What They Had (2018)
| Theatrical Performance | ||
| Domestic Box Office | $257,869 | Details |
| International Box Office | $242,572 | Details |
| Worldwide Box Office | $500,441 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $148,187 | |
| Total | $148,187 | |
| OpusData ID: 309490100 More info... | ||
| Further financial details... | ||
Synopsis
Bridget returns home to Chicago at her brother’s urging to deal with her mother’s Alzheimer’s and her father's reluctance to let go of their life together.
Metrics
| Opening Weekend: | $17,683 (6.9% of total gross) |
| Legs: | 4.26 (domestic box office/biggest weekend) |
| Domestic Share: | 51.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/53 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $338,540 |
Movie Details
| Domestic Releases: | October 19th, 2018 (Limited) by Bleecker Street |
| International Releases: | March 1st, 2019 (Limited) (United Kingdom)
May 3rd, 2019 (Wide) (Brazil) May 10th, 2019 (Wide), released as Lo que fuimos (Mexico) June 28th, 2019 (Wide) (Argentina) November 7th, 2019 (Wide) (South Korea) ... Show all releases |
| Video Release: | January 8th, 2019 by Universal Home Entertainment |
| MPA Rating: | R for language including a brief sexual reference. (Rating bulletin 2538 (Cert #51725), 8/1/2018) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut |
| Film festival: | Sundance Film Festival 2018 |
| Geographical setting: | Chicago |
| Plot point: | Alzheimer, Relationships Gone Wrong |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Unified Pictures, Bona Fide, Look to the Sky Films, June Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 2018 | 46 | $17,683 | 4 | $4,421 | $17,683 | 1 | |
| Oct 26, 2018 | 39 | $60,514 | +242% | 25 | $2,421 | $85,565 | 2 |
| Nov 2, 2018 | 44 | $40,103 | -34% | 37 | $1,084 | $161,794 | 3 |
| Nov 9, 2018 | 41 | $36,464 | -9% | 53 | $688 | $223,210 | 4 |
| Nov 16, 2018 | 52 | $10,481 | -71% | 24 | $437 | $254,383 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 19, 2018 | - | $6,094 | 4 | $1,524 | $6,094 | 1 | ||
| Oct 20, 2018 | - | $7,098 | +16% | 4 | $1,775 | $13,192 | 2 | |
| Oct 21, 2018 | - | $4,491 | -37% | 4 | $1,123 | $17,683 | 3 | |
| Oct 22, 2018 | - | $1,460 | -67% | 4 | $365 | $19,143 | 4 | |
| Oct 23, 2018 | - | $1,529 | +5% | 4 | $382 | $20,672 | 5 | |
| Oct 24, 2018 | - | $1,852 | +21% | 4 | $463 | $22,524 | 6 | |
| Oct 25, 2018 | - | $2,527 | +36% | 4 | $632 | $25,051 | 7 | |
| Oct 26, 2018 | - | $18,498 | +632% | +204% | 25 | $740 | $43,549 | 8 |
| Oct 27, 2018 | - | $23,670 | +28% | +233% | 25 | $947 | $67,219 | 9 |
| Oct 28, 2018 | - | $18,346 | -22% | +309% | 25 | $734 | $85,565 | 10 |
| Oct 29, 2018 | - | $9,381 | -49% | +543% | 25 | $375 | $94,946 | 11 |
| Oct 30, 2018 | - | $9,184 | -2% | +501% | 25 | $367 | $104,130 | 12 |
| Oct 31, 2018 | - | $8,887 | -3% | +380% | 25 | $355 | $113,017 | 13 |
| Nov 1, 2018 | - | $8,674 | -2% | +243% | 25 | $347 | $121,691 | 14 |
| Nov 2, 2018 | - | $10,343 | +19% | -44% | 37 | $280 | $132,034 | 15 |
| Nov 3, 2018 | - | $16,047 | +55% | -32% | 37 | $434 | $148,081 | 16 |
| Nov 4, 2018 | - | $13,713 | -15% | -25% | 37 | $371 | $161,794 | 17 |
| Nov 5, 2018 | - | $6,257 | -54% | -33% | 37 | $169 | $168,051 | 18 |
| Nov 6, 2018 | - | $6,429 | +3% | -30% | 37 | $174 | $174,480 | 19 |
| Nov 7, 2018 | - | $7,134 | +11% | -20% | 37 | $193 | $181,614 | 20 |
| Nov 8, 2018 | - | $5,132 | -28% | -41% | 37 | $139 | $186,746 | 21 |
| Nov 9, 2018 | - | $10,384 | +102% | n/c | 53 | $196 | $197,130 | 22 |
| Nov 10, 2018 | - | $15,311 | +47% | -5% | 53 | $289 | $212,441 | 23 |
| Nov 11, 2018 | - | $10,769 | -30% | -21% | 53 | $203 | $223,210 | 24 |
| Nov 12, 2018 | - | $5,671 | -47% | -9% | 53 | $107 | $228,881 | 25 |
| Nov 13, 2018 | - | $5,683 | n/c | -12% | 53 | $107 | $234,564 | 26 |
| Nov 14, 2018 | - | $5,194 | -9% | -27% | 53 | $98 | $239,758 | 27 |
| Nov 15, 2018 | - | $4,144 | -20% | -19% | 53 | $78 | $243,902 | 28 |
| Nov 16, 2018 | - | $2,666 | -36% | -74% | 24 | $111 | $246,568 | 29 |
| Nov 17, 2018 | - | $4,420 | +66% | -71% | 24 | $184 | $250,988 | 30 |
| Nov 18, 2018 | - | $3,395 | -23% | -68% | 24 | $141 | $254,383 | 31 |
| Nov 19, 2018 | - | $1,795 | -47% | -68% | 24 | $75 | $256,178 | 32 |
| Nov 20, 2018 | - | $1,691 | -6% | -70% | 24 | $70 | $257,869 | 33 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 2018 | 47 | $25,051 | 4 | $6,263 | $25,051 | 1 | |
| Oct 26, 2018 | 38 | $96,640 | +286% | 25 | $3,866 | $121,691 | 2 |
| Nov 2, 2018 | 43 | $65,055 | -33% | 37 | $1,758 | $186,746 | 3 |
| Nov 9, 2018 | 41 | $57,156 | -12% | 53 | $1,078 | $243,902 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/28/2019 | $12,247 | 0 | 0 | 0 | $18,340 | 8/18/2019 | |||
| Brazil | 5/3/2019 | $38,061 | 53 | 53 | 53 | $38,061 | 5/10/2019 | |||
| Mexico | 5/10/2019 | $136,972 | 0 | 0 | 0 | $136,972 | 5/13/2019 | |||
| South Korea | 11/7/2019 | $10,997 | 42 | 42 | 57 | $27,136 | 11/21/2019 | |||
| United Kingdom | 3/1/2019 | $22,063 | 111 | 111 | 111 | $22,063 | 3/6/2019 | |||
| International Total | $242,572 | 11/21/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Hilary Swank | Bridget Ertz | |
| Michael Shannon | Nicky | |
| Robert Forster | Burt | |
| Blythe Danner | Ruth | |
| Taissa Farmiga | Emma Ertz |
Supporting
| Josh Lucas | Eddie Ertz | |
| Sarah Sutherland | Mary | |
| Aimee Garcia | Dr. Zoe | |
| Jay Montepare | David | |
| Jennifer Robideau | Rachel |
Production and Technical Credits
| Elizabeth Chomko | Director | |
| Elizabeth Chomko | Screenwriter | |
| Albert Berger | Producer | |
| Ron Yerxa | Producer | |
| Andrew Duncan | Producer | |
| Tyler Jackson | Producer | |
| Bill Holderman | Producer | |
| Keith Kjarval | Producer | |
| Alex Saks | Producer | |
| Danny Mulhern | Composer | |
| Roberto Schaefer | Cinematographer | |
| Tom McArdle | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Bridget returns home to Chicago at her brother’s urging to deal with her mother’s Alzheimer’s and her father's reluctance to let go of their life together.
Metrics
| Opening Weekend: | $17,683 (6.9% of total gross) |
| Legs: | 4.26 (domestic box office/biggest weekend) |
| Domestic Share: | 51.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/53 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $338,540 |
Movie Details
| Domestic Releases: | October 19th, 2018 (Limited) by Bleecker Street |
| International Releases: | March 1st, 2019 (Limited) (United Kingdom)
May 3rd, 2019 (Wide) (Brazil) May 10th, 2019 (Wide), released as Lo que fuimos (Mexico) June 28th, 2019 (Wide) (Argentina) November 7th, 2019 (Wide) (South Korea) ... Show all releases |
| Video Release: | January 8th, 2019 by Universal Home Entertainment |
| MPA Rating: | R for language including a brief sexual reference. (Rating bulletin 2538 (Cert #51725), 8/1/2018) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut |
| Film festival: | Sundance Film Festival 2018 |
| Geographical setting: | Chicago |
| Plot point: | Alzheimer, Relationships Gone Wrong |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Unified Pictures, Bona Fide, Look to the Sky Films, June Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 2018 | 46 | $17,683 | 4 | $4,421 | $17,683 | 1 | |
| Oct 26, 2018 | 39 | $60,514 | +242% | 25 | $2,421 | $85,565 | 2 |
| Nov 2, 2018 | 44 | $40,103 | -34% | 37 | $1,084 | $161,794 | 3 |
| Nov 9, 2018 | 41 | $36,464 | -9% | 53 | $688 | $223,210 | 4 |
| Nov 16, 2018 | 52 | $10,481 | -71% | 24 | $437 | $254,383 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 19, 2018 | - | $6,094 | 4 | $1,524 | $6,094 | 1 | ||
| Oct 20, 2018 | - | $7,098 | +16% | 4 | $1,775 | $13,192 | 2 | |
| Oct 21, 2018 | - | $4,491 | -37% | 4 | $1,123 | $17,683 | 3 | |
| Oct 22, 2018 | - | $1,460 | -67% | 4 | $365 | $19,143 | 4 | |
| Oct 23, 2018 | - | $1,529 | +5% | 4 | $382 | $20,672 | 5 | |
| Oct 24, 2018 | - | $1,852 | +21% | 4 | $463 | $22,524 | 6 | |
| Oct 25, 2018 | - | $2,527 | +36% | 4 | $632 | $25,051 | 7 | |
| Oct 26, 2018 | - | $18,498 | +632% | +204% | 25 | $740 | $43,549 | 8 |
| Oct 27, 2018 | - | $23,670 | +28% | +233% | 25 | $947 | $67,219 | 9 |
| Oct 28, 2018 | - | $18,346 | -22% | +309% | 25 | $734 | $85,565 | 10 |
| Oct 29, 2018 | - | $9,381 | -49% | +543% | 25 | $375 | $94,946 | 11 |
| Oct 30, 2018 | - | $9,184 | -2% | +501% | 25 | $367 | $104,130 | 12 |
| Oct 31, 2018 | - | $8,887 | -3% | +380% | 25 | $355 | $113,017 | 13 |
| Nov 1, 2018 | - | $8,674 | -2% | +243% | 25 | $347 | $121,691 | 14 |
| Nov 2, 2018 | - | $10,343 | +19% | -44% | 37 | $280 | $132,034 | 15 |
| Nov 3, 2018 | - | $16,047 | +55% | -32% | 37 | $434 | $148,081 | 16 |
| Nov 4, 2018 | - | $13,713 | -15% | -25% | 37 | $371 | $161,794 | 17 |
| Nov 5, 2018 | - | $6,257 | -54% | -33% | 37 | $169 | $168,051 | 18 |
| Nov 6, 2018 | - | $6,429 | +3% | -30% | 37 | $174 | $174,480 | 19 |
| Nov 7, 2018 | - | $7,134 | +11% | -20% | 37 | $193 | $181,614 | 20 |
| Nov 8, 2018 | - | $5,132 | -28% | -41% | 37 | $139 | $186,746 | 21 |
| Nov 9, 2018 | - | $10,384 | +102% | n/c | 53 | $196 | $197,130 | 22 |
| Nov 10, 2018 | - | $15,311 | +47% | -5% | 53 | $289 | $212,441 | 23 |
| Nov 11, 2018 | - | $10,769 | -30% | -21% | 53 | $203 | $223,210 | 24 |
| Nov 12, 2018 | - | $5,671 | -47% | -9% | 53 | $107 | $228,881 | 25 |
| Nov 13, 2018 | - | $5,683 | n/c | -12% | 53 | $107 | $234,564 | 26 |
| Nov 14, 2018 | - | $5,194 | -9% | -27% | 53 | $98 | $239,758 | 27 |
| Nov 15, 2018 | - | $4,144 | -20% | -19% | 53 | $78 | $243,902 | 28 |
| Nov 16, 2018 | - | $2,666 | -36% | -74% | 24 | $111 | $246,568 | 29 |
| Nov 17, 2018 | - | $4,420 | +66% | -71% | 24 | $184 | $250,988 | 30 |
| Nov 18, 2018 | - | $3,395 | -23% | -68% | 24 | $141 | $254,383 | 31 |
| Nov 19, 2018 | - | $1,795 | -47% | -68% | 24 | $75 | $256,178 | 32 |
| Nov 20, 2018 | - | $1,691 | -6% | -70% | 24 | $70 | $257,869 | 33 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 2018 | 47 | $25,051 | 4 | $6,263 | $25,051 | 1 | |
| Oct 26, 2018 | 38 | $96,640 | +286% | 25 | $3,866 | $121,691 | 2 |
| Nov 2, 2018 | 43 | $65,055 | -33% | 37 | $1,758 | $186,746 | 3 |
| Nov 9, 2018 | 41 | $57,156 | -12% | 53 | $1,078 | $243,902 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/28/2019 | $12,247 | 0 | 0 | 0 | $18,340 | 8/18/2019 | |||
| Brazil | 5/3/2019 | $38,061 | 53 | 53 | 53 | $38,061 | 5/10/2019 | |||
| Mexico | 5/10/2019 | $136,972 | 0 | 0 | 0 | $136,972 | 5/13/2019 | |||
| South Korea | 11/7/2019 | $10,997 | 42 | 42 | 57 | $27,136 | 11/21/2019 | |||
| United Kingdom | 3/1/2019 | $22,063 | 111 | 111 | 111 | $22,063 | 3/6/2019 | |||
| International Total | $242,572 | 11/21/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Hilary Swank | Bridget Ertz | |
| Michael Shannon | Nicky | |
| Robert Forster | Burt | |
| Blythe Danner | Ruth | |
| Taissa Farmiga | Emma Ertz |
Supporting
| Josh Lucas | Eddie Ertz | |
| Sarah Sutherland | Mary | |
| Aimee Garcia | Dr. Zoe | |
| Jay Montepare | David | |
| Jennifer Robideau | Rachel |
Production and Technical Credits
| Elizabeth Chomko | Director | |
| Elizabeth Chomko | Screenwriter | |
| Albert Berger | Producer | |
| Ron Yerxa | Producer | |
| Andrew Duncan | Producer | |
| Tyler Jackson | Producer | |
| Bill Holderman | Producer | |
| Keith Kjarval | Producer | |
| Alex Saks | Producer | |
| Danny Mulhern | Composer | |
| Roberto Schaefer | Cinematographer | |
| Tom McArdle | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.