The Wedding Guest (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $386,166 | Details |
| OpusData ID: 366350100 More info... | ||
| Further financial details... | ||
Synopsis
Jay is a man with a secret who travels from Britain to Pakistan to attend a wedding—armed with duct tape, a shotgun, and a plan to kidnap the bride-to-be. Despite his cool efficiency, the plot quickly spirals out of control, sending Jay and his hostage on the run across the border and through the railway stations, back alleys, and black markets of New Delhi—as all the while attractions simmer, loyalties shift, and explosive secrets are revealed. Pulsating with the sights and sounds of the Indian subcontinent, The Wedding Guest conjures a colorful world where danger lurks at every turn and nothing is as it seems.
Metrics
| Opening Weekend: | $18,266 (4.7% of total gross) |
| Legs: | 3.77 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/94 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $504,210 |
Movie Details
| Domestic Releases: | March 1st, 2019 (Limited) by IFC Films |
| Video Release: | October 8th, 2019 by IFC Video |
| MPA Rating: | R for language, some violence and brief nudity. (Rating bulletin 2565 (Cert #52032), 2/13/2019) |
| Running Time: | 94 minutes |
| Geographical setting: | India, Pakistan |
| Plot point: | Kidnap, Romance, Upcoming Wedding, Wedding Day Disasters |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Revolution Films, Riverstone Pictures, IFC Films, Stage 6 Films, Ingenious Media |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 58 | $18,266 | 4 | $4,567 | $18,266 | 1 | |
| Mar 8, 2019 | 42 | $65,335 | +258% | 31 | $2,108 | $89,563 | 2 |
| Mar 15, 2019 | 37 | $102,401 | +57% | 94 | $1,089 | $216,229 | 3 |
| Mar 22, 2019 | 40 | $64,964 | -37% | 93 | $699 | $328,861 | 4 |
| Mar 29, 2019 | 52 | $15,864 | -76% | 44 | $361 | $371,972 | 5 |
| Apr 5, 2019 | 61 | $5,086 | -68% | 7 | $727 | $385,397 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | - | $4,900 | 4 | $1,225 | $4,900 | 1 | ||
| Mar 2, 2019 | - | $8,576 | +75% | 4 | $2,144 | $13,476 | 2 | |
| Mar 3, 2019 | - | $4,790 | -44% | 4 | $1,198 | $18,266 | 3 | |
| Mar 4, 2019 | - | $1,566 | -67% | 4 | $392 | $19,832 | 4 | |
| Mar 5, 2019 | - | $1,521 | -3% | 4 | $380 | $21,353 | 5 | |
| Mar 6, 2019 | - | $1,646 | +8% | 4 | $412 | $22,999 | 6 | |
| Mar 7, 2019 | - | $1,229 | -25% | 4 | $307 | $24,228 | 7 | |
| Mar 8, 2019 | - | $16,534 | +1,245% | +237% | 31 | $533 | $40,762 | 8 |
| Mar 9, 2019 | - | $30,217 | +83% | +252% | 31 | $975 | $70,979 | 9 |
| Mar 10, 2019 | - | $18,584 | -38% | +288% | 31 | $599 | $89,563 | 10 |
| Mar 11, 2019 | - | $5,237 | -72% | +234% | 31 | $169 | $94,800 | 11 |
| Mar 12, 2019 | - | $7,314 | +40% | +381% | 31 | $236 | $102,114 | 12 |
| Mar 13, 2019 | - | $6,279 | -14% | +281% | 31 | $203 | $108,393 | 13 |
| Mar 14, 2019 | - | $5,435 | -13% | +342% | 31 | $175 | $113,828 | 14 |
| Mar 15, 2019 | - | $29,052 | +435% | +76% | 94 | $309 | $142,880 | 15 |
| Mar 16, 2019 | - | $45,778 | +58% | +51% | 94 | $487 | $188,658 | 16 |
| Mar 17, 2019 | - | $26,881 | -41% | +45% | 94 | $286 | $215,539 | 17 |
| Mar 18, 2019 | - | $10,771 | -60% | +106% | 94 | $115 | $226,310 | 18 |
| Mar 19, 2019 | - | $14,425 | +34% | +97% | 94 | $153 | $240,735 | 19 |
| Mar 20, 2019 | - | $13,089 | -9% | +108% | 94 | $139 | $253,824 | 20 |
| Mar 21, 2019 | - | $10,073 | -23% | +85% | 94 | $107 | $263,897 | 21 |
| Mar 22, 2019 | - | $17,895 | +78% | -38% | 93 | $192 | $281,792 | 22 |
| Mar 23, 2019 | - | $29,778 | +66% | -35% | 93 | $320 | $311,570 | 23 |
| Mar 24, 2019 | - | $17,291 | -42% | -36% | 93 | $186 | $328,861 | 24 |
| Mar 25, 2019 | - | $6,228 | -64% | -42% | 93 | $67 | $335,089 | 25 |
| Mar 26, 2019 | - | $6,975 | +12% | -52% | 93 | $75 | $342,160 | 26 |
| Mar 27, 2019 | - | $7,869 | +13% | -40% | 93 | $85 | $350,272 | 27 |
| Mar 28, 2019 | - | $5,836 | -26% | -42% | 93 | $63 | $356,108 | 28 |
| Mar 29, 2019 | - | $4,500 | -23% | -75% | 44 | $102 | $360,608 | 29 |
| Mar 30, 2019 | - | $6,854 | +52% | -77% | 44 | $156 | $367,462 | 30 |
| Mar 31, 2019 | - | $4,510 | -34% | -74% | 44 | $103 | $371,972 | 31 |
| Apr 1, 2019 | - | $1,642 | -64% | -74% | 44 | $37 | $373,614 | 32 |
| Apr 2, 2019 | - | $2,060 | +25% | -70% | 44 | $47 | $375,674 | 33 |
| Apr 3, 2019 | - | $2,550 | +24% | -68% | 44 | $58 | $378,224 | 34 |
| Apr 4, 2019 | - | $2,087 | -18% | -64% | 44 | $47 | $380,311 | 35 |
| Apr 5, 2019 | - | $1,458 | -30% | -68% | 7 | $208 | $381,769 | 36 |
| Apr 6, 2019 | - | $1,622 | +11% | -76% | 7 | $232 | $383,391 | 37 |
| Apr 7, 2019 | - | $2,006 | +24% | -56% | 7 | $287 | $385,397 | 38 |
| Apr 8, 2019 | - | $273 | -86% | -83% | 7 | $39 | $385,670 | 39 |
| Apr 9, 2019 | - | $181 | -34% | -91% | 7 | $26 | $385,851 | 40 |
| Apr 10, 2019 | - | $81 | -55% | -97% | 7 | $12 | $385,932 | 41 |
| Apr 11, 2019 | - | $234 | +189% | -89% | 7 | $33 | $386,166 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 58 | $24,228 | 4 | $6,057 | $24,228 | 1 | |
| Mar 8, 2019 | 45 | $89,600 | +270% | 31 | $2,890 | $113,828 | 2 |
| Mar 15, 2019 | 38 | $150,069 | +67% | 94 | $1,596 | $263,897 | 3 |
| Mar 22, 2019 | 39 | $92,211 | -39% | 93 | $992 | $356,108 | 4 |
| Mar 29, 2019 | 54 | $24,203 | -74% | 44 | $550 | $380,311 | 5 |
| Apr 5, 2019 | 68 | $5,855 | -76% | 7 | $836 | $386,166 | 6 |
Leading
| Dev Patel | Jay |
Supporting
| Radhika Apte | Samira | |
| Jim Sarbh | Deepesh | |
| Harish Khanna | Nitin | |
| Nish Nathwani | Sam | |
| Meherbaan Singh | Osman | |
| Sidhu Manpreet | Guard Haveli |
Production and Technical Credits
| Michael Winterbottom | Director | |
| Michael Winterbottom | Screenwriter | |
| Melissa Parmenter | Producer | |
| Michael Winterbottom | Producer | |
| Deepak Nayar | Producer | |
| Nik Bower | Producer | |
| Dev Patel | Producer | |
| Anthony Wilcox | Co-Producer | |
| Pravesh Sahni | Co-Producer | |
| Andrea Scarso | Executive Producer | |
| Peter Touche | Executive Producer | |
| Victoria Goodall | Line Producer | |
| Pranav Sahni | Line Producer | |
| Giles Nuttgens | Director of Photography | |
| Harry Escott | Composer | |
| Marc Richardson | Editor | |
| Joakim Sundstrom | Supervising Sound Editor | |
| Will Whale | Sound Mixer | |
| Ravi Srivastava | Production Designer | |
| Natalie Ward | Costume Designer | |
| Sarah Crowe | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Jay is a man with a secret who travels from Britain to Pakistan to attend a wedding—armed with duct tape, a shotgun, and a plan to kidnap the bride-to-be. Despite his cool efficiency, the plot quickly spirals out of control, sending Jay and his hostage on the run across the border and through the railway stations, back alleys, and black markets of New Delhi—as all the while attractions simmer, loyalties shift, and explosive secrets are revealed. Pulsating with the sights and sounds of the Indian subcontinent, The Wedding Guest conjures a colorful world where danger lurks at every turn and nothing is as it seems.
Metrics
| Opening Weekend: | $18,266 (4.7% of total gross) |
| Legs: | 3.77 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/94 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $504,210 |
Movie Details
| Domestic Releases: | March 1st, 2019 (Limited) by IFC Films |
| Video Release: | October 8th, 2019 by IFC Video |
| MPA Rating: | R for language, some violence and brief nudity. (Rating bulletin 2565 (Cert #52032), 2/13/2019) |
| Running Time: | 94 minutes |
| Geographical setting: | India, Pakistan |
| Plot point: | Kidnap, Romance, Upcoming Wedding, Wedding Day Disasters |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Revolution Films, Riverstone Pictures, IFC Films, Stage 6 Films, Ingenious Media |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 58 | $18,266 | 4 | $4,567 | $18,266 | 1 | |
| Mar 8, 2019 | 42 | $65,335 | +258% | 31 | $2,108 | $89,563 | 2 |
| Mar 15, 2019 | 37 | $102,401 | +57% | 94 | $1,089 | $216,229 | 3 |
| Mar 22, 2019 | 40 | $64,964 | -37% | 93 | $699 | $328,861 | 4 |
| Mar 29, 2019 | 52 | $15,864 | -76% | 44 | $361 | $371,972 | 5 |
| Apr 5, 2019 | 61 | $5,086 | -68% | 7 | $727 | $385,397 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | - | $4,900 | 4 | $1,225 | $4,900 | 1 | ||
| Mar 2, 2019 | - | $8,576 | +75% | 4 | $2,144 | $13,476 | 2 | |
| Mar 3, 2019 | - | $4,790 | -44% | 4 | $1,198 | $18,266 | 3 | |
| Mar 4, 2019 | - | $1,566 | -67% | 4 | $392 | $19,832 | 4 | |
| Mar 5, 2019 | - | $1,521 | -3% | 4 | $380 | $21,353 | 5 | |
| Mar 6, 2019 | - | $1,646 | +8% | 4 | $412 | $22,999 | 6 | |
| Mar 7, 2019 | - | $1,229 | -25% | 4 | $307 | $24,228 | 7 | |
| Mar 8, 2019 | - | $16,534 | +1,245% | +237% | 31 | $533 | $40,762 | 8 |
| Mar 9, 2019 | - | $30,217 | +83% | +252% | 31 | $975 | $70,979 | 9 |
| Mar 10, 2019 | - | $18,584 | -38% | +288% | 31 | $599 | $89,563 | 10 |
| Mar 11, 2019 | - | $5,237 | -72% | +234% | 31 | $169 | $94,800 | 11 |
| Mar 12, 2019 | - | $7,314 | +40% | +381% | 31 | $236 | $102,114 | 12 |
| Mar 13, 2019 | - | $6,279 | -14% | +281% | 31 | $203 | $108,393 | 13 |
| Mar 14, 2019 | - | $5,435 | -13% | +342% | 31 | $175 | $113,828 | 14 |
| Mar 15, 2019 | - | $29,052 | +435% | +76% | 94 | $309 | $142,880 | 15 |
| Mar 16, 2019 | - | $45,778 | +58% | +51% | 94 | $487 | $188,658 | 16 |
| Mar 17, 2019 | - | $26,881 | -41% | +45% | 94 | $286 | $215,539 | 17 |
| Mar 18, 2019 | - | $10,771 | -60% | +106% | 94 | $115 | $226,310 | 18 |
| Mar 19, 2019 | - | $14,425 | +34% | +97% | 94 | $153 | $240,735 | 19 |
| Mar 20, 2019 | - | $13,089 | -9% | +108% | 94 | $139 | $253,824 | 20 |
| Mar 21, 2019 | - | $10,073 | -23% | +85% | 94 | $107 | $263,897 | 21 |
| Mar 22, 2019 | - | $17,895 | +78% | -38% | 93 | $192 | $281,792 | 22 |
| Mar 23, 2019 | - | $29,778 | +66% | -35% | 93 | $320 | $311,570 | 23 |
| Mar 24, 2019 | - | $17,291 | -42% | -36% | 93 | $186 | $328,861 | 24 |
| Mar 25, 2019 | - | $6,228 | -64% | -42% | 93 | $67 | $335,089 | 25 |
| Mar 26, 2019 | - | $6,975 | +12% | -52% | 93 | $75 | $342,160 | 26 |
| Mar 27, 2019 | - | $7,869 | +13% | -40% | 93 | $85 | $350,272 | 27 |
| Mar 28, 2019 | - | $5,836 | -26% | -42% | 93 | $63 | $356,108 | 28 |
| Mar 29, 2019 | - | $4,500 | -23% | -75% | 44 | $102 | $360,608 | 29 |
| Mar 30, 2019 | - | $6,854 | +52% | -77% | 44 | $156 | $367,462 | 30 |
| Mar 31, 2019 | - | $4,510 | -34% | -74% | 44 | $103 | $371,972 | 31 |
| Apr 1, 2019 | - | $1,642 | -64% | -74% | 44 | $37 | $373,614 | 32 |
| Apr 2, 2019 | - | $2,060 | +25% | -70% | 44 | $47 | $375,674 | 33 |
| Apr 3, 2019 | - | $2,550 | +24% | -68% | 44 | $58 | $378,224 | 34 |
| Apr 4, 2019 | - | $2,087 | -18% | -64% | 44 | $47 | $380,311 | 35 |
| Apr 5, 2019 | - | $1,458 | -30% | -68% | 7 | $208 | $381,769 | 36 |
| Apr 6, 2019 | - | $1,622 | +11% | -76% | 7 | $232 | $383,391 | 37 |
| Apr 7, 2019 | - | $2,006 | +24% | -56% | 7 | $287 | $385,397 | 38 |
| Apr 8, 2019 | - | $273 | -86% | -83% | 7 | $39 | $385,670 | 39 |
| Apr 9, 2019 | - | $181 | -34% | -91% | 7 | $26 | $385,851 | 40 |
| Apr 10, 2019 | - | $81 | -55% | -97% | 7 | $12 | $385,932 | 41 |
| Apr 11, 2019 | - | $234 | +189% | -89% | 7 | $33 | $386,166 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 58 | $24,228 | 4 | $6,057 | $24,228 | 1 | |
| Mar 8, 2019 | 45 | $89,600 | +270% | 31 | $2,890 | $113,828 | 2 |
| Mar 15, 2019 | 38 | $150,069 | +67% | 94 | $1,596 | $263,897 | 3 |
| Mar 22, 2019 | 39 | $92,211 | -39% | 93 | $992 | $356,108 | 4 |
| Mar 29, 2019 | 54 | $24,203 | -74% | 44 | $550 | $380,311 | 5 |
| Apr 5, 2019 | 68 | $5,855 | -76% | 7 | $836 | $386,166 | 6 |
Leading
| Dev Patel | Jay |
Supporting
| Radhika Apte | Samira | |
| Jim Sarbh | Deepesh | |
| Harish Khanna | Nitin | |
| Nish Nathwani | Sam | |
| Meherbaan Singh | Osman | |
| Sidhu Manpreet | Guard Haveli |
Production and Technical Credits
| Michael Winterbottom | Director | |
| Michael Winterbottom | Screenwriter | |
| Melissa Parmenter | Producer | |
| Michael Winterbottom | Producer | |
| Deepak Nayar | Producer | |
| Nik Bower | Producer | |
| Dev Patel | Producer | |
| Anthony Wilcox | Co-Producer | |
| Pravesh Sahni | Co-Producer | |
| Andrea Scarso | Executive Producer | |
| Peter Touche | Executive Producer | |
| Victoria Goodall | Line Producer | |
| Pranav Sahni | Line Producer | |
| Giles Nuttgens | Director of Photography | |
| Harry Escott | Composer | |
| Marc Richardson | Editor | |
| Joakim Sundstrom | Supervising Sound Editor | |
| Will Whale | Sound Mixer | |
| Ravi Srivastava | Production Designer | |
| Natalie Ward | Costume Designer | |
| Sarah Crowe | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.