What Happens Later (2023)
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| Theatrical Performance | ||
| Domestic Box Office | $3,273,896 | Details |
| International Box Office | $128,101 | Details |
| Worldwide Box Office | $3,401,997 | |
| OpusData ID: 543280100 More info... | ||
| Further financial details... | ||
Synopsis
Two ex lovers, Bill and Willa get snowed in at a regional airport overnight. Indefinitely delayed, Willa, a magical thinker, and Bill, a catastrophic one, find themselves just as attracted to and annoyed by one another as they did decades earlier. But as they unpack the riddle of their mutual past and compare their lives to the dreams they once shared, they begin to wonder if their reunion is mere coincidence, or something more enchanted.
Metrics
| Opening Weekend: | $1,522,750 (46.5% of total gross) |
| Legs: | 2.15 (domestic box office/biggest weekend) |
| Domestic Share: | 96.2% (domestic box office/worldwide) |
| Theater counts: | 1,492 opening theaters/1,492 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,579,138 |
Movie Details
| Domestic Releases: | November 3rd, 2023 (Wide) by Bleecker Street |
| International Releases: | December 15th, 2023 (Wide) (United Kingdom)
April 11th, 2024 (Wide) (Italy) May 16th, 2024 (Wide) (Germany) May 17th, 2024 (Wide), released as Lo que sucede después (Spain) ... Show all releases |
| Video Release: | November 28th, 2023 by Decal |
| MPA Rating: | R for language, some sexual references and brief drug use. (Rating bulletin 2794 (cert #54389), 8/2/2023) |
| Running Time: | 103 minutes |
| Plot point: | Romance, Extreme Weather |
| Subgenre: | Romantic Comedy |
| Source: | Based on Play |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bleecker Street , Ten Acre Films, Rockhill Studios, Prowess Pictures, Jupiter Peak Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 3, 2023 | 9 | $1,522,750 | 1,492 | $1,021 | $1,522,750 | 1 | |
| Nov 10, 2023 | 13 | $669,844 | -56% | 1,450 | $462 | $2,901,190 | 2 |
| Nov 17, 2023 | - | $30,841 | -95% | 106 | $291 | $3,264,433 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 3, 2023 | 8 | $601,372 | 1,492 | $403 | $601,372 | 1 | ||
| Nov 4, 2023 | 9 | $566,252 | -6% | 1,492 | $380 | $1,167,624 | 2 | |
| Nov 5, 2023 | 9 | $355,126 | -37% | 1,492 | $238 | $1,522,750 | 3 | |
| Nov 6, 2023 | 8 | $145,013 | -59% | 1,492 | $97 | $1,667,763 | 4 | |
| Nov 7, 2023 | 7 | $276,262 | +91% | 1,492 | $185 | $1,944,025 | 5 | |
| Nov 8, 2023 | 6 | $155,917 | -44% | 1,492 | $105 | $2,099,942 | 6 | |
| Nov 9, 2023 | - | $131,404 | -16% | 1,492 | $88 | $2,231,346 | 7 | |
| Nov 10, 2023 | - | $236,841 | +80% | -61% | 1,450 | $163 | $2,468,187 | 8 |
| Nov 11, 2023 | 13 | $269,389 | +14% | -52% | 1,450 | $186 | $2,737,576 | 9 |
| Nov 12, 2023 | 13 | $163,614 | -39% | -54% | 1,450 | $113 | $2,901,190 | 10 |
| Nov 13, 2023 | - | $72,334 | -56% | -50% | 1,450 | $50 | $2,973,524 | 11 |
| Nov 14, 2023 | - | $126,678 | +75% | -54% | 1,450 | $87 | $3,100,202 | 12 |
| Nov 15, 2023 | - | $86,352 | -32% | -45% | 1,450 | $60 | $3,186,554 | 13 |
| Nov 16, 2023 | - | $46,838 | -46% | -64% | 1,450 | $32 | $3,233,392 | 14 |
| Nov 17, 2023 | - | $9,068 | -81% | -96% | 106 | $86 | $3,242,460 | 15 |
| Nov 18, 2023 | - | $12,660 | +40% | -95% | 106 | $119 | $3,255,120 | 16 |
| Nov 19, 2023 | - | $9,113 | -28% | -94% | 106 | $86 | $3,264,233 | 17 |
| Nov 20, 2023 | - | $5,113 | -44% | -93% | 106 | $48 | $3,269,346 | 18 |
| Nov 21, 2023 | - | $3,436 | -33% | -97% | 106 | $32 | $3,272,782 | 19 |
| Nov 22, 2023 | - | $511 | -85% | -99% | 106 | $5 | $3,273,293 | 20 |
| Nov 23, 2023 | - | $402 | -21% | -99% | 106 | $4 | $3,273,695 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 3, 2023 | 9 | $2,231,346 | 1,492 | $1,496 | $2,231,346 | 1 | |
| Nov 10, 2023 | 27 | $47,038 | -98% | 1,492 | $32 | $2,278,384 | 2 |
| Nov 17, 2023 | 17 | $995,311 | +2,016% | 106 | $9,390 | $3,273,896 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 4/11/2024 | $58,483 | 0 | 0 | 0 | $60,328 | 4/15/2024 | |||
| Spain | 5/17/2024 | $31,354 | 102 | 102 | 102 | $32,080 | 5/23/2024 | |||
| United Kingdom | 12/15/2023 | $35,693 | 206 | 206 | 206 | $35,693 | 12/19/2023 | |||
| International Total | $128,101 | 5/23/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Meg Ryan | Willa | |
| David Duchovny | Bill |
Supporting
| Hal Liggett | Airport Voice |
Production and Technical Credits
| Meg Ryan | Director | |
| Steven Dietz | Screenwriter | |
| Kirk Lynn | Screenwriter | |
| Meg Ryan | Screenwriter | |
| Steven Dietz | Story based on the play ‘Shooting Star’ by | |
| Jonathan Duffy | Producer | |
| Kelly Williams | Producer | |
| Laura D. Smith | Producer | |
| Kristin Mann | Producer | |
| Kerri Elder | Executive Producer | |
| Andrew Karpen | Executive Producer | |
| Kent Sanderson | Executive Producer | |
| Ken Whitney | Executive Producer | |
| Steven Shapiro | Executive Producer | |
| Blake Elder | Executive Producer | |
| Michael Goyette | Executive Producer | |
| Meg Ryan | Executive Producer | |
| David Duchovny | Executive Producer | |
| Steven Dietz | Co-Executive Producer | |
| Kirk Lynn | Co-Executive Producer | |
| Bartosz Nalazek | Director of Photography | |
| Jordan Crockett | Production Designer | |
| Jason Gourson | Editor | |
| Kiley Ogle | Costume Designer | |
| David Boman | Composer | |
| Andrea von Foerster | Music Supervisor | |
| Shelley D. Needham | Unit Production Manager | |
| Shelley D. Needham | Line Producer | |
| Dan Taggatz | First Assistant Director | |
| S.B. Weathersby | First Assistant Director | |
| Hannah Whitney | Second Assistant Director | |
| Gilbert Tyler Vela | Production Supervisor | |
| Paul Toohey | Sound Mixer | |
| Felicia Maunu | Art Director | |
| Griffin Loop | Set Decorator | |
| Sarah Nichols | Costume Supervisor | |
| Karen Kawahara | Make up | |
| Derrick Spruill | Hairstylist | |
| Ali Bair | Script Supervisor | |
| Damon Epps | Location Manager | |
| Daniel Henríquez | Assistant Editor | |
| Tim Pedegana | Post-Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Two ex lovers, Bill and Willa get snowed in at a regional airport overnight. Indefinitely delayed, Willa, a magical thinker, and Bill, a catastrophic one, find themselves just as attracted to and annoyed by one another as they did decades earlier. But as they unpack the riddle of their mutual past and compare their lives to the dreams they once shared, they begin to wonder if their reunion is mere coincidence, or something more enchanted.
Metrics
| Opening Weekend: | $1,522,750 (46.5% of total gross) |
| Legs: | 2.15 (domestic box office/biggest weekend) |
| Domestic Share: | 96.2% (domestic box office/worldwide) |
| Theater counts: | 1,492 opening theaters/1,492 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,579,138 |
Movie Details
| Domestic Releases: | November 3rd, 2023 (Wide) by Bleecker Street |
| International Releases: | December 15th, 2023 (Wide) (United Kingdom)
April 11th, 2024 (Wide) (Italy) May 16th, 2024 (Wide) (Germany) May 17th, 2024 (Wide), released as Lo que sucede después (Spain) ... Show all releases |
| Video Release: | November 28th, 2023 by Decal |
| MPA Rating: | R for language, some sexual references and brief drug use. (Rating bulletin 2794 (cert #54389), 8/2/2023) |
| Running Time: | 103 minutes |
| Plot point: | Romance, Extreme Weather |
| Subgenre: | Romantic Comedy |
| Source: | Based on Play |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bleecker Street , Ten Acre Films, Rockhill Studios, Prowess Pictures, Jupiter Peak Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 3, 2023 | 9 | $1,522,750 | 1,492 | $1,021 | $1,522,750 | 1 | |
| Nov 10, 2023 | 13 | $669,844 | -56% | 1,450 | $462 | $2,901,190 | 2 |
| Nov 17, 2023 | - | $30,841 | -95% | 106 | $291 | $3,264,433 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 3, 2023 | 8 | $601,372 | 1,492 | $403 | $601,372 | 1 | ||
| Nov 4, 2023 | 9 | $566,252 | -6% | 1,492 | $380 | $1,167,624 | 2 | |
| Nov 5, 2023 | 9 | $355,126 | -37% | 1,492 | $238 | $1,522,750 | 3 | |
| Nov 6, 2023 | 8 | $145,013 | -59% | 1,492 | $97 | $1,667,763 | 4 | |
| Nov 7, 2023 | 7 | $276,262 | +91% | 1,492 | $185 | $1,944,025 | 5 | |
| Nov 8, 2023 | 6 | $155,917 | -44% | 1,492 | $105 | $2,099,942 | 6 | |
| Nov 9, 2023 | - | $131,404 | -16% | 1,492 | $88 | $2,231,346 | 7 | |
| Nov 10, 2023 | - | $236,841 | +80% | -61% | 1,450 | $163 | $2,468,187 | 8 |
| Nov 11, 2023 | 13 | $269,389 | +14% | -52% | 1,450 | $186 | $2,737,576 | 9 |
| Nov 12, 2023 | 13 | $163,614 | -39% | -54% | 1,450 | $113 | $2,901,190 | 10 |
| Nov 13, 2023 | - | $72,334 | -56% | -50% | 1,450 | $50 | $2,973,524 | 11 |
| Nov 14, 2023 | - | $126,678 | +75% | -54% | 1,450 | $87 | $3,100,202 | 12 |
| Nov 15, 2023 | - | $86,352 | -32% | -45% | 1,450 | $60 | $3,186,554 | 13 |
| Nov 16, 2023 | - | $46,838 | -46% | -64% | 1,450 | $32 | $3,233,392 | 14 |
| Nov 17, 2023 | - | $9,068 | -81% | -96% | 106 | $86 | $3,242,460 | 15 |
| Nov 18, 2023 | - | $12,660 | +40% | -95% | 106 | $119 | $3,255,120 | 16 |
| Nov 19, 2023 | - | $9,113 | -28% | -94% | 106 | $86 | $3,264,233 | 17 |
| Nov 20, 2023 | - | $5,113 | -44% | -93% | 106 | $48 | $3,269,346 | 18 |
| Nov 21, 2023 | - | $3,436 | -33% | -97% | 106 | $32 | $3,272,782 | 19 |
| Nov 22, 2023 | - | $511 | -85% | -99% | 106 | $5 | $3,273,293 | 20 |
| Nov 23, 2023 | - | $402 | -21% | -99% | 106 | $4 | $3,273,695 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 3, 2023 | 9 | $2,231,346 | 1,492 | $1,496 | $2,231,346 | 1 | |
| Nov 10, 2023 | 27 | $47,038 | -98% | 1,492 | $32 | $2,278,384 | 2 |
| Nov 17, 2023 | 17 | $995,311 | +2,016% | 106 | $9,390 | $3,273,896 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 4/11/2024 | $58,483 | 0 | 0 | 0 | $60,328 | 4/15/2024 | |||
| Spain | 5/17/2024 | $31,354 | 102 | 102 | 102 | $32,080 | 5/23/2024 | |||
| United Kingdom | 12/15/2023 | $35,693 | 206 | 206 | 206 | $35,693 | 12/19/2023 | |||
| International Total | $128,101 | 5/23/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Meg Ryan | Willa | |
| David Duchovny | Bill |
Supporting
| Hal Liggett | Airport Voice |
Production and Technical Credits
| Meg Ryan | Director | |
| Steven Dietz | Screenwriter | |
| Kirk Lynn | Screenwriter | |
| Meg Ryan | Screenwriter | |
| Steven Dietz | Story based on the play ‘Shooting Star’ by | |
| Jonathan Duffy | Producer | |
| Kelly Williams | Producer | |
| Laura D. Smith | Producer | |
| Kristin Mann | Producer | |
| Kerri Elder | Executive Producer | |
| Andrew Karpen | Executive Producer | |
| Kent Sanderson | Executive Producer | |
| Ken Whitney | Executive Producer | |
| Steven Shapiro | Executive Producer | |
| Blake Elder | Executive Producer | |
| Michael Goyette | Executive Producer | |
| Meg Ryan | Executive Producer | |
| David Duchovny | Executive Producer | |
| Steven Dietz | Co-Executive Producer | |
| Kirk Lynn | Co-Executive Producer | |
| Bartosz Nalazek | Director of Photography | |
| Jordan Crockett | Production Designer | |
| Jason Gourson | Editor | |
| Kiley Ogle | Costume Designer | |
| David Boman | Composer | |
| Andrea von Foerster | Music Supervisor | |
| Shelley D. Needham | Unit Production Manager | |
| Shelley D. Needham | Line Producer | |
| Dan Taggatz | First Assistant Director | |
| S.B. Weathersby | First Assistant Director | |
| Hannah Whitney | Second Assistant Director | |
| Gilbert Tyler Vela | Production Supervisor | |
| Paul Toohey | Sound Mixer | |
| Felicia Maunu | Art Director | |
| Griffin Loop | Set Decorator | |
| Sarah Nichols | Costume Supervisor | |
| Karen Kawahara | Make up | |
| Derrick Spruill | Hairstylist | |
| Ali Bair | Script Supervisor | |
| Damon Epps | Location Manager | |
| Daniel Henríquez | Assistant Editor | |
| Tim Pedegana | Post-Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.