We Are Your Friends (2015)
| Theatrical Performance | ||
| Domestic Box Office | $3,591,417 | Details |
| International Box Office | $6,561,998 | Details |
| Worldwide Box Office | $10,153,415 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $87,478 | |
| Total | $87,478 | |
| OpusData ID: 219380100 More info... | ||
| Further financial details... | ||
Synopsis
Set in the world of electronic music and Hollywood nightlife, an aspiring 23-year-old DJ named Cole spends his days scheming with his childhood friends and his nights working on the one track that will set the world on fire. All of this changes when he meets a charismatic but damaged older DJ named James, who takes him under his wing. Things get complicated, however, when Cole starts falling for James’ much younger girlfriend, Sophie. With Cole’s forbidden relationship intensifying and his friendships unraveling, he must choose between love, loyalty, and the future he is destined for.
Metrics
| Opening Weekend: | $1,767,308 (49.2% of total gross) |
| Legs: | 2.03 (domestic box office/biggest weekend) |
| Domestic Share: | 35.4% (domestic box office/worldwide) |
| Production Budget: | $2,000,000 (worldwide box office is 5.1 times production budget) |
| Theater counts: | 2,333 opening theaters/2,333 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,095,295 |
Movie Details
| Domestic Releases: | August 28th, 2015 (Wide) by Warner Bros. |
| International Releases: | August 26th, 2015 (Wide) (Belgium)
August 26th, 2015 (Wide) (France) August 27th, 2015 (Limited) (New Zealand) August 27th, 2015 (Wide) (Portugal) August 27th, 2015 (Wide) (Croatia) ... Show all releases |
| Video Release: | October 23rd, 2015 by Warner Home Video |
| MPA Rating: | R for language throughout, drug use, sexual content and some nudity. (Rating bulletin 2380, 7/1/2015) |
| Running Time: | 96 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Big Break, Love Triangle, Mentor, Musicians, Relationships Gone Wrong, Romance |
| Social setting: | House Music / Electronica |
| Subgenre: | Romantic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Working Title Films, StudioCanal, Anton Capital Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | 14 | $1,767,308 | 2,333 | $758 | $1,767,308 | 1 | |
| Sep 4, 2015 | 25 | $632,682 | -64% | 2,333 | $271 | $3,152,112 | 2 |
| Sep 11, 2015 | 55 | $37,951 | -94% | 274 | $139 | $3,565,893 | 3 |
| Sep 18, 2015 | 94 | $1,903 | -95% | 17 | $112 | $3,590,010 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 27, 2015 | P | $175,000 | 0 | $175,000 | ||||
| Aug 28, 2015 | 12 | $722,323 | 2,333 | $310 | $722,323 | 1 | ||
| Aug 29, 2015 | - | $615,795 | -15% | 2,333 | $264 | $1,338,118 | 2 | |
| Aug 30, 2015 | - | $429,190 | -30% | 2,333 | $184 | $1,767,308 | 3 | |
| Aug 31, 2015 | 13 | $203,893 | -52% | 2,333 | $87 | $1,971,201 | 4 | |
| Sep 1, 2015 | 14 | $243,811 | +20% | 2,333 | $105 | $2,215,012 | 5 | |
| Sep 2, 2015 | 15 | $157,306 | -35% | 2,333 | $67 | $2,372,318 | 6 | |
| Sep 3, 2015 | 15 | $147,112 | -6% | 2,333 | $63 | $2,519,430 | 7 | |
| Sep 4, 2015 | - | $178,533 | +21% | -75% | 2,333 | $77 | $2,697,963 | 8 |
| Sep 5, 2015 | - | $222,070 | +24% | -64% | 2,333 | $95 | $2,920,033 | 9 |
| Sep 6, 2015 | - | $232,079 | +5% | -46% | 2,333 | $99 | $3,152,112 | 10 |
| Sep 7, 2015 | - | $161,357 | -30% | -21% | 2,333 | $69 | $3,313,469 | 11 |
| Sep 8, 2015 | - | $87,426 | -46% | -64% | 2,333 | $37 | $3,400,895 | 12 |
| Sep 9, 2015 | - | $67,940 | -22% | -57% | 2,333 | $29 | $3,468,835 | 13 |
| Sep 10, 2015 | - | $59,107 | -13% | -60% | 2,333 | $25 | $3,527,942 | 14 |
| Sep 11, 2015 | - | $11,865 | -80% | -93% | 274 | $43 | $3,539,807 | 15 |
| Sep 12, 2015 | - | $14,917 | +26% | -93% | 274 | $54 | $3,554,724 | 16 |
| Sep 13, 2015 | - | $11,169 | -25% | -95% | 274 | $41 | $3,565,893 | 17 |
| Sep 14, 2015 | - | $5,584 | -50% | -97% | 274 | $20 | $3,571,477 | 18 |
| Sep 15, 2015 | - | $6,644 | +19% | -92% | 274 | $24 | $3,578,121 | 19 |
| Sep 16, 2015 | - | $5,514 | -17% | -92% | 274 | $20 | $3,583,635 | 20 |
| Sep 17, 2015 | - | $4,472 | -19% | -92% | 274 | $16 | $3,588,107 | 21 |
| Sep 18, 2015 | - | $575 | -87% | -95% | 17 | $34 | $3,588,682 | 22 |
| Sep 19, 2015 | - | $876 | +52% | -94% | 17 | $52 | $3,589,558 | 23 |
| Sep 20, 2015 | - | $452 | -48% | -96% | 17 | $27 | $3,590,010 | 24 |
| Sep 21, 2015 | - | $370 | -18% | -93% | 17 | $22 | $3,590,380 | 25 |
| Sep 22, 2015 | - | $305 | -18% | -95% | 17 | $18 | $3,590,685 | 26 |
| Sep 23, 2015 | - | $275 | -10% | -95% | 17 | $16 | $3,590,960 | 27 |
| Sep 24, 2015 | - | $457 | +66% | -90% | 17 | $27 | $3,591,417 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | 13 | $2,519,430 | 2,333 | $1,080 | $2,519,430 | 1 | |
| Sep 4, 2015 | 25 | $1,008,512 | -60% | 2,333 | $432 | $3,527,942 | 2 |
| Sep 11, 2015 | 53 | $60,165 | -94% | 274 | $220 | $3,588,107 | 3 |
| Sep 18, 2015 | 91 | $3,310 | -94% | 17 | $195 | $3,591,417 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/15/2015 | $0 | 0 | 37 | 37 | $47,469 | 10/27/2015 | |||
| Australia | 8/27/2015 | $163,537 | 161 | 161 | 321 | $245,016 | 10/20/2015 | |||
| Austria | 8/28/2015 | $45,625 | 27 | 27 | 72 | $182,254 | 9/30/2015 | |||
| Belgium | 8/26/2015 | $110,628 | 45 | 45 | 189 | $297,983 | 9/30/2015 | |||
| Brazil | 10/15/2015 | $6,175 | 16 | 16 | 22 | $7,949 | 10/27/2015 | |||
| Bulgaria | 9/4/2015 | $4,752 | 23 | 23 | 57 | $18,335 | 12/30/2018 | |||
| Croatia | 8/27/2015 | $0 | 0 | 16 | 30 | $40,267 | 12/30/2018 | |||
| Czech Republic | 9/3/2015 | $25,999 | 60 | 60 | 100 | $48,773 | 12/30/2018 | |||
| Denmark | 9/3/2015 | $12,995 | 19 | 19 | 19 | $12,995 | 9/9/2015 | |||
| Estonia | 8/28/2015 | $9,557 | 7 | 7 | 7 | $9,557 | 9/2/2015 | |||
| France | 8/26/2015 | $494,076 | 250 | 250 | 500 | $791,008 | 9/9/2015 | |||
| Germany | 8/27/2015 | $373,431 | 208 | 233 | 597 | $1,061,769 | 10/13/2015 | |||
| Hungary | 9/3/2015 | $27,792 | 25 | 25 | 25 | $27,792 | 12/30/2018 | |||
| Iceland | 9/11/2015 | $2,074 | 3 | 3 | 3 | $2,074 | 12/30/2018 | |||
| Italy | 9/17/2015 | $333,345 | 194 | 194 | 514 | $649,636 | 11/10/2015 | |||
| Kenya | 9/4/2015 | $3,766 | 8 | 8 | 8 | $3,766 | 12/30/2018 | |||
| Lebanon | 8/27/2015 | $24,595 | 10 | 10 | 10 | $24,595 | 12/30/2018 | |||
| Lithuania | 8/27/2015 | $5,738 | 73 | 73 | 80 | $14,639 | 9/9/2015 | |||
| Netherlands | 8/27/2015 | $130,570 | 79 | 79 | 230 | $327,213 | 9/18/2015 | |||
| New Zealand | 8/27/2015 | $41,376 | 51 | 51 | 127 | $81,586 | 10/5/2015 | |||
| Poland | 8/28/2015 | $94,717 | 0 | 0 | 0 | $302,659 | 12/30/2018 | |||
| Portugal | 8/27/2015 | $0 | 0 | 41 | 43 | $117,169 | 9/22/2015 | |||
| Romania | 9/4/2015 | $13,492 | 52 | 52 | 52 | $13,492 | 12/30/2018 | |||
| Russia (CIS) | 9/3/2015 | $307,523 | 555 | 555 | 1,099 | $559,385 | 12/30/2018 | |||
| Singapore | 9/24/2015 | $18,507 | 8 | 8 | 17 | $38,175 | 10/27/2015 | |||
| South Africa | 9/18/2015 | $15,390 | 33 | 34 | 67 | $35,635 | 9/30/2015 | |||
| South Korea | 11/12/2015 | $69,562 | 220 | 220 | 220 | $215,795 | 11/16/2015 | |||
| Switzerland | 8/27/2015 | $24,558 | 24 | 24 | 24 | $24,558 | 9/2/2015 | |||
| Thailand | 10/8/2015 | $8,723 | 23 | 23 | 29 | $14,684 | 10/20/2015 | |||
| Turkey | 8/28/2015 | $14,091 | 35 | 35 | 70 | $26,931 | 12/30/2018 | |||
| Ukraine | 8/27/2015 | $21,198 | 72 | 74 | 190 | $53,226 | 12/30/2018 | |||
| United Kingdom | 8/28/2015 | $400,484 | 370 | 370 | 537 | $819,537 | 9/30/2015 | |||
| Rest of World | $446,076 | |||||||||
| International Total | $6,561,998 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Zac Efron | Cole |
Supporting
| Emily Ratajkowski | Sophie | |
| Shiloh Fernandez | Ollie | |
| Alex Shaffer | Squirrel | |
| Jonny Weston | Mason | |
| Wes Bentley | James | |
| Jon Bernthal | Paige | |
| Alicia Coppola | Mrs. Romero | |
| Wiley Pickett | Carl | |
| Jon Abrahams | Nicky | |
| Molly Hagan | Francine | |
| Brittany Furlan | Sara | |
| Vanessa Lengies | Mel | |
| Rebecca Forsythe | Clarissa | |
| Joey Rudman | Joey | |
| Kelsey Formost | Rebecca | |
| Scarlett Benchley | Mindy | |
| Devon Barnes | Heather | |
| Rob Silverman | Valley Hater | |
| Timothy Granaderos | Preppy Guy #1 | |
| Raleigh Adams | Preppy Guy #2 | |
| Kerry Stein | Rabbi | |
| Ayden Mayeri | Rich Girl | |
| Posso | Art Party DJ | |
| Andrew Bachelor | King Bach | |
| Dillon Francis | DJ Devin Andrews | |
| Casey James | Bartender | |
| Desi Jevon | Dancer #1 | |
| Ragon Miller | Dancer #2 |
Production and Technical Credits
| Max Joseph | Director | |
| Max Joseph | Screenwriter | |
| Meaghan Oppenheimer | Screenwriter | |
| Richard Silverman | Story Creator | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Liza Chasin | Producer | |
| Richard Silverman | Executive Producer | |
| Olivier Courson | Executive Producer | |
| Ron Halpern | Executive Producer | |
| Nathan Kelly | Executive Producer | |
| Maya Sigel | Production Designer | |
| Terel Gibson | Editor | |
| David Diliberto | Editor | |
| Segal | Composer | |
| Brett Pawlak | Director of Photography | |
| Courtney Bright | Casting Director | |
| Nicole Daniels | Casting Director | |
| Christie Wittenborn | Costume Designer | |
| Johanna Byer | Co-Producer | |
| Randall Poster | Music Supervisor | |
| Nathan Kelly | Unit Production Manager | |
| Antonio Grana | First Assistant Director | |
| Lillian Awa | Second Assistant Director | |
| David Diliberto | Associate Producer | |
| Skip Lievsay | Re-recording Mixer | |
| Aaron Glascock | Re-recording Mixer | |
| Shannon Kemp | Art Director | |
| Liz Trainor | Script Supervisor | |
| Robert Eber | Sound Mixer | |
| Siobhan O'Brian | Set Decorator | |
| Christina McAlinden | Costume Supervisor | |
| Aurora Bergere | Make up | |
| Audrey L. Anzures | Hairstylist | |
| Aaron Glascock | Supervising Sound Editor | |
| Aaron Glascock | Sound Designer | |
| Darrell Hall | Music Editor | |
| Ron Webb | Music Editor | |
| Christopher S. Aud | Supervising Dialogue Editor | |
| Laurent Kossayan | Sound Effects Editor | |
| Raymond McIntyre Jr. | Visual Effects Supervisor | |
| Ray Scalice | Visual Effects Producer | |
| Jordan Lyle | Visual Effects Designer | |
| Janice Ahn | Visual Effects Designer | |
| Michael Gaines | Stunt Coordinator | |
| Simon Potter | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set in the world of electronic music and Hollywood nightlife, an aspiring 23-year-old DJ named Cole spends his days scheming with his childhood friends and his nights working on the one track that will set the world on fire. All of this changes when he meets a charismatic but damaged older DJ named James, who takes him under his wing. Things get complicated, however, when Cole starts falling for James’ much younger girlfriend, Sophie. With Cole’s forbidden relationship intensifying and his friendships unraveling, he must choose between love, loyalty, and the future he is destined for.
Metrics
| Opening Weekend: | $1,767,308 (49.2% of total gross) |
| Legs: | 2.03 (domestic box office/biggest weekend) |
| Domestic Share: | 35.4% (domestic box office/worldwide) |
| Production Budget: | $2,000,000 (worldwide box office is 5.1 times production budget) |
| Theater counts: | 2,333 opening theaters/2,333 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,095,295 |
Movie Details
| Domestic Releases: | August 28th, 2015 (Wide) by Warner Bros. |
| International Releases: | August 26th, 2015 (Wide) (Belgium)
August 26th, 2015 (Wide) (France) August 27th, 2015 (Limited) (New Zealand) August 27th, 2015 (Wide) (Portugal) August 27th, 2015 (Wide) (Croatia) ... Show all releases |
| Video Release: | October 23rd, 2015 by Warner Home Video |
| MPA Rating: | R for language throughout, drug use, sexual content and some nudity. (Rating bulletin 2380, 7/1/2015) |
| Running Time: | 96 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Big Break, Love Triangle, Mentor, Musicians, Relationships Gone Wrong, Romance |
| Social setting: | House Music / Electronica |
| Subgenre: | Romantic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Working Title Films, StudioCanal, Anton Capital Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | 14 | $1,767,308 | 2,333 | $758 | $1,767,308 | 1 | |
| Sep 4, 2015 | 25 | $632,682 | -64% | 2,333 | $271 | $3,152,112 | 2 |
| Sep 11, 2015 | 55 | $37,951 | -94% | 274 | $139 | $3,565,893 | 3 |
| Sep 18, 2015 | 94 | $1,903 | -95% | 17 | $112 | $3,590,010 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 27, 2015 | P | $175,000 | 0 | $175,000 | ||||
| Aug 28, 2015 | 12 | $722,323 | 2,333 | $310 | $722,323 | 1 | ||
| Aug 29, 2015 | - | $615,795 | -15% | 2,333 | $264 | $1,338,118 | 2 | |
| Aug 30, 2015 | - | $429,190 | -30% | 2,333 | $184 | $1,767,308 | 3 | |
| Aug 31, 2015 | 13 | $203,893 | -52% | 2,333 | $87 | $1,971,201 | 4 | |
| Sep 1, 2015 | 14 | $243,811 | +20% | 2,333 | $105 | $2,215,012 | 5 | |
| Sep 2, 2015 | 15 | $157,306 | -35% | 2,333 | $67 | $2,372,318 | 6 | |
| Sep 3, 2015 | 15 | $147,112 | -6% | 2,333 | $63 | $2,519,430 | 7 | |
| Sep 4, 2015 | - | $178,533 | +21% | -75% | 2,333 | $77 | $2,697,963 | 8 |
| Sep 5, 2015 | - | $222,070 | +24% | -64% | 2,333 | $95 | $2,920,033 | 9 |
| Sep 6, 2015 | - | $232,079 | +5% | -46% | 2,333 | $99 | $3,152,112 | 10 |
| Sep 7, 2015 | - | $161,357 | -30% | -21% | 2,333 | $69 | $3,313,469 | 11 |
| Sep 8, 2015 | - | $87,426 | -46% | -64% | 2,333 | $37 | $3,400,895 | 12 |
| Sep 9, 2015 | - | $67,940 | -22% | -57% | 2,333 | $29 | $3,468,835 | 13 |
| Sep 10, 2015 | - | $59,107 | -13% | -60% | 2,333 | $25 | $3,527,942 | 14 |
| Sep 11, 2015 | - | $11,865 | -80% | -93% | 274 | $43 | $3,539,807 | 15 |
| Sep 12, 2015 | - | $14,917 | +26% | -93% | 274 | $54 | $3,554,724 | 16 |
| Sep 13, 2015 | - | $11,169 | -25% | -95% | 274 | $41 | $3,565,893 | 17 |
| Sep 14, 2015 | - | $5,584 | -50% | -97% | 274 | $20 | $3,571,477 | 18 |
| Sep 15, 2015 | - | $6,644 | +19% | -92% | 274 | $24 | $3,578,121 | 19 |
| Sep 16, 2015 | - | $5,514 | -17% | -92% | 274 | $20 | $3,583,635 | 20 |
| Sep 17, 2015 | - | $4,472 | -19% | -92% | 274 | $16 | $3,588,107 | 21 |
| Sep 18, 2015 | - | $575 | -87% | -95% | 17 | $34 | $3,588,682 | 22 |
| Sep 19, 2015 | - | $876 | +52% | -94% | 17 | $52 | $3,589,558 | 23 |
| Sep 20, 2015 | - | $452 | -48% | -96% | 17 | $27 | $3,590,010 | 24 |
| Sep 21, 2015 | - | $370 | -18% | -93% | 17 | $22 | $3,590,380 | 25 |
| Sep 22, 2015 | - | $305 | -18% | -95% | 17 | $18 | $3,590,685 | 26 |
| Sep 23, 2015 | - | $275 | -10% | -95% | 17 | $16 | $3,590,960 | 27 |
| Sep 24, 2015 | - | $457 | +66% | -90% | 17 | $27 | $3,591,417 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | 13 | $2,519,430 | 2,333 | $1,080 | $2,519,430 | 1 | |
| Sep 4, 2015 | 25 | $1,008,512 | -60% | 2,333 | $432 | $3,527,942 | 2 |
| Sep 11, 2015 | 53 | $60,165 | -94% | 274 | $220 | $3,588,107 | 3 |
| Sep 18, 2015 | 91 | $3,310 | -94% | 17 | $195 | $3,591,417 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/15/2015 | $0 | 0 | 37 | 37 | $47,469 | 10/27/2015 | |||
| Australia | 8/27/2015 | $163,537 | 161 | 161 | 321 | $245,016 | 10/20/2015 | |||
| Austria | 8/28/2015 | $45,625 | 27 | 27 | 72 | $182,254 | 9/30/2015 | |||
| Belgium | 8/26/2015 | $110,628 | 45 | 45 | 189 | $297,983 | 9/30/2015 | |||
| Brazil | 10/15/2015 | $6,175 | 16 | 16 | 22 | $7,949 | 10/27/2015 | |||
| Bulgaria | 9/4/2015 | $4,752 | 23 | 23 | 57 | $18,335 | 12/30/2018 | |||
| Croatia | 8/27/2015 | $0 | 0 | 16 | 30 | $40,267 | 12/30/2018 | |||
| Czech Republic | 9/3/2015 | $25,999 | 60 | 60 | 100 | $48,773 | 12/30/2018 | |||
| Denmark | 9/3/2015 | $12,995 | 19 | 19 | 19 | $12,995 | 9/9/2015 | |||
| Estonia | 8/28/2015 | $9,557 | 7 | 7 | 7 | $9,557 | 9/2/2015 | |||
| France | 8/26/2015 | $494,076 | 250 | 250 | 500 | $791,008 | 9/9/2015 | |||
| Germany | 8/27/2015 | $373,431 | 208 | 233 | 597 | $1,061,769 | 10/13/2015 | |||
| Hungary | 9/3/2015 | $27,792 | 25 | 25 | 25 | $27,792 | 12/30/2018 | |||
| Iceland | 9/11/2015 | $2,074 | 3 | 3 | 3 | $2,074 | 12/30/2018 | |||
| Italy | 9/17/2015 | $333,345 | 194 | 194 | 514 | $649,636 | 11/10/2015 | |||
| Kenya | 9/4/2015 | $3,766 | 8 | 8 | 8 | $3,766 | 12/30/2018 | |||
| Lebanon | 8/27/2015 | $24,595 | 10 | 10 | 10 | $24,595 | 12/30/2018 | |||
| Lithuania | 8/27/2015 | $5,738 | 73 | 73 | 80 | $14,639 | 9/9/2015 | |||
| Netherlands | 8/27/2015 | $130,570 | 79 | 79 | 230 | $327,213 | 9/18/2015 | |||
| New Zealand | 8/27/2015 | $41,376 | 51 | 51 | 127 | $81,586 | 10/5/2015 | |||
| Poland | 8/28/2015 | $94,717 | 0 | 0 | 0 | $302,659 | 12/30/2018 | |||
| Portugal | 8/27/2015 | $0 | 0 | 41 | 43 | $117,169 | 9/22/2015 | |||
| Romania | 9/4/2015 | $13,492 | 52 | 52 | 52 | $13,492 | 12/30/2018 | |||
| Russia (CIS) | 9/3/2015 | $307,523 | 555 | 555 | 1,099 | $559,385 | 12/30/2018 | |||
| Singapore | 9/24/2015 | $18,507 | 8 | 8 | 17 | $38,175 | 10/27/2015 | |||
| South Africa | 9/18/2015 | $15,390 | 33 | 34 | 67 | $35,635 | 9/30/2015 | |||
| South Korea | 11/12/2015 | $69,562 | 220 | 220 | 220 | $215,795 | 11/16/2015 | |||
| Switzerland | 8/27/2015 | $24,558 | 24 | 24 | 24 | $24,558 | 9/2/2015 | |||
| Thailand | 10/8/2015 | $8,723 | 23 | 23 | 29 | $14,684 | 10/20/2015 | |||
| Turkey | 8/28/2015 | $14,091 | 35 | 35 | 70 | $26,931 | 12/30/2018 | |||
| Ukraine | 8/27/2015 | $21,198 | 72 | 74 | 190 | $53,226 | 12/30/2018 | |||
| United Kingdom | 8/28/2015 | $400,484 | 370 | 370 | 537 | $819,537 | 9/30/2015 | |||
| Rest of World | $446,076 | |||||||||
| International Total | $6,561,998 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Zac Efron | Cole |
Supporting
| Emily Ratajkowski | Sophie | |
| Shiloh Fernandez | Ollie | |
| Alex Shaffer | Squirrel | |
| Jonny Weston | Mason | |
| Wes Bentley | James | |
| Jon Bernthal | Paige | |
| Alicia Coppola | Mrs. Romero | |
| Wiley Pickett | Carl | |
| Jon Abrahams | Nicky | |
| Molly Hagan | Francine | |
| Brittany Furlan | Sara | |
| Vanessa Lengies | Mel | |
| Rebecca Forsythe | Clarissa | |
| Joey Rudman | Joey | |
| Kelsey Formost | Rebecca | |
| Scarlett Benchley | Mindy | |
| Devon Barnes | Heather | |
| Rob Silverman | Valley Hater | |
| Timothy Granaderos | Preppy Guy #1 | |
| Raleigh Adams | Preppy Guy #2 | |
| Kerry Stein | Rabbi | |
| Ayden Mayeri | Rich Girl | |
| Posso | Art Party DJ | |
| Andrew Bachelor | King Bach | |
| Dillon Francis | DJ Devin Andrews | |
| Casey James | Bartender | |
| Desi Jevon | Dancer #1 | |
| Ragon Miller | Dancer #2 |
Production and Technical Credits
| Max Joseph | Director | |
| Max Joseph | Screenwriter | |
| Meaghan Oppenheimer | Screenwriter | |
| Richard Silverman | Story Creator | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Liza Chasin | Producer | |
| Richard Silverman | Executive Producer | |
| Olivier Courson | Executive Producer | |
| Ron Halpern | Executive Producer | |
| Nathan Kelly | Executive Producer | |
| Maya Sigel | Production Designer | |
| Terel Gibson | Editor | |
| David Diliberto | Editor | |
| Segal | Composer | |
| Brett Pawlak | Director of Photography | |
| Courtney Bright | Casting Director | |
| Nicole Daniels | Casting Director | |
| Christie Wittenborn | Costume Designer | |
| Johanna Byer | Co-Producer | |
| Randall Poster | Music Supervisor | |
| Nathan Kelly | Unit Production Manager | |
| Antonio Grana | First Assistant Director | |
| Lillian Awa | Second Assistant Director | |
| David Diliberto | Associate Producer | |
| Skip Lievsay | Re-recording Mixer | |
| Aaron Glascock | Re-recording Mixer | |
| Shannon Kemp | Art Director | |
| Liz Trainor | Script Supervisor | |
| Robert Eber | Sound Mixer | |
| Siobhan O'Brian | Set Decorator | |
| Christina McAlinden | Costume Supervisor | |
| Aurora Bergere | Make up | |
| Audrey L. Anzures | Hairstylist | |
| Aaron Glascock | Supervising Sound Editor | |
| Aaron Glascock | Sound Designer | |
| Darrell Hall | Music Editor | |
| Ron Webb | Music Editor | |
| Christopher S. Aud | Supervising Dialogue Editor | |
| Laurent Kossayan | Sound Effects Editor | |
| Raymond McIntyre Jr. | Visual Effects Supervisor | |
| Ray Scalice | Visual Effects Producer | |
| Jordan Lyle | Visual Effects Designer | |
| Janice Ahn | Visual Effects Designer | |
| Michael Gaines | Stunt Coordinator | |
| Simon Potter | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
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