We’re All Going to the World’s Fair (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $101,178 | Details |
| International Box Office | $19,099 | Details |
| Worldwide Box Office | $120,277 | |
| OpusData ID: 531360100 More info... | ||
| Further financial details... | ||
Synopsis
Late on a cold night somewhere in the U.S., teenage Casey sits alone in her attic bedroom, scrolling the internet under the glow-in-the-dark stars and black-light posters that blanket the ceiling. She has finally decided to take the World’s Fair Challenge, an online role-playing horror game, and embrace the uncertainty it promises. After the initiation, she documents the changes that may or may not be happening to her, adding her experiences to the shuffle of online clips available for the world to see. As she begins to lose herself between dream and reality, a mysterious figure reaches out, claiming to see something special in her uploads.
Metrics
| Opening Weekend: | $12,750 (12.6% of total gross) |
| Legs: | 3.69 (domestic box office/biggest weekend) |
| Domestic Share: | 84.1% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/41 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $114,924 |
Movie Details
| Domestic Releases: | April 15th, 2022 (Limited) by Utopia |
| International Releases: | April 29th, 2022 (Limited) (United Kingdom) |
| Video Release: | April 22nd, 2022 by Utopia |
| Running Time: | 86 minutes |
| Film festival: | Sundance Film Festival 2021 |
| Plot point: | Coming of Age, Internet, Video Game |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Love in Winter LLC, Flies Collective, Dweck Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2022 | - | $12,750 | 3 | $4,250 | $12,750 | 1 | |
| Apr 22, 2022 | - | $27,420 | +115% | 38 | $722 | $47,363 | 2 |
| Apr 29, 2022 | - | $13,194 | -52% | 26 | $507 | $75,033 | 3 |
| May 6, 2022 | - | $3,222 | -76% | 9 | $358 | $88,754 | 4 |
| May 13, 2022 | - | $2,860 | -11% | 8 | $358 | $93,600 | 5 |
| May 20, 2022 | - | $1,727 | -40% | 6 | $288 | $96,785 | 6 |
| May 27, 2022 | - | $438 | -75% | 4 | $110 | $98,060 | 7 |
| Jun 10, 2022 | - | $285 | 1 | $285 | $98,740 | 9 | |
| Jun 17, 2022 | - | $510 | +79% | 1 | $510 | $99,600 | 10 |
| Jun 24, 2022 | - | $285 | -44% | 1 | $285 | $99,885 | 11 |
| Jul 1, 2022 | - | $734 | +158% | 1 | $734 | $100,619 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2022 | - | $19,943 | 3 | $6,648 | $19,943 | 1 | |
| Apr 22, 2022 | - | $41,896 | +110% | 41 | $1,022 | $61,839 | 2 |
| Apr 29, 2022 | - | $23,693 | -43% | 31 | $764 | $85,532 | 3 |
| May 6, 2022 | - | $5,208 | -78% | 9 | $579 | $90,740 | 4 |
| May 13, 2022 | - | $4,318 | -17% | 8 | $540 | $95,058 | 5 |
| May 20, 2022 | - | $2,564 | -41% | 6 | $427 | $97,622 | 6 |
| May 27, 2022 | - | $623 | -76% | 4 | $156 | $98,245 | 7 |
| Jun 3, 2022 | - | $210 | -66% | 1 | $210 | $98,455 | 8 |
| Jun 10, 2022 | - | $635 | +202% | 2 | $318 | $99,090 | 9 |
| Jun 17, 2022 | - | $510 | -20% | 1 | $510 | $99,600 | 10 |
| Jun 24, 2022 | - | $285 | -44% | 1 | $285 | $99,885 | 11 |
| Jul 1, 2022 | - | $1,293 | +354% | 1 | $1,293 | $101,178 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 4/29/2022 | $4,160 | 16 | 16 | 16 | $4,160 | 4/4/2026 | |||
| Rest of World | $14,939 | |||||||||
| International Total | $19,099 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anna Cobb |
Supporting
| Michael J. Rogers |
Production and Technical Credits
| Jane Schoenbrun | Director | |
| Jane Schoenbrun | Screenwriter | |
| Alex G | Composer | |
| Jane Schoenbrun | Editor | |
| Daniel Patrick Carbone | Cinematographer | |
| Daniel Patrick Carbone | Executive Producer | |
| Hannah Dweck | Executive Producer | |
| Matthew Petock | Executive Producer | |
| Theodore Schaefer | Executive Producer | |
| Zachary Shedd | Executive Producer | |
| Sarah Winshall | Producer | |
| Abby Harri | Producer | |
| Carlos Zozaya | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Late on a cold night somewhere in the U.S., teenage Casey sits alone in her attic bedroom, scrolling the internet under the glow-in-the-dark stars and black-light posters that blanket the ceiling. She has finally decided to take the World’s Fair Challenge, an online role-playing horror game, and embrace the uncertainty it promises. After the initiation, she documents the changes that may or may not be happening to her, adding her experiences to the shuffle of online clips available for the world to see. As she begins to lose herself between dream and reality, a mysterious figure reaches out, claiming to see something special in her uploads.
Metrics
| Opening Weekend: | $12,750 (12.6% of total gross) |
| Legs: | 3.69 (domestic box office/biggest weekend) |
| Domestic Share: | 84.1% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/41 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $114,924 |
Movie Details
| Domestic Releases: | April 15th, 2022 (Limited) by Utopia |
| International Releases: | April 29th, 2022 (Limited) (United Kingdom) |
| Video Release: | April 22nd, 2022 by Utopia |
| Running Time: | 86 minutes |
| Film festival: | Sundance Film Festival 2021 |
| Plot point: | Coming of Age, Internet, Video Game |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Love in Winter LLC, Flies Collective, Dweck Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2022 | - | $12,750 | 3 | $4,250 | $12,750 | 1 | |
| Apr 22, 2022 | - | $27,420 | +115% | 38 | $722 | $47,363 | 2 |
| Apr 29, 2022 | - | $13,194 | -52% | 26 | $507 | $75,033 | 3 |
| May 6, 2022 | - | $3,222 | -76% | 9 | $358 | $88,754 | 4 |
| May 13, 2022 | - | $2,860 | -11% | 8 | $358 | $93,600 | 5 |
| May 20, 2022 | - | $1,727 | -40% | 6 | $288 | $96,785 | 6 |
| May 27, 2022 | - | $438 | -75% | 4 | $110 | $98,060 | 7 |
| Jun 10, 2022 | - | $285 | 1 | $285 | $98,740 | 9 | |
| Jun 17, 2022 | - | $510 | +79% | 1 | $510 | $99,600 | 10 |
| Jun 24, 2022 | - | $285 | -44% | 1 | $285 | $99,885 | 11 |
| Jul 1, 2022 | - | $734 | +158% | 1 | $734 | $100,619 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2022 | - | $19,943 | 3 | $6,648 | $19,943 | 1 | |
| Apr 22, 2022 | - | $41,896 | +110% | 41 | $1,022 | $61,839 | 2 |
| Apr 29, 2022 | - | $23,693 | -43% | 31 | $764 | $85,532 | 3 |
| May 6, 2022 | - | $5,208 | -78% | 9 | $579 | $90,740 | 4 |
| May 13, 2022 | - | $4,318 | -17% | 8 | $540 | $95,058 | 5 |
| May 20, 2022 | - | $2,564 | -41% | 6 | $427 | $97,622 | 6 |
| May 27, 2022 | - | $623 | -76% | 4 | $156 | $98,245 | 7 |
| Jun 3, 2022 | - | $210 | -66% | 1 | $210 | $98,455 | 8 |
| Jun 10, 2022 | - | $635 | +202% | 2 | $318 | $99,090 | 9 |
| Jun 17, 2022 | - | $510 | -20% | 1 | $510 | $99,600 | 10 |
| Jun 24, 2022 | - | $285 | -44% | 1 | $285 | $99,885 | 11 |
| Jul 1, 2022 | - | $1,293 | +354% | 1 | $1,293 | $101,178 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 4/29/2022 | $4,160 | 16 | 16 | 16 | $4,160 | 4/4/2026 | |||
| Rest of World | $14,939 | |||||||||
| International Total | $19,099 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anna Cobb |
Supporting
| Michael J. Rogers |
Production and Technical Credits
| Jane Schoenbrun | Director | |
| Jane Schoenbrun | Screenwriter | |
| Alex G | Composer | |
| Jane Schoenbrun | Editor | |
| Daniel Patrick Carbone | Cinematographer | |
| Daniel Patrick Carbone | Executive Producer | |
| Hannah Dweck | Executive Producer | |
| Matthew Petock | Executive Producer | |
| Theodore Schaefer | Executive Producer | |
| Zachary Shedd | Executive Producer | |
| Sarah Winshall | Producer | |
| Abby Harri | Producer | |
| Carlos Zozaya | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.