Vazante (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $23,884 | Details |
| International Box Office | $1,211 | Details |
| Worldwide Box Office | $25,095 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $10,540 | |
| Blu-ray Sales (estimated) | $2,042 | |
| Total | $12,582 | |
| OpusData ID: 278530100 More info... | ||
| Further financial details... | ||
Synopsis
Brazil, 1821. Upon his return to the imposing farmhouse, Antonio, a slave trader, finds out that his wife died in labor. Forced to live in the property with numerous African slaves, he marries his wife’s niece. A restless soul, he returns to his trading expeditions, leaving his young wife behind alone with the slaves.
Metrics
| Opening Weekend: | $3,489 (14.6% of total gross) |
| Legs: | 5.98 (domestic box office/biggest weekend) |
| Domestic Share: | 95.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,359 |
Movie Details
| Domestic Releases: | January 12th, 2018 (Limited) by Music Box Films |
| International Releases: | September 7th, 2018 (Wide) (Portugal) |
| Video Release: | May 8th, 2018 by Music Box Films Video |
| MPA Rating: | Not Rated |
| Running Time: | 116 minutes |
| Geographical setting: | Brazil |
| Plot point: | Arranged Marriage, Child Bride, Death of a Spouse or Fiancée / Fiancé, Died During Childbirth, Relationships Gone Wrong, Widow/Widower |
| Social setting: | Life on a Farm, Slavery |
| Time period setting: | 1800s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Dezenove, Cisma Produções |
| Production Countries: | Portugal, Brazil |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 66 | $3,489 | 1 | $3,489 | $3,489 | 1 | |
| Jan 19, 2018 | 88 | $784 | -78% | 1 | $784 | $6,318 | 2 |
| Jan 26, 2018 | 72 | $3,991 | +409% | 4 | $998 | $10,902 | 3 |
| Feb 2, 2018 | 75 | $1,874 | -53% | 5 | $375 | $15,745 | 4 |
| Feb 9, 2018 | 88 | $200 | -89% | 2 | $100 | $17,774 | 5 |
| Feb 16, 2018 | 86 | $569 | +185% | 2 | $285 | $18,465 | 6 |
| Mar 9, 2018 | 93 | $179 | 1 | $179 | $19,056 | 9 | |
| Mar 16, 2018 | 97 | $135 | -25% | 1 | $135 | $19,556 | 10 |
| Mar 30, 2018 | 96 | $316 | 1 | $316 | $20,333 | 12 | |
| Apr 13, 2018 | 91 | $1,079 | 1 | $1,079 | $23,884 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 67 | $5,534 | 1 | $5,534 | $5,534 | 1 | |
| Jan 19, 2018 | 85 | $1,377 | -75% | 1 | $1,377 | $6,911 | 2 |
| Jan 26, 2018 | 64 | $6,960 | +405% | 4 | $1,740 | $13,871 | 3 |
| Feb 2, 2018 | 69 | $3,703 | -47% | 6 | $617 | $17,574 | 4 |
| Feb 9, 2018 | 87 | $322 | -91% | 2 | $161 | $17,896 | 5 |
| Feb 16, 2018 | 88 | $763 | +137% | 3 | $254 | $18,659 | 6 |
| Feb 23, 2018 | 91 | $218 | -71% | 2 | $109 | $18,877 | 7 |
| Mar 9, 2018 | 92 | $544 | 3 | $181 | $19,421 | 9 | |
| Mar 16, 2018 | 94 | $314 | -42% | 2 | $157 | $19,735 | 10 |
| Mar 23, 2018 | 96 | $282 | -10% | 1 | $282 | $20,017 | 11 |
| Apr 13, 2018 | 91 | $1,079 | 1 | $1,079 | $23,884 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 9/7/2018 | $816 | 2 | 2 | 4 | $1,211 | 9/19/2018 | |||
| International Total | $1,211 | 9/19/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adriano Carvalho | António | |
| Luana Nastas | Beatriz |
Supporting
| Sandra Corveloni | Dona Ondina | |
| Juliana Carneiro Da Cunha | Dona Zizinha | |
| Roberto Audio | Bartholomeu | |
| Jai Baptista | Feliciana | |
| Isadora Favero | Maria Joaquina | |
| Toumani Kouyate | Lider | |
| Vinicius Dos Anjos | Virgilio | |
| Fabricio Boliveira | Jeremias |
Production and Technical Credits
| Daniela Thomas | Director | |
| Daniela Thomas | Screenwriter | |
| Beto Amaral | Screenwriter | |
| Beto Amaral | Producer | |
| Maria Ionescu | Producer | |
| Sara Silveira | Producer | |
| Pandora Da Cunha | Co-Producer | |
| Pablo Iraola | Co-Producer | |
| Fernando Meirelles | Associate Producer | |
| Cristina Alves | Line Producer | |
| Inti Briones | Director of Photography | |
| Estevan Schilling | Editor | |
| Tiago Marinho | Editor | |
| Valdy Lopes | Production Designer | |
| Vasco Pimentel | Sound Designer | |
| Cassio Brasil | Costume Designer | |
| Rosemary Paiva | Make up |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Brazil, 1821. Upon his return to the imposing farmhouse, Antonio, a slave trader, finds out that his wife died in labor. Forced to live in the property with numerous African slaves, he marries his wife’s niece. A restless soul, he returns to his trading expeditions, leaving his young wife behind alone with the slaves.
Metrics
| Opening Weekend: | $3,489 (14.6% of total gross) |
| Legs: | 5.98 (domestic box office/biggest weekend) |
| Domestic Share: | 95.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,359 |
Movie Details
| Domestic Releases: | January 12th, 2018 (Limited) by Music Box Films |
| International Releases: | September 7th, 2018 (Wide) (Portugal) |
| Video Release: | May 8th, 2018 by Music Box Films Video |
| MPA Rating: | Not Rated |
| Running Time: | 116 minutes |
| Geographical setting: | Brazil |
| Plot point: | Arranged Marriage, Child Bride, Death of a Spouse or Fiancée / Fiancé, Died During Childbirth, Relationships Gone Wrong, Widow/Widower |
| Social setting: | Life on a Farm, Slavery |
| Time period setting: | 1800s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Dezenove, Cisma Produções |
| Production Countries: | Portugal, Brazil |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 66 | $3,489 | 1 | $3,489 | $3,489 | 1 | |
| Jan 19, 2018 | 88 | $784 | -78% | 1 | $784 | $6,318 | 2 |
| Jan 26, 2018 | 72 | $3,991 | +409% | 4 | $998 | $10,902 | 3 |
| Feb 2, 2018 | 75 | $1,874 | -53% | 5 | $375 | $15,745 | 4 |
| Feb 9, 2018 | 88 | $200 | -89% | 2 | $100 | $17,774 | 5 |
| Feb 16, 2018 | 86 | $569 | +185% | 2 | $285 | $18,465 | 6 |
| Mar 9, 2018 | 93 | $179 | 1 | $179 | $19,056 | 9 | |
| Mar 16, 2018 | 97 | $135 | -25% | 1 | $135 | $19,556 | 10 |
| Mar 30, 2018 | 96 | $316 | 1 | $316 | $20,333 | 12 | |
| Apr 13, 2018 | 91 | $1,079 | 1 | $1,079 | $23,884 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 67 | $5,534 | 1 | $5,534 | $5,534 | 1 | |
| Jan 19, 2018 | 85 | $1,377 | -75% | 1 | $1,377 | $6,911 | 2 |
| Jan 26, 2018 | 64 | $6,960 | +405% | 4 | $1,740 | $13,871 | 3 |
| Feb 2, 2018 | 69 | $3,703 | -47% | 6 | $617 | $17,574 | 4 |
| Feb 9, 2018 | 87 | $322 | -91% | 2 | $161 | $17,896 | 5 |
| Feb 16, 2018 | 88 | $763 | +137% | 3 | $254 | $18,659 | 6 |
| Feb 23, 2018 | 91 | $218 | -71% | 2 | $109 | $18,877 | 7 |
| Mar 9, 2018 | 92 | $544 | 3 | $181 | $19,421 | 9 | |
| Mar 16, 2018 | 94 | $314 | -42% | 2 | $157 | $19,735 | 10 |
| Mar 23, 2018 | 96 | $282 | -10% | 1 | $282 | $20,017 | 11 |
| Apr 13, 2018 | 91 | $1,079 | 1 | $1,079 | $23,884 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 9/7/2018 | $816 | 2 | 2 | 4 | $1,211 | 9/19/2018 | |||
| International Total | $1,211 | 9/19/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adriano Carvalho | António | |
| Luana Nastas | Beatriz |
Supporting
| Sandra Corveloni | Dona Ondina | |
| Juliana Carneiro Da Cunha | Dona Zizinha | |
| Roberto Audio | Bartholomeu | |
| Jai Baptista | Feliciana | |
| Isadora Favero | Maria Joaquina | |
| Toumani Kouyate | Lider | |
| Vinicius Dos Anjos | Virgilio | |
| Fabricio Boliveira | Jeremias |
Production and Technical Credits
| Daniela Thomas | Director | |
| Daniela Thomas | Screenwriter | |
| Beto Amaral | Screenwriter | |
| Beto Amaral | Producer | |
| Maria Ionescu | Producer | |
| Sara Silveira | Producer | |
| Pandora Da Cunha | Co-Producer | |
| Pablo Iraola | Co-Producer | |
| Fernando Meirelles | Associate Producer | |
| Cristina Alves | Line Producer | |
| Inti Briones | Director of Photography | |
| Estevan Schilling | Editor | |
| Tiago Marinho | Editor | |
| Valdy Lopes | Production Designer | |
| Vasco Pimentel | Sound Designer | |
| Cassio Brasil | Costume Designer | |
| Rosemary Paiva | Make up |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.