What Ever Happened to Aunt Alice? (1969)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 391670100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| Domestic Releases: | July 23rd, 1969 (Limited) by American Cinema Releasing |
| Video Release: | July 11th, 2000 by Starz / Anchor Bay |
| MPA Rating: | Not Rated Approved |
| Running Time: | 101 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English, German |
Leading
| Geraldine Page | ||
| Ruth Gordon | ||
| Rosemary Forsyth |
Supporting
| Robert Fuller | ||
| Mildred Dunnock |
Production and Technical Credits
| Lee H. Katzin | Director | |
| Theodore Apstein | Screenwriter | |
| Ursula Curtiss | Story based on the novel by | |
| Robert Aldrich | Producer | |
| Peter Nelson | Executive Producer | |
| Gerald Fried | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
Movie Details
| Domestic Releases: | July 23rd, 1969 (Limited) by American Cinema Releasing |
| Video Release: | July 11th, 2000 by Starz / Anchor Bay |
| MPA Rating: | Not Rated Approved |
| Running Time: | 101 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English, German |
Leading
| Geraldine Page | ||
| Ruth Gordon | ||
| Rosemary Forsyth |
Supporting
| Robert Fuller | ||
| Mildred Dunnock |
Production and Technical Credits
| Lee H. Katzin | Director | |
| Theodore Apstein | Screenwriter | |
| Ursula Curtiss | Story based on the novel by | |
| Robert Aldrich | Producer | |
| Peter Nelson | Executive Producer | |
| Gerald Fried | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.