Wayne’s World 2 (1993)
| Theatrical Performance | ||
| Domestic Box Office | $47,965,000 | Details |
| OpusData ID: 11520100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $13,516,699 (28.2% of total gross) |
| Legs: | 3.55 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2,400 opening theaters/2,414 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $131,240,380 |
Movie Details
| Domestic Releases: | December 10th, 1993 (Wide) by Paramount Pictures |
| Video Release: | July 10th, 2001 by Paramount Home Video |
| MPA Rating: | PG-13 for ribald humor. |
| Running Time: | 95 minutes |
| Franchise: | Wayne's World |
| Cast, crew, or production detail: | Directing Yourself, Director Cameo, Scene in End Credits |
| Plot point: | Dream Sequence, Rock 'n' Roll |
| Source material: | Saturday Night Live |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Based on TV |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 10, 1993 | 1 | $13,516,699 | 2,400 | $5,632 | $13,516,699 | 1 | |
| Dec 17, 1993 | 3 | $6,276,651 | -54% | 2,414 | $2,600 | $23,023,252 | 2 |
| Dec 24, 1993 | 5 | $3,595,506 | -43% | 2,320 | $1,550 | $30,786,628 | 3 |
| Dec 31, 1993 | 7 | $4,012,807 | +12% | 2,240 | $1,791 | $40,147,699 | 4 |
| Jan 7, 1994 | 10 | $2,151,760 | -46% | 1,703 | $1,264 | $43,434,218 | 5 |
| Jan 14, 1994 | 14 | $1,204,261 | -44% | 1,000 | $1,204 | $45,264,562 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 10, 1993 | 1 | $16,746,601 | 2,400 | $6,978 | $16,746,601 | 1 | |
| Dec 17, 1993 | 4 | $10,444,521 | -38% | 2,414 | $4,327 | $27,191,122 | 2 |
| Dec 24, 1993 | 5 | $8,943,770 | -14% | 2,320 | $3,855 | $36,134,892 | 3 |
| Dec 31, 1993 | 7 | $5,147,566 | -42% | 2,240 | $2,298 | $41,282,458 | 4 |
| Jan 7, 1994 | 10 | $2,777,843 | -46% | 1,703 | $1,631 | $44,060,301 | 5 |
Leading
| Mike Myers | Wayne Campbell | |
| Dana Carvey | Garth Algar |
Supporting
| Lee Tergesen | Terry | |
| Dan Bell | Neil | |
| Tia Carrere | Cassandra | |
| Christopher Walken | Bobby | |
| Kim Basinger | Honey Hornee |
Cameo
| Heather Locklear | Herself | |
| Kevin Pollak | Jerry Segel | |
| Drew Barrymore | Bjergen Kjergen | |
| Charlton Heston | Good Actor |
Supporting
| Ed O'Neill | Glen |
Cameo
| Ted McGinley | Mr. Scream | |
| Rip Taylor | Himself | |
| Olivia D'Abo | Betty Jo | |
| James Hong | Jeff Wong | |
| Chris Farley | Milton | |
| Harry Shearer | Handsome Dan | |
| Jay Leno | Himself |
| Ralph Brown | Del Preston | |
| Tim Meadows | Sammy Davis, Jr. |
Production and Technical Credits
| Stephen Surjik | Director | |
| Carter Burwell | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $13,516,699 (28.2% of total gross) |
| Legs: | 3.55 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2,400 opening theaters/2,414 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $131,240,380 |
Movie Details
| Domestic Releases: | December 10th, 1993 (Wide) by Paramount Pictures |
| Video Release: | July 10th, 2001 by Paramount Home Video |
| MPA Rating: | PG-13 for ribald humor. |
| Running Time: | 95 minutes |
| Franchise: | Wayne's World |
| Cast, crew, or production detail: | Directing Yourself, Director Cameo, Scene in End Credits |
| Plot point: | Dream Sequence, Rock 'n' Roll |
| Source material: | Saturday Night Live |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Based on TV |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 10, 1993 | 1 | $13,516,699 | 2,400 | $5,632 | $13,516,699 | 1 | |
| Dec 17, 1993 | 3 | $6,276,651 | -54% | 2,414 | $2,600 | $23,023,252 | 2 |
| Dec 24, 1993 | 5 | $3,595,506 | -43% | 2,320 | $1,550 | $30,786,628 | 3 |
| Dec 31, 1993 | 7 | $4,012,807 | +12% | 2,240 | $1,791 | $40,147,699 | 4 |
| Jan 7, 1994 | 10 | $2,151,760 | -46% | 1,703 | $1,264 | $43,434,218 | 5 |
| Jan 14, 1994 | 14 | $1,204,261 | -44% | 1,000 | $1,204 | $45,264,562 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 10, 1993 | 1 | $16,746,601 | 2,400 | $6,978 | $16,746,601 | 1 | |
| Dec 17, 1993 | 4 | $10,444,521 | -38% | 2,414 | $4,327 | $27,191,122 | 2 |
| Dec 24, 1993 | 5 | $8,943,770 | -14% | 2,320 | $3,855 | $36,134,892 | 3 |
| Dec 31, 1993 | 7 | $5,147,566 | -42% | 2,240 | $2,298 | $41,282,458 | 4 |
| Jan 7, 1994 | 10 | $2,777,843 | -46% | 1,703 | $1,631 | $44,060,301 | 5 |
Leading
| Mike Myers | Wayne Campbell | |
| Dana Carvey | Garth Algar |
Supporting
| Lee Tergesen | Terry | |
| Dan Bell | Neil | |
| Tia Carrere | Cassandra | |
| Christopher Walken | Bobby | |
| Kim Basinger | Honey Hornee |
Cameo
| Heather Locklear | Herself | |
| Kevin Pollak | Jerry Segel | |
| Drew Barrymore | Bjergen Kjergen | |
| Charlton Heston | Good Actor |
Supporting
| Ed O'Neill | Glen |
Cameo
| Ted McGinley | Mr. Scream | |
| Rip Taylor | Himself | |
| Olivia D'Abo | Betty Jo | |
| James Hong | Jeff Wong | |
| Chris Farley | Milton | |
| Harry Shearer | Handsome Dan | |
| Jay Leno | Himself |
| Ralph Brown | Del Preston | |
| Tim Meadows | Sammy Davis, Jr. |
Production and Technical Credits
| Stephen Surjik | Director | |
| Carter Burwell | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.