Where to Invade Next (2016)
| Theatrical Performance | ||
| Domestic Box Office | $3,827,261 | Details |
| International Box Office | $777,426 | Details |
| Worldwide Box Office | $4,604,687 | |
| OpusData ID: 241250100 More info... | ||
| Further financial details... | ||
Synopsis
Michael Moore, playing the role of “invader,” visits a host of nations to learn how the U.S. could improve its own prospects.
Metrics
| Opening Weekend: | $897,034 (23.4% of total gross) |
| Legs: | 4.27 (domestic box office/biggest weekend) |
| Domestic Share: | 83.1% (domestic box office/worldwide) |
| Theater counts: | 308 opening theaters/308 max. theaters, 4.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,291,798 |
Movie Details
| Domestic Releases: | December 23rd, 2015 (Oscar Qualifying Run) by Drafthouse Films February 12th, 2016 (Limited) by Drafthouse Films |
| International Releases: | February 25th, 2016 (Wide) (Germany)
February 25th, 2016 (Wide) (Austria) April 8th, 2016 (Wide), released as Where To Invade Next (Australia) April 15th, 2016 (Wide) (Finland) April 15th, 2016 (Wide) (Norway) ... Show all releases |
| Video Release: | April 29th, 2016 by Anchor Bay Home Entertainment |
| MPA Rating: | R for language, some violent images, drug use and brief graphic nudity. (Rating bulletin 2399 (Cert #50110), 11/11/2015) |
| Running Time: | 115 minutes |
| Cast, crew, or production detail: | Agitprop, Directing Yourself, Voiceover/Narration |
| Geographical setting: | Finland, France, Italy, Norway, Portugal |
| Plot point: | Political, Travelogue |
| Subgenre: | Political Documentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | North End Films, IMG Films, Dog Eat Dog |
| Production Countries: | United States |
| Languages: | English, Italian, French, German, Finnish, Norwegian, Portuguese, Arabic |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | 19 | $897,034 | 308 | $2,912 | $996,424 | 8 | |
| Feb 19, 2016 | 25 | $564,575 | -37% | 275 | $2,053 | $1,991,445 | 9 |
| Feb 26, 2016 | 28 | $360,506 | -36% | 212 | $1,701 | $2,580,939 | 10 |
| Mar 4, 2016 | 31 | $228,617 | -37% | 150 | $1,524 | $2,971,046 | 11 |
| Mar 11, 2016 | 31 | $177,832 | -22% | 151 | $1,178 | $3,263,766 | 12 |
| Mar 18, 2016 | 42 | $110,979 | -38% | 110 | $1,009 | $3,464,452 | 13 |
| Mar 25, 2016 | 34 | $68,220 | -39% | 68 | $1,003 | $3,603,340 | 14 |
| Apr 1, 2016 | 43 | $55,750 | -18% | 63 | $885 | $3,700,900 | 15 |
| Apr 8, 2016 | 47 | $35,166 | -37% | 51 | $690 | $3,768,788 | 16 |
| Apr 15, 2016 | 62 | $11,813 | -66% | 23 | $514 | $3,801,054 | 17 |
| Apr 22, 2016 | 72 | $5,346 | -55% | 15 | $356 | $3,820,195 | 18 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | - | $250,000 | 308 | $812 | $250,000 | 52 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | 19 | $1,426,870 | 308 | $4,633 | $1,426,870 | 9 | |
| Feb 19, 2016 | 25 | $793,563 | -44% | 275 | $2,886 | $2,220,433 | 10 |
| Feb 26, 2016 | 27 | $521,996 | -34% | 212 | $2,462 | $2,742,429 | 11 |
| Mar 4, 2016 | 30 | $343,505 | -34% | 150 | $2,290 | $3,085,934 | 12 |
| Mar 11, 2016 | 33 | $267,539 | -22% | 151 | $1,772 | $3,353,473 | 13 |
| Mar 18, 2016 | 39 | $181,847 | -32% | 110 | $1,653 | $3,535,120 | 14 |
| Mar 25, 2016 | 36 | $110,030 | -39% | 68 | $1,618 | $3,645,150 | 15 |
| Apr 1, 2016 | 42 | $88,472 | -20% | 63 | $1,404 | $3,733,622 | 16 |
| Apr 8, 2016 | 47 | $55,619 | -37% | 51 | $1,091 | $3,789,241 | 17 |
| Apr 15, 2016 | 57 | $25,608 | -54% | 23 | $1,113 | $3,814,849 | 18 |
| Apr 22, 2016 | 68 | $12,412 | -52% | 15 | $827 | $3,827,261 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/21/2016 | $15,013 | 27 | 27 | 27 | $19,149 | 11/30/2018 | |||
| Australia | 4/8/2016 | $39,186 | 16 | 17 | 77 | $136,276 | 6/9/2016 | |||
| Austria | 2/25/2016 | $6,757 | 13 | 13 | 30 | $18,605 | 6/9/2016 | |||
| Finland | 4/15/2016 | $12,504 | 33 | 33 | 33 | $12,504 | 6/9/2016 | |||
| France | 9/16/2016 | $104,329 | 0 | 0 | 0 | $104,329 | 8/17/2018 | |||
| Germany | 2/25/2016 | $55,269 | 128 | 128 | 177 | $95,242 | 6/9/2016 | |||
| New Zealand | 5/20/2016 | $9,862 | 9 | 12 | 31 | $34,346 | 6/9/2016 | |||
| Norway | 4/15/2016 | $18,698 | 74 | 74 | 74 | $18,698 | 6/9/2016 | |||
| Portugal | 6/17/2016 | $4,938 | 11 | 11 | 25 | $15,160 | 7/14/2016 | |||
| Russia (CIS) | 11/4/2016 | $3,100 | 40 | 40 | 65 | $6,133 | 11/14/2018 | |||
| Slovenia | 9/30/2016 | $2,124 | 8 | 8 | 24 | $7,091 | 11/7/2016 | |||
| South Korea | 9/7/2016 | $18,874 | 32 | 32 | 112 | $146,645 | 4/24/2018 | |||
| Spain | 5/27/2016 | $12,740 | 23 | 23 | 52 | $33,562 | 6/16/2016 | |||
| Turkey | 7/15/2016 | $1,604 | 0 | 0 | 0 | $7,063 | 12/31/2018 | |||
| United Kingdom | 6/10/2016 | $122,623 | 127 | 127 | 127 | $122,623 | 6/22/2016 | |||
| International Total | $777,426 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Narrator
| Michael Moore | Narrator |
Inverviewee
| Krista Kiuru | Herself | |
| Tim Walker | Himself |
Production and Technical Credits
| Michael Moore | Director | |
| Michael Moore | Screenwriter | |
| Michael Moore | Producer | |
| Tia Lessin | Producer | |
| Carl Deal | Producer | |
| Mark Shapiro | Executive Producer | |
| Will Staeger | Executive Producer | |
| Rod Brileson | Executive Producer | |
| Pablo Proenza | Editor | |
| T. Woody Richman | Editor | |
| Tyler H. Walk | Editor | |
| Richard Rowley | Director of Photography | |
| Jayme Roy | Director of Photography | |
| Christine Fall | Producer-Archival Producer | |
| Tierney Bonini | Producer-Field Producer | |
| Adriane Giebel | Producer-Field Producer | |
| Nicky Lazar | Producer-Field Producer | |
| Francisco Latorre | Sound Mixer | |
| Hilary Stewart | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Michael Moore, playing the role of “invader,” visits a host of nations to learn how the U.S. could improve its own prospects.
Metrics
| Opening Weekend: | $897,034 (23.4% of total gross) |
| Legs: | 4.27 (domestic box office/biggest weekend) |
| Domestic Share: | 83.1% (domestic box office/worldwide) |
| Theater counts: | 308 opening theaters/308 max. theaters, 4.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,291,798 |
Movie Details
| Domestic Releases: | December 23rd, 2015 (Oscar Qualifying Run) by Drafthouse Films February 12th, 2016 (Limited) by Drafthouse Films |
| International Releases: | February 25th, 2016 (Wide) (Germany)
February 25th, 2016 (Wide) (Austria) April 8th, 2016 (Wide), released as Where To Invade Next (Australia) April 15th, 2016 (Wide) (Finland) April 15th, 2016 (Wide) (Norway) ... Show all releases |
| Video Release: | April 29th, 2016 by Anchor Bay Home Entertainment |
| MPA Rating: | R for language, some violent images, drug use and brief graphic nudity. (Rating bulletin 2399 (Cert #50110), 11/11/2015) |
| Running Time: | 115 minutes |
| Cast, crew, or production detail: | Agitprop, Directing Yourself, Voiceover/Narration |
| Geographical setting: | Finland, France, Italy, Norway, Portugal |
| Plot point: | Political, Travelogue |
| Subgenre: | Political Documentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | North End Films, IMG Films, Dog Eat Dog |
| Production Countries: | United States |
| Languages: | English, Italian, French, German, Finnish, Norwegian, Portuguese, Arabic |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | 19 | $897,034 | 308 | $2,912 | $996,424 | 8 | |
| Feb 19, 2016 | 25 | $564,575 | -37% | 275 | $2,053 | $1,991,445 | 9 |
| Feb 26, 2016 | 28 | $360,506 | -36% | 212 | $1,701 | $2,580,939 | 10 |
| Mar 4, 2016 | 31 | $228,617 | -37% | 150 | $1,524 | $2,971,046 | 11 |
| Mar 11, 2016 | 31 | $177,832 | -22% | 151 | $1,178 | $3,263,766 | 12 |
| Mar 18, 2016 | 42 | $110,979 | -38% | 110 | $1,009 | $3,464,452 | 13 |
| Mar 25, 2016 | 34 | $68,220 | -39% | 68 | $1,003 | $3,603,340 | 14 |
| Apr 1, 2016 | 43 | $55,750 | -18% | 63 | $885 | $3,700,900 | 15 |
| Apr 8, 2016 | 47 | $35,166 | -37% | 51 | $690 | $3,768,788 | 16 |
| Apr 15, 2016 | 62 | $11,813 | -66% | 23 | $514 | $3,801,054 | 17 |
| Apr 22, 2016 | 72 | $5,346 | -55% | 15 | $356 | $3,820,195 | 18 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | - | $250,000 | 308 | $812 | $250,000 | 52 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2016 | 19 | $1,426,870 | 308 | $4,633 | $1,426,870 | 9 | |
| Feb 19, 2016 | 25 | $793,563 | -44% | 275 | $2,886 | $2,220,433 | 10 |
| Feb 26, 2016 | 27 | $521,996 | -34% | 212 | $2,462 | $2,742,429 | 11 |
| Mar 4, 2016 | 30 | $343,505 | -34% | 150 | $2,290 | $3,085,934 | 12 |
| Mar 11, 2016 | 33 | $267,539 | -22% | 151 | $1,772 | $3,353,473 | 13 |
| Mar 18, 2016 | 39 | $181,847 | -32% | 110 | $1,653 | $3,535,120 | 14 |
| Mar 25, 2016 | 36 | $110,030 | -39% | 68 | $1,618 | $3,645,150 | 15 |
| Apr 1, 2016 | 42 | $88,472 | -20% | 63 | $1,404 | $3,733,622 | 16 |
| Apr 8, 2016 | 47 | $55,619 | -37% | 51 | $1,091 | $3,789,241 | 17 |
| Apr 15, 2016 | 57 | $25,608 | -54% | 23 | $1,113 | $3,814,849 | 18 |
| Apr 22, 2016 | 68 | $12,412 | -52% | 15 | $827 | $3,827,261 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/21/2016 | $15,013 | 27 | 27 | 27 | $19,149 | 11/30/2018 | |||
| Australia | 4/8/2016 | $39,186 | 16 | 17 | 77 | $136,276 | 6/9/2016 | |||
| Austria | 2/25/2016 | $6,757 | 13 | 13 | 30 | $18,605 | 6/9/2016 | |||
| Finland | 4/15/2016 | $12,504 | 33 | 33 | 33 | $12,504 | 6/9/2016 | |||
| France | 9/16/2016 | $104,329 | 0 | 0 | 0 | $104,329 | 8/17/2018 | |||
| Germany | 2/25/2016 | $55,269 | 128 | 128 | 177 | $95,242 | 6/9/2016 | |||
| New Zealand | 5/20/2016 | $9,862 | 9 | 12 | 31 | $34,346 | 6/9/2016 | |||
| Norway | 4/15/2016 | $18,698 | 74 | 74 | 74 | $18,698 | 6/9/2016 | |||
| Portugal | 6/17/2016 | $4,938 | 11 | 11 | 25 | $15,160 | 7/14/2016 | |||
| Russia (CIS) | 11/4/2016 | $3,100 | 40 | 40 | 65 | $6,133 | 11/14/2018 | |||
| Slovenia | 9/30/2016 | $2,124 | 8 | 8 | 24 | $7,091 | 11/7/2016 | |||
| South Korea | 9/7/2016 | $18,874 | 32 | 32 | 112 | $146,645 | 4/24/2018 | |||
| Spain | 5/27/2016 | $12,740 | 23 | 23 | 52 | $33,562 | 6/16/2016 | |||
| Turkey | 7/15/2016 | $1,604 | 0 | 0 | 0 | $7,063 | 12/31/2018 | |||
| United Kingdom | 6/10/2016 | $122,623 | 127 | 127 | 127 | $122,623 | 6/22/2016 | |||
| International Total | $777,426 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Narrator
| Michael Moore | Narrator |
Inverviewee
| Krista Kiuru | Herself | |
| Tim Walker | Himself |
Production and Technical Credits
| Michael Moore | Director | |
| Michael Moore | Screenwriter | |
| Michael Moore | Producer | |
| Tia Lessin | Producer | |
| Carl Deal | Producer | |
| Mark Shapiro | Executive Producer | |
| Will Staeger | Executive Producer | |
| Rod Brileson | Executive Producer | |
| Pablo Proenza | Editor | |
| T. Woody Richman | Editor | |
| Tyler H. Walk | Editor | |
| Richard Rowley | Director of Photography | |
| Jayme Roy | Director of Photography | |
| Christine Fall | Producer-Archival Producer | |
| Tierney Bonini | Producer-Field Producer | |
| Adriane Giebel | Producer-Field Producer | |
| Nicky Lazar | Producer-Field Producer | |
| Francisco Latorre | Sound Mixer | |
| Hilary Stewart | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.