A Walk Among the Tombstones (2014)
| Theatrical Performance | ||
| Domestic Box Office | $26,017,685 | Details |
| International Box Office | $36,090,902 | |
| Worldwide Box Office | $62,108,587 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $6,702,485 | |
| Blu-ray Sales (estimated) | $4,158,512 | |
| Total | $10,860,997 | |
| OpusData ID: 198720100 More info... | ||
| Further financial details... | ||
Synopsis
Matt Scudder, is an ex-NYPD cop who now works as an unlicensed private investigator operating just outside the law. When Scudder reluctantly agrees to help a heroin trafficker hunt down the men who kidnapped and then brutally murdered his wife, the PI learns that this is not the first time these men have committed this sort of twisted crime...nor will it be the last. Blurring the lines between right and wrong, Scudder races to track the deviants through the backstreets of New York City before they kill again.
Metrics
| Opening Weekend: | $12,758,780 (49.0% of total gross) |
| Legs: | 2.04 (domestic box office/biggest weekend) |
| Domestic Share: | 41.9% (domestic box office/worldwide) |
| Production Budget: | $28,000,000 (worldwide box office is 2.2 times production budget) |
| Theater counts: | 2,712 opening theaters/2,714 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $38,087,086 |
Movie Details
| Domestic Releases: | September 19th, 2014 (Wide) by Universal |
| Video Release: | January 13th, 2015 by Universal Home Entertainment |
| MPA Rating: | R for strong violence, disturbing images, language and brief nudity. (Rating bulletin 2293, 10/9/2013) |
| Running Time: | 113 minutes |
| Cast, crew, or production detail: | Digital Cinematography, Prologue |
| Geographical setting: | New York |
| Plot point: | Accidental Death, Addiction, Corrupt Cops, DEA Agent, Death of a Spouse or Fiancée / Fiancé, Ex-cop, Homeless, Kidnap, Narcotics, Non-Chronological, Private Investigator, Rehab / Former Addict, Revenge, Sex Crimes, Snuff Film |
| Social setting: | Film Noir, Organized Crime |
| Subgenre: | Crime Thriller |
| Time period setting: | 1990s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Exclusive Media Group, Cross Creek Pictures |
| Production Countries: | United States |
| Languages: | English, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2014 | 2 | $12,758,780 | 2,712 | $4,705 | $12,758,780 | 1 | |
| Sep 26, 2014 | 7 | $4,192,815 | -67% | 2,714 | $1,545 | $20,830,320 | 2 |
| Oct 3, 2014 | 11 | $2,013,170 | -52% | 2,226 | $904 | $24,510,525 | 3 |
| Oct 10, 2014 | 20 | $390,745 | -81% | 558 | $700 | $25,704,880 | 4 |
| Oct 17, 2014 | 40 | $90,850 | -77% | 158 | $575 | $25,977,365 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 18, 2014 | P | $428,000 | 1,918 | $223 | $428,000 | |||
| Sep 19, 2014 | 2 | $4,759,560 | 2,712 | $1,755 | $4,759,560 | 1 | ||
| Sep 20, 2014 | 2 | $5,071,590 | +7% | 2,712 | $1,870 | $9,831,150 | 2 | |
| Sep 21, 2014 | 2 | $2,927,630 | -42% | 2,712 | $1,080 | $12,758,780 | 3 | |
| Sep 22, 2014 | 2 | $962,590 | -67% | 2,712 | $355 | $13,721,370 | 4 | |
| Sep 23, 2014 | 2 | $1,261,075 | +31% | 2,712 | $465 | $14,982,445 | 5 | |
| Sep 24, 2014 | 3 | $908,555 | -28% | 2,712 | $335 | $15,891,000 | 6 | |
| Sep 25, 2014 | 4 | $746,505 | -18% | 2,712 | $275 | $16,637,505 | 7 | |
| Sep 26, 2014 | 6 | $1,302,720 | +75% | -73% | 2,714 | $480 | $17,940,225 | 8 |
| Sep 27, 2014 | 7 | $1,831,575 | +41% | -64% | 2,714 | $675 | $19,771,800 | 9 |
| Sep 28, 2014 | 6 | $1,058,520 | -42% | -64% | 2,714 | $390 | $20,830,320 | 10 |
| Sep 29, 2014 | 5 | $392,225 | -63% | -59% | 2,714 | $145 | $21,222,545 | 11 |
| Sep 30, 2014 | 5 | $541,960 | +38% | -57% | 2,714 | $200 | $21,764,505 | 12 |
| Oct 1, 2014 | 5 | $406,325 | -25% | -55% | 2,714 | $150 | $22,170,830 | 13 |
| Oct 2, 2014 | 5 | $326,525 | -20% | -56% | 2,714 | $120 | $22,497,355 | 14 |
| Oct 3, 2014 | 11 | $611,940 | +87% | -53% | 2,226 | $275 | $23,109,295 | 15 |
| Oct 4, 2014 | 11 | $912,405 | +49% | -50% | 2,226 | $410 | $24,021,700 | 16 |
| Oct 5, 2014 | 11 | $488,825 | -46% | -54% | 2,226 | $220 | $24,510,525 | 17 |
| Oct 6, 2014 | 10 | $179,090 | -63% | -54% | 2,226 | $80 | $24,689,615 | 18 |
| Oct 7, 2014 | 9 | $257,050 | +44% | -53% | 2,226 | $115 | $24,946,665 | 19 |
| Oct 8, 2014 | 9 | $200,220 | -22% | -51% | 2,226 | $90 | $25,146,885 | 20 |
| Oct 9, 2014 | 10 | $167,250 | -16% | -49% | 2,226 | $75 | $25,314,135 | 21 |
| Oct 10, 2014 | - | $120,050 | -28% | -80% | 558 | $215 | $25,434,185 | 22 |
| Oct 11, 2014 | - | $170,190 | +42% | -81% | 558 | $305 | $25,604,375 | 23 |
| Oct 12, 2014 | - | $100,505 | -41% | -79% | 558 | $180 | $25,704,880 | 24 |
| Oct 13, 2014 | - | $56,025 | -44% | -69% | 558 | $100 | $25,760,905 | 25 |
| Oct 14, 2014 | - | $50,110 | -11% | -81% | 558 | $90 | $25,811,015 | 26 |
| Oct 15, 2014 | - | $42,100 | -16% | -79% | 558 | $75 | $25,853,115 | 27 |
| Oct 16, 2014 | - | $33,400 | -21% | -80% | 558 | $60 | $25,886,515 | 28 |
| Oct 17, 2014 | - | $30,020 | -10% | -75% | 158 | $190 | $25,916,535 | 29 |
| Oct 18, 2014 | - | $40,290 | +34% | -76% | 158 | $255 | $25,956,825 | 30 |
| Oct 19, 2014 | - | $20,540 | -49% | -80% | 158 | $130 | $25,977,365 | 31 |
| Oct 20, 2014 | - | $9,480 | -54% | -83% | 158 | $60 | $25,986,845 | 32 |
| Oct 21, 2014 | - | $11,865 | +25% | -76% | 158 | $75 | $25,998,710 | 33 |
| Oct 22, 2014 | - | $10,270 | -13% | -76% | 158 | $65 | $26,008,980 | 34 |
| Oct 23, 2014 | - | $8,705 | -15% | -74% | 158 | $55 | $26,017,685 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2014 | 2 | $16,637,505 | 2,712 | $6,135 | $16,637,505 | 1 | |
| Sep 26, 2014 | 5 | $5,859,850 | -65% | 2,714 | $2,159 | $22,497,355 | 2 |
| Oct 3, 2014 | 11 | $2,816,780 | -52% | 2,226 | $1,265 | $25,314,135 | 3 |
| Oct 10, 2014 | 20 | $572,380 | -80% | 558 | $1,026 | $25,886,515 | 4 |
| Oct 17, 2014 | 41 | $131,170 | -77% | 158 | $830 | $26,017,685 | 5 |
Leading
| Liam Neeson | Matt Scudder |
Supporting
| Dan Stevens | Kenny Kristo | |
| David Harbour | Ray | |
| Boyd Holbrook | Peter Kristo | |
| Maurice Compte | Danny Ortiz | |
| Patrick F. McDade | Bar Owner | |
| Luciano Acuna, Jr. | Dominican Banger #1 | |
| Hans Marrero | Dominican Banger #2 | |
| Laura Birn | Leila Alvarez | |
| Adam David Thompson | Albert | |
| Kim Rosen | Waitress-Jenny | |
| Eric Nelsen | Howie | |
| Jon Goracy | Bag Boy | |
| Razane Jammal | Carrie Kristo | |
| Stephanie Andujar | Cashier | |
| Al Nazemian | Manager-Roland | |
| Sophia Frank | Teenage Cashier | |
| Susham Bedi | Mrs. Youness | |
| Purva Bedi | Neighbor | |
| Novella Nelson | Librarian | |
| Marielle Heller | Marie Gotteskind | |
| Brian "Astro" Bradley* | T.J. | |
| Frank De Julio | Eduardo Solomon | |
| Ólafur Darri Ólafsson | James Loogan | |
| Mark Consuelos | Reuben Quintana | |
| Natia Dune | Nurse Anna | |
| Genevieve Adams | Waitress-The Flame | |
| Liana De Laurent | Yuri's Wife | |
| Sebastian Roche | Yuri Landau | |
| Danielle Rose Russell | Lucia | |
| David Anzuelo | Bodega Owner | |
| Samuel Mercedes | Jacinto | |
| Mike Figueroa | Tattooed Man | |
| Mike Carlsen | Flannel Shirt | |
| Leon Addison Brown | Stover | |
| Damion Omar Lee | Baller #1 | |
| Jeremie Harris | Baller #2 | |
| Jolly Abraham | Bellevue Doctor | |
| Nina Polan | Old Woman | |
| Briana Marin | Screaming Woman | |
| Arthur Gerunda | Dani | |
| Fabrizio Brienza | Thug | |
| Dennis Jay Funny | AA Speaker | |
| Whitney Able | Twelve Steps Girl | |
| Chinasa Ogbuagu | AA Woman-Denise | |
| Louise Colon | Latin Old Woman |
Production and Technical Credits
| Scott Frank | Director | |
| Scott Frank | Screenwriter | |
| Lawrence Block | Story Creator | |
| Danny DeVito | Producer | |
| Michael Shamberg | Producer | |
| Stacey Sher | Producer | |
| Tobin Armbrust | Producer | |
| Brian Oliver | Producer | |
| Nigel Sinclair | Executive Producer | |
| Guy East | Executive Producer | |
| Kerry Orent | Executive Producer | |
| Lauren Selig | Executive Producer | |
| Mark Mallouk | Executive Producer | |
| Richard Toussaint | Executive Producer | |
| Adi Shankar | Executive Producer | |
| Spencer Silna | Executive Producer | |
| Tracy Krohn | Executive Producer | |
| Kate Bacon | Executive Producer | |
| John Hyde | Executive Producer | |
| Mihai Malaimare Jr. | Director of Photography | |
| David Brisbin | Production Designer | |
| Jill Savitt | Editor | |
| Carlos Rafael Rivera | Composer | |
| Mary Ramos | Music Supervisor | |
| Betsy Heimann | Costume Designer | |
| Avy Kaufman | Casting Director | |
| Christopher Goode | Unit Production Manager | |
| Stephen X. Apicella | First Assistant Director | |
| Justin Ritson | Second Assistant Director | |
| Steven Chester Prince | Co-Producer | |
| Christopher Goode | Co-Producer | |
| Jillian Longnecker | Co-Producer | |
| Dror Mohar | Sound Supervisor | |
| Branden Spencer | Sound Supervisor | |
| Tom Kramer | Score Producer | |
| Isabel Henderson | Post-Production Supervisor | |
| Jonathan Arkin | Art Director | |
| Cherish M. Hale | Set Decorator | |
| Michael Barosky | Sound Mixer | |
| Jeff Brink | Special Effects Coordinator | |
| Mary Fellows | Assistant Set Decorator | |
| M.J. McGrath | Costume Supervisor | |
| Kyra Panchenko | Make up | |
| Maya Hardinge | Make up | |
| Craig Lindberg | Special Make-up Effects | |
| Kerrie Smith | Hairstylist | |
| Shellie Biviens | Hairstylist | |
| Renee Foley Burke | Script Supervisor | |
| Valerie Harrington | Script Supervisor | |
| Jeannette Kim | Assistant Art Director | |
| Brian Bowles | Dialogue Editor | |
| Carl Shillito | Foley Mixer | |
| Tom Kramer | Music Editor | |
| Goodpenny NYC | Score Mixer | |
| The Molecule | Visual Effects Producer | |
| Aniela Sidorska | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Matt Scudder, is an ex-NYPD cop who now works as an unlicensed private investigator operating just outside the law. When Scudder reluctantly agrees to help a heroin trafficker hunt down the men who kidnapped and then brutally murdered his wife, the PI learns that this is not the first time these men have committed this sort of twisted crime...nor will it be the last. Blurring the lines between right and wrong, Scudder races to track the deviants through the backstreets of New York City before they kill again.
Metrics
| Opening Weekend: | $12,758,780 (49.0% of total gross) |
| Legs: | 2.04 (domestic box office/biggest weekend) |
| Domestic Share: | 41.9% (domestic box office/worldwide) |
| Production Budget: | $28,000,000 (worldwide box office is 2.2 times production budget) |
| Theater counts: | 2,712 opening theaters/2,714 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $38,087,086 |
Movie Details
| Domestic Releases: | September 19th, 2014 (Wide) by Universal |
| Video Release: | January 13th, 2015 by Universal Home Entertainment |
| MPA Rating: | R for strong violence, disturbing images, language and brief nudity. (Rating bulletin 2293, 10/9/2013) |
| Running Time: | 113 minutes |
| Cast, crew, or production detail: | Digital Cinematography, Prologue |
| Geographical setting: | New York |
| Plot point: | Accidental Death, Addiction, Corrupt Cops, DEA Agent, Death of a Spouse or Fiancée / Fiancé, Ex-cop, Homeless, Kidnap, Narcotics, Non-Chronological, Private Investigator, Rehab / Former Addict, Revenge, Sex Crimes, Snuff Film |
| Social setting: | Film Noir, Organized Crime |
| Subgenre: | Crime Thriller |
| Time period setting: | 1990s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Exclusive Media Group, Cross Creek Pictures |
| Production Countries: | United States |
| Languages: | English, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2014 | 2 | $12,758,780 | 2,712 | $4,705 | $12,758,780 | 1 | |
| Sep 26, 2014 | 7 | $4,192,815 | -67% | 2,714 | $1,545 | $20,830,320 | 2 |
| Oct 3, 2014 | 11 | $2,013,170 | -52% | 2,226 | $904 | $24,510,525 | 3 |
| Oct 10, 2014 | 20 | $390,745 | -81% | 558 | $700 | $25,704,880 | 4 |
| Oct 17, 2014 | 40 | $90,850 | -77% | 158 | $575 | $25,977,365 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 18, 2014 | P | $428,000 | 1,918 | $223 | $428,000 | |||
| Sep 19, 2014 | 2 | $4,759,560 | 2,712 | $1,755 | $4,759,560 | 1 | ||
| Sep 20, 2014 | 2 | $5,071,590 | +7% | 2,712 | $1,870 | $9,831,150 | 2 | |
| Sep 21, 2014 | 2 | $2,927,630 | -42% | 2,712 | $1,080 | $12,758,780 | 3 | |
| Sep 22, 2014 | 2 | $962,590 | -67% | 2,712 | $355 | $13,721,370 | 4 | |
| Sep 23, 2014 | 2 | $1,261,075 | +31% | 2,712 | $465 | $14,982,445 | 5 | |
| Sep 24, 2014 | 3 | $908,555 | -28% | 2,712 | $335 | $15,891,000 | 6 | |
| Sep 25, 2014 | 4 | $746,505 | -18% | 2,712 | $275 | $16,637,505 | 7 | |
| Sep 26, 2014 | 6 | $1,302,720 | +75% | -73% | 2,714 | $480 | $17,940,225 | 8 |
| Sep 27, 2014 | 7 | $1,831,575 | +41% | -64% | 2,714 | $675 | $19,771,800 | 9 |
| Sep 28, 2014 | 6 | $1,058,520 | -42% | -64% | 2,714 | $390 | $20,830,320 | 10 |
| Sep 29, 2014 | 5 | $392,225 | -63% | -59% | 2,714 | $145 | $21,222,545 | 11 |
| Sep 30, 2014 | 5 | $541,960 | +38% | -57% | 2,714 | $200 | $21,764,505 | 12 |
| Oct 1, 2014 | 5 | $406,325 | -25% | -55% | 2,714 | $150 | $22,170,830 | 13 |
| Oct 2, 2014 | 5 | $326,525 | -20% | -56% | 2,714 | $120 | $22,497,355 | 14 |
| Oct 3, 2014 | 11 | $611,940 | +87% | -53% | 2,226 | $275 | $23,109,295 | 15 |
| Oct 4, 2014 | 11 | $912,405 | +49% | -50% | 2,226 | $410 | $24,021,700 | 16 |
| Oct 5, 2014 | 11 | $488,825 | -46% | -54% | 2,226 | $220 | $24,510,525 | 17 |
| Oct 6, 2014 | 10 | $179,090 | -63% | -54% | 2,226 | $80 | $24,689,615 | 18 |
| Oct 7, 2014 | 9 | $257,050 | +44% | -53% | 2,226 | $115 | $24,946,665 | 19 |
| Oct 8, 2014 | 9 | $200,220 | -22% | -51% | 2,226 | $90 | $25,146,885 | 20 |
| Oct 9, 2014 | 10 | $167,250 | -16% | -49% | 2,226 | $75 | $25,314,135 | 21 |
| Oct 10, 2014 | - | $120,050 | -28% | -80% | 558 | $215 | $25,434,185 | 22 |
| Oct 11, 2014 | - | $170,190 | +42% | -81% | 558 | $305 | $25,604,375 | 23 |
| Oct 12, 2014 | - | $100,505 | -41% | -79% | 558 | $180 | $25,704,880 | 24 |
| Oct 13, 2014 | - | $56,025 | -44% | -69% | 558 | $100 | $25,760,905 | 25 |
| Oct 14, 2014 | - | $50,110 | -11% | -81% | 558 | $90 | $25,811,015 | 26 |
| Oct 15, 2014 | - | $42,100 | -16% | -79% | 558 | $75 | $25,853,115 | 27 |
| Oct 16, 2014 | - | $33,400 | -21% | -80% | 558 | $60 | $25,886,515 | 28 |
| Oct 17, 2014 | - | $30,020 | -10% | -75% | 158 | $190 | $25,916,535 | 29 |
| Oct 18, 2014 | - | $40,290 | +34% | -76% | 158 | $255 | $25,956,825 | 30 |
| Oct 19, 2014 | - | $20,540 | -49% | -80% | 158 | $130 | $25,977,365 | 31 |
| Oct 20, 2014 | - | $9,480 | -54% | -83% | 158 | $60 | $25,986,845 | 32 |
| Oct 21, 2014 | - | $11,865 | +25% | -76% | 158 | $75 | $25,998,710 | 33 |
| Oct 22, 2014 | - | $10,270 | -13% | -76% | 158 | $65 | $26,008,980 | 34 |
| Oct 23, 2014 | - | $8,705 | -15% | -74% | 158 | $55 | $26,017,685 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2014 | 2 | $16,637,505 | 2,712 | $6,135 | $16,637,505 | 1 | |
| Sep 26, 2014 | 5 | $5,859,850 | -65% | 2,714 | $2,159 | $22,497,355 | 2 |
| Oct 3, 2014 | 11 | $2,816,780 | -52% | 2,226 | $1,265 | $25,314,135 | 3 |
| Oct 10, 2014 | 20 | $572,380 | -80% | 558 | $1,026 | $25,886,515 | 4 |
| Oct 17, 2014 | 41 | $131,170 | -77% | 158 | $830 | $26,017,685 | 5 |
Leading
| Liam Neeson | Matt Scudder |
Supporting
| Dan Stevens | Kenny Kristo | |
| David Harbour | Ray | |
| Boyd Holbrook | Peter Kristo | |
| Maurice Compte | Danny Ortiz | |
| Patrick F. McDade | Bar Owner | |
| Luciano Acuna, Jr. | Dominican Banger #1 | |
| Hans Marrero | Dominican Banger #2 | |
| Laura Birn | Leila Alvarez | |
| Adam David Thompson | Albert | |
| Kim Rosen | Waitress-Jenny | |
| Eric Nelsen | Howie | |
| Jon Goracy | Bag Boy | |
| Razane Jammal | Carrie Kristo | |
| Stephanie Andujar | Cashier | |
| Al Nazemian | Manager-Roland | |
| Sophia Frank | Teenage Cashier | |
| Susham Bedi | Mrs. Youness | |
| Purva Bedi | Neighbor | |
| Novella Nelson | Librarian | |
| Marielle Heller | Marie Gotteskind | |
| Brian "Astro" Bradley* | T.J. | |
| Frank De Julio | Eduardo Solomon | |
| Ólafur Darri Ólafsson | James Loogan | |
| Mark Consuelos | Reuben Quintana | |
| Natia Dune | Nurse Anna | |
| Genevieve Adams | Waitress-The Flame | |
| Liana De Laurent | Yuri's Wife | |
| Sebastian Roche | Yuri Landau | |
| Danielle Rose Russell | Lucia | |
| David Anzuelo | Bodega Owner | |
| Samuel Mercedes | Jacinto | |
| Mike Figueroa | Tattooed Man | |
| Mike Carlsen | Flannel Shirt | |
| Leon Addison Brown | Stover | |
| Damion Omar Lee | Baller #1 | |
| Jeremie Harris | Baller #2 | |
| Jolly Abraham | Bellevue Doctor | |
| Nina Polan | Old Woman | |
| Briana Marin | Screaming Woman | |
| Arthur Gerunda | Dani | |
| Fabrizio Brienza | Thug | |
| Dennis Jay Funny | AA Speaker | |
| Whitney Able | Twelve Steps Girl | |
| Chinasa Ogbuagu | AA Woman-Denise | |
| Louise Colon | Latin Old Woman |
Production and Technical Credits
| Scott Frank | Director | |
| Scott Frank | Screenwriter | |
| Lawrence Block | Story Creator | |
| Danny DeVito | Producer | |
| Michael Shamberg | Producer | |
| Stacey Sher | Producer | |
| Tobin Armbrust | Producer | |
| Brian Oliver | Producer | |
| Nigel Sinclair | Executive Producer | |
| Guy East | Executive Producer | |
| Kerry Orent | Executive Producer | |
| Lauren Selig | Executive Producer | |
| Mark Mallouk | Executive Producer | |
| Richard Toussaint | Executive Producer | |
| Adi Shankar | Executive Producer | |
| Spencer Silna | Executive Producer | |
| Tracy Krohn | Executive Producer | |
| Kate Bacon | Executive Producer | |
| John Hyde | Executive Producer | |
| Mihai Malaimare Jr. | Director of Photography | |
| David Brisbin | Production Designer | |
| Jill Savitt | Editor | |
| Carlos Rafael Rivera | Composer | |
| Mary Ramos | Music Supervisor | |
| Betsy Heimann | Costume Designer | |
| Avy Kaufman | Casting Director | |
| Christopher Goode | Unit Production Manager | |
| Stephen X. Apicella | First Assistant Director | |
| Justin Ritson | Second Assistant Director | |
| Steven Chester Prince | Co-Producer | |
| Christopher Goode | Co-Producer | |
| Jillian Longnecker | Co-Producer | |
| Dror Mohar | Sound Supervisor | |
| Branden Spencer | Sound Supervisor | |
| Tom Kramer | Score Producer | |
| Isabel Henderson | Post-Production Supervisor | |
| Jonathan Arkin | Art Director | |
| Cherish M. Hale | Set Decorator | |
| Michael Barosky | Sound Mixer | |
| Jeff Brink | Special Effects Coordinator | |
| Mary Fellows | Assistant Set Decorator | |
| M.J. McGrath | Costume Supervisor | |
| Kyra Panchenko | Make up | |
| Maya Hardinge | Make up | |
| Craig Lindberg | Special Make-up Effects | |
| Kerrie Smith | Hairstylist | |
| Shellie Biviens | Hairstylist | |
| Renee Foley Burke | Script Supervisor | |
| Valerie Harrington | Script Supervisor | |
| Jeannette Kim | Assistant Art Director | |
| Brian Bowles | Dialogue Editor | |
| Carl Shillito | Foley Mixer | |
| Tom Kramer | Music Editor | |
| Goodpenny NYC | Score Mixer | |
| The Molecule | Visual Effects Producer | |
| Aniela Sidorska | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.