Welcome to the Dollhouse (1996)
| Theatrical Performance | ||
| Domestic Box Office | $4,198,137 | Details |
| International Box Office | $836,657 | |
| Worldwide Box Office | $5,034,794 | |
| OpusData ID: 48560100 More info... | ||
| Further financial details... | ||
Metrics
| Legs: | 11.93 (domestic box office/biggest weekend) |
| Domestic Share: | 83.4% (domestic box office/worldwide) |
| Production Budget: | $800,000 (worldwide box office is 6.3 times production budget) |
| Infl. Adj. Dom. BO | $10,742,283 |
Movie Details
| Domestic Releases: | May 10th, 1996 (Wide) by Sony Pictures Classics |
| Video Release: | August 3rd, 1999 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language |
| Running Time: | 87 minutes |
| Plot point: | Bullies, Coming of Age, Drug Dealer, First Love, High School Hell, Missing Child |
| Social setting: | Middle School |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 24, 1996 | 34 | $196,858 | 7 | $28,123 | $207,001 | 3 | |
| May 31, 1996 | 22 | $198,412 | +1% | 17 | $11,671 | $474,665 | 4 |
| Jun 7, 1996 | 16 | $297,367 | +50% | 58 | $5,127 | $888,587 | 5 |
| Jun 14, 1996 | 16 | $348,826 | +17% | 85 | $4,104 | $1,393,438 | 6 |
| Jun 28, 1996 | 18 | $351,831 | 107 | $3,288 | $2,677,397 | 8 | |
| Jul 5, 1996 | 23 | $274,008 | -22% | 99 | $2,768 | $3,046,317 | 9 |
| Jul 12, 1996 | 21 | $216,786 | -21% | 96 | $2,258 | $3,425,517 | 10 |
| Jul 19, 1996 | 24 | $132,227 | -39% | 81 | $1,632 | $3,668,786 | 11 |
| Jul 26, 1996 | 36 | $75,425 | -43% | 54 | $1,397 | $3,825,671 | 12 |
| Aug 2, 1996 | 35 | $80,458 | +7% | 46 | $1,749 | $3,972,213 | 13 |
| Aug 9, 1996 | 40 | $66,878 | -17% | 40 | $1,672 | $4,093,245 | 14 |
| Aug 16, 1996 | 44 | $51,052 | -24% | 26 | $1,964 | $4,198,137 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 24, 1996 | 31 | $266,110 | 7 | $38,016 | $276,253 | 3 | |
| May 31, 1996 | 21 | $314,967 | +18% | 17 | $18,527 | $591,220 | 4 |
| Jun 7, 1996 | 17 | $453,392 | +44% | 58 | $7,817 | $1,044,612 | 5 |
| Jun 28, 1996 | 17 | $446,743 | 107 | $4,175 | $2,772,309 | 8 | |
| Jul 5, 1996 | 22 | $436,422 | -2% | 99 | $4,408 | $3,208,731 | 9 |
| Jul 12, 1996 | 20 | $327,828 | -25% | 96 | $3,415 | $3,536,559 | 10 |
| Jul 19, 1996 | 28 | $213,687 | -35% | 81 | $2,638 | $3,750,246 | 11 |
| Jul 26, 1996 | 32 | $141,509 | -34% | 54 | $2,621 | $3,891,755 | 12 |
| Aug 2, 1996 | 37 | $134,612 | -5% | 46 | $2,926 | $4,026,367 | 13 |
| Aug 9, 1996 | 38 | $120,718 | -10% | 40 | $3,018 | $4,147,085 | 14 |
| Brendan Sexton III | Brandon McCarthy | |
| Heather Matarazzo | Dawn Wiener | |
| Christina Vidal | Cynthia | |
| Ken Leung | Barry |
Production and Technical Credits
| Todd Solondz | Director | |
| Todd Solondz | Screenwriter | |
| Todd Solondz | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Legs: | 11.93 (domestic box office/biggest weekend) |
| Domestic Share: | 83.4% (domestic box office/worldwide) |
| Production Budget: | $800,000 (worldwide box office is 6.3 times production budget) |
| Infl. Adj. Dom. BO | $10,742,283 |
Movie Details
| Domestic Releases: | May 10th, 1996 (Wide) by Sony Pictures Classics |
| Video Release: | August 3rd, 1999 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language |
| Running Time: | 87 minutes |
| Plot point: | Bullies, Coming of Age, Drug Dealer, First Love, High School Hell, Missing Child |
| Social setting: | Middle School |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 24, 1996 | 34 | $196,858 | 7 | $28,123 | $207,001 | 3 | |
| May 31, 1996 | 22 | $198,412 | +1% | 17 | $11,671 | $474,665 | 4 |
| Jun 7, 1996 | 16 | $297,367 | +50% | 58 | $5,127 | $888,587 | 5 |
| Jun 14, 1996 | 16 | $348,826 | +17% | 85 | $4,104 | $1,393,438 | 6 |
| Jun 28, 1996 | 18 | $351,831 | 107 | $3,288 | $2,677,397 | 8 | |
| Jul 5, 1996 | 23 | $274,008 | -22% | 99 | $2,768 | $3,046,317 | 9 |
| Jul 12, 1996 | 21 | $216,786 | -21% | 96 | $2,258 | $3,425,517 | 10 |
| Jul 19, 1996 | 24 | $132,227 | -39% | 81 | $1,632 | $3,668,786 | 11 |
| Jul 26, 1996 | 36 | $75,425 | -43% | 54 | $1,397 | $3,825,671 | 12 |
| Aug 2, 1996 | 35 | $80,458 | +7% | 46 | $1,749 | $3,972,213 | 13 |
| Aug 9, 1996 | 40 | $66,878 | -17% | 40 | $1,672 | $4,093,245 | 14 |
| Aug 16, 1996 | 44 | $51,052 | -24% | 26 | $1,964 | $4,198,137 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 24, 1996 | 31 | $266,110 | 7 | $38,016 | $276,253 | 3 | |
| May 31, 1996 | 21 | $314,967 | +18% | 17 | $18,527 | $591,220 | 4 |
| Jun 7, 1996 | 17 | $453,392 | +44% | 58 | $7,817 | $1,044,612 | 5 |
| Jun 28, 1996 | 17 | $446,743 | 107 | $4,175 | $2,772,309 | 8 | |
| Jul 5, 1996 | 22 | $436,422 | -2% | 99 | $4,408 | $3,208,731 | 9 |
| Jul 12, 1996 | 20 | $327,828 | -25% | 96 | $3,415 | $3,536,559 | 10 |
| Jul 19, 1996 | 28 | $213,687 | -35% | 81 | $2,638 | $3,750,246 | 11 |
| Jul 26, 1996 | 32 | $141,509 | -34% | 54 | $2,621 | $3,891,755 | 12 |
| Aug 2, 1996 | 37 | $134,612 | -5% | 46 | $2,926 | $4,026,367 | 13 |
| Aug 9, 1996 | 38 | $120,718 | -10% | 40 | $3,018 | $4,147,085 | 14 |
| Brendan Sexton III | Brandon McCarthy | |
| Heather Matarazzo | Dawn Wiener | |
| Christina Vidal | Cynthia | |
| Ken Leung | Barry |
Production and Technical Credits
| Todd Solondz | Director | |
| Todd Solondz | Screenwriter | |
| Todd Solondz | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.