Vita & Virginia (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $62,350 | Details |
| International Box Office | $777,799 | Details |
| Worldwide Box Office | $840,149 | |
| OpusData ID: 364760100 More info... | ||
| Further financial details... | ||
Synopsis
Set amidst the bohemian high society of 1920s England, Vita & Virginia tells the scintillating true story of a literary love affair that fueled the imagination of one of the 20th century’s most celebrated writers. Vita Sackville-West is the brash, aristocratic wife of a diplomat who refuses to be constrained by her marriage, defiantly courting scandal through her affairs with women. When she meets the brilliant but troubled Virginia Woolf, she is immediately attracted to the famed novelist’s eccentric genius and enigmatic allure. So begins an intense, passionate relationship marked by all-consuming desire, intellectual gamesmanship, and destructive jealousy that will leave both women profoundly transformed and inspire the writing of one of Woolf’s greatest works.
Metrics
| Opening Weekend: | $4,821 (7.7% of total gross) |
| Legs: | 3.39 (domestic box office/biggest weekend) |
| Domestic Share: | 7.4% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/32 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $81,412 |
Movie Details
| Domestic Releases: | August 2nd, 2019 (Limited) by Mongrel Media, released as Vita and Virginia (Canada)
August 23rd, 2019 (Limited) by IFC Films |
| International Releases: | June 6th, 2019 (Wide), released as Вита и Вирджиния (Russia (CIS))
July 5th, 2019 (Limited), released as Vita And Virginia (United Kingdom) July 12th, 2019 (Wide), released as Vita and Virginia (France) August 2nd, 2019 (Limited), released as Vita and Virginia (Canada) August 23rd, 2019 (Wide) (Australia) ... Show all releases |
| Video Release: | August 23rd, 2019 by IFC Video |
| MPA Rating: | Not Rated |
| Running Time: | 110 minutes |
| Geographical setting: | Ireland |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Piccadilly Pictures, Sampsonic Media, Lipsync Productions, Irish Film Board, Protagonist Pictures, SQN Capital, Screen Ireland, Mirror Films , Blinder Films |
| Production Countries: | United Kingdom, Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 2, 2019 | 56 | $4,821 | 4 | $1,205 | $4,821 | 1 | |
| Aug 9, 2019 | 62 | $2,861 | -41% | 3 | $954 | $13,158 | 2 |
| Aug 16, 2019 | 82 | $344 | -88% | 1 | $344 | $16,648 | 3 |
| Aug 23, 2019 | 66 | $3,408 | +891% | 1 | $3,408 | $22,229 | 4 |
| Aug 30, 2019 | 66 | $5,576 | +64% | 3 | $1,859 | $31,067 | 5 |
| Sep 6, 2019 | 51 | $18,416 | +230% | 32 | $576 | $52,452 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 23, 2019 | - | $1,210 | 1 | $1,210 | $20,031 | 22 | ||
| Aug 24, 2019 | - | $1,432 | +18% | 1 | $1,432 | $21,463 | 23 | |
| Aug 25, 2019 | - | $766 | -47% | 1 | $766 | $22,229 | 24 | |
| Aug 26, 2019 | - | $532 | -31% | 1 | $532 | $22,761 | 25 | |
| Aug 27, 2019 | - | $695 | +31% | 1 | $695 | $23,456 | 26 | |
| Aug 28, 2019 | - | $561 | -19% | 1 | $561 | $24,017 | 27 | |
| Aug 29, 2019 | - | $1,474 | +163% | 1 | $1,474 | $25,491 | 28 | |
| Aug 30, 2019 | - | $1,474 | n/c | +22% | 3 | $491 | $26,965 | 29 |
| Aug 31, 2019 | - | $1,831 | +24% | +28% | 3 | $610 | $28,796 | 30 |
| Sep 1, 2019 | - | $2,271 | +24% | +196% | 3 | $757 | $31,067 | 31 |
| Sep 2, 2019 | - | $1,140 | -50% | +114% | 3 | $380 | $32,207 | 32 |
| Sep 3, 2019 | - | $544 | -52% | -22% | 3 | $181 | $32,751 | 33 |
| Sep 4, 2019 | - | $592 | +9% | +6% | 3 | $197 | $33,343 | 34 |
| Sep 5, 2019 | - | $693 | +17% | -53% | 3 | $231 | $34,036 | 35 |
| Sep 6, 2019 | - | $5,131 | +640% | +248% | 32 | $160 | $39,167 | 36 |
| Sep 7, 2019 | - | $7,519 | +47% | +311% | 32 | $235 | $46,686 | 37 |
| Sep 8, 2019 | - | $5,766 | -23% | +154% | 32 | $180 | $52,452 | 38 |
| Sep 9, 2019 | - | $2,185 | -62% | +92% | 32 | $68 | $54,637 | 39 |
| Sep 10, 2019 | - | $2,572 | +18% | +373% | 32 | $80 | $57,209 | 40 |
| Sep 11, 2019 | - | $2,547 | -1% | +330% | 32 | $80 | $59,756 | 41 |
| Sep 12, 2019 | - | $2,594 | +2% | +274% | 32 | $81 | $62,350 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 2, 2019 | 60 | $6,717 | 4 | $1,679 | $6,717 | 1 | |
| Aug 9, 2019 | 63 | $6,007 | -11% | 3 | $2,002 | $16,304 | 2 |
| Aug 16, 2019 | 82 | $1,004 | -83% | 1 | $1,004 | $18,821 | 3 |
| Aug 23, 2019 | 64 | $6,670 | +564% | 1 | $6,670 | $25,491 | 4 |
| Aug 30, 2019 | 67 | $8,545 | +28% | 3 | $2,848 | $34,036 | 5 |
| Sep 6, 2019 | 50 | $28,314 | +231% | 32 | $885 | $62,350 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/23/2019 | $329 | 1 | 1 | 4 | $7,229 | 6/2/2021 | |||
| France | 7/12/2019 | $148,954 | 109 | 130 | 359 | $411,532 | 8/11/2019 | |||
| New Zealand | 12/5/2019 | $2,094 | 9 | 12 | 56 | $370 | 4/4/2026 | |||
| Portugal | 10/4/2019 | $4,068 | 9 | 11 | 20 | $11,726 | 10/16/2019 | |||
| Russia (CIS) | 6/6/2019 | $14,526 | 94 | 94 | 155 | $38,030 | 10/19/2022 | |||
| United Kingdom | 7/5/2019 | $61,560 | 63 | 63 | 173 | $286,463 | 10/2/2019 | |||
| Rest of World | $22,449 | |||||||||
| International Total | $777,799 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gemma Arterton | Vita Sackville-West | |
| Eva Green | Virginia Woolf |
Supporting
| Isabella Rossellini | Lady Sackville | |
| Rupert Penry-Jones | Harold Nicolson | |
| Peter Ferdinando | Leonard Woolf | |
| Gethin Anthony | Clive Bell | |
| Rory Fleck-Byrne | Geoffrey Scott | |
| Karla Crome | Dorothy Wellesley | |
| Adam Gillen | Duncan Grant | |
| Emerald Fennell | Vanessa Bell |
Production and Technical Credits
| Chanya Button | Director | |
| Chanya Button | Screenwriter | |
| Evangelo Kioussis | Producer | |
| Katie Holly | Producer | |
| Gemma Arterton | Executive Producer | |
| Isobel Waller-Bridge | Composer | |
| Carlos De Carvalho | Director of Photography | |
| Noam Piper | Production Designer | |
| Lorna Mugan | Costume Designer | |
| Mark Trend | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set amidst the bohemian high society of 1920s England, Vita & Virginia tells the scintillating true story of a literary love affair that fueled the imagination of one of the 20th century’s most celebrated writers. Vita Sackville-West is the brash, aristocratic wife of a diplomat who refuses to be constrained by her marriage, defiantly courting scandal through her affairs with women. When she meets the brilliant but troubled Virginia Woolf, she is immediately attracted to the famed novelist’s eccentric genius and enigmatic allure. So begins an intense, passionate relationship marked by all-consuming desire, intellectual gamesmanship, and destructive jealousy that will leave both women profoundly transformed and inspire the writing of one of Woolf’s greatest works.
Metrics
| Opening Weekend: | $4,821 (7.7% of total gross) |
| Legs: | 3.39 (domestic box office/biggest weekend) |
| Domestic Share: | 7.4% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/32 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $81,412 |
Movie Details
| Domestic Releases: | August 2nd, 2019 (Limited) by Mongrel Media, released as Vita and Virginia (Canada)
August 23rd, 2019 (Limited) by IFC Films |
| International Releases: | June 6th, 2019 (Wide), released as Вита и Вирджиния (Russia (CIS))
July 5th, 2019 (Limited), released as Vita And Virginia (United Kingdom) July 12th, 2019 (Wide), released as Vita and Virginia (France) August 2nd, 2019 (Limited), released as Vita and Virginia (Canada) August 23rd, 2019 (Wide) (Australia) ... Show all releases |
| Video Release: | August 23rd, 2019 by IFC Video |
| MPA Rating: | Not Rated |
| Running Time: | 110 minutes |
| Geographical setting: | Ireland |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Piccadilly Pictures, Sampsonic Media, Lipsync Productions, Irish Film Board, Protagonist Pictures, SQN Capital, Screen Ireland, Mirror Films , Blinder Films |
| Production Countries: | United Kingdom, Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 2, 2019 | 56 | $4,821 | 4 | $1,205 | $4,821 | 1 | |
| Aug 9, 2019 | 62 | $2,861 | -41% | 3 | $954 | $13,158 | 2 |
| Aug 16, 2019 | 82 | $344 | -88% | 1 | $344 | $16,648 | 3 |
| Aug 23, 2019 | 66 | $3,408 | +891% | 1 | $3,408 | $22,229 | 4 |
| Aug 30, 2019 | 66 | $5,576 | +64% | 3 | $1,859 | $31,067 | 5 |
| Sep 6, 2019 | 51 | $18,416 | +230% | 32 | $576 | $52,452 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 23, 2019 | - | $1,210 | 1 | $1,210 | $20,031 | 22 | ||
| Aug 24, 2019 | - | $1,432 | +18% | 1 | $1,432 | $21,463 | 23 | |
| Aug 25, 2019 | - | $766 | -47% | 1 | $766 | $22,229 | 24 | |
| Aug 26, 2019 | - | $532 | -31% | 1 | $532 | $22,761 | 25 | |
| Aug 27, 2019 | - | $695 | +31% | 1 | $695 | $23,456 | 26 | |
| Aug 28, 2019 | - | $561 | -19% | 1 | $561 | $24,017 | 27 | |
| Aug 29, 2019 | - | $1,474 | +163% | 1 | $1,474 | $25,491 | 28 | |
| Aug 30, 2019 | - | $1,474 | n/c | +22% | 3 | $491 | $26,965 | 29 |
| Aug 31, 2019 | - | $1,831 | +24% | +28% | 3 | $610 | $28,796 | 30 |
| Sep 1, 2019 | - | $2,271 | +24% | +196% | 3 | $757 | $31,067 | 31 |
| Sep 2, 2019 | - | $1,140 | -50% | +114% | 3 | $380 | $32,207 | 32 |
| Sep 3, 2019 | - | $544 | -52% | -22% | 3 | $181 | $32,751 | 33 |
| Sep 4, 2019 | - | $592 | +9% | +6% | 3 | $197 | $33,343 | 34 |
| Sep 5, 2019 | - | $693 | +17% | -53% | 3 | $231 | $34,036 | 35 |
| Sep 6, 2019 | - | $5,131 | +640% | +248% | 32 | $160 | $39,167 | 36 |
| Sep 7, 2019 | - | $7,519 | +47% | +311% | 32 | $235 | $46,686 | 37 |
| Sep 8, 2019 | - | $5,766 | -23% | +154% | 32 | $180 | $52,452 | 38 |
| Sep 9, 2019 | - | $2,185 | -62% | +92% | 32 | $68 | $54,637 | 39 |
| Sep 10, 2019 | - | $2,572 | +18% | +373% | 32 | $80 | $57,209 | 40 |
| Sep 11, 2019 | - | $2,547 | -1% | +330% | 32 | $80 | $59,756 | 41 |
| Sep 12, 2019 | - | $2,594 | +2% | +274% | 32 | $81 | $62,350 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 2, 2019 | 60 | $6,717 | 4 | $1,679 | $6,717 | 1 | |
| Aug 9, 2019 | 63 | $6,007 | -11% | 3 | $2,002 | $16,304 | 2 |
| Aug 16, 2019 | 82 | $1,004 | -83% | 1 | $1,004 | $18,821 | 3 |
| Aug 23, 2019 | 64 | $6,670 | +564% | 1 | $6,670 | $25,491 | 4 |
| Aug 30, 2019 | 67 | $8,545 | +28% | 3 | $2,848 | $34,036 | 5 |
| Sep 6, 2019 | 50 | $28,314 | +231% | 32 | $885 | $62,350 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/23/2019 | $329 | 1 | 1 | 4 | $7,229 | 6/2/2021 | |||
| France | 7/12/2019 | $148,954 | 109 | 130 | 359 | $411,532 | 8/11/2019 | |||
| New Zealand | 12/5/2019 | $2,094 | 9 | 12 | 56 | $370 | 4/4/2026 | |||
| Portugal | 10/4/2019 | $4,068 | 9 | 11 | 20 | $11,726 | 10/16/2019 | |||
| Russia (CIS) | 6/6/2019 | $14,526 | 94 | 94 | 155 | $38,030 | 10/19/2022 | |||
| United Kingdom | 7/5/2019 | $61,560 | 63 | 63 | 173 | $286,463 | 10/2/2019 | |||
| Rest of World | $22,449 | |||||||||
| International Total | $777,799 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gemma Arterton | Vita Sackville-West | |
| Eva Green | Virginia Woolf |
Supporting
| Isabella Rossellini | Lady Sackville | |
| Rupert Penry-Jones | Harold Nicolson | |
| Peter Ferdinando | Leonard Woolf | |
| Gethin Anthony | Clive Bell | |
| Rory Fleck-Byrne | Geoffrey Scott | |
| Karla Crome | Dorothy Wellesley | |
| Adam Gillen | Duncan Grant | |
| Emerald Fennell | Vanessa Bell |
Production and Technical Credits
| Chanya Button | Director | |
| Chanya Button | Screenwriter | |
| Evangelo Kioussis | Producer | |
| Katie Holly | Producer | |
| Gemma Arterton | Executive Producer | |
| Isobel Waller-Bridge | Composer | |
| Carlos De Carvalho | Director of Photography | |
| Noam Piper | Production Designer | |
| Lorna Mugan | Costume Designer | |
| Mark Trend | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.