Vesper (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $49,493 | Details |
| International Box Office | $493,454 | Details |
| Worldwide Box Office | $542,947 | |
| OpusData ID: 549640100 More info... | ||
| Further financial details... | ||
Synopsis
After the collapse of Earth’s ecosystem, Vesper, a 13-year-old girl struggling to survive with her Father, must use her wits, strength and bio-hacking abilities to fight for the future.
Metrics
| Opening Weekend: | $22,949 (46.4% of total gross) |
| Legs: | 2.16 (domestic box office/biggest weekend) |
| Domestic Share: | 9.1% (domestic box office/worldwide) |
| Theater counts: | 44 opening theaters/45 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $56,212 |
Movie Details
| Domestic Releases: | September 30th, 2022 (Limited) by IFC Films |
| International Releases: | September 29th, 2022 (Wide), released as Vesper (Эра выживания) (Russia (CIS))
September 30th, 2022 (Wide) (Turkey) October 6th, 2022 (Wide) (Germany) October 21st, 2022 (Limited) (United Kingdom) October 27th, 2022 (Limited) (New Zealand) ... Show all releases |
| Video Release: | September 16th, 2022 by IFC Video |
| Running Time: | 112 minutes |
| Plot point: | Environment, Paralysis |
| Social setting: | Post Apocalypse |
| Subgenre: | Heroic Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | IFC Midnight, Natrix Natrix, Rumble Fish, 10.80 Films, Ev.L, Lithuana Film Centre, Centre National du Cinema, et de l'Image animée, Tax Shelter of the Belgian Government, Eurimages, Creative Europe, OCS., Wallimage, VOO ET BETV |
| Production Countries: | Lithuania, France, Belgium |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 30, 2022 | - | $22,949 | 44 | $522 | $22,949 | 1 | |
| Oct 7, 2022 | - | $6,116 | -73% | 31 | $197 | $40,242 | 2 |
| Oct 14, 2022 | - | $970 | -84% | 7 | $139 | $46,886 | 3 |
| Oct 21, 2022 | - | $622 | -36% | 4 | $156 | $48,505 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 30, 2022 | 31 | $34,126 | 45 | $758 | $34,126 | 1 | |
| Oct 7, 2022 | 33 | $11,790 | -65% | 31 | $380 | $45,916 | 2 |
| Oct 14, 2022 | 42 | $1,967 | -83% | 7 | $281 | $47,883 | 3 |
| Oct 21, 2022 | 39 | $1,610 | -18% | 4 | $403 | $49,493 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 10/27/2022 | $0 | 0 | 1 | 2 | $795 | 11/14/2022 | |||
| Portugal | 11/17/2022 | $11,234 | 31 | 31 | 51 | $16,793 | 11/29/2022 | |||
| Russia (CIS) | 9/29/2022 | $259,407 | 1,331 | 1,331 | 2,369 | $405,361 | 10/22/2022 | |||
| Spain | 7/7/2023 | $25,261 | 73 | 73 | 73 | $29,428 | 7/13/2023 | |||
| Turkey | 9/30/2022 | $20,210 | 84 | 84 | 124 | $37,627 | 10/22/2022 | |||
| United Kingdom | 10/21/2022 | $3,450 | 12 | 12 | 12 | $3,450 | 10/26/2022 | |||
| International Total | $493,454 | 7/13/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Raffiella Chapman | Vesper | |
| Eddie Marsan | Jonas | |
| Rosy McEwen | Camellia |
Supporting
| Richard Brake | Darius | |
| Melanie Gaydos | Jug |
Production and Technical Credits
| Kristina Buozyte | Director | |
| Bruno Samper | Director | |
| Bruno Samper | Screenwriter | |
| Brian Clark | Screenwriter | |
| Kristina Buozyte | Screenwriter | |
| Daiva Varnaitė-Jovaišienė | Producer | |
| Asta Liukaityte | Producer | |
| Alexis Perrin | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After the collapse of Earth’s ecosystem, Vesper, a 13-year-old girl struggling to survive with her Father, must use her wits, strength and bio-hacking abilities to fight for the future.
Metrics
| Opening Weekend: | $22,949 (46.4% of total gross) |
| Legs: | 2.16 (domestic box office/biggest weekend) |
| Domestic Share: | 9.1% (domestic box office/worldwide) |
| Theater counts: | 44 opening theaters/45 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $56,212 |
Movie Details
| Domestic Releases: | September 30th, 2022 (Limited) by IFC Films |
| International Releases: | September 29th, 2022 (Wide), released as Vesper (Эра выживания) (Russia (CIS))
September 30th, 2022 (Wide) (Turkey) October 6th, 2022 (Wide) (Germany) October 21st, 2022 (Limited) (United Kingdom) October 27th, 2022 (Limited) (New Zealand) ... Show all releases |
| Video Release: | September 16th, 2022 by IFC Video |
| Running Time: | 112 minutes |
| Plot point: | Environment, Paralysis |
| Social setting: | Post Apocalypse |
| Subgenre: | Heroic Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | IFC Midnight, Natrix Natrix, Rumble Fish, 10.80 Films, Ev.L, Lithuana Film Centre, Centre National du Cinema, et de l'Image animée, Tax Shelter of the Belgian Government, Eurimages, Creative Europe, OCS., Wallimage, VOO ET BETV |
| Production Countries: | Lithuania, France, Belgium |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 30, 2022 | - | $22,949 | 44 | $522 | $22,949 | 1 | |
| Oct 7, 2022 | - | $6,116 | -73% | 31 | $197 | $40,242 | 2 |
| Oct 14, 2022 | - | $970 | -84% | 7 | $139 | $46,886 | 3 |
| Oct 21, 2022 | - | $622 | -36% | 4 | $156 | $48,505 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 30, 2022 | 31 | $34,126 | 45 | $758 | $34,126 | 1 | |
| Oct 7, 2022 | 33 | $11,790 | -65% | 31 | $380 | $45,916 | 2 |
| Oct 14, 2022 | 42 | $1,967 | -83% | 7 | $281 | $47,883 | 3 |
| Oct 21, 2022 | 39 | $1,610 | -18% | 4 | $403 | $49,493 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 10/27/2022 | $0 | 0 | 1 | 2 | $795 | 11/14/2022 | |||
| Portugal | 11/17/2022 | $11,234 | 31 | 31 | 51 | $16,793 | 11/29/2022 | |||
| Russia (CIS) | 9/29/2022 | $259,407 | 1,331 | 1,331 | 2,369 | $405,361 | 10/22/2022 | |||
| Spain | 7/7/2023 | $25,261 | 73 | 73 | 73 | $29,428 | 7/13/2023 | |||
| Turkey | 9/30/2022 | $20,210 | 84 | 84 | 124 | $37,627 | 10/22/2022 | |||
| United Kingdom | 10/21/2022 | $3,450 | 12 | 12 | 12 | $3,450 | 10/26/2022 | |||
| International Total | $493,454 | 7/13/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Raffiella Chapman | Vesper | |
| Eddie Marsan | Jonas | |
| Rosy McEwen | Camellia |
Supporting
| Richard Brake | Darius | |
| Melanie Gaydos | Jug |
Production and Technical Credits
| Kristina Buozyte | Director | |
| Bruno Samper | Director | |
| Bruno Samper | Screenwriter | |
| Brian Clark | Screenwriter | |
| Kristina Buozyte | Screenwriter | |
| Daiva Varnaitė-Jovaišienė | Producer | |
| Asta Liukaityte | Producer | |
| Alexis Perrin | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.