Vision Quest (1985)
| Theatrical Performance | ||
| Domestic Box Office | $13,000,000 | Details |
| OpusData ID: 32860100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,651,665 (20.4% of total gross) |
| Legs: | 4.90 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 993 opening theaters/993 max. theaters, 5.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $41,416,892 |
Movie Details
| Domestic Releases: | February 15th, 1985 (Wide) by Warner Bros. |
| MPA Rating: | R |
| Running Time: | 107 minutes |
| Plot point: | Artists, Miscellaneous Sports, Romance, Wrestling |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Guber-Peters, Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 1985 | 5 | $2,651,665 | 993 | $2,670 | $2,651,665 | 1 | |
| Feb 22, 1985 | 5 | $2,108,450 | -20% | 993 | $2,123 | $5,282,813 | 2 |
| Mar 1, 1985 | 7 | $1,702,651 | -19% | 828 | $2,056 | $7,598,641 | 3 |
| Mar 8, 1985 | 8 | $1,358,738 | -20% | 745 | $1,824 | $9,419,335 | 4 |
| Mar 15, 1985 | 8 | $1,275,468 | -6% | 679 | $1,878 | $11,134,737 | 5 |
| Mar 22, 1985 | 15 | $639,252 | -50% | 459 | $1,393 | $12,184,357 | 6 |
| Mar 29, 1985 | 23 | $227,394 | -64% | 244 | $932 | $12,638,711 | 7 |
| Apr 5, 1985 | 22 | $230,323 | +1% | 254 | $907 | $12,993,175 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 1985 | 5 | $3,174,363 | 993 | $3,197 | $3,174,363 | 1 | |
| Feb 22, 1985 | 5 | $2,721,627 | -14% | 993 | $2,741 | $5,895,990 | 2 |
| Mar 1, 1985 | 7 | $2,164,607 | -20% | 828 | $2,614 | $8,060,597 | 3 |
| Mar 8, 1985 | 8 | $1,798,672 | -17% | 745 | $2,414 | $9,859,269 | 4 |
| Mar 15, 1985 | 8 | $1,685,836 | -6% | 679 | $2,483 | $11,545,105 | 5 |
| Mar 22, 1985 | 15 | $866,212 | -49% | 459 | $1,887 | $12,411,317 | 6 |
| Mar 29, 1985 | 22 | $351,535 | -59% | 244 | $1,441 | $12,762,852 | 7 |
Leading
| Matthew Modine | Louden Swain | |
| Linda Fiorentino | Carla |
Supporting
| Michael Schoeffling | Kuch | |
| Forest Whitaker | Balldozer | |
| Roberts Blossom | Grandpa | |
| Ronny Cox | Louden’s Dad | |
| Daphne Zuniga | Margie Epstein | |
| Andrew Shue | Bar patron | |
| James Gammon | Kuch’s Father |
Cameo
| Madonna | Special Appearance |
Production and Technical Credits
| Harold Becker | Director | |
| Peter Guber | Producer | |
| Jon Peters | Producer | |
| Darryl Ponicsan | Screenwriter | |
| Terry Davis | Story based on the novel by | |
| Stan Weston | Executive Producer | |
| Adam Fields | Executive Producer | |
| Owen Roizman | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,651,665 (20.4% of total gross) |
| Legs: | 4.90 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 993 opening theaters/993 max. theaters, 5.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $41,416,892 |
Movie Details
| Domestic Releases: | February 15th, 1985 (Wide) by Warner Bros. |
| MPA Rating: | R |
| Running Time: | 107 minutes |
| Plot point: | Artists, Miscellaneous Sports, Romance, Wrestling |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Guber-Peters, Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 1985 | 5 | $2,651,665 | 993 | $2,670 | $2,651,665 | 1 | |
| Feb 22, 1985 | 5 | $2,108,450 | -20% | 993 | $2,123 | $5,282,813 | 2 |
| Mar 1, 1985 | 7 | $1,702,651 | -19% | 828 | $2,056 | $7,598,641 | 3 |
| Mar 8, 1985 | 8 | $1,358,738 | -20% | 745 | $1,824 | $9,419,335 | 4 |
| Mar 15, 1985 | 8 | $1,275,468 | -6% | 679 | $1,878 | $11,134,737 | 5 |
| Mar 22, 1985 | 15 | $639,252 | -50% | 459 | $1,393 | $12,184,357 | 6 |
| Mar 29, 1985 | 23 | $227,394 | -64% | 244 | $932 | $12,638,711 | 7 |
| Apr 5, 1985 | 22 | $230,323 | +1% | 254 | $907 | $12,993,175 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 1985 | 5 | $3,174,363 | 993 | $3,197 | $3,174,363 | 1 | |
| Feb 22, 1985 | 5 | $2,721,627 | -14% | 993 | $2,741 | $5,895,990 | 2 |
| Mar 1, 1985 | 7 | $2,164,607 | -20% | 828 | $2,614 | $8,060,597 | 3 |
| Mar 8, 1985 | 8 | $1,798,672 | -17% | 745 | $2,414 | $9,859,269 | 4 |
| Mar 15, 1985 | 8 | $1,685,836 | -6% | 679 | $2,483 | $11,545,105 | 5 |
| Mar 22, 1985 | 15 | $866,212 | -49% | 459 | $1,887 | $12,411,317 | 6 |
| Mar 29, 1985 | 22 | $351,535 | -59% | 244 | $1,441 | $12,762,852 | 7 |
Leading
| Matthew Modine | Louden Swain | |
| Linda Fiorentino | Carla |
Supporting
| Michael Schoeffling | Kuch | |
| Forest Whitaker | Balldozer | |
| Roberts Blossom | Grandpa | |
| Ronny Cox | Louden’s Dad | |
| Daphne Zuniga | Margie Epstein | |
| Andrew Shue | Bar patron | |
| James Gammon | Kuch’s Father |
Cameo
| Madonna | Special Appearance |
Production and Technical Credits
| Harold Becker | Director | |
| Peter Guber | Producer | |
| Jon Peters | Producer | |
| Darryl Ponicsan | Screenwriter | |
| Terry Davis | Story based on the novel by | |
| Stan Weston | Executive Producer | |
| Adam Fields | Executive Producer | |
| Owen Roizman | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.