Vanishing on 7th Street (2011)
| Theatrical Performance | ||
| Domestic Box Office | $22,729 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,199,189 | |
| Total | $1,199,189 | |
| OpusData ID: 150000100 More info... | ||
| Further financial details... | ||
Synopsis
From director Brad Anderson comes VANISHING ON 7TH STREET, a terrifying, apocalyptic thriller that taps into one of humankind's most primal anxieties: fear of the dark. An unexplained blackout plunges the city of Detroit into total darkness, and by the time the sun rises, only a few people remain - surrounded by heaps of empty clothing, abandoned cars and lengthening shadows. A small handful of strangers that have survived the night each find their way to a rundown bar, whose gasoline-powered generator and stockpile of food and drink make it the last refuge in a deserted city. With daylight beginning to disappear completely and whispering shadows surrounding the survivors, they soon discover that the enemy is the darkness itself, and only the few remaining light sources can keep them safe. As time begins to run out for them, darkness closes in and they must face the ultimate terror.
Metrics
| Opening Weekend: | $2,898 (12.8% of total gross) |
| Legs: | 3.26 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $34,277 |
Movie Details
| Domestic Releases: | February 18th, 2011 (Limited) by Magnet Pictures, released as Vanishing on Seventh Street |
| Video Release: | May 17th, 2011 by Magnolia Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2142, 10/13/2010) |
| Running Time: | 90 minutes |
| Plot point: | Missing Person, Non-Chronological, Religious |
| Social setting: | End of the World |
| Subgenre: | Survival Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Herrick Entertainment, Mandalay Vision, Circle of Confusion, Forest Park Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2011 | 85 | $2,898 | 1 | $2,898 | $2,898 | 1 | |
| Feb 25, 2011 | 70 | $6,962 | +140% | 6 | $1,160 | $11,633 | 2 |
| Mar 4, 2011 | 89 | $4,000 | -43% | 5 | $800 | $19,316 | 3 |
| Mar 11, 2011 | 104 | $1,082 | -73% | 4 | $271 | $22,197 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Feb 21, 2011 | 77 | $530 | 1 | $530 | $3,428 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2011 | 84 | $4,671 | 1 | $4,671 | $4,671 | 1 | |
| Feb 25, 2011 | 72 | $10,645 | +128% | 6 | $1,774 | $15,316 | 2 |
| Mar 4, 2011 | 89 | $5,799 | -46% | 5 | $1,160 | $21,115 | 3 |
| Mar 11, 2011 | 107 | $1,614 | -72% | 4 | $404 | $22,729 | 4 |
Leading
| Hayden Christensen | Luke Ryder |
Supporting
| Thandie Newton* | Rosemary | |
| John Leguizamo | Paul | |
| Jacob Latimore | James Leary |
Production and Technical Credits
| Brad Anderson | Director | |
| Norton Herrick | Producer | |
| Celine Rattray | Producer | |
| Tove Christensen | Producer | |
| Elayne Herrick | Executive Producer | |
| Michael Herrick | Executive Producer | |
| Peter D. Graves | Executive Producer | |
| Lawrence Mattis | Executive Producer | |
| Kelly McCormick | Executive Producer | |
| Ken Hirsh | Executive Producer | |
| Nick Quested | Executive Producer | |
| Anthony Jaswinski | Screenwriter | |
| Uta Briesewitz | Cinematographer | |
| Stephen Beatrice | Production Designer | |
| Jeffrey Wolf | Editor | |
| Lucas Vidal | Composer | |
| Jon Mooney | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
From director Brad Anderson comes VANISHING ON 7TH STREET, a terrifying, apocalyptic thriller that taps into one of humankind's most primal anxieties: fear of the dark. An unexplained blackout plunges the city of Detroit into total darkness, and by the time the sun rises, only a few people remain - surrounded by heaps of empty clothing, abandoned cars and lengthening shadows. A small handful of strangers that have survived the night each find their way to a rundown bar, whose gasoline-powered generator and stockpile of food and drink make it the last refuge in a deserted city. With daylight beginning to disappear completely and whispering shadows surrounding the survivors, they soon discover that the enemy is the darkness itself, and only the few remaining light sources can keep them safe. As time begins to run out for them, darkness closes in and they must face the ultimate terror.
Metrics
| Opening Weekend: | $2,898 (12.8% of total gross) |
| Legs: | 3.26 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $34,277 |
Movie Details
| Domestic Releases: | February 18th, 2011 (Limited) by Magnet Pictures, released as Vanishing on Seventh Street |
| Video Release: | May 17th, 2011 by Magnolia Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2142, 10/13/2010) |
| Running Time: | 90 minutes |
| Plot point: | Missing Person, Non-Chronological, Religious |
| Social setting: | End of the World |
| Subgenre: | Survival Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Herrick Entertainment, Mandalay Vision, Circle of Confusion, Forest Park Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2011 | 85 | $2,898 | 1 | $2,898 | $2,898 | 1 | |
| Feb 25, 2011 | 70 | $6,962 | +140% | 6 | $1,160 | $11,633 | 2 |
| Mar 4, 2011 | 89 | $4,000 | -43% | 5 | $800 | $19,316 | 3 |
| Mar 11, 2011 | 104 | $1,082 | -73% | 4 | $271 | $22,197 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Feb 21, 2011 | 77 | $530 | 1 | $530 | $3,428 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2011 | 84 | $4,671 | 1 | $4,671 | $4,671 | 1 | |
| Feb 25, 2011 | 72 | $10,645 | +128% | 6 | $1,774 | $15,316 | 2 |
| Mar 4, 2011 | 89 | $5,799 | -46% | 5 | $1,160 | $21,115 | 3 |
| Mar 11, 2011 | 107 | $1,614 | -72% | 4 | $404 | $22,729 | 4 |
Leading
| Hayden Christensen | Luke Ryder |
Supporting
| Thandie Newton* | Rosemary | |
| John Leguizamo | Paul | |
| Jacob Latimore | James Leary |
Production and Technical Credits
| Brad Anderson | Director | |
| Norton Herrick | Producer | |
| Celine Rattray | Producer | |
| Tove Christensen | Producer | |
| Elayne Herrick | Executive Producer | |
| Michael Herrick | Executive Producer | |
| Peter D. Graves | Executive Producer | |
| Lawrence Mattis | Executive Producer | |
| Kelly McCormick | Executive Producer | |
| Ken Hirsh | Executive Producer | |
| Nick Quested | Executive Producer | |
| Anthony Jaswinski | Screenwriter | |
| Uta Briesewitz | Cinematographer | |
| Stephen Beatrice | Production Designer | |
| Jeffrey Wolf | Editor | |
| Lucas Vidal | Composer | |
| Jon Mooney | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.