Vengeance (2022)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $4,330,720 | Details |
| International Box Office | $102,933 | Details |
| Worldwide Box Office | $4,433,653 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $44,853 | |
| Total | $44,853 | |
| OpusData ID: 490180100 More info... | ||
| Further financial details... | ||
Synopsis
Ben Manalowitz is an aspiring New York podcaster in search of a story. When the body of a woman he’d been hooking up with is discovered in a West Texas oil field, he stumbles onto exactly the sort of true-crime tale that could make his career. Launching an investigation into her death in collaboration with high-powered producer Eloise, the confident Ben finds himself in over his head attempting to navigate a wildly unfamiliar culture. As he grows unexpectedly close to the young woman’s eccentric family and encounters figures like the enigmatic music producer Quentin Sellers, he’s forced to confront his own shortcomings and preconceptions. At the same time, he’s drawn into an ill-considered plot to avenge the crime.
Metrics
| Opening Weekend: | $1,755,325 (40.5% of total gross) |
| Legs: | 2.47 (domestic box office/biggest weekend) |
| Domestic Share: | 97.7% (domestic box office/worldwide) |
| Theater counts: | 998 opening theaters/1,003 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,918,837 |
Movie Details
| Domestic Releases: | July 29th, 2022 (Wide) by Focus Features |
| International Releases: | September 8th, 2022 (Wide) (Italy)
October 7th, 2022 (Limited) (United Kingdom) January 19th, 2023 (Limited), released as Rache auf Texanisch (Germany) |
| Video Release: | August 16th, 2022 by Universal Home Entertainment |
| MPA Rating: | R for language and brief violence. (Rating bulletin 2738 (cert #53804), 6/29/2022) |
| Running Time: | 107 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut, Directing Yourself, Screenplay Written By the Star |
| Filming location (state or county): | New Mexico, United States |
| Geographical setting: | Texas |
| Plot point: | Investigative Journalist, Murder Mystery |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blumhouse, Divide/Conquer, Focus Features |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 2022 | 10 | $1,755,325 | 998 | $1,759 | $1,755,325 | 1 | |
| Aug 5, 2022 | 12 | $725,710 | -59% | 1,003 | $724 | $3,283,735 | 2 |
| Aug 12, 2022 | - | $215,475 | -70% | 431 | $500 | $3,885,495 | 3 |
| Aug 19, 2022 | - | $99,970 | -54% | 167 | $599 | $4,092,980 | 4 |
| Aug 26, 2022 | - | $67,015 | -33% | 106 | $632 | $4,201,560 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 29, 2022 | 9 | $658,425 | 998 | $660 | $658,425 | 1 | ||
| Jul 30, 2022 | 10 | $631,440 | -4% | 998 | $633 | $1,289,865 | 2 | |
| Jul 31, 2022 | 10 | $465,460 | -26% | 998 | $466 | $1,755,325 | 3 | |
| Aug 1, 2022 | 10 | $196,970 | -58% | 998 | $197 | $1,952,295 | 4 | |
| Aug 2, 2022 | 10 | $273,570 | +39% | 998 | $274 | $2,225,865 | 5 | |
| Aug 3, 2022 | 10 | $197,140 | -28% | 998 | $198 | $2,423,005 | 6 | |
| Aug 4, 2022 | 11 | $135,020 | -32% | 998 | $135 | $2,558,025 | 7 | |
| Aug 5, 2022 | 12 | $202,705 | +50% | -69% | 1,003 | $202 | $2,760,730 | 8 |
| Aug 6, 2022 | 12 | $296,695 | +46% | -53% | 1,003 | $296 | $3,057,425 | 9 |
| Aug 7, 2022 | 12 | $226,310 | -24% | -51% | 1,003 | $226 | $3,283,735 | 10 |
| Aug 8, 2022 | 12 | $93,150 | -59% | -53% | 1,003 | $93 | $3,376,885 | 11 |
| Aug 9, 2022 | 13 | $126,875 | +36% | -54% | 1,003 | $126 | $3,503,760 | 12 |
| Aug 10, 2022 | 13 | $99,835 | -21% | -49% | 1,003 | $100 | $3,603,595 | 13 |
| Aug 11, 2022 | - | $66,425 | -33% | -51% | 1,003 | $66 | $3,670,020 | 14 |
| Aug 12, 2022 | - | $61,010 | -8% | -70% | 431 | $142 | $3,731,030 | 15 |
| Aug 13, 2022 | - | $91,880 | +51% | -69% | 431 | $213 | $3,822,910 | 16 |
| Aug 14, 2022 | - | $62,585 | -32% | -72% | 431 | $145 | $3,885,495 | 17 |
| Aug 15, 2022 | - | $25,665 | -59% | -72% | 431 | $60 | $3,911,160 | 18 |
| Aug 16, 2022 | - | $37,400 | +46% | -71% | 431 | $87 | $3,948,560 | 19 |
| Aug 17, 2022 | - | $26,325 | -30% | -74% | 431 | $61 | $3,974,885 | 20 |
| Aug 18, 2022 | - | $18,125 | -31% | -73% | 431 | $42 | $3,993,010 | 21 |
| Aug 19, 2022 | - | $28,175 | +55% | -54% | 167 | $169 | $4,021,185 | 22 |
| Aug 20, 2022 | - | $42,765 | +52% | -53% | 167 | $256 | $4,063,950 | 23 |
| Aug 21, 2022 | - | $29,030 | -32% | -54% | 167 | $174 | $4,092,980 | 24 |
| Aug 22, 2022 | - | $9,210 | -68% | -64% | 167 | $55 | $4,102,190 | 25 |
| Aug 23, 2022 | - | $12,980 | +41% | -65% | 167 | $78 | $4,115,170 | 26 |
| Aug 24, 2022 | - | $9,970 | -23% | -62% | 167 | $60 | $4,125,140 | 27 |
| Aug 25, 2022 | - | $9,405 | -6% | -48% | 167 | $56 | $4,134,545 | 28 |
| Aug 26, 2022 | - | $19,305 | +105% | -31% | 106 | $182 | $4,153,850 | 29 |
| Aug 27, 2022 | - | $31,035 | +61% | -27% | 106 | $293 | $4,184,885 | 30 |
| Aug 28, 2022 | - | $16,675 | -46% | -43% | 106 | $157 | $4,201,560 | 31 |
| Aug 29, 2022 | - | $5,170 | -69% | -44% | 106 | $49 | $4,206,730 | 32 |
| Aug 30, 2022 | - | $6,650 | +29% | -49% | 106 | $63 | $4,213,380 | 33 |
| Aug 31, 2022 | - | $6,905 | +4% | -31% | 106 | $65 | $4,220,285 | 34 |
| Sep 1, 2022 | - | $5,435 | -21% | -42% | 106 | $51 | $4,225,720 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 2022 | 10 | $2,558,025 | 998 | $2,563 | $2,558,025 | 1 | |
| Aug 5, 2022 | 12 | $1,111,995 | -57% | 1,003 | $1,109 | $3,670,020 | 2 |
| Aug 12, 2022 | - | $322,990 | -71% | 431 | $749 | $3,993,010 | 3 |
| Aug 19, 2022 | - | $141,535 | -56% | 167 | $848 | $4,134,545 | 4 |
| Aug 26, 2022 | - | $91,175 | -36% | 106 | $860 | $4,225,720 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 9/8/2022 | $7,602 | 0 | 0 | 0 | $7,602 | 9/12/2022 | |||
| United Kingdom | 10/7/2022 | $32,294 | 134 | 134 | 134 | $70,047 | 10/22/2022 | |||
| Rest of World | $25,284 | |||||||||
| International Total | $102,933 | 10/22/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| B.J. Novak | Ben Manalowitz | |
| Boyd Holbrook | Ty Shaw | |
| Issa Rae | Eloise | |
| Ashton Kutcher | Quentin Sellers | |
| J. Smith-Cameron | Sharon Shaw | |
| Lio Tipton | Abilene Shaw | |
| Dove Cameron | Kansas City |
Supporting
| Isabella Amara | Paris | |
| Eli Abrams Bickel | El Stupido | |
| Louanne Stephens | Granny Carole | |
| John Mayer | John | |
| Clint Obenchain | Crawl | |
| Zach Villa | Sancholo | |
| Tony Sedillo | Sancholo’s Associate | |
| Rio Alexander | Sheriff Jimenez | |
| Sarah Minnich | Brunett Random House Party | |
| Ben Whitehair | Officer Dan | |
| Grayson Berry | Officer Mike | |
| Kevin Wiggins | Border Patrolman | |
| Nathaniel Augustson | Rowdy Strange #1 | |
| Sean Dillingham | Rowdy Stranger #2 | |
| Mona Malec | Highway Patrolman | |
| Mike Miller | Doctor | |
| Kyle Tom | Rodeo Announcer | |
| Chevel Shepherd | Teenage Singer | |
| Micah McNeil | Texas Tech Fan | |
| Tracy S. Lee | Radio Intern | |
| Ethan Johnson | Rodeo Clown | |
| Avalon Morrison Stone | Miss Whataburger |
Production and Technical Credits
| B.J. Novak | Director | |
| B.J. Novak | Screenwriter | |
| Jason Blum | Producer | |
| Adam Hendricks | Producer | |
| Greg Gilreath | Producer | |
| B.J. Novak | Executive Producer | |
| Leigh Kilton Smith | Executive Producer | |
| Chris Warner | Executive Producer | |
| Lyn Moncrief | Director of Photography | |
| Courtney Andujar | Production Designer | |
| Hillary Andujar | Production Designer | |
| Andy Canny | Editor | |
| Hilda Rasula | Editor | |
| Plummy Tucker | Editor | |
| Rachel Sage Kunn | Costume Designer | |
| Jon Romano | Co-Producer | |
| Nicholas Kraft | Co-Producer | |
| Finneas O'Connell | Composer | |
| Andrea von Foerster | Music Supervisor | |
| Terri Taylor | Casting Director | |
| Sarah Domeier | Casting Director | |
| Christopher H. Warner | Unit Production Manager | |
| Jason Altieri | First Assistant Director | |
| Peter McGrew | First Assistant Director/Second Assistant Director | |
| Jessica Richey | Second Assistant Director | |
| Zac Locke | Associate Producer | |
| Kirk W. Johnson | Production Supervisor | |
| Renee Minasian | Post-Production Supervisor | |
| Marcia Calosio | Set Decorator | |
| David Hack | Set Decorator | |
| David Sickles | Sound Mixer | |
| Eric Thelander | Special Effects Coordinator | |
| Brandy Marrs | Costume Supervisor | |
| Sydney Suina | Costume Supervisor | |
| Alexis Williams | Make up | |
| Nicole Hawkyard | Make up | |
| Janine Maloney | Make up | |
| Bonnie Masoner | Make up | |
| Megg Massey | Hairstylist | |
| Emerald Ortega | Hairstylist | |
| Janessa M. Bouldin | Hairstylist | |
| Charee Savedra | Script Supervisor | |
| Jonathan Slator | Location Manager | |
| Patrick Puhl | Location Manager | |
| Melanie Kuan Gutierrez | First Assistant Editor | |
| Chris Dold | First Assistant Editor | |
| Brian Steele | First Assistant Editor | |
| Kali Kasashima | Assistant Editor | |
| P.K. Hooker | Supervising Sound Editor | |
| P.K. Hooker | Sound Designer | |
| Tateum Kohut | Re-recording Mixer | |
| Kevin Froines | Re-recording Mixer | |
| Tiffany S. Griffith | Dialogue Editor | |
| Ryan Sullivan | Sound Effects Editor | |
| Pavel Nivevskiy | Foley Mixer | |
| Raya Zakrevska | Foley Editor | |
| Ellen Segal | Music Editor | |
| Ben Zales | Music Editor | |
| Jason Sanford | Visual Effects Executive Producer | |
| Aaron Estrada | Visual Effects Supervisor | |
| Ken Cioe | Visual Effects Producer | |
| Mark Riccardi | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Ben Manalowitz is an aspiring New York podcaster in search of a story. When the body of a woman he’d been hooking up with is discovered in a West Texas oil field, he stumbles onto exactly the sort of true-crime tale that could make his career. Launching an investigation into her death in collaboration with high-powered producer Eloise, the confident Ben finds himself in over his head attempting to navigate a wildly unfamiliar culture. As he grows unexpectedly close to the young woman’s eccentric family and encounters figures like the enigmatic music producer Quentin Sellers, he’s forced to confront his own shortcomings and preconceptions. At the same time, he’s drawn into an ill-considered plot to avenge the crime.
Metrics
| Opening Weekend: | $1,755,325 (40.5% of total gross) |
| Legs: | 2.47 (domestic box office/biggest weekend) |
| Domestic Share: | 97.7% (domestic box office/worldwide) |
| Theater counts: | 998 opening theaters/1,003 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,918,837 |
Movie Details
| Domestic Releases: | July 29th, 2022 (Wide) by Focus Features |
| International Releases: | September 8th, 2022 (Wide) (Italy)
October 7th, 2022 (Limited) (United Kingdom) January 19th, 2023 (Limited), released as Rache auf Texanisch (Germany) |
| Video Release: | August 16th, 2022 by Universal Home Entertainment |
| MPA Rating: | R for language and brief violence. (Rating bulletin 2738 (cert #53804), 6/29/2022) |
| Running Time: | 107 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut, Directing Yourself, Screenplay Written By the Star |
| Filming location (state or county): | New Mexico, United States |
| Geographical setting: | Texas |
| Plot point: | Investigative Journalist, Murder Mystery |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blumhouse, Divide/Conquer, Focus Features |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 2022 | 10 | $1,755,325 | 998 | $1,759 | $1,755,325 | 1 | |
| Aug 5, 2022 | 12 | $725,710 | -59% | 1,003 | $724 | $3,283,735 | 2 |
| Aug 12, 2022 | - | $215,475 | -70% | 431 | $500 | $3,885,495 | 3 |
| Aug 19, 2022 | - | $99,970 | -54% | 167 | $599 | $4,092,980 | 4 |
| Aug 26, 2022 | - | $67,015 | -33% | 106 | $632 | $4,201,560 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 29, 2022 | 9 | $658,425 | 998 | $660 | $658,425 | 1 | ||
| Jul 30, 2022 | 10 | $631,440 | -4% | 998 | $633 | $1,289,865 | 2 | |
| Jul 31, 2022 | 10 | $465,460 | -26% | 998 | $466 | $1,755,325 | 3 | |
| Aug 1, 2022 | 10 | $196,970 | -58% | 998 | $197 | $1,952,295 | 4 | |
| Aug 2, 2022 | 10 | $273,570 | +39% | 998 | $274 | $2,225,865 | 5 | |
| Aug 3, 2022 | 10 | $197,140 | -28% | 998 | $198 | $2,423,005 | 6 | |
| Aug 4, 2022 | 11 | $135,020 | -32% | 998 | $135 | $2,558,025 | 7 | |
| Aug 5, 2022 | 12 | $202,705 | +50% | -69% | 1,003 | $202 | $2,760,730 | 8 |
| Aug 6, 2022 | 12 | $296,695 | +46% | -53% | 1,003 | $296 | $3,057,425 | 9 |
| Aug 7, 2022 | 12 | $226,310 | -24% | -51% | 1,003 | $226 | $3,283,735 | 10 |
| Aug 8, 2022 | 12 | $93,150 | -59% | -53% | 1,003 | $93 | $3,376,885 | 11 |
| Aug 9, 2022 | 13 | $126,875 | +36% | -54% | 1,003 | $126 | $3,503,760 | 12 |
| Aug 10, 2022 | 13 | $99,835 | -21% | -49% | 1,003 | $100 | $3,603,595 | 13 |
| Aug 11, 2022 | - | $66,425 | -33% | -51% | 1,003 | $66 | $3,670,020 | 14 |
| Aug 12, 2022 | - | $61,010 | -8% | -70% | 431 | $142 | $3,731,030 | 15 |
| Aug 13, 2022 | - | $91,880 | +51% | -69% | 431 | $213 | $3,822,910 | 16 |
| Aug 14, 2022 | - | $62,585 | -32% | -72% | 431 | $145 | $3,885,495 | 17 |
| Aug 15, 2022 | - | $25,665 | -59% | -72% | 431 | $60 | $3,911,160 | 18 |
| Aug 16, 2022 | - | $37,400 | +46% | -71% | 431 | $87 | $3,948,560 | 19 |
| Aug 17, 2022 | - | $26,325 | -30% | -74% | 431 | $61 | $3,974,885 | 20 |
| Aug 18, 2022 | - | $18,125 | -31% | -73% | 431 | $42 | $3,993,010 | 21 |
| Aug 19, 2022 | - | $28,175 | +55% | -54% | 167 | $169 | $4,021,185 | 22 |
| Aug 20, 2022 | - | $42,765 | +52% | -53% | 167 | $256 | $4,063,950 | 23 |
| Aug 21, 2022 | - | $29,030 | -32% | -54% | 167 | $174 | $4,092,980 | 24 |
| Aug 22, 2022 | - | $9,210 | -68% | -64% | 167 | $55 | $4,102,190 | 25 |
| Aug 23, 2022 | - | $12,980 | +41% | -65% | 167 | $78 | $4,115,170 | 26 |
| Aug 24, 2022 | - | $9,970 | -23% | -62% | 167 | $60 | $4,125,140 | 27 |
| Aug 25, 2022 | - | $9,405 | -6% | -48% | 167 | $56 | $4,134,545 | 28 |
| Aug 26, 2022 | - | $19,305 | +105% | -31% | 106 | $182 | $4,153,850 | 29 |
| Aug 27, 2022 | - | $31,035 | +61% | -27% | 106 | $293 | $4,184,885 | 30 |
| Aug 28, 2022 | - | $16,675 | -46% | -43% | 106 | $157 | $4,201,560 | 31 |
| Aug 29, 2022 | - | $5,170 | -69% | -44% | 106 | $49 | $4,206,730 | 32 |
| Aug 30, 2022 | - | $6,650 | +29% | -49% | 106 | $63 | $4,213,380 | 33 |
| Aug 31, 2022 | - | $6,905 | +4% | -31% | 106 | $65 | $4,220,285 | 34 |
| Sep 1, 2022 | - | $5,435 | -21% | -42% | 106 | $51 | $4,225,720 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 2022 | 10 | $2,558,025 | 998 | $2,563 | $2,558,025 | 1 | |
| Aug 5, 2022 | 12 | $1,111,995 | -57% | 1,003 | $1,109 | $3,670,020 | 2 |
| Aug 12, 2022 | - | $322,990 | -71% | 431 | $749 | $3,993,010 | 3 |
| Aug 19, 2022 | - | $141,535 | -56% | 167 | $848 | $4,134,545 | 4 |
| Aug 26, 2022 | - | $91,175 | -36% | 106 | $860 | $4,225,720 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 9/8/2022 | $7,602 | 0 | 0 | 0 | $7,602 | 9/12/2022 | |||
| United Kingdom | 10/7/2022 | $32,294 | 134 | 134 | 134 | $70,047 | 10/22/2022 | |||
| Rest of World | $25,284 | |||||||||
| International Total | $102,933 | 10/22/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| B.J. Novak | Ben Manalowitz | |
| Boyd Holbrook | Ty Shaw | |
| Issa Rae | Eloise | |
| Ashton Kutcher | Quentin Sellers | |
| J. Smith-Cameron | Sharon Shaw | |
| Lio Tipton | Abilene Shaw | |
| Dove Cameron | Kansas City |
Supporting
| Isabella Amara | Paris | |
| Eli Abrams Bickel | El Stupido | |
| Louanne Stephens | Granny Carole | |
| John Mayer | John | |
| Clint Obenchain | Crawl | |
| Zach Villa | Sancholo | |
| Tony Sedillo | Sancholo’s Associate | |
| Rio Alexander | Sheriff Jimenez | |
| Sarah Minnich | Brunett Random House Party | |
| Ben Whitehair | Officer Dan | |
| Grayson Berry | Officer Mike | |
| Kevin Wiggins | Border Patrolman | |
| Nathaniel Augustson | Rowdy Strange #1 | |
| Sean Dillingham | Rowdy Stranger #2 | |
| Mona Malec | Highway Patrolman | |
| Mike Miller | Doctor | |
| Kyle Tom | Rodeo Announcer | |
| Chevel Shepherd | Teenage Singer | |
| Micah McNeil | Texas Tech Fan | |
| Tracy S. Lee | Radio Intern | |
| Ethan Johnson | Rodeo Clown | |
| Avalon Morrison Stone | Miss Whataburger |
Production and Technical Credits
| B.J. Novak | Director | |
| B.J. Novak | Screenwriter | |
| Jason Blum | Producer | |
| Adam Hendricks | Producer | |
| Greg Gilreath | Producer | |
| B.J. Novak | Executive Producer | |
| Leigh Kilton Smith | Executive Producer | |
| Chris Warner | Executive Producer | |
| Lyn Moncrief | Director of Photography | |
| Courtney Andujar | Production Designer | |
| Hillary Andujar | Production Designer | |
| Andy Canny | Editor | |
| Hilda Rasula | Editor | |
| Plummy Tucker | Editor | |
| Rachel Sage Kunn | Costume Designer | |
| Jon Romano | Co-Producer | |
| Nicholas Kraft | Co-Producer | |
| Finneas O'Connell | Composer | |
| Andrea von Foerster | Music Supervisor | |
| Terri Taylor | Casting Director | |
| Sarah Domeier | Casting Director | |
| Christopher H. Warner | Unit Production Manager | |
| Jason Altieri | First Assistant Director | |
| Peter McGrew | First Assistant Director/Second Assistant Director | |
| Jessica Richey | Second Assistant Director | |
| Zac Locke | Associate Producer | |
| Kirk W. Johnson | Production Supervisor | |
| Renee Minasian | Post-Production Supervisor | |
| Marcia Calosio | Set Decorator | |
| David Hack | Set Decorator | |
| David Sickles | Sound Mixer | |
| Eric Thelander | Special Effects Coordinator | |
| Brandy Marrs | Costume Supervisor | |
| Sydney Suina | Costume Supervisor | |
| Alexis Williams | Make up | |
| Nicole Hawkyard | Make up | |
| Janine Maloney | Make up | |
| Bonnie Masoner | Make up | |
| Megg Massey | Hairstylist | |
| Emerald Ortega | Hairstylist | |
| Janessa M. Bouldin | Hairstylist | |
| Charee Savedra | Script Supervisor | |
| Jonathan Slator | Location Manager | |
| Patrick Puhl | Location Manager | |
| Melanie Kuan Gutierrez | First Assistant Editor | |
| Chris Dold | First Assistant Editor | |
| Brian Steele | First Assistant Editor | |
| Kali Kasashima | Assistant Editor | |
| P.K. Hooker | Supervising Sound Editor | |
| P.K. Hooker | Sound Designer | |
| Tateum Kohut | Re-recording Mixer | |
| Kevin Froines | Re-recording Mixer | |
| Tiffany S. Griffith | Dialogue Editor | |
| Ryan Sullivan | Sound Effects Editor | |
| Pavel Nivevskiy | Foley Mixer | |
| Raya Zakrevska | Foley Editor | |
| Ellen Segal | Music Editor | |
| Ben Zales | Music Editor | |
| Jason Sanford | Visual Effects Executive Producer | |
| Aaron Estrada | Visual Effects Supervisor | |
| Ken Cioe | Visual Effects Producer | |
| Mark Riccardi | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.