Warfare (2025)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $25,782,474 | Details |
| International Box Office | $7,435,591 | Details |
| Worldwide Box Office | $33,218,065 | |
| OpusData ID: 674430100 More info... | ||
| Further financial details... | ||
Synopsis
A platoon of American Navy SEALs is in the home of an Iraqi family, watching over the movement of US forces through insurgent territory. A boots-on-the-ground story of modern warfare, told in real time and based on the memory of the people who lived it.
Metrics
| Opening Weekend: | $8,317,989 (32.3% of total gross) |
| Legs: | 3.10 (domestic box office/biggest weekend) |
| Domestic Share: | 77.6% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 1.7 times production budget) |
| Theater counts: | 2,670 opening theaters/2,670 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,782,474 |
Movie Details
| Domestic Releases: | April 11th, 2025 (Wide) by A24 April 11th, 2025 (IMAX) by A24 |
| International Releases: | April 10th, 2025 (Limited), released as Warfare (Под огнём) (Russia (CIS))
April 11th, 2025 (Wide) (South Africa) April 16th, 2025 (Limited), released as Warfare: Tiempo de guerra (Spain) April 17th, 2025 (Limited) (Australia) April 17th, 2025 (Wide) (Germany) ... Show all releases |
| Video Release: | May 6th, 2025 by A24 |
| MPA Rating: | R for intense war violence and bloody/grisly images, and language throughout. (Rating bulletin 2865 (cert #55259), 12/18/2024) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Autobiographical |
| Filming location (country): | England, United Kingdom |
| Geographical setting: | Iraq |
| Plot point: | War |
| Social setting: | Iraq War |
| Subgenre: | War Drama |
| Time period setting: | 2000s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | A24 |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 11, 2025 | 4 | $8,317,989 | 2,670 | $3,115 | $8,317,989 | 1 | |
| Apr 18, 2025 | 5 | $4,855,636 | -42% | 2,670 | $1,819 | $17,120,833 | 2 |
| Apr 25, 2025 | 8 | $2,652,229 | -45% | 1,905 | $1,392 | $21,800,596 | 3 |
| May 2, 2025 | 8 | $1,275,396 | -52% | 1,315 | $970 | $24,086,697 | 4 |
| May 9, 2025 | 11 | $558,260 | -56% | 719 | $776 | $25,230,373 | 5 |
| May 16, 2025 | - | $278,171 | -50% | 585 | $476 | $25,782,474 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 10, 2025 | P | $1,160,000 | 2,670 | $434 | $1,160,000 | |||
| Apr 11, 2025 | 4 | $3,555,000 | 2,670 | $1,331 | $3,555,000 | 1 | ||
| Apr 12, 2025 | 4 | $2,737,350 | -23% | 2,670 | $1,025 | $6,292,350 | 2 | |
| Apr 13, 2025 | 4 | $2,025,639 | -26% | 2,670 | $759 | $8,317,989 | 3 | |
| Apr 14, 2025 | - | $875,674 | -57% | 2,670 | $328 | $9,193,663 | 4 | |
| Apr 15, 2025 | - | $1,188,954 | +36% | 2,670 | $445 | $10,382,617 | 5 | |
| Apr 16, 2025 | - | $961,235 | -19% | 2,670 | $360 | $11,343,852 | 6 | |
| Apr 17, 2025 | - | $921,345 | -4% | 2,670 | $345 | $12,265,197 | 7 | |
| Apr 18, 2025 | 5 | $1,624,230 | +76% | -54% | 2,670 | $608 | $13,889,427 | 8 |
| Apr 19, 2025 | 5 | $1,867,865 | +15% | -32% | 2,670 | $700 | $15,757,292 | 9 |
| Apr 20, 2025 | 5 | $1,363,541 | -27% | -33% | 2,670 | $511 | $17,120,833 | 10 |
| Apr 25, 2025 | 8 | $730,405 | -55% | 1,905 | $383 | $19,878,772 | 15 | |
| Apr 26, 2025 | 8 | $1,085,776 | +49% | -42% | 1,905 | $570 | $20,964,548 | 16 |
| Apr 27, 2025 | 9 | $836,048 | -23% | -39% | 1,905 | $439 | $21,800,596 | 17 |
| May 2, 2025 | 7 | $370,830 | -49% | 1,315 | $282 | $23,182,132 | 22 | |
| May 3, 2025 | 8 | $522,870 | +41% | -52% | 1,315 | $398 | $23,705,002 | 23 |
| May 4, 2025 | 8 | $381,695 | -27% | -54% | 1,315 | $290 | $24,086,697 | 24 |
| May 9, 2025 | 11 | $168,965 | -54% | 719 | $235 | $24,841,078 | 29 | |
| May 10, 2025 | 11 | $216,275 | +28% | -59% | 719 | $301 | $25,057,353 | 30 |
| May 11, 2025 | 12 | $173,020 | -20% | -55% | 719 | $241 | $25,230,373 | 31 |
| May 16, 2025 | 15 | $72,455 | -57% | 585 | $124 | $25,576,758 | 36 | |
| May 17, 2025 | - | $117,552 | +62% | -46% | 585 | $201 | $25,694,310 | 37 |
| May 18, 2025 | - | $88,164 | -25% | -49% | 585 | $151 | $25,782,474 | 38 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 11, 2025 | 4 | $12,265,197 | 2,670 | $4,594 | $12,265,197 | 1 | |
| Apr 18, 2025 | 5 | $6,883,170 | -44% | 2,670 | $2,578 | $19,148,367 | 2 |
| Apr 25, 2025 | 8 | $3,662,934 | -47% | 1,905 | $1,923 | $22,811,301 | 3 |
| May 2, 2025 | 8 | $1,860,812 | -49% | 1,905 | $977 | $24,672,113 | 4 |
| May 9, 2025 | 11 | $832,190 | -55% | 719 | $1,157 | $25,504,303 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/17/2025 | $368,895 | 186 | 186 | 0 | $1,322,276 | 4/6/2026 | |||
| Finland | 5/9/2025 | $70,952 | 74 | 74 | 300 | $323,251 | 4/21/2026 | |||
| Italy | 8/21/2025 | $261,509 | 0 | 0 | 0 | $732,280 | 4/4/2026 | |||
| Mexico | 4/17/2025 | $299,227 | 0 | 0 | 0 | $516,400 | 4/4/2026 | |||
| Netherlands | 4/17/2025 | $157,990 | 90 | 91 | 389 | $594,620 | 4/6/2026 | |||
| New Zealand | 4/18/2025 | $74,382 | 65 | 65 | 0 | $206,450 | 4/4/2026 | |||
| Russia (CIS) | 4/10/2025 | $96,357 | 425 | 425 | 754 | $168,465 | 4/4/2026 | |||
| Spain | 4/16/2025 | $162,867 | 208 | 208 | 528 | $553,506 | 4/6/2026 | |||
| United Kingdom | 4/18/2025 | $999,790 | 576 | 576 | 1,961 | $3,018,343 | 4/4/2026 | |||
| International Total | $7,435,591 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Pharaoh Woon-A-Tai | Ray Mendoza |
Supporting
| Noah Centineo | Brian / Zawi | |
| Taylor John Smith | Frank | |
| Adain Bradley | Sgt. Laerrus | |
| Michael Gandolfini | LT McDonald | |
| Evan Holtzman | Brock | |
| Henrique Zaga* | Aaron | |
| Charles Melton | Jake | |
| Joseph Quinn | Sam | |
| Kit Connor | Tommy | |
| Cosmo Jarvis | Elliot Miller | |
| Finn Bennett | John | |
| Will Poulter | Erik | |
| Alex Brockdorff | Mikey | |
| Aaron Deakins | Bob |
Production and Technical Credits
| Alex Garland | Director | |
| Ray Mendoza | Director | |
| Ray Mendoza | Screenwriter | |
| Alex Garland | Screenwriter | |
| Andrew MacDonald | Producer | |
| Allon Reich | Producer | |
| Peter Rice | Producer | |
| Matthew Penry-Davey | Producer | |
| David J. Thompson | Cinematographer | |
| Fin Oates | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A platoon of American Navy SEALs is in the home of an Iraqi family, watching over the movement of US forces through insurgent territory. A boots-on-the-ground story of modern warfare, told in real time and based on the memory of the people who lived it.
Metrics
| Opening Weekend: | $8,317,989 (32.3% of total gross) |
| Legs: | 3.10 (domestic box office/biggest weekend) |
| Domestic Share: | 77.6% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 1.7 times production budget) |
| Theater counts: | 2,670 opening theaters/2,670 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,782,474 |
Movie Details
| Domestic Releases: | April 11th, 2025 (Wide) by A24 April 11th, 2025 (IMAX) by A24 |
| International Releases: | April 10th, 2025 (Limited), released as Warfare (Под огнём) (Russia (CIS))
April 11th, 2025 (Wide) (South Africa) April 16th, 2025 (Limited), released as Warfare: Tiempo de guerra (Spain) April 17th, 2025 (Limited) (Australia) April 17th, 2025 (Wide) (Germany) ... Show all releases |
| Video Release: | May 6th, 2025 by A24 |
| MPA Rating: | R for intense war violence and bloody/grisly images, and language throughout. (Rating bulletin 2865 (cert #55259), 12/18/2024) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Autobiographical |
| Filming location (country): | England, United Kingdom |
| Geographical setting: | Iraq |
| Plot point: | War |
| Social setting: | Iraq War |
| Subgenre: | War Drama |
| Time period setting: | 2000s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | A24 |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 11, 2025 | 4 | $8,317,989 | 2,670 | $3,115 | $8,317,989 | 1 | |
| Apr 18, 2025 | 5 | $4,855,636 | -42% | 2,670 | $1,819 | $17,120,833 | 2 |
| Apr 25, 2025 | 8 | $2,652,229 | -45% | 1,905 | $1,392 | $21,800,596 | 3 |
| May 2, 2025 | 8 | $1,275,396 | -52% | 1,315 | $970 | $24,086,697 | 4 |
| May 9, 2025 | 11 | $558,260 | -56% | 719 | $776 | $25,230,373 | 5 |
| May 16, 2025 | - | $278,171 | -50% | 585 | $476 | $25,782,474 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 10, 2025 | P | $1,160,000 | 2,670 | $434 | $1,160,000 | |||
| Apr 11, 2025 | 4 | $3,555,000 | 2,670 | $1,331 | $3,555,000 | 1 | ||
| Apr 12, 2025 | 4 | $2,737,350 | -23% | 2,670 | $1,025 | $6,292,350 | 2 | |
| Apr 13, 2025 | 4 | $2,025,639 | -26% | 2,670 | $759 | $8,317,989 | 3 | |
| Apr 14, 2025 | - | $875,674 | -57% | 2,670 | $328 | $9,193,663 | 4 | |
| Apr 15, 2025 | - | $1,188,954 | +36% | 2,670 | $445 | $10,382,617 | 5 | |
| Apr 16, 2025 | - | $961,235 | -19% | 2,670 | $360 | $11,343,852 | 6 | |
| Apr 17, 2025 | - | $921,345 | -4% | 2,670 | $345 | $12,265,197 | 7 | |
| Apr 18, 2025 | 5 | $1,624,230 | +76% | -54% | 2,670 | $608 | $13,889,427 | 8 |
| Apr 19, 2025 | 5 | $1,867,865 | +15% | -32% | 2,670 | $700 | $15,757,292 | 9 |
| Apr 20, 2025 | 5 | $1,363,541 | -27% | -33% | 2,670 | $511 | $17,120,833 | 10 |
| Apr 25, 2025 | 8 | $730,405 | -55% | 1,905 | $383 | $19,878,772 | 15 | |
| Apr 26, 2025 | 8 | $1,085,776 | +49% | -42% | 1,905 | $570 | $20,964,548 | 16 |
| Apr 27, 2025 | 9 | $836,048 | -23% | -39% | 1,905 | $439 | $21,800,596 | 17 |
| May 2, 2025 | 7 | $370,830 | -49% | 1,315 | $282 | $23,182,132 | 22 | |
| May 3, 2025 | 8 | $522,870 | +41% | -52% | 1,315 | $398 | $23,705,002 | 23 |
| May 4, 2025 | 8 | $381,695 | -27% | -54% | 1,315 | $290 | $24,086,697 | 24 |
| May 9, 2025 | 11 | $168,965 | -54% | 719 | $235 | $24,841,078 | 29 | |
| May 10, 2025 | 11 | $216,275 | +28% | -59% | 719 | $301 | $25,057,353 | 30 |
| May 11, 2025 | 12 | $173,020 | -20% | -55% | 719 | $241 | $25,230,373 | 31 |
| May 16, 2025 | 15 | $72,455 | -57% | 585 | $124 | $25,576,758 | 36 | |
| May 17, 2025 | - | $117,552 | +62% | -46% | 585 | $201 | $25,694,310 | 37 |
| May 18, 2025 | - | $88,164 | -25% | -49% | 585 | $151 | $25,782,474 | 38 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 11, 2025 | 4 | $12,265,197 | 2,670 | $4,594 | $12,265,197 | 1 | |
| Apr 18, 2025 | 5 | $6,883,170 | -44% | 2,670 | $2,578 | $19,148,367 | 2 |
| Apr 25, 2025 | 8 | $3,662,934 | -47% | 1,905 | $1,923 | $22,811,301 | 3 |
| May 2, 2025 | 8 | $1,860,812 | -49% | 1,905 | $977 | $24,672,113 | 4 |
| May 9, 2025 | 11 | $832,190 | -55% | 719 | $1,157 | $25,504,303 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/17/2025 | $368,895 | 186 | 186 | 0 | $1,322,276 | 4/6/2026 | |||
| Finland | 5/9/2025 | $70,952 | 74 | 74 | 300 | $323,251 | 4/21/2026 | |||
| Italy | 8/21/2025 | $261,509 | 0 | 0 | 0 | $732,280 | 4/4/2026 | |||
| Mexico | 4/17/2025 | $299,227 | 0 | 0 | 0 | $516,400 | 4/4/2026 | |||
| Netherlands | 4/17/2025 | $157,990 | 90 | 91 | 389 | $594,620 | 4/6/2026 | |||
| New Zealand | 4/18/2025 | $74,382 | 65 | 65 | 0 | $206,450 | 4/4/2026 | |||
| Russia (CIS) | 4/10/2025 | $96,357 | 425 | 425 | 754 | $168,465 | 4/4/2026 | |||
| Spain | 4/16/2025 | $162,867 | 208 | 208 | 528 | $553,506 | 4/6/2026 | |||
| United Kingdom | 4/18/2025 | $999,790 | 576 | 576 | 1,961 | $3,018,343 | 4/4/2026 | |||
| International Total | $7,435,591 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Pharaoh Woon-A-Tai | Ray Mendoza |
Supporting
| Noah Centineo | Brian / Zawi | |
| Taylor John Smith | Frank | |
| Adain Bradley | Sgt. Laerrus | |
| Michael Gandolfini | LT McDonald | |
| Evan Holtzman | Brock | |
| Henrique Zaga* | Aaron | |
| Charles Melton | Jake | |
| Joseph Quinn | Sam | |
| Kit Connor | Tommy | |
| Cosmo Jarvis | Elliot Miller | |
| Finn Bennett | John | |
| Will Poulter | Erik | |
| Alex Brockdorff | Mikey | |
| Aaron Deakins | Bob |
Production and Technical Credits
| Alex Garland | Director | |
| Ray Mendoza | Director | |
| Ray Mendoza | Screenwriter | |
| Alex Garland | Screenwriter | |
| Andrew MacDonald | Producer | |
| Allon Reich | Producer | |
| Peter Rice | Producer | |
| Matthew Penry-Davey | Producer | |
| David J. Thompson | Cinematographer | |
| Fin Oates | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.