War of the World's Goliath (2014)
| Theatrical Performance | ||
| Domestic Box Office | $13,385 | Details |
| OpusData ID: 201350100 More info... | ||
| Further financial details... | ||
Synopsis
In 1899, the Earth was attacked by ruthless invaders from the planet Mars. The Martians’ 80 ft tall, heat-ray spewing, Tripod battle machines laid waste to the planet, but the invaders ultimately fell prey to Earth’s tiny bacteria. Fifteen years later, Man has rebuilt his shattered world, in large part by utilizing captured Martian technology. Equipped with giant, steam-powered Tripod battle machines, the international rapid reaction force is Mankind’s first line of defense against the return of the rapacious Martian invaders. And return the Martians do.
Metrics
| Opening Weekend: | $13,385 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 18 opening theaters/18 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,590 |
Movie Details
| Domestic Releases: | March 7th, 2014 (Limited) by Anderson Digital |
| Video Release: | April 1st, 2014 by Anderson |
| MPA Rating: | PG-13 for fantasy war violence including some disturbing images. (Rating bulletin 2302, 12/18/2013) |
| Running Time: | 88 minutes |
| Cast, crew, or production detail: | Anime |
| Film format: | 3-D, 3-D - Post-production Conversion |
| Plot point: | Alternate History, Mecha, Robot |
| Social setting: | Alien Invasion, World War I |
| Time period setting: | Steampunk |
| Source: | Spin-Off |
| Genre: | Adventure |
| Production Method: | Hand Animation |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Tripod Entertainment, MDEC |
| Production Countries: | United States, Japan, Malaysia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2014 | 66 | $13,385 | 18 | $744 | $13,385 | 1 |
Supporting
| Peter Wingfield | Eric | |
| Elizabeth Gracen | Lt. Jennifer Carter | |
| Jim Byrnes | Theodore Roosevelt | |
| Beau Billingslea | Abraham Douglas | |
| Tony Eusoff | Lt. Raja Iskandar Shah |
Cameo
| Adam Baldwin | (Uncredited) |
Supporting
| Adrian Paul | Patrick O'Brien | |
| Mark Sheppard | ||
| Matt Letscher | Capt. Manfred von Richtofen | |
| James Arnold Taylor | Soldier |
Production and Technical Credits
| Joe Pearson | Director | |
| David Abramowitz | Screenwriter | |
| David Abramowitz | Producer | |
| Leon Tan | Producer | |
| Joe Pearson | Producer | |
| Mike Bloemendal | Producer | |
| Kevin Eastman | Executive Producer | |
| Young Hwan Sang | Animation Director | |
| Studio Climb | Production Designer | |
| Anne Foenander | Editor | |
| Toby Risk | Editor | |
| Imaginex Studios | Sound Designer | |
| Luka Kuncevic | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1899, the Earth was attacked by ruthless invaders from the planet Mars. The Martians’ 80 ft tall, heat-ray spewing, Tripod battle machines laid waste to the planet, but the invaders ultimately fell prey to Earth’s tiny bacteria. Fifteen years later, Man has rebuilt his shattered world, in large part by utilizing captured Martian technology. Equipped with giant, steam-powered Tripod battle machines, the international rapid reaction force is Mankind’s first line of defense against the return of the rapacious Martian invaders. And return the Martians do.
Metrics
| Opening Weekend: | $13,385 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 18 opening theaters/18 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,590 |
Movie Details
| Domestic Releases: | March 7th, 2014 (Limited) by Anderson Digital |
| Video Release: | April 1st, 2014 by Anderson |
| MPA Rating: | PG-13 for fantasy war violence including some disturbing images. (Rating bulletin 2302, 12/18/2013) |
| Running Time: | 88 minutes |
| Cast, crew, or production detail: | Anime |
| Film format: | 3-D, 3-D - Post-production Conversion |
| Plot point: | Alternate History, Mecha, Robot |
| Social setting: | Alien Invasion, World War I |
| Time period setting: | Steampunk |
| Source: | Spin-Off |
| Genre: | Adventure |
| Production Method: | Hand Animation |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Tripod Entertainment, MDEC |
| Production Countries: | United States, Japan, Malaysia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2014 | 66 | $13,385 | 18 | $744 | $13,385 | 1 |
Supporting
| Peter Wingfield | Eric | |
| Elizabeth Gracen | Lt. Jennifer Carter | |
| Jim Byrnes | Theodore Roosevelt | |
| Beau Billingslea | Abraham Douglas | |
| Tony Eusoff | Lt. Raja Iskandar Shah |
Cameo
| Adam Baldwin | (Uncredited) |
Supporting
| Adrian Paul | Patrick O'Brien | |
| Mark Sheppard | ||
| Matt Letscher | Capt. Manfred von Richtofen | |
| James Arnold Taylor | Soldier |
Production and Technical Credits
| Joe Pearson | Director | |
| David Abramowitz | Screenwriter | |
| David Abramowitz | Producer | |
| Leon Tan | Producer | |
| Joe Pearson | Producer | |
| Mike Bloemendal | Producer | |
| Kevin Eastman | Executive Producer | |
| Young Hwan Sang | Animation Director | |
| Studio Climb | Production Designer | |
| Anne Foenander | Editor | |
| Toby Risk | Editor | |
| Imaginex Studios | Sound Designer | |
| Luka Kuncevic | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.