When I’m Ready (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $11,372 | Details |
| OpusData ID: 724260100 More info... | ||
| Further financial details... | ||
Synopsis
It's the end of the world. Seeking meaning and thrills in their last days alive, Rose and Michael embark on a cross-country road trip as a devastating asteroid threatens to wipe out life on Earth. Along the way they encounter a rotating cast of lost souls from different backgrounds, each looking for something very different out of the end.
Metrics
| Opening Weekend: | $8,220 (72.3% of total gross) |
| Legs: | 1.38 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 8 opening theaters/8 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,372 |
Movie Details
| Domestic Releases: | February 7th, 2025 (Limited) by Briarcliff Entertainment |
| MPA Rating: | Not Rated |
| Plot point: | Romance |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Quiver Distribution Inc., Briarcliff Entertainment, 19th Hole Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $8,220 | 8 | $1,028 | $8,220 | 1 | |
| Feb 14, 2025 | - | $536 | -93% | 2 | $268 | $11,165 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $3,976 | 8 | $497 | $3,976 | 1 | ||
| Feb 8, 2025 | - | $3,484 | -12% | 8 | $436 | $7,460 | 2 | |
| Feb 9, 2025 | - | $760 | -78% | 8 | $95 | $8,220 | 3 | |
| Feb 10, 2025 | - | $884 | +16% | 8 | $111 | $9,104 | 4 | |
| Feb 11, 2025 | - | $637 | -28% | 8 | $80 | $9,741 | 5 | |
| Feb 12, 2025 | - | $541 | -15% | 8 | $68 | $10,282 | 6 | |
| Feb 13, 2025 | - | $347 | -36% | 8 | $43 | $10,629 | 7 | |
| Feb 14, 2025 | - | $474 | +37% | -88% | 2 | $237 | $11,103 | 8 |
| Feb 15, 2025 | - | $51 | -89% | -99% | 2 | $26 | $11,154 | 9 |
| Feb 16, 2025 | - | $11 | -78% | -99% | 2 | $6 | $11,165 | 10 |
| Feb 17, 2025 | - | $14 | +27% | -98% | 2 | $7 | $11,179 | 11 |
| Feb 18, 2025 | - | $59 | +321% | -91% | 2 | $30 | $11,238 | 12 |
| Feb 19, 2025 | - | $117 | +98% | -78% | 2 | $59 | $11,355 | 13 |
| Feb 20, 2025 | - | $17 | -85% | -95% | 2 | $9 | $11,372 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | 54 | $10,629 | 8 | $1,329 | $10,629 | 1 | |
| Feb 14, 2025 | 65 | $743 | -93% | 2 | $372 | $11,372 | 2 |
Leading
| Andrew Ortenberg | Michael | |
| June Schreiner | Rose |
Supporting
| Thalia Besson | Michelle | |
| Lauren Cohan | Julia | |
| Dermot Mulroney | Keith | |
| Luciana VanDette | Apryl | |
| Curtis Bryant | Radio DJ |
Production and Technical Credits
| Andrew Johnson | Director | |
| Andrew Ortenberg | Screenwriter | |
| Andrew Ortenberg | Producer | |
| Eli Samek | Producer | |
| Jordan Dykstra | Producer | |
| Robert Ballo | Producer | |
| Tom Ortenberg | Producer | |
| Clay Pecorin | Executive Producer | |
| Russell Geyser | Executive Producer | |
| James Masciello | Executive Producer | |
| Matthew Sidari | Executive Producer | |
| Ellen Wander | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
It's the end of the world. Seeking meaning and thrills in their last days alive, Rose and Michael embark on a cross-country road trip as a devastating asteroid threatens to wipe out life on Earth. Along the way they encounter a rotating cast of lost souls from different backgrounds, each looking for something very different out of the end.
Metrics
| Opening Weekend: | $8,220 (72.3% of total gross) |
| Legs: | 1.38 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 8 opening theaters/8 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,372 |
Movie Details
| Domestic Releases: | February 7th, 2025 (Limited) by Briarcliff Entertainment |
| MPA Rating: | Not Rated |
| Plot point: | Romance |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Quiver Distribution Inc., Briarcliff Entertainment, 19th Hole Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $8,220 | 8 | $1,028 | $8,220 | 1 | |
| Feb 14, 2025 | - | $536 | -93% | 2 | $268 | $11,165 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $3,976 | 8 | $497 | $3,976 | 1 | ||
| Feb 8, 2025 | - | $3,484 | -12% | 8 | $436 | $7,460 | 2 | |
| Feb 9, 2025 | - | $760 | -78% | 8 | $95 | $8,220 | 3 | |
| Feb 10, 2025 | - | $884 | +16% | 8 | $111 | $9,104 | 4 | |
| Feb 11, 2025 | - | $637 | -28% | 8 | $80 | $9,741 | 5 | |
| Feb 12, 2025 | - | $541 | -15% | 8 | $68 | $10,282 | 6 | |
| Feb 13, 2025 | - | $347 | -36% | 8 | $43 | $10,629 | 7 | |
| Feb 14, 2025 | - | $474 | +37% | -88% | 2 | $237 | $11,103 | 8 |
| Feb 15, 2025 | - | $51 | -89% | -99% | 2 | $26 | $11,154 | 9 |
| Feb 16, 2025 | - | $11 | -78% | -99% | 2 | $6 | $11,165 | 10 |
| Feb 17, 2025 | - | $14 | +27% | -98% | 2 | $7 | $11,179 | 11 |
| Feb 18, 2025 | - | $59 | +321% | -91% | 2 | $30 | $11,238 | 12 |
| Feb 19, 2025 | - | $117 | +98% | -78% | 2 | $59 | $11,355 | 13 |
| Feb 20, 2025 | - | $17 | -85% | -95% | 2 | $9 | $11,372 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | 54 | $10,629 | 8 | $1,329 | $10,629 | 1 | |
| Feb 14, 2025 | 65 | $743 | -93% | 2 | $372 | $11,372 | 2 |
Leading
| Andrew Ortenberg | Michael | |
| June Schreiner | Rose |
Supporting
| Thalia Besson | Michelle | |
| Lauren Cohan | Julia | |
| Dermot Mulroney | Keith | |
| Luciana VanDette | Apryl | |
| Curtis Bryant | Radio DJ |
Production and Technical Credits
| Andrew Johnson | Director | |
| Andrew Ortenberg | Screenwriter | |
| Andrew Ortenberg | Producer | |
| Eli Samek | Producer | |
| Jordan Dykstra | Producer | |
| Robert Ballo | Producer | |
| Tom Ortenberg | Producer | |
| Clay Pecorin | Executive Producer | |
| Russell Geyser | Executive Producer | |
| James Masciello | Executive Producer | |
| Matthew Sidari | Executive Producer | |
| Ellen Wander | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.