Violet and Daisy (2013)
| Theatrical Performance | ||
| Domestic Box Office | $17,186 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $33,820 | |
| Blu-ray Sales (estimated) | $15,729 | |
| Total | $49,549 | |
| OpusData ID: 149970100 More info... | ||
| Further financial details... | ||
Synopsis
Violet and Daisy are a pair of gum-cracking teenage assassins who casually snuff out crime figures in New York City, distracted only by the fact that a concert by their favorite pop idol Barbie Sunday has suddenly been canceled. Determined to raise cash for some Barbie Sunday dresses, the duo takes on a new hit job targeting a mysterious loner who leads them into an unexpected odyssey of self - examination and catapults the junior enforcers into a world beyond Barbie Sunday and bullets for pay
Metrics
| Opening Weekend: | $9,982 (58.1% of total gross) |
| Legs: | 1.72 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 17 opening theaters/17 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,283 |
Movie Details
| Domestic Releases: | June 7th, 2013 (Limited) by Cinedigm |
| Video Release: | November 16th, 2013 by New Video Group |
| MPA Rating: | R for violence, disturbing behavior and language. (Rating bulletin 2275, 6/5/2013) |
| Running Time: | 88 minutes |
| Plot point: | Cancer, Hitmen, Terminal Illness |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magic Violet, Greenestreet Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 2013 | 55 | $9,982 | 17 | $587 | $9,982 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 2013 | 60 | $17,186 | 17 | $1,011 | $17,186 | 1 |
Leading
| Saoirse Ronan | Daisy | |
| Alexis Bledel | Violet |
Supporting
| James Gandolfini | Michael | |
| Danny Trejo | Russ | |
| Mary Jean-Baptiste | Iris |
Production and Technical Credits
| Geoffrey Fletcher | Director | |
| Geoffrey Fletcher | Screenwriter | |
| Geoffrey Fletcher | Producer | |
| Bonnie Timmermann | Producer | |
| Steve Kempf | Co-Producer | |
| Sarah Conners | Co-Producer | |
| John Penotti | Executive Producer | |
| James W. Skotchdopole | Executive Producer | |
| Denise Pinckley | Line Producer | |
| Susan Jacobs | Music Supervisor | |
| Jenny Gering | Costume Designer | |
| Vanja Cernjul | Director of Photography | |
| Patricia Von Brandenstein | Production Designer | |
| Joe Klotz | Editor | |
| Paul Cantelon | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Violet and Daisy are a pair of gum-cracking teenage assassins who casually snuff out crime figures in New York City, distracted only by the fact that a concert by their favorite pop idol Barbie Sunday has suddenly been canceled. Determined to raise cash for some Barbie Sunday dresses, the duo takes on a new hit job targeting a mysterious loner who leads them into an unexpected odyssey of self - examination and catapults the junior enforcers into a world beyond Barbie Sunday and bullets for pay
Metrics
| Opening Weekend: | $9,982 (58.1% of total gross) |
| Legs: | 1.72 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 17 opening theaters/17 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,283 |
Movie Details
| Domestic Releases: | June 7th, 2013 (Limited) by Cinedigm |
| Video Release: | November 16th, 2013 by New Video Group |
| MPA Rating: | R for violence, disturbing behavior and language. (Rating bulletin 2275, 6/5/2013) |
| Running Time: | 88 minutes |
| Plot point: | Cancer, Hitmen, Terminal Illness |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magic Violet, Greenestreet Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 2013 | 55 | $9,982 | 17 | $587 | $9,982 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 2013 | 60 | $17,186 | 17 | $1,011 | $17,186 | 1 |
Leading
| Saoirse Ronan | Daisy | |
| Alexis Bledel | Violet |
Supporting
| James Gandolfini | Michael | |
| Danny Trejo | Russ | |
| Mary Jean-Baptiste | Iris |
Production and Technical Credits
| Geoffrey Fletcher | Director | |
| Geoffrey Fletcher | Screenwriter | |
| Geoffrey Fletcher | Producer | |
| Bonnie Timmermann | Producer | |
| Steve Kempf | Co-Producer | |
| Sarah Conners | Co-Producer | |
| John Penotti | Executive Producer | |
| James W. Skotchdopole | Executive Producer | |
| Denise Pinckley | Line Producer | |
| Susan Jacobs | Music Supervisor | |
| Jenny Gering | Costume Designer | |
| Vanja Cernjul | Director of Photography | |
| Patricia Von Brandenstein | Production Designer | |
| Joe Klotz | Editor | |
| Paul Cantelon | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.