Westwood: Punk, Icon, Activist (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $58,799 | Details |
| International Box Office | $349,058 | Details |
| Worldwide Box Office | $407,857 | |
| OpusData ID: 321520100 More info... | ||
| Further financial details... | ||
Synopsis
Since igniting the punk movement with ex-partner and Sex Pistols’ manager Malcolm McLaren, Dame Vivienne Westwood has been redefining British fashion for over 40 years, and is responsible for creating many of the most distinctive looks of our time. The film blends archive, beautifully crafted reconstruction, and insightful interviews with Vivienne’s fascinating network of collaborators, guiding us on her journey from a childhood in postwar Derbyshire to the runways of Paris and Milan. This is an intimate and poignant homage to one of the true cultural icons of our time, as she fights to maintain her brand’s integrity, her principles and her legacy in a business driven by consumerism, profit and global expansion.
Metrics
| Opening Weekend: | $4,450 (7.6% of total gross) |
| Legs: | 10.60 (domestic box office/biggest weekend) |
| Domestic Share: | 14.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/8 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $77,190 |
Movie Details
| Domestic Releases: | June 8th, 2018 (Limited) by Greenwich |
| International Releases: | March 23rd, 2018 (Limited) (United Kingdom)
April 19th, 2018 (Wide), released as ВЕСТВУД: ПАНК, ИКОНА, АКТИВИСТ (Russia (CIS)) October 19th, 2018 (Wide) (Australia) March 29th, 2019 (Wide) (Czech Republic) August 21st, 2020 (Wide), released as Westwood: pankė, ikona, aktyvistė (Lithuania) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 83 minutes |
| Film festival: | Sundance Film Festival 2018 |
| Plot point: | Biography, Fashion, Political Activist |
| Social setting: | Punk Rock |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Finished Films, Tdog Productions, Passion Pictures |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 8, 2018 | 63 | $4,450 | 1 | $4,450 | $4,450 | 1 | |
| Jun 15, 2018 | 57 | $5,335 | +20% | 2 | $2,668 | $14,214 | 2 |
| Jun 22, 2018 | 62 | $5,545 | +4% | 5 | $1,109 | $24,551 | 3 |
| Jun 29, 2018 | 77 | $1,809 | -67% | 3 | $603 | $31,022 | 4 |
| Jul 6, 2018 | 65 | $3,376 | +87% | 5 | $675 | $42,479 | 5 |
| Jul 13, 2018 | 58 | $4,268 | +26% | 8 | $534 | $51,219 | 6 |
| Jul 20, 2018 | 79 | $413 | -90% | 2 | $207 | $57,707 | 7 |
| Jul 27, 2018 | 86 | $372 | -10% | 2 | $186 | $58,799 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 8, 2018 | 61 | $8,879 | 1 | $8,879 | $8,879 | 1 | |
| Jun 15, 2018 | 55 | $10,127 | +14% | 2 | $5,064 | $19,006 | 2 |
| Jun 22, 2018 | 56 | $10,207 | +1% | 5 | $2,041 | $29,213 | 3 |
| Jun 29, 2018 | 66 | $9,890 | -3% | 3 | $3,297 | $39,103 | 4 |
| Jul 6, 2018 | 63 | $7,848 | -21% | 5 | $1,570 | $46,951 | 5 |
| Jul 13, 2018 | 55 | $10,342 | +32% | 8 | $1,293 | $57,293 | 6 |
| Jul 20, 2018 | 83 | $1,134 | -89% | 2 | $567 | $58,427 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/19/2018 | $22,652 | 19 | 1 | 59 | $102,415 | 4/4/2026 | |||
| Czech Republic | 3/29/2019 | $3,464 | 15 | 15 | 15 | $3,658 | 4/2/2019 | |||
| Lithuania | 8/21/2020 | $1,539 | 7 | 7 | 7 | $1,539 | 8/26/2020 | |||
| New Zealand | 9/7/2023 | $169 | 1 | 1 | 1 | $19,426 | 9/11/2023 | |||
| Russia (CIS) | 4/19/2018 | $16,107 | 22 | 22 | 22 | $44,396 | 2/26/2019 | |||
| United Kingdom | 3/23/2018 | $60,614 | 51 | 51 | 96 | $177,624 | 4/4/2026 | |||
| International Total | $349,058 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Vivienne Westwood | Herself |
Inverviewee
| Andreas Kronthaler | Himself | |
| Kate Moss | Herself | |
| Naomi Campbell | Herself | |
| André Leon Talley | Himself |
Production and Technical Credits
| Lorna Tucker | Director | |
| Shirine Best | Producer | |
| Eleanor Emptage | Producer | |
| Nicole Stott | Producer | |
| John Battsek | Producer | |
| Anna Godas | Executive Producer | |
| Leo Haidar | Executive Producer | |
| Paul Carlin | Editor | |
| Dan Jones | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Since igniting the punk movement with ex-partner and Sex Pistols’ manager Malcolm McLaren, Dame Vivienne Westwood has been redefining British fashion for over 40 years, and is responsible for creating many of the most distinctive looks of our time. The film blends archive, beautifully crafted reconstruction, and insightful interviews with Vivienne’s fascinating network of collaborators, guiding us on her journey from a childhood in postwar Derbyshire to the runways of Paris and Milan. This is an intimate and poignant homage to one of the true cultural icons of our time, as she fights to maintain her brand’s integrity, her principles and her legacy in a business driven by consumerism, profit and global expansion.
Metrics
| Opening Weekend: | $4,450 (7.6% of total gross) |
| Legs: | 10.60 (domestic box office/biggest weekend) |
| Domestic Share: | 14.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/8 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $77,190 |
Movie Details
| Domestic Releases: | June 8th, 2018 (Limited) by Greenwich |
| International Releases: | March 23rd, 2018 (Limited) (United Kingdom)
April 19th, 2018 (Wide), released as ВЕСТВУД: ПАНК, ИКОНА, АКТИВИСТ (Russia (CIS)) October 19th, 2018 (Wide) (Australia) March 29th, 2019 (Wide) (Czech Republic) August 21st, 2020 (Wide), released as Westwood: pankė, ikona, aktyvistė (Lithuania) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 83 minutes |
| Film festival: | Sundance Film Festival 2018 |
| Plot point: | Biography, Fashion, Political Activist |
| Social setting: | Punk Rock |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Finished Films, Tdog Productions, Passion Pictures |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 8, 2018 | 63 | $4,450 | 1 | $4,450 | $4,450 | 1 | |
| Jun 15, 2018 | 57 | $5,335 | +20% | 2 | $2,668 | $14,214 | 2 |
| Jun 22, 2018 | 62 | $5,545 | +4% | 5 | $1,109 | $24,551 | 3 |
| Jun 29, 2018 | 77 | $1,809 | -67% | 3 | $603 | $31,022 | 4 |
| Jul 6, 2018 | 65 | $3,376 | +87% | 5 | $675 | $42,479 | 5 |
| Jul 13, 2018 | 58 | $4,268 | +26% | 8 | $534 | $51,219 | 6 |
| Jul 20, 2018 | 79 | $413 | -90% | 2 | $207 | $57,707 | 7 |
| Jul 27, 2018 | 86 | $372 | -10% | 2 | $186 | $58,799 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 8, 2018 | 61 | $8,879 | 1 | $8,879 | $8,879 | 1 | |
| Jun 15, 2018 | 55 | $10,127 | +14% | 2 | $5,064 | $19,006 | 2 |
| Jun 22, 2018 | 56 | $10,207 | +1% | 5 | $2,041 | $29,213 | 3 |
| Jun 29, 2018 | 66 | $9,890 | -3% | 3 | $3,297 | $39,103 | 4 |
| Jul 6, 2018 | 63 | $7,848 | -21% | 5 | $1,570 | $46,951 | 5 |
| Jul 13, 2018 | 55 | $10,342 | +32% | 8 | $1,293 | $57,293 | 6 |
| Jul 20, 2018 | 83 | $1,134 | -89% | 2 | $567 | $58,427 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/19/2018 | $22,652 | 19 | 1 | 59 | $102,415 | 4/4/2026 | |||
| Czech Republic | 3/29/2019 | $3,464 | 15 | 15 | 15 | $3,658 | 4/2/2019 | |||
| Lithuania | 8/21/2020 | $1,539 | 7 | 7 | 7 | $1,539 | 8/26/2020 | |||
| New Zealand | 9/7/2023 | $169 | 1 | 1 | 1 | $19,426 | 9/11/2023 | |||
| Russia (CIS) | 4/19/2018 | $16,107 | 22 | 22 | 22 | $44,396 | 2/26/2019 | |||
| United Kingdom | 3/23/2018 | $60,614 | 51 | 51 | 96 | $177,624 | 4/4/2026 | |||
| International Total | $349,058 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Vivienne Westwood | Herself |
Inverviewee
| Andreas Kronthaler | Himself | |
| Kate Moss | Herself | |
| Naomi Campbell | Herself | |
| André Leon Talley | Himself |
Production and Technical Credits
| Lorna Tucker | Director | |
| Shirine Best | Producer | |
| Eleanor Emptage | Producer | |
| Nicole Stott | Producer | |
| John Battsek | Producer | |
| Anna Godas | Executive Producer | |
| Leo Haidar | Executive Producer | |
| Paul Carlin | Editor | |
| Dan Jones | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.