Viva (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $178,008 | Details |
| International Box Office | $399,848 | Details |
| Worldwide Box Office | $577,856 | |
| OpusData ID: 239210100 More info... | ||
| Further financial details... | ||
Synopsis
Jesus is a hairdresser for a troupe of drag performers in Havana, but dreams of being a performer. When he finally gets his chance to be on stage, a stranger emerges from the crowd and punches him in the face. The stranger is his father Angel, a former boxer, who has been absent from his life for 15 years. As father and son clash over their opposing expectations of each other, Viva becomes a love story as the men struggle to understand one another and become a family again.
Metrics
| Opening Weekend: | $48,995 (27.5% of total gross) |
| Legs: | 3.63 (domestic box office/biggest weekend) |
| Domestic Share: | 30.8% (domestic box office/worldwide) |
| Theater counts: | 14 opening theaters/17 max. theaters, 5.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $246,125 |
Movie Details
| Domestic Releases: | April 29th, 2016 (Limited) by Magnolia Pictures |
| International Releases: | July 8th, 2016 (Wide) (Spain)
July 8th, 2016 (Wide) (France) August 19th, 2016 (Wide) (United Kingdom) September 27th, 2016 (Wide) (South Korea) May 12th, 2017 (Wide) (Argentina) ... Show all releases |
| Video Release: | August 30th, 2016 by Magnolia Home Entertainment |
| MPA Rating: | R for language throughout, sexual content and brief graphic nudity. (Rating bulletin 2406 (Cert #50209), 1/6/2016) |
| Running Time: | 100 minutes |
| Plot point: | Boxing, LGBTQ+ |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Treasure Entertainment, Irish Film Board, Windmill Lane Pictures, Magnolia Pictures, Bord Scannan na hEireann, RTE |
| Production Countries: | Ireland, Cuba |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2016 | 43 | $48,995 | 14 | $3,500 | $48,995 | 1 | |
| May 6, 2016 | 46 | $29,579 | -40% | 17 | $1,740 | $97,170 | 2 |
| May 13, 2016 | 53 | $15,701 | -47% | 15 | $1,047 | $129,074 | 3 |
| May 20, 2016 | 57 | $10,924 | -30% | 13 | $840 | $148,215 | 4 |
| May 27, 2016 | 62 | $3,888 | -64% | 6 | $648 | $159,394 | 5 |
| Jun 3, 2016 | 63 | $4,337 | +12% | 10 | $434 | $165,216 | 6 |
| Jun 10, 2016 | 81 | $1,504 | -65% | 3 | $501 | $169,490 | 7 |
| Jun 17, 2016 | 66 | $3,150 | +109% | 7 | $450 | $173,822 | 8 |
| Jun 24, 2016 | 84 | $1,164 | -63% | 2 | $582 | $177,062 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2016 | 44 | $67,591 | 14 | $4,828 | $67,591 | 1 | |
| May 6, 2016 | 45 | $45,782 | -32% | 17 | $2,693 | $113,373 | 2 |
| May 13, 2016 | 56 | $23,918 | -48% | 16 | $1,495 | $137,291 | 3 |
| May 20, 2016 | 58 | $18,215 | -24% | 13 | $1,401 | $155,506 | 4 |
| May 27, 2016 | 76 | $5,373 | -71% | 6 | $896 | $160,879 | 5 |
| Jun 3, 2016 | 68 | $7,107 | +32% | 10 | $711 | $167,986 | 6 |
| Jun 10, 2016 | 83 | $2,686 | -62% | 4 | $672 | $170,672 | 7 |
| Jun 17, 2016 | 69 | $5,226 | +95% | 7 | $747 | $175,898 | 8 |
| Jun 24, 2016 | 92 | $2,110 | -60% | 3 | $703 | $178,008 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/12/2017 | $1,885 | 0 | 0 | 0 | $3,122 | 1/1/2019 | |||
| France | 7/8/2016 | $53,710 | 0 | 0 | 0 | $116,195 | 8/17/2018 | |||
| South Korea | 9/27/2016 | $0 | 0 | 71 | 69 | $21,491 | 4/4/2026 | |||
| Spain | 7/8/2016 | $18,669 | 19 | 101 | 313 | $239,142 | 8/6/2026 | |||
| United Kingdom | 8/19/2016 | $19,898 | 7 | 7 | 7 | $19,898 | 8/24/2016 | |||
| International Total | $399,848 | 8/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Jorge Perugorria | Angel | |
| Luis Alberto Garcia | Mama |
Leading
| Hector Medina | Jesus |
Supporting
| Luis Manuel Alvarez | Cindy | |
| Renata* | Pamela | |
| Laura Aleman | Cecilia |
Production and Technical Credits
| Paddy Breathnach | Director | |
| Mark O'Halloran | Screenwriter | |
| Rebecca O'Flanagan | Producer | |
| Robert Walpole | Producer | |
| Nelson Navarro Navarro | Producer | |
| Cathleen Dore | Producer | |
| Benicio del Toro | Executive Producer | |
| Claire McCaughley | Co-Producer | |
| Sarah Gunn | Co-Producer | |
| Cathal Watters | Director of Photography | |
| Stephen O'Connell | Editor | |
| Paki Smith | Production Designer | |
| Edwing Ramirez | Make-up and Hair Designer | |
| Sofia Marques | Costume Designer | |
| Stephen Rennicks | Composer | |
| Libia Batista | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Jesus is a hairdresser for a troupe of drag performers in Havana, but dreams of being a performer. When he finally gets his chance to be on stage, a stranger emerges from the crowd and punches him in the face. The stranger is his father Angel, a former boxer, who has been absent from his life for 15 years. As father and son clash over their opposing expectations of each other, Viva becomes a love story as the men struggle to understand one another and become a family again.
Metrics
| Opening Weekend: | $48,995 (27.5% of total gross) |
| Legs: | 3.63 (domestic box office/biggest weekend) |
| Domestic Share: | 30.8% (domestic box office/worldwide) |
| Theater counts: | 14 opening theaters/17 max. theaters, 5.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $246,125 |
Movie Details
| Domestic Releases: | April 29th, 2016 (Limited) by Magnolia Pictures |
| International Releases: | July 8th, 2016 (Wide) (Spain)
July 8th, 2016 (Wide) (France) August 19th, 2016 (Wide) (United Kingdom) September 27th, 2016 (Wide) (South Korea) May 12th, 2017 (Wide) (Argentina) ... Show all releases |
| Video Release: | August 30th, 2016 by Magnolia Home Entertainment |
| MPA Rating: | R for language throughout, sexual content and brief graphic nudity. (Rating bulletin 2406 (Cert #50209), 1/6/2016) |
| Running Time: | 100 minutes |
| Plot point: | Boxing, LGBTQ+ |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Treasure Entertainment, Irish Film Board, Windmill Lane Pictures, Magnolia Pictures, Bord Scannan na hEireann, RTE |
| Production Countries: | Ireland, Cuba |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2016 | 43 | $48,995 | 14 | $3,500 | $48,995 | 1 | |
| May 6, 2016 | 46 | $29,579 | -40% | 17 | $1,740 | $97,170 | 2 |
| May 13, 2016 | 53 | $15,701 | -47% | 15 | $1,047 | $129,074 | 3 |
| May 20, 2016 | 57 | $10,924 | -30% | 13 | $840 | $148,215 | 4 |
| May 27, 2016 | 62 | $3,888 | -64% | 6 | $648 | $159,394 | 5 |
| Jun 3, 2016 | 63 | $4,337 | +12% | 10 | $434 | $165,216 | 6 |
| Jun 10, 2016 | 81 | $1,504 | -65% | 3 | $501 | $169,490 | 7 |
| Jun 17, 2016 | 66 | $3,150 | +109% | 7 | $450 | $173,822 | 8 |
| Jun 24, 2016 | 84 | $1,164 | -63% | 2 | $582 | $177,062 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2016 | 44 | $67,591 | 14 | $4,828 | $67,591 | 1 | |
| May 6, 2016 | 45 | $45,782 | -32% | 17 | $2,693 | $113,373 | 2 |
| May 13, 2016 | 56 | $23,918 | -48% | 16 | $1,495 | $137,291 | 3 |
| May 20, 2016 | 58 | $18,215 | -24% | 13 | $1,401 | $155,506 | 4 |
| May 27, 2016 | 76 | $5,373 | -71% | 6 | $896 | $160,879 | 5 |
| Jun 3, 2016 | 68 | $7,107 | +32% | 10 | $711 | $167,986 | 6 |
| Jun 10, 2016 | 83 | $2,686 | -62% | 4 | $672 | $170,672 | 7 |
| Jun 17, 2016 | 69 | $5,226 | +95% | 7 | $747 | $175,898 | 8 |
| Jun 24, 2016 | 92 | $2,110 | -60% | 3 | $703 | $178,008 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/12/2017 | $1,885 | 0 | 0 | 0 | $3,122 | 1/1/2019 | |||
| France | 7/8/2016 | $53,710 | 0 | 0 | 0 | $116,195 | 8/17/2018 | |||
| South Korea | 9/27/2016 | $0 | 0 | 71 | 69 | $21,491 | 4/4/2026 | |||
| Spain | 7/8/2016 | $18,669 | 19 | 101 | 313 | $239,142 | 8/6/2026 | |||
| United Kingdom | 8/19/2016 | $19,898 | 7 | 7 | 7 | $19,898 | 8/24/2016 | |||
| International Total | $399,848 | 8/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Jorge Perugorria | Angel | |
| Luis Alberto Garcia | Mama |
Leading
| Hector Medina | Jesus |
Supporting
| Luis Manuel Alvarez | Cindy | |
| Renata* | Pamela | |
| Laura Aleman | Cecilia |
Production and Technical Credits
| Paddy Breathnach | Director | |
| Mark O'Halloran | Screenwriter | |
| Rebecca O'Flanagan | Producer | |
| Robert Walpole | Producer | |
| Nelson Navarro Navarro | Producer | |
| Cathleen Dore | Producer | |
| Benicio del Toro | Executive Producer | |
| Claire McCaughley | Co-Producer | |
| Sarah Gunn | Co-Producer | |
| Cathal Watters | Director of Photography | |
| Stephen O'Connell | Editor | |
| Paki Smith | Production Designer | |
| Edwing Ramirez | Make-up and Hair Designer | |
| Sofia Marques | Costume Designer | |
| Stephen Rennicks | Composer | |
| Libia Batista | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.