The Void (2017)
| Theatrical Performance | ||
| Domestic Box Office | $151,042 | Details |
| International Box Office | $226,582 | Details |
| Worldwide Box Office | $377,624 | |
| OpusData ID: 246120100 More info... | ||
| Further financial details... | ||
Synopsis
When police officer Carter discovers a blood-soaked man limping down a deserted road, he rushes him to a local hospital with a bare bones, night shift staff. As cloaked, cult-like figures surround the building, the patients and staff inside start to turn ravenously insane. Trying to protect the survivors, Carter leads them into the depths of the hospital where they discover a gateway to immense evil.
Metrics
| Opening Weekend: | $50,026 (33.1% of total gross) |
| Legs: | 3.02 (domestic box office/biggest weekend) |
| Domestic Share: | 40.0% (domestic box office/worldwide) |
| Theater counts: | 31 opening theaters/31 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $201,394 |
Movie Details
| Domestic Releases: | April 7th, 2017 (Limited) by Screen Media Films |
| International Releases: | March 31st, 2017 (Wide) (United Kingdom)
August 4th, 2017 (Wide) (Argentina) |
| Video Release: | May 9th, 2017 by Screen Media Video |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Lovecraftian |
| Plot point: | Beat Cops, Medical and Hospitals, Mental Illness, Mutants, Occult |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Cults, Supernatural |
| Subgenre: | Body Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Cave Painting Pictures, JoBro, 120dB Films, XYZ Films, The Salt Company |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 2017 | 40 | $50,026 | 31 | $1,614 | $50,026 | 1 | |
| Apr 14, 2017 | 44 | $30,116 | -40% | 25 | $1,205 | $99,462 | 2 |
| Apr 21, 2017 | 54 | $16,074 | -47% | 23 | $699 | $131,997 | 3 |
| Apr 28, 2017 | 69 | $4,879 | -70% | 12 | $407 | $144,777 | 4 |
| May 5, 2017 | 83 | $936 | -81% | 2 | $468 | $148,408 | 5 |
| May 12, 2017 | 94 | $567 | -39% | 2 | $284 | $149,932 | 6 |
| May 19, 2017 | - | $171 | -70% | 1 | $171 | $150,372 | 7 |
| May 26, 2017 | 87 | $170 | -1% | 1 | $170 | $150,795 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 2017 | 39 | $67,953 | 31 | $2,192 | $67,953 | 1 | |
| Apr 14, 2017 | 43 | $47,970 | -29% | 25 | $1,919 | $115,923 | 2 |
| Apr 21, 2017 | 52 | $23,975 | -50% | 23 | $1,042 | $139,898 | 3 |
| Apr 28, 2017 | 67 | $7,574 | -68% | 12 | $631 | $147,472 | 4 |
| May 5, 2017 | 83 | $1,893 | -75% | 2 | $947 | $149,365 | 5 |
| May 12, 2017 | 91 | $836 | -56% | 2 | $418 | $150,201 | 6 |
| May 19, 2017 | 88 | $424 | -49% | 1 | $424 | $150,625 | 7 |
| May 26, 2017 | 82 | $417 | -2% | 1 | $417 | $151,042 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/4/2017 | $82,108 | 0 | 0 | 0 | $132,187 | 1/1/2019 | |||
| United Kingdom | 3/31/2017 | $1,458 | 1 | 1 | 1 | $1,458 | 4/5/2017 | |||
| Rest of World | $92,937 | |||||||||
| International Total | $226,582 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Aaron Poole | Daniel Carter |
Supporting
| Daniel Fathers | The Father | |
| Kathleen Munroe | Alisson Fraser | |
| Ellen Wong | Kim | |
| Art Hindle | Mitchell | |
| Kenneth Welsh | Dr. Richard Powell | |
| Mik Byskov | The Son | |
| Stephanie Belding | Beverly | |
| James Millington | Ben | |
| Evan Stern | James |
Production and Technical Credits
| Steven Kostanski | Director | |
| Jeremy Gillespie | Director | |
| Jeremy Gillespie | Screenwriter | |
| Steven Kostanski | Screenwriter | |
| Casey Walker | Producer | |
| Jonathan Bronfman | Producer | |
| Jennifer Pun | Co-Producer | |
| Rachael Forbes | Co-Producer | |
| Peter Kuplowsky | Co-Producer | |
| Rosalie Chilelli | Co-Producer | |
| Colin Geddes | Co-Producer | |
| Katarina Gligorijevic | Co-Producer | |
| Todd Brown | Executive Producer | |
| David Watson | Executive Producer | |
| James Norrie | Executive Producer | |
| Steve Hayes | Executive Producer | |
| Peter Graham | Executive Producer | |
| Ross M. Dinerstein | Executive Producer | |
| Jeremy Platt | Executive Producer | |
| Mic Forsey | Executive Producer | |
| Lon Molnar | Executive Producer | |
| Samy Inayeh | Cinematographer | |
| Henry Fong | Production Designer | |
| Cam McLauchlin | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When police officer Carter discovers a blood-soaked man limping down a deserted road, he rushes him to a local hospital with a bare bones, night shift staff. As cloaked, cult-like figures surround the building, the patients and staff inside start to turn ravenously insane. Trying to protect the survivors, Carter leads them into the depths of the hospital where they discover a gateway to immense evil.
Metrics
| Opening Weekend: | $50,026 (33.1% of total gross) |
| Legs: | 3.02 (domestic box office/biggest weekend) |
| Domestic Share: | 40.0% (domestic box office/worldwide) |
| Theater counts: | 31 opening theaters/31 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $201,394 |
Movie Details
| Domestic Releases: | April 7th, 2017 (Limited) by Screen Media Films |
| International Releases: | March 31st, 2017 (Wide) (United Kingdom)
August 4th, 2017 (Wide) (Argentina) |
| Video Release: | May 9th, 2017 by Screen Media Video |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Lovecraftian |
| Plot point: | Beat Cops, Medical and Hospitals, Mental Illness, Mutants, Occult |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Cults, Supernatural |
| Subgenre: | Body Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Cave Painting Pictures, JoBro, 120dB Films, XYZ Films, The Salt Company |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 2017 | 40 | $50,026 | 31 | $1,614 | $50,026 | 1 | |
| Apr 14, 2017 | 44 | $30,116 | -40% | 25 | $1,205 | $99,462 | 2 |
| Apr 21, 2017 | 54 | $16,074 | -47% | 23 | $699 | $131,997 | 3 |
| Apr 28, 2017 | 69 | $4,879 | -70% | 12 | $407 | $144,777 | 4 |
| May 5, 2017 | 83 | $936 | -81% | 2 | $468 | $148,408 | 5 |
| May 12, 2017 | 94 | $567 | -39% | 2 | $284 | $149,932 | 6 |
| May 19, 2017 | - | $171 | -70% | 1 | $171 | $150,372 | 7 |
| May 26, 2017 | 87 | $170 | -1% | 1 | $170 | $150,795 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 2017 | 39 | $67,953 | 31 | $2,192 | $67,953 | 1 | |
| Apr 14, 2017 | 43 | $47,970 | -29% | 25 | $1,919 | $115,923 | 2 |
| Apr 21, 2017 | 52 | $23,975 | -50% | 23 | $1,042 | $139,898 | 3 |
| Apr 28, 2017 | 67 | $7,574 | -68% | 12 | $631 | $147,472 | 4 |
| May 5, 2017 | 83 | $1,893 | -75% | 2 | $947 | $149,365 | 5 |
| May 12, 2017 | 91 | $836 | -56% | 2 | $418 | $150,201 | 6 |
| May 19, 2017 | 88 | $424 | -49% | 1 | $424 | $150,625 | 7 |
| May 26, 2017 | 82 | $417 | -2% | 1 | $417 | $151,042 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/4/2017 | $82,108 | 0 | 0 | 0 | $132,187 | 1/1/2019 | |||
| United Kingdom | 3/31/2017 | $1,458 | 1 | 1 | 1 | $1,458 | 4/5/2017 | |||
| Rest of World | $92,937 | |||||||||
| International Total | $226,582 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Aaron Poole | Daniel Carter |
Supporting
| Daniel Fathers | The Father | |
| Kathleen Munroe | Alisson Fraser | |
| Ellen Wong | Kim | |
| Art Hindle | Mitchell | |
| Kenneth Welsh | Dr. Richard Powell | |
| Mik Byskov | The Son | |
| Stephanie Belding | Beverly | |
| James Millington | Ben | |
| Evan Stern | James |
Production and Technical Credits
| Steven Kostanski | Director | |
| Jeremy Gillespie | Director | |
| Jeremy Gillespie | Screenwriter | |
| Steven Kostanski | Screenwriter | |
| Casey Walker | Producer | |
| Jonathan Bronfman | Producer | |
| Jennifer Pun | Co-Producer | |
| Rachael Forbes | Co-Producer | |
| Peter Kuplowsky | Co-Producer | |
| Rosalie Chilelli | Co-Producer | |
| Colin Geddes | Co-Producer | |
| Katarina Gligorijevic | Co-Producer | |
| Todd Brown | Executive Producer | |
| David Watson | Executive Producer | |
| James Norrie | Executive Producer | |
| Steve Hayes | Executive Producer | |
| Peter Graham | Executive Producer | |
| Ross M. Dinerstein | Executive Producer | |
| Jeremy Platt | Executive Producer | |
| Mic Forsey | Executive Producer | |
| Lon Molnar | Executive Producer | |
| Samy Inayeh | Cinematographer | |
| Henry Fong | Production Designer | |
| Cam McLauchlin | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.