Where’s My Roy Cohn? (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $704,780 | Details |
| International Box Office | $17,329 | Details |
| Worldwide Box Office | $722,109 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $92,353 | |
| Total | $92,353 | |
| OpusData ID: 396360100 More info... | ||
| Further financial details... | ||
Synopsis
One of the most controversial and influential American men of the 20th Century, Roy Cohn was a ruthless and unscrupulous lawyer and political power broker whose 28-year career ranged from acting as chief counsel to Senator Joseph McCarthy’s Communist-hunting subcommittee to molding the career of a young Queens real estate developer named Donald Trump.
Metrics
| Opening Weekend: | $41,202 (5.8% of total gross) |
| Legs: | 7.68 (domestic box office/biggest weekend) |
| Domestic Share: | 97.6% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/66 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $920,214 |
Movie Details
| Domestic Releases: | September 20th, 2019 (Limited) by Sony Pictures Classics |
| International Releases: | December 5th, 2019 (Wide) (Australia) |
| Video Release: | December 17th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for thematic content, some sexual material and violent images (Rating bulletin 2581 (Cert #52248), 6/5/2019) |
| Running Time: | 97 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Sony Pictures Classics, Altimeter Films, Concordia Studio, Wavelength Films, The Fertel Foundation |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 20, 2019 | 36 | $41,202 | 4 | $10,301 | $41,202 | 1 | |
| Sep 27, 2019 | 32 | $54,011 | +31% | 12 | $4,501 | $114,735 | 2 |
| Oct 4, 2019 | 31 | $79,777 | +48% | 26 | $3,068 | $222,174 | 3 |
| Oct 11, 2019 | 29 | $91,750 | +15% | 57 | $1,610 | $351,409 | 4 |
| Oct 18, 2019 | 31 | $89,959 | -2% | 66 | $1,363 | $487,192 | 5 |
| Oct 25, 2019 | 37 | $50,600 | -44% | 51 | $992 | $581,244 | 6 |
| Nov 1, 2019 | 35 | $32,542 | -36% | 64 | $508 | $642,437 | 7 |
| Nov 8, 2019 | 45 | $16,546 | -49% | 30 | $552 | $674,629 | 8 |
| Nov 15, 2019 | 56 | $5,259 | -68% | 19 | $277 | $688,557 | 9 |
| Nov 22, 2019 | 64 | $1,955 | -63% | 5 | $391 | $693,449 | 10 |
| Nov 29, 2019 | 58 | $3,914 | +100% | 5 | $783 | $697,730 | 11 |
| Dec 6, 2019 | 71 | $998 | -75% | 3 | $333 | $701,529 | 12 |
| Dec 13, 2019 | 70 | $1,235 | +24% | 5 | $247 | $703,385 | 13 |
| Dec 20, 2019 | 60 | $921 | -25% | 2 | $461 | $704,780 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 20, 2019 | 39 | $60,724 | 4 | $15,181 | $60,724 | 1 | |
| Sep 27, 2019 | 38 | $81,673 | +34% | 12 | $6,806 | $142,397 | 2 |
| Oct 4, 2019 | 30 | $117,262 | +44% | 26 | $4,510 | $259,659 | 3 |
| Oct 11, 2019 | 27 | $137,574 | +17% | 57 | $2,414 | $397,233 | 4 |
| Oct 18, 2019 | 27 | $133,411 | -3% | 66 | $2,021 | $530,644 | 5 |
| Oct 25, 2019 | 35 | $79,251 | -41% | 51 | $1,554 | $609,895 | 6 |
| Nov 1, 2019 | 37 | $48,188 | -39% | 64 | $753 | $658,083 | 7 |
| Nov 8, 2019 | 45 | $25,215 | -48% | 30 | $841 | $683,298 | 8 |
| Nov 15, 2019 | 58 | $8,196 | -67% | 19 | $431 | $691,494 | 9 |
| Nov 22, 2019 | 70 | $2,322 | -72% | 5 | $464 | $693,816 | 10 |
| Nov 29, 2019 | 56 | $6,715 | +189% | 5 | $1,343 | $700,531 | 11 |
| Dec 6, 2019 | 72 | $1,619 | -76% | 3 | $540 | $702,150 | 12 |
| Dec 13, 2019 | 68 | $1,709 | +6% | 5 | $342 | $703,859 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/5/2019 | $2,253 | 2 | 2 | 10 | $17,329 | 1/22/2020 | |||
| International Total | $17,329 | 1/22/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Roy Cohn | Himself |
Inverviewee
| Roger Stone | Himself | |
| Ken Auletta | Himself | |
| Liz Smith | Herself | |
| Anne Roiphe | Herself | |
| David Cay Johnston | Himself | |
| Jim Zirin | Himself | |
| Marie Brenner | Herself | |
| Jason Epstein | Himself | |
| John Vassalo | Himself |
Production and Technical Credits
| Matt Tyrnauer | Director | |
| Matt Tyrnauer | Producer | |
| Corey Reeser | Producer | |
| Marie Brenner | Producer | |
| Joyce Deep | Producer | |
| Andrea Lewis | Producer | |
| Andrea Lewis | Editor | |
| Tom Maroney | Co-Editor | |
| Lorne Balfe | Composer | |
| Liz Gallacher | Music Supervisor | |
| Davis Guggenheim | Executive Producer | |
| Jonathan Silberberg | Executive Producer | |
| Nicole Stott | Executive Producer | |
| Shannon Dill | Executive Producer | |
| Jenifer Westphal | Executive Producer | |
| Joe Plummer | Executive Producer | |
| Lyn Davis Lear | Executive Producer | |
| John Boccardo | Executive Producer | |
| Derek Esplin | Executive Producer | |
| Ernest H. Pomerantz | Executive Producer | |
| Lynn Pincus | Executive Producer | |
| Elliott Sernel | Executive Producer | |
| Andrea Van Beuren | Executive Producer | |
| Nion McEvoy | Co-Executive Producer | |
| Leslie Berriman | Co-Executive Producer | |
| Blaine Vess | Co-Producer | |
| Andrew Tobias | Co-Producer | |
| Randy Fertel | Co-Producer | |
| Jamie Wolf | Co-Producer | |
| Graham High | Co-Producer | |
| Alison Schnapp | Co-Producer | |
| Micah Baskir | Co-Producer | |
| Bridget Deely | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
One of the most controversial and influential American men of the 20th Century, Roy Cohn was a ruthless and unscrupulous lawyer and political power broker whose 28-year career ranged from acting as chief counsel to Senator Joseph McCarthy’s Communist-hunting subcommittee to molding the career of a young Queens real estate developer named Donald Trump.
Metrics
| Opening Weekend: | $41,202 (5.8% of total gross) |
| Legs: | 7.68 (domestic box office/biggest weekend) |
| Domestic Share: | 97.6% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/66 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $920,214 |
Movie Details
| Domestic Releases: | September 20th, 2019 (Limited) by Sony Pictures Classics |
| International Releases: | December 5th, 2019 (Wide) (Australia) |
| Video Release: | December 17th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for thematic content, some sexual material and violent images (Rating bulletin 2581 (Cert #52248), 6/5/2019) |
| Running Time: | 97 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Sony Pictures Classics, Altimeter Films, Concordia Studio, Wavelength Films, The Fertel Foundation |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 20, 2019 | 36 | $41,202 | 4 | $10,301 | $41,202 | 1 | |
| Sep 27, 2019 | 32 | $54,011 | +31% | 12 | $4,501 | $114,735 | 2 |
| Oct 4, 2019 | 31 | $79,777 | +48% | 26 | $3,068 | $222,174 | 3 |
| Oct 11, 2019 | 29 | $91,750 | +15% | 57 | $1,610 | $351,409 | 4 |
| Oct 18, 2019 | 31 | $89,959 | -2% | 66 | $1,363 | $487,192 | 5 |
| Oct 25, 2019 | 37 | $50,600 | -44% | 51 | $992 | $581,244 | 6 |
| Nov 1, 2019 | 35 | $32,542 | -36% | 64 | $508 | $642,437 | 7 |
| Nov 8, 2019 | 45 | $16,546 | -49% | 30 | $552 | $674,629 | 8 |
| Nov 15, 2019 | 56 | $5,259 | -68% | 19 | $277 | $688,557 | 9 |
| Nov 22, 2019 | 64 | $1,955 | -63% | 5 | $391 | $693,449 | 10 |
| Nov 29, 2019 | 58 | $3,914 | +100% | 5 | $783 | $697,730 | 11 |
| Dec 6, 2019 | 71 | $998 | -75% | 3 | $333 | $701,529 | 12 |
| Dec 13, 2019 | 70 | $1,235 | +24% | 5 | $247 | $703,385 | 13 |
| Dec 20, 2019 | 60 | $921 | -25% | 2 | $461 | $704,780 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 20, 2019 | 39 | $60,724 | 4 | $15,181 | $60,724 | 1 | |
| Sep 27, 2019 | 38 | $81,673 | +34% | 12 | $6,806 | $142,397 | 2 |
| Oct 4, 2019 | 30 | $117,262 | +44% | 26 | $4,510 | $259,659 | 3 |
| Oct 11, 2019 | 27 | $137,574 | +17% | 57 | $2,414 | $397,233 | 4 |
| Oct 18, 2019 | 27 | $133,411 | -3% | 66 | $2,021 | $530,644 | 5 |
| Oct 25, 2019 | 35 | $79,251 | -41% | 51 | $1,554 | $609,895 | 6 |
| Nov 1, 2019 | 37 | $48,188 | -39% | 64 | $753 | $658,083 | 7 |
| Nov 8, 2019 | 45 | $25,215 | -48% | 30 | $841 | $683,298 | 8 |
| Nov 15, 2019 | 58 | $8,196 | -67% | 19 | $431 | $691,494 | 9 |
| Nov 22, 2019 | 70 | $2,322 | -72% | 5 | $464 | $693,816 | 10 |
| Nov 29, 2019 | 56 | $6,715 | +189% | 5 | $1,343 | $700,531 | 11 |
| Dec 6, 2019 | 72 | $1,619 | -76% | 3 | $540 | $702,150 | 12 |
| Dec 13, 2019 | 68 | $1,709 | +6% | 5 | $342 | $703,859 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/5/2019 | $2,253 | 2 | 2 | 10 | $17,329 | 1/22/2020 | |||
| International Total | $17,329 | 1/22/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Roy Cohn | Himself |
Inverviewee
| Roger Stone | Himself | |
| Ken Auletta | Himself | |
| Liz Smith | Herself | |
| Anne Roiphe | Herself | |
| David Cay Johnston | Himself | |
| Jim Zirin | Himself | |
| Marie Brenner | Herself | |
| Jason Epstein | Himself | |
| John Vassalo | Himself |
Production and Technical Credits
| Matt Tyrnauer | Director | |
| Matt Tyrnauer | Producer | |
| Corey Reeser | Producer | |
| Marie Brenner | Producer | |
| Joyce Deep | Producer | |
| Andrea Lewis | Producer | |
| Andrea Lewis | Editor | |
| Tom Maroney | Co-Editor | |
| Lorne Balfe | Composer | |
| Liz Gallacher | Music Supervisor | |
| Davis Guggenheim | Executive Producer | |
| Jonathan Silberberg | Executive Producer | |
| Nicole Stott | Executive Producer | |
| Shannon Dill | Executive Producer | |
| Jenifer Westphal | Executive Producer | |
| Joe Plummer | Executive Producer | |
| Lyn Davis Lear | Executive Producer | |
| John Boccardo | Executive Producer | |
| Derek Esplin | Executive Producer | |
| Ernest H. Pomerantz | Executive Producer | |
| Lynn Pincus | Executive Producer | |
| Elliott Sernel | Executive Producer | |
| Andrea Van Beuren | Executive Producer | |
| Nion McEvoy | Co-Executive Producer | |
| Leslie Berriman | Co-Executive Producer | |
| Blaine Vess | Co-Producer | |
| Andrew Tobias | Co-Producer | |
| Randy Fertel | Co-Producer | |
| Jamie Wolf | Co-Producer | |
| Graham High | Co-Producer | |
| Alison Schnapp | Co-Producer | |
| Micah Baskir | Co-Producer | |
| Bridget Deely | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.