Walk, Don’t Run (1966)

Theatrical Performance
Domestic Box Office $7,500,000Details
OpusData ID: 41370100 More info...
Further financial details...

Metrics

Domestic Share:100.0% (domestic box office/worldwide)

Movie Details

Domestic Releases: January 1st, 1966 (Wide), released as Walk Don't Run
MPA Rating: Not Rated Approved
Running Time: 114 minutes
Cast, crew, or production detail: Remake
Geographical setting: Japan, Tokyo
Plot point: Matchmaker, Miscellaneous Racing, Romance
Social setting: Olympics
Subgenre: Romantic Comedy
Time period setting: 1960s
Source:Original Screenplay
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Historical Fiction
Production Countries: United States
Languages: English

Leading

Cary Grant    Sir William Rutland
Samantha Eggar    Christine Easton
Jim Hutton    Steve Davis

Supporting

George Takei    Police Captain

Production and Technical Credits

Charles Walters    Director
Frank Ross    Screenwriter
Robert W. Russell    Story Creator

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Domestic Share:100.0% (domestic box office/worldwide)

Movie Details

Domestic Releases: January 1st, 1966 (Wide), released as Walk Don't Run
MPA Rating: Not Rated Approved
Running Time: 114 minutes
Cast, crew, or production detail: Remake
Geographical setting: Japan, Tokyo
Plot point: Matchmaker, Miscellaneous Racing, Romance
Social setting: Olympics
Subgenre: Romantic Comedy
Time period setting: 1960s
Source:Original Screenplay
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Historical Fiction
Production Countries: United States
Languages: English

Leading

Cary Grant    Sir William Rutland
Samantha Eggar    Christine Easton
Jim Hutton    Steve Davis

Supporting

George Takei    Police Captain

Production and Technical Credits

Charles Walters    Director
Frank Ross    Screenwriter
Robert W. Russell    Story Creator

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.