Welcome to Marwen (2018)
| Theatrical Performance | ||
| Domestic Box Office | $10,763,520 | Details |
| International Box Office | $2,322,617 | Details |
| Worldwide Box Office | $13,086,137 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $266,155 | |
| Blu-ray Sales (estimated) | $1,001,265 | |
| Total | $1,267,420 | |
| OpusData ID: 289000100 More info... | ||
| Further financial details... | ||
Synopsis
When a devastating attack shatters Mark Hogancamp and wipes away all memories, no one expected recovery. Putting together pieces from his old and new life, Mark meticulously creates a wondrous town where he can heal and be heroic. As he builds an astonishing art installation—a testament to the most powerful women he knows—through his fantasy world, he draws strength to triumph in the real one.
Metrics
| Opening Weekend: | $2,354,205 (21.9% of total gross) |
| Legs: | 4.57 (domestic box office/biggest weekend) |
| Domestic Share: | 82.3% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 1,911 opening theaters/1,911 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $14,113,577 |
Movie Details
| Domestic Releases: | December 21st, 2018 (Wide) by Universal |
| International Releases: | January 1st, 2019 (Wide) (United Kingdom)
January 2nd, 2019 (Wide) (France) January 2nd, 2019 (Wide) (Switzerland) January 11th, 2019 (Wide) (Italy) January 11th, 2019 (Wide) (Netherlands) ... Show all releases |
| Video Release: | March 26th, 2019 by Universal Home Entertainment |
| MPA Rating: | PG-13 for sequences of fantasy violence, some disturbing images, brief suggestive content, thematic material and language. (Rating bulletin 2546 (Cert #51832), 9/26/2018) |
| Running Time: | 116 minutes |
| Cast, crew, or production detail: | Fantasy Sequence, Motion Capture Performance |
| Plot point: | Hate Crime, LGBTQ+, Living Toys, Medical and Hospitals, Nazis, Neo Nazis, Rehab / Former Addict |
| Social setting: | World War II |
| Subgenre: | Life Drama |
| Time period setting: | 2000s |
| Source: | Based on Movie |
| Genre: | Drama |
| Production Method: | Animation/Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Universal Pictures, ImageMovers, DreamWorks Pictures, Perfect World Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 21, 2018 | 9 | $2,354,205 | 1,911 | $1,232 | $2,354,205 | 1 | |
| Dec 28, 2018 | 14 | $2,237,545 | -5% | 1,911 | $1,171 | $7,774,635 | 2 |
| Jan 4, 2019 | 21 | $681,790 | -70% | 1,561 | $437 | $10,406,625 | 3 |
| Jan 11, 2019 | 40 | $38,610 | -94% | 106 | $364 | $10,746,095 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 21, 2018 | 9 | $903,925 | 1,911 | $473 | $903,925 | 1 | ||
| Dec 22, 2018 | 10 | $801,655 | -11% | 1,911 | $419 | $1,705,580 | 2 | |
| Dec 23, 2018 | 12 | $648,625 | -19% | 1,911 | $339 | $2,354,205 | 3 | |
| Dec 24, 2018 | 9 | $484,020 | -25% | 1,911 | $253 | $2,838,225 | 4 | |
| Dec 25, 2018 | 11 | $1,313,170 | +171% | 1,911 | $687 | $4,151,395 | 5 | |
| Dec 26, 2018 | 13 | $731,935 | -44% | 1,911 | $383 | $4,883,330 | 6 | |
| Dec 27, 2018 | 14 | $653,760 | -11% | 1,911 | $342 | $5,537,090 | 7 | |
| Dec 28, 2018 | 14 | $760,775 | +16% | -16% | 1,911 | $398 | $6,297,865 | 8 |
| Dec 29, 2018 | 14 | $811,275 | +7% | +1% | 1,911 | $425 | $7,109,140 | 9 |
| Dec 30, 2018 | 14 | $665,495 | -18% | +3% | 1,911 | $348 | $7,774,635 | 10 |
| Dec 31, 2018 | 15 | $583,260 | -12% | +21% | 1,911 | $305 | $8,357,895 | 11 |
| Jan 1, 2019 | 11 | $787,595 | +35% | -40% | 1,911 | $412 | $9,145,490 | 12 |
| Jan 2, 2019 | 14 | $322,260 | -59% | -56% | 1,911 | $169 | $9,467,750 | 13 |
| Jan 3, 2019 | 15 | $257,085 | -20% | -61% | 1,911 | $135 | $9,724,835 | 14 |
| Jan 4, 2019 | - | $218,610 | -15% | -71% | 1,561 | $140 | $9,943,445 | 15 |
| Jan 5, 2019 | - | $293,855 | +34% | -64% | 1,561 | $188 | $10,237,300 | 16 |
| Jan 6, 2019 | - | $169,325 | -42% | -75% | 1,561 | $108 | $10,406,625 | 17 |
| Jan 7, 2019 | - | $83,520 | -51% | -86% | 1,561 | $54 | $10,490,145 | 18 |
| Jan 8, 2019 | - | $111,050 | +33% | -86% | 1,561 | $71 | $10,601,195 | 19 |
| Jan 9, 2019 | - | $63,550 | -43% | -80% | 1,561 | $41 | $10,664,745 | 20 |
| Jan 10, 2019 | - | $42,740 | -33% | -83% | 1,561 | $27 | $10,707,485 | 21 |
| Jan 11, 2019 | - | $11,925 | -72% | -95% | 106 | $113 | $10,719,410 | 22 |
| Jan 12, 2019 | - | $15,780 | +32% | -95% | 106 | $149 | $10,735,190 | 23 |
| Jan 13, 2019 | - | $10,905 | -31% | -94% | 106 | $103 | $10,746,095 | 24 |
| Jan 14, 2019 | - | $3,765 | -65% | -95% | 106 | $36 | $10,749,860 | 25 |
| Jan 15, 2019 | - | $5,825 | +55% | -95% | 106 | $55 | $10,755,685 | 26 |
| Jan 16, 2019 | - | $4,195 | -28% | -93% | 106 | $40 | $10,759,880 | 27 |
| Jan 17, 2019 | - | $3,640 | -13% | -91% | 106 | $34 | $10,763,520 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 21, 2018 | 11 | $5,537,090 | 1,911 | $2,897 | $5,537,090 | 1 | |
| Dec 28, 2018 | 14 | $4,187,745 | -24% | 1,911 | $2,191 | $9,724,835 | 2 |
| Jan 4, 2019 | 20 | $982,650 | -77% | 1,561 | $630 | $10,707,485 | 3 |
| Jan 11, 2019 | 43 | $56,035 | -94% | 106 | $529 | $10,763,520 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Austria | 3/29/2019 | $4,748 | 13 | 13 | 33 | $8,120 | ||||
| France | 1/2/2019 | $496,275 | 237 | 237 | 718 | $853,935 | ||||
| Germany | 3/28/2019 | $82,949 | 104 | 104 | 187 | $100,924 | ||||
| Italy | 1/11/2019 | $321,442 | 224 | 224 | 224 | $468,233 | ||||
| Japan | 7/19/2019 | $31,745 | 18 | 18 | 69 | $136,527 | ||||
| Netherlands | 1/11/2019 | $64,558 | 54 | 54 | 126 | $134,547 | ||||
| Poland | 3/1/2019 | $4,923 | 17 | 17 | 45 | $11,137 | ||||
| Spain | 3/1/2019 | $0 | 0 | 5 | 6 | $26,458 | ||||
| Switzerland | 1/2/2019 | $26,753 | 17 | 18 | 47 | $52,693 | ||||
| United Kingdom | 1/1/2019 | $308,518 | 328 | 328 | 431 | $459,505 | ||||
| Rest of World | $70,538 | |||||||||
| International Total | $2,322,617 | |||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Steve Carell | Mark Hogancamp / Cap’n Hogie | |
| Leslie Mann | Nicol | |
| Merritt Wever | Roberta | |
| Janelle Monáe | Julie | |
| Eiza González | Caralala | |
| Leslie Zemeckis | Suzette | |
| Gwendoline Christie | Anna |
Supporting
| Falk Hentschel | Captain Topf / Louis | |
| Matt O'Leary | Benz | |
| Nikolai Witschl | Rudolph / Rudy | |
| Patrick Roccas | Stefan / Stevie | |
| Alex Lowe | Werner / Vern | |
| Stefanie von Pfetten | Wendy | |
| Neil Jackson | Kurt / Major Meyer | |
| Samantha Hum | Therapy Tech | |
| Siobhan Williams | Elsa | |
| Diane Kruger | Deja Thoris | |
| Eric Keenleyside | Larry / Friar | |
| Robert Mann | Bar Customer | |
| Clay St. Thomas | Bill Huff | |
| Kate Gajdosik | Jennifer Cook | |
| Conrad Coates | Demaryius Johnson | |
| Shaun Omaid | Court Bailiff | |
| Veena Sood | Judge Martha J. Harter | |
| Brad Kelly | Ulster County Sheriff | |
| Patrick Sabongui | Ulster County Sheriff | |
| Fraser Aitcheson | Ulster County Sheriff | |
| Jeff Sanca | Ulster County Sheriff | |
| Trevor Jones | Ulster County Sheriff | |
| Adrian Persad | N.Y. Court Security Officer | |
| Natasha Denis | N.Y. Court Security Officer | |
| Sharon Crandall | Defense Lawyer | |
| Gerald Paetz | Defense Lawyer | |
| Jason Glass | Defense Lawyer | |
| Matt Ellis | Man in Adult Video |
Production and Technical Credits
| Robert Zemeckis | Director | |
| Robert Zemeckis | Screenwriter | |
| Caroline Thompson | Screenwriter | |
| Jeff Malmberg | Based on “Marwencol” by | |
| Cherylanne Martin | Producer | |
| Jack Rapke | Producer | |
| Steve Starkey | Producer | |
| Robert Zemeckis | Producer | |
| Jacqueline Levine | Executive Producer | |
| Jeff Malmberg | Executive Producer | |
| Stefan Dechant | Production Designer | |
| Jeremiah O'Driscoll | Editor | |
| Alan Silvestri | Composer | |
| C. Kim Miles | Director of Photography | |
| Victoria Burrows | Casting Director | |
| Scot Boland | Casting Director | |
| Kevin Baillie | Visual Effects Supervisor | |
| Joanna Johnston | Costume Designer | |
| Cherylanne Martin | Unit Production Manager | |
| Lee Grumett | First Assistant Director | |
| Derek William Hogue | Associate Producer | |
| Sandra Scott | Visual Effects Producer | |
| Ryan Chan | Additional Editor | |
| Randy Thom | Sound Designer | |
| Jeremy Bowker | Sound Designer | |
| Jesse Goldsmith | Assistant Editor | |
| Ken Smith | Assistant Editor | |
| Adrienne Sol | Production Manager | |
| Chris Beach | Supervising Art Director | |
| Ron Mendell | Set Designer | |
| Shamim Seifzadeh | Set Designer | |
| Nick Dudar | Set Designer | |
| Bryan Sutton | Set Designer | |
| Hamish Purdy | Set Decorator | |
| Chris Duesterdiek | Sound Mixer | |
| James Paradis | Special Effects Coordinator | |
| Ve Neill | Make up | |
| Rosalina Da Silva | Make up | |
| Anne Morgan | Hairstylist | |
| Jessica Rain | Hairstylist | |
| Luca Kouimelis | Script Supervisor | |
| Eddy Santos | Second Assistant Director | |
| Mark Trapenberg | Second Assistant Director | |
| Hans Dayal | Location Manager | |
| Kelsey Fonda | Location Manager | |
| Randy Thom | Re-recording Mixer | |
| Dennis Sands | Re-recording Mixer | |
| Michael Semanick | Re-recording Mixer | |
| Bjorn Ole Schroeder | Supervising Sound Editor | |
| Leff Lefferts | Additional Sound Re-recording Mixer | |
| Josh Gold | Sound Effects Editor | |
| Scott Curtis | Foley Mixer | |
| Jeff Carson | Music Editor | |
| Seth Hill | Visual Effects Supervisor | |
| Steve Griffith | Visual Effects Producer | |
| Romain Arnoux | Visual Effects Supervisor | |
| Jeanne-Elise Prevost | Visual Effects Producer | |
| Anders Beer | Animation Supervisor | |
| Sean Konrad | Visual Effects Supervisor | |
| Sheena Johnson | Visual Effects Producer | |
| Kevin Cushing | Post-Production Supervisor | |
| Steve Orlando | Foley Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When a devastating attack shatters Mark Hogancamp and wipes away all memories, no one expected recovery. Putting together pieces from his old and new life, Mark meticulously creates a wondrous town where he can heal and be heroic. As he builds an astonishing art installation—a testament to the most powerful women he knows—through his fantasy world, he draws strength to triumph in the real one.
Metrics
| Opening Weekend: | $2,354,205 (21.9% of total gross) |
| Legs: | 4.57 (domestic box office/biggest weekend) |
| Domestic Share: | 82.3% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 1,911 opening theaters/1,911 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $14,113,577 |
Movie Details
| Domestic Releases: | December 21st, 2018 (Wide) by Universal |
| International Releases: | January 1st, 2019 (Wide) (United Kingdom)
January 2nd, 2019 (Wide) (France) January 2nd, 2019 (Wide) (Switzerland) January 11th, 2019 (Wide) (Italy) January 11th, 2019 (Wide) (Netherlands) ... Show all releases |
| Video Release: | March 26th, 2019 by Universal Home Entertainment |
| MPA Rating: | PG-13 for sequences of fantasy violence, some disturbing images, brief suggestive content, thematic material and language. (Rating bulletin 2546 (Cert #51832), 9/26/2018) |
| Running Time: | 116 minutes |
| Cast, crew, or production detail: | Fantasy Sequence, Motion Capture Performance |
| Plot point: | Hate Crime, LGBTQ+, Living Toys, Medical and Hospitals, Nazis, Neo Nazis, Rehab / Former Addict |
| Social setting: | World War II |
| Subgenre: | Life Drama |
| Time period setting: | 2000s |
| Source: | Based on Movie |
| Genre: | Drama |
| Production Method: | Animation/Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Universal Pictures, ImageMovers, DreamWorks Pictures, Perfect World Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 21, 2018 | 9 | $2,354,205 | 1,911 | $1,232 | $2,354,205 | 1 | |
| Dec 28, 2018 | 14 | $2,237,545 | -5% | 1,911 | $1,171 | $7,774,635 | 2 |
| Jan 4, 2019 | 21 | $681,790 | -70% | 1,561 | $437 | $10,406,625 | 3 |
| Jan 11, 2019 | 40 | $38,610 | -94% | 106 | $364 | $10,746,095 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 21, 2018 | 9 | $903,925 | 1,911 | $473 | $903,925 | 1 | ||
| Dec 22, 2018 | 10 | $801,655 | -11% | 1,911 | $419 | $1,705,580 | 2 | |
| Dec 23, 2018 | 12 | $648,625 | -19% | 1,911 | $339 | $2,354,205 | 3 | |
| Dec 24, 2018 | 9 | $484,020 | -25% | 1,911 | $253 | $2,838,225 | 4 | |
| Dec 25, 2018 | 11 | $1,313,170 | +171% | 1,911 | $687 | $4,151,395 | 5 | |
| Dec 26, 2018 | 13 | $731,935 | -44% | 1,911 | $383 | $4,883,330 | 6 | |
| Dec 27, 2018 | 14 | $653,760 | -11% | 1,911 | $342 | $5,537,090 | 7 | |
| Dec 28, 2018 | 14 | $760,775 | +16% | -16% | 1,911 | $398 | $6,297,865 | 8 |
| Dec 29, 2018 | 14 | $811,275 | +7% | +1% | 1,911 | $425 | $7,109,140 | 9 |
| Dec 30, 2018 | 14 | $665,495 | -18% | +3% | 1,911 | $348 | $7,774,635 | 10 |
| Dec 31, 2018 | 15 | $583,260 | -12% | +21% | 1,911 | $305 | $8,357,895 | 11 |
| Jan 1, 2019 | 11 | $787,595 | +35% | -40% | 1,911 | $412 | $9,145,490 | 12 |
| Jan 2, 2019 | 14 | $322,260 | -59% | -56% | 1,911 | $169 | $9,467,750 | 13 |
| Jan 3, 2019 | 15 | $257,085 | -20% | -61% | 1,911 | $135 | $9,724,835 | 14 |
| Jan 4, 2019 | - | $218,610 | -15% | -71% | 1,561 | $140 | $9,943,445 | 15 |
| Jan 5, 2019 | - | $293,855 | +34% | -64% | 1,561 | $188 | $10,237,300 | 16 |
| Jan 6, 2019 | - | $169,325 | -42% | -75% | 1,561 | $108 | $10,406,625 | 17 |
| Jan 7, 2019 | - | $83,520 | -51% | -86% | 1,561 | $54 | $10,490,145 | 18 |
| Jan 8, 2019 | - | $111,050 | +33% | -86% | 1,561 | $71 | $10,601,195 | 19 |
| Jan 9, 2019 | - | $63,550 | -43% | -80% | 1,561 | $41 | $10,664,745 | 20 |
| Jan 10, 2019 | - | $42,740 | -33% | -83% | 1,561 | $27 | $10,707,485 | 21 |
| Jan 11, 2019 | - | $11,925 | -72% | -95% | 106 | $113 | $10,719,410 | 22 |
| Jan 12, 2019 | - | $15,780 | +32% | -95% | 106 | $149 | $10,735,190 | 23 |
| Jan 13, 2019 | - | $10,905 | -31% | -94% | 106 | $103 | $10,746,095 | 24 |
| Jan 14, 2019 | - | $3,765 | -65% | -95% | 106 | $36 | $10,749,860 | 25 |
| Jan 15, 2019 | - | $5,825 | +55% | -95% | 106 | $55 | $10,755,685 | 26 |
| Jan 16, 2019 | - | $4,195 | -28% | -93% | 106 | $40 | $10,759,880 | 27 |
| Jan 17, 2019 | - | $3,640 | -13% | -91% | 106 | $34 | $10,763,520 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 21, 2018 | 11 | $5,537,090 | 1,911 | $2,897 | $5,537,090 | 1 | |
| Dec 28, 2018 | 14 | $4,187,745 | -24% | 1,911 | $2,191 | $9,724,835 | 2 |
| Jan 4, 2019 | 20 | $982,650 | -77% | 1,561 | $630 | $10,707,485 | 3 |
| Jan 11, 2019 | 43 | $56,035 | -94% | 106 | $529 | $10,763,520 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Austria | 3/29/2019 | $4,748 | 13 | 13 | 33 | $8,120 | ||||
| France | 1/2/2019 | $496,275 | 237 | 237 | 718 | $853,935 | ||||
| Germany | 3/28/2019 | $82,949 | 104 | 104 | 187 | $100,924 | ||||
| Italy | 1/11/2019 | $321,442 | 224 | 224 | 224 | $468,233 | ||||
| Japan | 7/19/2019 | $31,745 | 18 | 18 | 69 | $136,527 | ||||
| Netherlands | 1/11/2019 | $64,558 | 54 | 54 | 126 | $134,547 | ||||
| Poland | 3/1/2019 | $4,923 | 17 | 17 | 45 | $11,137 | ||||
| Spain | 3/1/2019 | $0 | 0 | 5 | 6 | $26,458 | ||||
| Switzerland | 1/2/2019 | $26,753 | 17 | 18 | 47 | $52,693 | ||||
| United Kingdom | 1/1/2019 | $308,518 | 328 | 328 | 431 | $459,505 | ||||
| Rest of World | $70,538 | |||||||||
| International Total | $2,322,617 | |||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Steve Carell | Mark Hogancamp / Cap’n Hogie | |
| Leslie Mann | Nicol | |
| Merritt Wever | Roberta | |
| Janelle Monáe | Julie | |
| Eiza González | Caralala | |
| Leslie Zemeckis | Suzette | |
| Gwendoline Christie | Anna |
Supporting
| Falk Hentschel | Captain Topf / Louis | |
| Matt O'Leary | Benz | |
| Nikolai Witschl | Rudolph / Rudy | |
| Patrick Roccas | Stefan / Stevie | |
| Alex Lowe | Werner / Vern | |
| Stefanie von Pfetten | Wendy | |
| Neil Jackson | Kurt / Major Meyer | |
| Samantha Hum | Therapy Tech | |
| Siobhan Williams | Elsa | |
| Diane Kruger | Deja Thoris | |
| Eric Keenleyside | Larry / Friar | |
| Robert Mann | Bar Customer | |
| Clay St. Thomas | Bill Huff | |
| Kate Gajdosik | Jennifer Cook | |
| Conrad Coates | Demaryius Johnson | |
| Shaun Omaid | Court Bailiff | |
| Veena Sood | Judge Martha J. Harter | |
| Brad Kelly | Ulster County Sheriff | |
| Patrick Sabongui | Ulster County Sheriff | |
| Fraser Aitcheson | Ulster County Sheriff | |
| Jeff Sanca | Ulster County Sheriff | |
| Trevor Jones | Ulster County Sheriff | |
| Adrian Persad | N.Y. Court Security Officer | |
| Natasha Denis | N.Y. Court Security Officer | |
| Sharon Crandall | Defense Lawyer | |
| Gerald Paetz | Defense Lawyer | |
| Jason Glass | Defense Lawyer | |
| Matt Ellis | Man in Adult Video |
Production and Technical Credits
| Robert Zemeckis | Director | |
| Robert Zemeckis | Screenwriter | |
| Caroline Thompson | Screenwriter | |
| Jeff Malmberg | Based on “Marwencol” by | |
| Cherylanne Martin | Producer | |
| Jack Rapke | Producer | |
| Steve Starkey | Producer | |
| Robert Zemeckis | Producer | |
| Jacqueline Levine | Executive Producer | |
| Jeff Malmberg | Executive Producer | |
| Stefan Dechant | Production Designer | |
| Jeremiah O'Driscoll | Editor | |
| Alan Silvestri | Composer | |
| C. Kim Miles | Director of Photography | |
| Victoria Burrows | Casting Director | |
| Scot Boland | Casting Director | |
| Kevin Baillie | Visual Effects Supervisor | |
| Joanna Johnston | Costume Designer | |
| Cherylanne Martin | Unit Production Manager | |
| Lee Grumett | First Assistant Director | |
| Derek William Hogue | Associate Producer | |
| Sandra Scott | Visual Effects Producer | |
| Ryan Chan | Additional Editor | |
| Randy Thom | Sound Designer | |
| Jeremy Bowker | Sound Designer | |
| Jesse Goldsmith | Assistant Editor | |
| Ken Smith | Assistant Editor | |
| Adrienne Sol | Production Manager | |
| Chris Beach | Supervising Art Director | |
| Ron Mendell | Set Designer | |
| Shamim Seifzadeh | Set Designer | |
| Nick Dudar | Set Designer | |
| Bryan Sutton | Set Designer | |
| Hamish Purdy | Set Decorator | |
| Chris Duesterdiek | Sound Mixer | |
| James Paradis | Special Effects Coordinator | |
| Ve Neill | Make up | |
| Rosalina Da Silva | Make up | |
| Anne Morgan | Hairstylist | |
| Jessica Rain | Hairstylist | |
| Luca Kouimelis | Script Supervisor | |
| Eddy Santos | Second Assistant Director | |
| Mark Trapenberg | Second Assistant Director | |
| Hans Dayal | Location Manager | |
| Kelsey Fonda | Location Manager | |
| Randy Thom | Re-recording Mixer | |
| Dennis Sands | Re-recording Mixer | |
| Michael Semanick | Re-recording Mixer | |
| Bjorn Ole Schroeder | Supervising Sound Editor | |
| Leff Lefferts | Additional Sound Re-recording Mixer | |
| Josh Gold | Sound Effects Editor | |
| Scott Curtis | Foley Mixer | |
| Jeff Carson | Music Editor | |
| Seth Hill | Visual Effects Supervisor | |
| Steve Griffith | Visual Effects Producer | |
| Romain Arnoux | Visual Effects Supervisor | |
| Jeanne-Elise Prevost | Visual Effects Producer | |
| Anders Beer | Animation Supervisor | |
| Sean Konrad | Visual Effects Supervisor | |
| Sheena Johnson | Visual Effects Producer | |
| Kevin Cushing | Post-Production Supervisor | |
| Steve Orlando | Foley Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.