Wakefield (2017)
| Theatrical Performance | ||
| Domestic Box Office | $262,599 | Details |
| International Box Office | $611,588 | Details |
| Worldwide Box Office | $874,187 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $76,675 | |
| Blu-ray Sales (estimated) | $25,094 | |
| Total | $101,769 | |
| OpusData ID: 277350100 More info... | ||
| Further financial details... | ||
Synopsis
Successful suburbanite commuter Howard Wakefield takes a perverse detour from family life: He vanishes without a trace. Hidden in the attic of his carriage house garage, surviving by scavenging at night, Howard secretly observes the lives of his wife and children and neighbors. Wakefield becomes a fraught meditation on marriage and identity, as Howard slowly realizes that he has not in fact left his family, he has left himself.
Metrics
| Opening Weekend: | $11,299 (4.3% of total gross) |
| Legs: | 4.20 (domestic box office/biggest weekend) |
| Domestic Share: | 30.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/30 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $350,129 |
Movie Details
| Domestic Releases: | May 19th, 2017 (Limited) by IFC Films |
| International Releases: | July 7th, 2017 (Limited) (Russia (CIS))
July 7th, 2017 (Wide), released as A Vida em Espera (Portugal) July 21st, 2017 (Wide) (Netherlands) |
| Video Release: | August 1st, 2017 by IFC Video |
| MPA Rating: | R for some sexual material and language. (Rating bulletin 2474 (Cert #50635), 5/3/2017) |
| Running Time: | 106 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Dysfunctional Family, Homeless, Lawyers, Mental Illness, Mid-Life Crisis, Non-Chronological, Shut In |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Mockingbird Pictures, Dominion Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 19, 2017 | - | $11,299 | 1 | $11,299 | $11,299 | 1 | |
| May 26, 2017 | 32 | $62,534 | +453% | 16 | $3,908 | $77,298 | 2 |
| Jun 2, 2017 | 38 | $41,923 | -33% | 30 | $1,397 | $153,735 | 3 |
| Jun 9, 2017 | 45 | $19,782 | -53% | 28 | $707 | $193,747 | 4 |
| Jun 16, 2017 | 48 | $15,169 | -23% | 19 | $798 | $221,053 | 5 |
| Jun 23, 2017 | 47 | $14,289 | -6% | 17 | $841 | $242,935 | 6 |
| Jun 30, 2017 | 75 | $1,885 | -87% | 6 | $314 | $251,868 | 7 |
| Jul 7, 2017 | 78 | $1,002 | -47% | 3 | $334 | $255,412 | 8 |
| Jul 14, 2017 | 80 | $1,439 | +44% | 4 | $360 | $259,412 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 19, 2017 | 55 | $14,764 | 1 | $14,764 | $14,764 | 1 | |
| May 26, 2017 | 32 | $97,048 | +557% | 17 | $5,709 | $111,812 | 2 |
| Jun 2, 2017 | 38 | $62,153 | -36% | 30 | $2,072 | $173,965 | 3 |
| Jun 9, 2017 | 43 | $31,111 | -50% | 29 | $1,073 | $205,884 | 4 |
| Jun 16, 2017 | 51 | $22,762 | -27% | 20 | $1,138 | $228,646 | 5 |
| Jun 23, 2017 | 50 | $21,337 | -6% | 17 | $1,255 | $249,983 | 6 |
| Jun 30, 2017 | 76 | $4,427 | -79% | 7 | $632 | $254,410 | 7 |
| Jul 7, 2017 | 77 | $3,563 | -20% | 3 | $1,188 | $257,973 | 8 |
| Jul 14, 2017 | 72 | $4,626 | +30% | 5 | $925 | $262,599 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 7/21/2017 | $44,866 | 25 | 25 | 117 | $221,326 | 8/21/2017 | |||
| Portugal | 7/7/2017 | $14,937 | 9 | 9 | 19 | $32,843 | 7/27/2017 | |||
| Russia (CIS) | 7/7/2017 | $119,947 | 151 | 151 | 272 | $272,313 | 1/1/2019 | |||
| Rest of World | $85,106 | |||||||||
| International Total | $611,588 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Bryan Cranston | Howard Wakefield |
Supporting
| Jennifer Garner | Diana Wakefield | |
| Jason O'Mara | Dirk Morrison | |
| Beverly D'Angelo | Babs | |
| Ian Anthony Dale | Ben Jacobs | |
| Pippa Bennett-Warner | Emily | |
| Isaac Leyva | Herbert | |
| Victoria Bruno | Taylor | |
| Ellery Sprayberry | Giselle | |
| Tracey Walter | Homeless Man |
Production and Technical Credits
| Robin Swicord | Director | |
| Robin Swicord | Screenwriter | |
| E.L. Doctorow | Short story by | |
| Julie Lynn | Producer | |
| Bonnie Curtis | Producer | |
| Carl Moellenberg | Producer | |
| Elliot Webb | Producer | |
| Wendy Federman | Producer | |
| David Boies | Executive Producer | |
| Stephanie Pinola | Executive Producer | |
| Rose Caiola | Executive Producer | |
| Luigi Caiola | Executive Producer | |
| Gayle Gardner | Executive Producer | |
| Joel Gardner | Executive Producer | |
| Alex Guez | Executive Producer | |
| Rob Hinderliter | Executive Producer | |
| Dominick Laruffa Jr. | Executive Producer | |
| Kevin Lamb | Executive Producer | |
| Maria J. McDonald | Executive Producer | |
| Ruth Mutch | Executive Producer | |
| Brandon Powers | Executive Producer | |
| Bobby Sain | Executive Producer | |
| Iris Smith | Executive Producer | |
| Andrei Bowden Schwartz | Director of Photography | |
| Matt Maddox | Editor | |
| Jeannine Oppewall | Production Designer | |
| Aaron Zigman | Composer | |
| Kim Ngo | Costume Designer | |
| Amy Lippens | Casting Director | |
| Charles Maynes | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Successful suburbanite commuter Howard Wakefield takes a perverse detour from family life: He vanishes without a trace. Hidden in the attic of his carriage house garage, surviving by scavenging at night, Howard secretly observes the lives of his wife and children and neighbors. Wakefield becomes a fraught meditation on marriage and identity, as Howard slowly realizes that he has not in fact left his family, he has left himself.
Metrics
| Opening Weekend: | $11,299 (4.3% of total gross) |
| Legs: | 4.20 (domestic box office/biggest weekend) |
| Domestic Share: | 30.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/30 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $350,129 |
Movie Details
| Domestic Releases: | May 19th, 2017 (Limited) by IFC Films |
| International Releases: | July 7th, 2017 (Limited) (Russia (CIS))
July 7th, 2017 (Wide), released as A Vida em Espera (Portugal) July 21st, 2017 (Wide) (Netherlands) |
| Video Release: | August 1st, 2017 by IFC Video |
| MPA Rating: | R for some sexual material and language. (Rating bulletin 2474 (Cert #50635), 5/3/2017) |
| Running Time: | 106 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Dysfunctional Family, Homeless, Lawyers, Mental Illness, Mid-Life Crisis, Non-Chronological, Shut In |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Mockingbird Pictures, Dominion Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 19, 2017 | - | $11,299 | 1 | $11,299 | $11,299 | 1 | |
| May 26, 2017 | 32 | $62,534 | +453% | 16 | $3,908 | $77,298 | 2 |
| Jun 2, 2017 | 38 | $41,923 | -33% | 30 | $1,397 | $153,735 | 3 |
| Jun 9, 2017 | 45 | $19,782 | -53% | 28 | $707 | $193,747 | 4 |
| Jun 16, 2017 | 48 | $15,169 | -23% | 19 | $798 | $221,053 | 5 |
| Jun 23, 2017 | 47 | $14,289 | -6% | 17 | $841 | $242,935 | 6 |
| Jun 30, 2017 | 75 | $1,885 | -87% | 6 | $314 | $251,868 | 7 |
| Jul 7, 2017 | 78 | $1,002 | -47% | 3 | $334 | $255,412 | 8 |
| Jul 14, 2017 | 80 | $1,439 | +44% | 4 | $360 | $259,412 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 19, 2017 | 55 | $14,764 | 1 | $14,764 | $14,764 | 1 | |
| May 26, 2017 | 32 | $97,048 | +557% | 17 | $5,709 | $111,812 | 2 |
| Jun 2, 2017 | 38 | $62,153 | -36% | 30 | $2,072 | $173,965 | 3 |
| Jun 9, 2017 | 43 | $31,111 | -50% | 29 | $1,073 | $205,884 | 4 |
| Jun 16, 2017 | 51 | $22,762 | -27% | 20 | $1,138 | $228,646 | 5 |
| Jun 23, 2017 | 50 | $21,337 | -6% | 17 | $1,255 | $249,983 | 6 |
| Jun 30, 2017 | 76 | $4,427 | -79% | 7 | $632 | $254,410 | 7 |
| Jul 7, 2017 | 77 | $3,563 | -20% | 3 | $1,188 | $257,973 | 8 |
| Jul 14, 2017 | 72 | $4,626 | +30% | 5 | $925 | $262,599 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 7/21/2017 | $44,866 | 25 | 25 | 117 | $221,326 | 8/21/2017 | |||
| Portugal | 7/7/2017 | $14,937 | 9 | 9 | 19 | $32,843 | 7/27/2017 | |||
| Russia (CIS) | 7/7/2017 | $119,947 | 151 | 151 | 272 | $272,313 | 1/1/2019 | |||
| Rest of World | $85,106 | |||||||||
| International Total | $611,588 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Bryan Cranston | Howard Wakefield |
Supporting
| Jennifer Garner | Diana Wakefield | |
| Jason O'Mara | Dirk Morrison | |
| Beverly D'Angelo | Babs | |
| Ian Anthony Dale | Ben Jacobs | |
| Pippa Bennett-Warner | Emily | |
| Isaac Leyva | Herbert | |
| Victoria Bruno | Taylor | |
| Ellery Sprayberry | Giselle | |
| Tracey Walter | Homeless Man |
Production and Technical Credits
| Robin Swicord | Director | |
| Robin Swicord | Screenwriter | |
| E.L. Doctorow | Short story by | |
| Julie Lynn | Producer | |
| Bonnie Curtis | Producer | |
| Carl Moellenberg | Producer | |
| Elliot Webb | Producer | |
| Wendy Federman | Producer | |
| David Boies | Executive Producer | |
| Stephanie Pinola | Executive Producer | |
| Rose Caiola | Executive Producer | |
| Luigi Caiola | Executive Producer | |
| Gayle Gardner | Executive Producer | |
| Joel Gardner | Executive Producer | |
| Alex Guez | Executive Producer | |
| Rob Hinderliter | Executive Producer | |
| Dominick Laruffa Jr. | Executive Producer | |
| Kevin Lamb | Executive Producer | |
| Maria J. McDonald | Executive Producer | |
| Ruth Mutch | Executive Producer | |
| Brandon Powers | Executive Producer | |
| Bobby Sain | Executive Producer | |
| Iris Smith | Executive Producer | |
| Andrei Bowden Schwartz | Director of Photography | |
| Matt Maddox | Editor | |
| Jeannine Oppewall | Production Designer | |
| Aaron Zigman | Composer | |
| Kim Ngo | Costume Designer | |
| Amy Lippens | Casting Director | |
| Charles Maynes | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.