | 0 | $57,393 | 11/26/2018 | |||
| Mexico | 9/14/2018 | $96,000 | 140 | 140 | 140 | $96,000 | 9/17/2018 | |||
| New Zealand | 6/1/2018 | $55,000 | 36 | 37 | 110 | $127,514 | 6/25/2018 | |||
| Russia (CIS) | 11/23/2018 | $475,962 | 973 | 973 | 2,221 | $314 | 4/4/2026 | |||
| Slovakia | 8/31/2018 | $24,747 | 55 | 55 | 88 | $46,285 | 9/18/2018 | |||
| South Korea | 8/30/2018 | $0 | 0 | 220 | 408 | $1,540,422 | 10/23/2018 | |||
| Turkey | 8/31/2018 | $57,763 | 204 | 204 | 613 | $297,787 | 2/26/2019 | |||
| United Kingdom | 8/31/2018 | $75,196 | 141 | 141 | 141 | $75,196 | 4/4/2026 | |||
| Rest of World | $1,251,479 | |||||||||
| International Total | $4,999,431 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Logan Marshall-Green | Grey Trace |
Supporting
| Betty Gabriel | Cortez | |
| Harrison Gilbertson | Eron | |
| Simon Maiden | Stem | |
| Benedict Hardie | Fisk | |
| Christopher Kirby | Tolan | |
| Clayton Jacobson | Manny | |
| Melanie Vallejo | Asha Trace | |
| Sachin Joab | Dr. Bhatia | |
| Michael M Foster | Jeffries | |
| Richard Cawthorne | Serk | |
| Rosco Campbell | VR guy |
Production and Technical Credits
| Leigh Whannell | Director | |
| Leigh Whannell | Screenwriter | |
| Jason Blum | Producer | |
| Kylie de Fresne | Producer | |
| Brian Kavanaugh-Jones | Producer | |
| Charles Layton | Executive Producer | |
| Rosemary Blight | Executive Producer | |
| Ben Grant | Executive Producer | |
| Leigh Whannell | Executive Producer | |
| Jeanette Volturno-Brill | Executive Producer | |
| Couper Samuelson | Executive Producer | |
| Beatriz Sequeira | Co-Producer | |
| Michelle Russell | Line Producer | |
| Stefan Duscio | Director of Photography | |
| Felicity Abbott | Production Designer | |
| Andy Canny | Editor | |
| Maria Pattison | Costume Designer | |
| Jed Palmer | Music by | |
| Terri Taylor | Casting Director | |
| Nikki Barrett | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Grey Trace is a technophobe in a utopian near-future when computers control nearly everything—from cars to crime-surveillance—who is paralyzed in a freak mugging. But when a billionaire technologist offers him an experimental paralysis cure—an implanted computer chip called STEM—Grey finds that the chip has a voice and a mind of its own.
Metrics
| Opening Weekend: | $4,670,905 (39.0% of total gross) |
| Legs: | 2.56 (domestic box office/biggest weekend) |
| Domestic Share: | 70.6% (domestic box office/worldwide) |
| Production Budget: | $3,000,000 (worldwide box office is 5.7 times production budget) |
| Theater counts: | 1,457 opening theaters/1,458 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,724,087 |
Movie Details
| Domestic Releases: | June 1st, 2018 (Wide) by BH Tilt |
| International Releases: | June 1st, 2018 (Wide) (New Zealand)
June 15th, 2018 (Wide) (Australia) August 30th, 2018 (Wide), released as UPGRADE (South Korea) August 31st, 2018 (Wide) (Czech Republic) August 31st, 2018 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | August 14th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for strong violence, grisly images, and language. (Rating bulletin 2517 (Cert #51463), 3/7/2018) |
| Running Time: | 95 minutes |
| Plot point: | Artificial Intelligence, Artisans vs. Automation, Cyborg, Death of a Spouse or Fiancée / Fiancé, Paralysis, Revenge, Wheelchair User |
| Subgenre: | Body Horror |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Goalpost Pictures, Automatik, BH Tilt, Nervous Tick , Blumhouse |
| Production Countries: | Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 2018 | 6 | $4,670,905 | 1,457 | $3,206 | $4,670,905 | 1 | |
| Jun 8, 2018 | 9 | $2,384,415 | -49% | 1,458 | $1,635 | $9,346,020 | 2 |
| Jun 15, 2018 | 16 | $518,330 | -78% | 646 | $802 | $11,078,295 | 3 |
| Jun 22, 2018 | 27 | $94,240 | -82% | 101 | $933 | $11,482,640 | 4 |
| Jun 29, 2018 | 27 | $123,410 | +31% | 96 | $1,286 | $11,664,620 | 5 |
| Jul 6, 2018 | 35 | $69,850 | -43% | 83 | $842 | $11,829,465 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 1, 2018 | 6 | $1,674,340 | 1,457 | $1,149 | $1,674,340 | 1 | ||
| Jun 2, 2018 | 6 | $1,688,745 | +1% | 1,457 | $1,159 | $3,363,085 | 2 | |
| Jun 3, 2018 | 6 | $1,307,820 | -23% | 1,457 | $898 | $4,670,905 | 3 | |
| Jun 4, 2018 | 6 | $602,325 | -54% | 1,457 | $413 | $5,273,230 | 4 | |
| Jun 5, 2018 | 6 | $726,610 | +21% | 1,457 | $499 | $5,999,840 | 5 | |
| Jun 6, 2018 | 6 | $525,775 | -28% | 1,457 | $361 | $6,525,615 | 6 | |
| Jun 7, 2018 | 6 | $435,990 | -17% | 1,457 | $299 | $6,961,605 | 7 | |
| Jun 8, 2018 | 10 | $607,430 | +39% | -64% | 1,458 | $417 | $7,569,035 | 8 |
| Jun 9, 2018 | 9 | $953,390 | +57% | -44% | 1,458 | $654 | $8,522,425 | 9 |
| Jun 10, 2018 | 9 | $823,595 | -14% | -37% | 1,458 | $565 | $9,346,020 | 10 |
| Jun 11, 2018 | 9 | $342,845 | -58% | -43% | 1,458 | $235 | $9,688,865 | 11 |
| Jun 12, 2018 | 9 | $411,135 | +20% | -43% | 1,458 | $282 | $10,100,000 | 12 |
| Jun 13, 2018 | 10 | $307,340 | -25% | -42% | 1,458 | $211 | $10,407,340 | 13 |
| Jun 14, 2018 | 11 | $152,625 | -50% | -65% | 1,458 | $105 | $10,559,965 | 14 |
| Jun 15, 2018 | - | $138,630 | -9% | -77% | 646 | $215 | $10,698,595 | 15 |
| Jun 16, 2018 | - | $185,155 | +34% | -81% | 646 | $287 | $10,883,750 | 16 |
| Jun 17, 2018 | - | $194,545 | +5% | -76% | 646 | $301 | $11,078,295 | 17 |
| Jun 18, 2018 | 15 | $87,485 | -55% | -74% | 646 | $135 | $11,165,780 | 18 |
| Jun 19, 2018 | 15 | $93,850 | +7% | -77% | 646 | $145 | $11,259,630 | 19 |
| Jun 20, 2018 | 14 | $85,235 | -9% | -72% | 646 | $132 | $11,344,865 | 20 |
| Jun 21, 2018 | - | $43,535 | -49% | -71% | 646 | $67 | $11,388,400 | 21 |
| Jun 22, 2018 | - | $33,470 | -23% | -76% | 101 | $331 | $11,421,870 | 22 |
| Jun 23, 2018 | - | $37,570 | +12% | -80% | 101 | $372 | $11,459,440 | 23 |
| Jun 24, 2018 | - | $23,200 | -38% | -88% | 101 | $230 | $11,482,640 | 24 |
| Jun 25, 2018 | - | $16,280 | -30% | -81% | 101 | $161 | $11,498,920 | 25 |
| Jun 26, 2018 | - | $17,315 | +6% | -82% | 101 | $171 | $11,516,235 | 26 |
| Jun 27, 2018 | - | $13,785 | -20% | -84% | 101 | $136 | $11,530,020 | 27 |
| Jun 28, 2018 | - | $11,190 | -19% | -74% | 101 | $111 | $11,541,210 | 28 |
| Jun 29, 2018 | - | $37,380 | +234% | +12% | 96 | $389 | $11,578,590 | 29 |
| Jun 30, 2018 | - | $50,805 | +36% | +35% | 96 | $529 | $11,629,395 | 30 |
| Jul 1, 2018 | - | $35,225 | -31% | +52% | 96 | $367 | $11,664,620 | 31 |
| Jul 2, 2018 | - | $29,435 | -16% | +81% | 96 | $307 | $11,694,055 | 32 |
| Jul 3, 2018 | - | $28,030 | -5% | +62% | 96 | $292 | $11,722,085 | 33 |
| Jul 4, 2018 | - | $20,925 | -25% | +52% | 96 | $218 | $11,743,010 | 34 |
| Jul 5, 2018 | - | $16,605 | -21% | +48% | 96 | $173 | $11,759,615 | 35 |
| Jul 6, 2018 | - | $22,595 | +36% | -40% | 83 | $272 | $11,782,210 | 36 |
| Jul 7, 2018 | - | $31,120 | +38% | -39% | 83 | $375 | $11,813,330 | 37 |
| Jul 8, 2018 | - | $16,135 | -48% | -54% | 83 | $194 | $11,829,465 | 38 |
| Jul 9, 2018 | - | $9,225 | -43% | -69% | 83 | $111 | $11,838,690 | 39 |
| Jul 10, 2018 | - | $12,775 | +38% | -54% | 83 | $154 | $11,851,465 | 40 |
| Jul 11, 2018 | - | $12,075 | -5% | -42% | 83 | $145 | $11,863,540 | 41 |
| Jul 12, 2018 | - | $7,825 | -35% | -53% | 83 | $94 | $11,871,365 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 2018 | 6 | $6,961,605 | 1,457 | $4,778 | $6,961,605 | 1 | |
| Jun 8, 2018 | 9 | $3,598,360 | -48% | 1,458 | $2,468 | $10,559,965 | 2 |
| Jun 15, 2018 | 15 | $828,435 | -77% | 646 | $1,282 | $11,388,400 | 3 |
| Jun 22, 2018 | 27 | $152,810 | -82% | 101 | $1,513 | $11,541,210 | 4 |
| Jun 29, 2018 | 29 | $218,405 | +43% | 96 | $2,275 | $11,759,615 | 5 |
| Jul 6, 2018 | 34 | $111,750 | -49% | 83 | $1,346 | $11,871,365 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/15/2018 | $229,542 | 139 | 139 | 311 | $490,065 | 8/6/2018 | |||
| Czech Republic | 8/31/2018 | $66,505 | 84 | 84 | 216 | $180,554 | 1/1/2019 | |||
| France | 10/5/2018 | $380,372 | 0 | 81 | 81 | $723,610 | 10/26/2018 | |||
| Hong Kong | 7/17/2020 | $10,204 | 0 | 0 | 0 | $112,812 | 9/18/2020 | |||
| Italy | 11/22/2018 | $57,393 | 0 | 0 | 0 | $57,393 | 11/26/2018 | |||
| Mexico | 9/14/2018 | $96,000 | 140 | 140 | 140 | $96,000 | 9/17/2018 | |||
| New Zealand | 6/1/2018 | $55,000 | 36 | 37 | 110 | $127,514 | 6/25/2018 | |||
| Russia (CIS) | 11/23/2018 | $475,962 | 973 | 973 | 2,221 | $314 | 4/4/2026 | |||
| Slovakia | 8/31/2018 | $24,747 | 55 | 55 | 88 | $46,285 | 9/18/2018 | |||
| South Korea | 8/30/2018 | $0 | 0 | 220 | 408 | $1,540,422 | 10/23/2018 | |||
| Turkey | 8/31/2018 | $57,763 | 204 | 204 | 613 | $297,787 | 2/26/2019 | |||
| United Kingdom | 8/31/2018 | $75,196 | 141 | 141 | 141 | $75,196 | 4/4/2026 | |||
| Rest of World | $1,251,479 | |||||||||
| International Total | $4,999,431 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Logan Marshall-Green | Grey Trace |
Supporting
| Betty Gabriel | Cortez | |
| Harrison Gilbertson | Eron | |
| Simon Maiden | Stem | |
| Benedict Hardie | Fisk | |
| Christopher Kirby | Tolan | |
| Clayton Jacobson | Manny | |
| Melanie Vallejo | Asha Trace | |
| Sachin Joab | Dr. Bhatia | |
| Michael M Foster | Jeffries | |
| Richard Cawthorne | Serk | |
| Rosco Campbell | VR guy |
Production and Technical Credits
| Leigh Whannell | Director | |
| Leigh Whannell | Screenwriter | |
| Jason Blum | Producer | |
| Kylie de Fresne | Producer | |
| Brian Kavanaugh-Jones | Producer | |
| Charles Layton | Executive Producer | |
| Rosemary Blight | Executive Producer | |
| Ben Grant | Executive Producer | |
| Leigh Whannell | Executive Producer | |
| Jeanette Volturno-Brill | Executive Producer | |
| Couper Samuelson | Executive Producer | |
| Beatriz Sequeira | Co-Producer | |
| Michelle Russell | Line Producer | |
| Stefan Duscio | Director of Photography | |
| Felicity Abbott | Production Designer | |
| Andy Canny | Editor | |
| Maria Pattison | Costume Designer | |
| Jed Palmer | Music by | |
| Terri Taylor | Casting Director | |
| Nikki Barrett | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.