Welcome to Mama’s (2022)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 594750100 More info... | ||
| Further financial details... | ||
Synopsis
After she inherits an Italian restaurant in Brooklyn, manager Amy teams up with a master chef to relaunch the establishment and make her loved ones proud.
Metrics
Movie Details
| Video Release: | February 26th, 2022 by Hallmark Channel |
| Running Time: | 84 minutes |
| Geographical setting: | Brooklyn |
| Release detail: | TV Movie |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Melanie Scrofano | Amy | |
| Daniel di Tomasso |
Supporting
| Lorraine Bracco |
Production and Technical Credits
| Allan Harmon | Director | |
| William Penick | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After she inherits an Italian restaurant in Brooklyn, manager Amy teams up with a master chef to relaunch the establishment and make her loved ones proud.
Metrics
Movie Details
| Video Release: | February 26th, 2022 by Hallmark Channel |
| Running Time: | 84 minutes |
| Geographical setting: | Brooklyn |
| Release detail: | TV Movie |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Melanie Scrofano | Amy | |
| Daniel di Tomasso |
Supporting
| Lorraine Bracco |
Production and Technical Credits
| Allan Harmon | Director | |
| William Penick | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.