La Vénus à la fourrure (2014)
| Theatrical Performance | ||
| Domestic Box Office | $342,183 | Details |
| International Box Office | $7,503,022 | Details |
| Worldwide Box Office | $7,845,205 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $194,795 | |
| Total | $194,795 | |
| OpusData ID: 203460100 More info... | ||
| Further financial details... | ||
Synopsis
An actress attempts to convince a director how she’s perfect for a role in his upcoming production.
Metrics
| Opening Weekend: | $24,761 (7.2% of total gross) |
| Legs: | 8.11 (domestic box office/biggest weekend) |
| Domestic Share: | 4.4% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/45 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $500,921 |
Movie Details
| Domestic Releases: | June 20th, 2014 (Limited) by IFC Films, released as Venus in Fur |
| International Releases: | July 17th, 2014 (Limited), released as Venus in Fur (Australia)
August 13th, 2015 (Wide), released as La Venus a la fourrure (Argentina) September 24th, 2015 (Wide), released as La Venus a la fourrure (Brazil) December 10th, 2015 (Wide), released as La Venus a la fourrure (Uruguay) ... Show all releases |
| Video Release: | October 14th, 2014 by Mpi Home Video, released as Venus in Fur |
| MPA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Cast, crew, or production detail: | Minimal Cast |
| Plot point: | Audition, Obsession, Performing Arts |
| Social setting: | Theater |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | RP Productions, Monolith Pictures, Polish Film Institute, Manon 3, Mars Films |
| Production Countries: | France, Poland |
| Languages: | French, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 20, 2014 | 48 | $24,761 | 2 | $12,381 | $24,761 | 1 | |
| Jun 27, 2014 | 48 | $24,956 | +1% | 10 | $2,496 | $65,587 | 2 |
| Jul 4, 2014 | 47 | $29,947 | +20% | 12 | $2,496 | $112,208 | 3 |
| Jul 11, 2014 | 42 | $42,211 | +41% | 19 | $2,222 | $170,077 | 4 |
| Jul 25, 2014 | 56 | $24,086 | 45 | $535 | $301,681 | 6 | |
| Aug 1, 2014 | 64 | $10,398 | -57% | 31 | $335 | $327,889 | 7 |
| Aug 8, 2014 | 79 | $4,551 | -56% | 21 | $217 | $342,183 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 20, 2014 | 44 | $40,631 | 2 | $20,316 | $40,631 | 1 | |
| Jun 27, 2014 | 50 | $41,630 | +2% | 10 | $4,163 | $82,261 | 2 |
| Jul 4, 2014 | 45 | $45,605 | +10% | 12 | $3,800 | $127,886 | 3 |
| Jul 25, 2014 | 55 | $39,896 | 45 | $887 | $317,491 | 6 | |
| Aug 1, 2014 | 63 | $20,141 | -50% | 31 | $650 | $337,632 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/17/2014 | $0 | 0 | 6 | 10 | $45,806 | 8/3/2015 | |||
| Uruguay | 12/10/2015 | $1,002 | 2 | 2 | 4 | $2,787 | 12/30/2018 | |||
| Rest of World | $7,454,429 | |||||||||
| International Total | $7,503,022 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Emmanuelle Seigner | Vanda | |
| Mathieu Amalric | Thomas |
Production and Technical Credits
| Roman Polanski | Director | |
| Roman Polanski | Screenwriter | |
| David Ives | Screenwriter | |
| David Ives | Story Creator | |
| Robert Benmussa | Producer | |
| Alain Sarde | Producer | |
| Mariusz Lukomski | Associate Producer | |
| Wojtek Palys | Associate Producer | |
| Jean Rabasse | Production Designer | |
| Margot Meynier | Editor | |
| Herve de Luze | Editor | |
| Pawel Edelman | Director of Photography | |
| Alexandre Desplat | Composer | |
| Dinah Collin | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An actress attempts to convince a director how she’s perfect for a role in his upcoming production.
Metrics
| Opening Weekend: | $24,761 (7.2% of total gross) |
| Legs: | 8.11 (domestic box office/biggest weekend) |
| Domestic Share: | 4.4% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/45 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $500,921 |
Movie Details
| Domestic Releases: | June 20th, 2014 (Limited) by IFC Films, released as Venus in Fur |
| International Releases: | July 17th, 2014 (Limited), released as Venus in Fur (Australia)
August 13th, 2015 (Wide), released as La Venus a la fourrure (Argentina) September 24th, 2015 (Wide), released as La Venus a la fourrure (Brazil) December 10th, 2015 (Wide), released as La Venus a la fourrure (Uruguay) ... Show all releases |
| Video Release: | October 14th, 2014 by Mpi Home Video, released as Venus in Fur |
| MPA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Cast, crew, or production detail: | Minimal Cast |
| Plot point: | Audition, Obsession, Performing Arts |
| Social setting: | Theater |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | RP Productions, Monolith Pictures, Polish Film Institute, Manon 3, Mars Films |
| Production Countries: | France, Poland |
| Languages: | French, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 20, 2014 | 48 | $24,761 | 2 | $12,381 | $24,761 | 1 | |
| Jun 27, 2014 | 48 | $24,956 | +1% | 10 | $2,496 | $65,587 | 2 |
| Jul 4, 2014 | 47 | $29,947 | +20% | 12 | $2,496 | $112,208 | 3 |
| Jul 11, 2014 | 42 | $42,211 | +41% | 19 | $2,222 | $170,077 | 4 |
| Jul 25, 2014 | 56 | $24,086 | 45 | $535 | $301,681 | 6 | |
| Aug 1, 2014 | 64 | $10,398 | -57% | 31 | $335 | $327,889 | 7 |
| Aug 8, 2014 | 79 | $4,551 | -56% | 21 | $217 | $342,183 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 20, 2014 | 44 | $40,631 | 2 | $20,316 | $40,631 | 1 | |
| Jun 27, 2014 | 50 | $41,630 | +2% | 10 | $4,163 | $82,261 | 2 |
| Jul 4, 2014 | 45 | $45,605 | +10% | 12 | $3,800 | $127,886 | 3 |
| Jul 25, 2014 | 55 | $39,896 | 45 | $887 | $317,491 | 6 | |
| Aug 1, 2014 | 63 | $20,141 | -50% | 31 | $650 | $337,632 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/17/2014 | $0 | 0 | 6 | 10 | $45,806 | 8/3/2015 | |||
| Uruguay | 12/10/2015 | $1,002 | 2 | 2 | 4 | $2,787 | 12/30/2018 | |||
| Rest of World | $7,454,429 | |||||||||
| International Total | $7,503,022 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Emmanuelle Seigner | Vanda | |
| Mathieu Amalric | Thomas |
Production and Technical Credits
| Roman Polanski | Director | |
| Roman Polanski | Screenwriter | |
| David Ives | Screenwriter | |
| David Ives | Story Creator | |
| Robert Benmussa | Producer | |
| Alain Sarde | Producer | |
| Mariusz Lukomski | Associate Producer | |
| Wojtek Palys | Associate Producer | |
| Jean Rabasse | Production Designer | |
| Margot Meynier | Editor | |
| Herve de Luze | Editor | |
| Pawel Edelman | Director of Photography | |
| Alexandre Desplat | Composer | |
| Dinah Collin | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.