White Boy Rick (2018)
| Theatrical Performance | ||
| Domestic Box Office | $24,004,833 | Details |
| International Box Office | $1,943,150 | Details |
| Worldwide Box Office | $25,947,983 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,733,094 | |
| Blu-ray Sales (estimated) | $991,727 | |
| Total | $2,724,821 | |
| OpusData ID: 229660100 More info... | ||
| Further financial details... | ||
Synopsis
Set in 1980s Detroit at the height of the crack epidemic and the War on Drugs, WHITE BOY RICK is based on the moving true story of a blue-collar father and his teenage son, Rick Wershe, who became an undercover police informant and later a drug dealer, before he was abandoned by his handlers and sentenced to life in prison.
Metrics
| Opening Weekend: | $8,860,431 (36.9% of total gross) |
| Legs: | 2.71 (domestic box office/biggest weekend) |
| Domestic Share: | 92.5% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 2,504 opening theaters/2,504 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,514,576 |
Movie Details
| Domestic Releases: | September 14th, 2018 (Wide) by Sony Pictures |
| International Releases: | December 7th, 2018 (Limited) (United Kingdom)
January 2nd, 2019 (Wide) (France) January 3rd, 2019 (Wide) (Netherlands) January 31st, 2019 (Wide) (Russia (CIS)) February 1st, 2019 (Wide) (Sweden) ... Show all releases |
| Video Release: | December 11th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language throughout, drug content, violence, some sexual references, and brief nudity. (Rating bulletin 2543 (Cert #51433), 9/5/2018) |
| Running Time: | 111 minutes |
| Plot point: | Biography, Drug Trafficking, Dysfunctional Family, Father’s Footsteps, FBI, Gunrunner, Narcotics |
| Social setting: | Hood Film, Organized Crime |
| Subgenre: | Crime Drama |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Protozoa Pictures, Studio 8, LBI Entertainment, Columbia Pictures, Le Grisbi |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 4 | $8,860,431 | 2,504 | $3,539 | $8,860,431 | 1 | |
| Sep 21, 2018 | 6 | $4,857,655 | -45% | 2,504 | $1,940 | $17,268,023 | 2 |
| Sep 28, 2018 | 9 | $2,402,240 | -51% | 2,017 | $1,191 | $21,732,021 | 3 |
| Oct 5, 2018 | 11 | $603,341 | -75% | 880 | $686 | $23,351,427 | 4 |
| Oct 12, 2018 | 26 | $156,363 | -74% | 190 | $823 | $23,851,700 | 5 |
| Oct 19, 2018 | 42 | $24,388 | -84% | 57 | $428 | $23,937,154 | 6 |
| Oct 26, 2018 | 46 | $28,415 | +17% | 64 | $444 | $23,977,154 | 7 |
| Nov 2, 2018 | 56 | $12,331 | -57% | 38 | $325 | $24,004,833 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 13, 2018 | P | $575,000 | 2,176 | $264 | $575,000 | |||
| Sep 14, 2018 | 4 | $3,469,034 | 2,504 | $1,385 | $3,469,034 | 1 | ||
| Sep 15, 2018 | 5 | $3,159,662 | -9% | 2,504 | $1,262 | $6,628,696 | 2 | |
| Sep 16, 2018 | 5 | $2,231,735 | -29% | 2,504 | $891 | $8,860,431 | 3 | |
| Sep 17, 2018 | 4 | $823,107 | -63% | 2,504 | $329 | $9,683,538 | 4 | |
| Sep 18, 2018 | 4 | $1,208,027 | +47% | 2,504 | $482 | $10,891,565 | 5 | |
| Sep 19, 2018 | 5 | $853,320 | -29% | 2,504 | $341 | $11,744,885 | 6 | |
| Sep 20, 2018 | 5 | $665,483 | -22% | 2,504 | $266 | $12,410,368 | 7 | |
| Sep 21, 2018 | 6 | $1,482,444 | +123% | -57% | 2,504 | $592 | $13,892,812 | 8 |
| Sep 22, 2018 | 6 | $2,111,906 | +42% | -33% | 2,504 | $843 | $16,004,718 | 9 |
| Sep 23, 2018 | 6 | $1,263,305 | -40% | -43% | 2,504 | $505 | $17,268,023 | 10 |
| Sep 24, 2018 | 6 | $470,524 | -63% | -43% | 2,504 | $188 | $17,738,547 | 11 |
| Sep 25, 2018 | 7 | $747,338 | +59% | -38% | 2,504 | $298 | $18,485,885 | 12 |
| Sep 26, 2018 | 6 | $515,703 | -31% | -40% | 2,504 | $206 | $19,001,588 | 13 |
| Sep 27, 2018 | 7 | $328,193 | -36% | -51% | 2,504 | $131 | $19,329,781 | 14 |
| Sep 28, 2018 | 9 | $725,720 | +121% | -51% | 2,017 | $360 | $20,055,501 | 15 |
| Sep 29, 2018 | 10 | $1,042,849 | +44% | -51% | 2,017 | $517 | $21,098,350 | 16 |
| Sep 30, 2018 | 9 | $633,671 | -39% | -50% | 2,017 | $314 | $21,732,021 | 17 |
| Oct 1, 2018 | 9 | $245,088 | -61% | -48% | 2,017 | $122 | $21,977,109 | 18 |
| Oct 2, 2018 | 10 | $367,344 | +50% | -51% | 2,017 | $182 | $22,344,453 | 19 |
| Oct 3, 2018 | 9 | $235,817 | -36% | -54% | 2,017 | $117 | $22,580,270 | 20 |
| Oct 4, 2018 | 10 | $167,816 | -29% | -49% | 2,017 | $83 | $22,748,086 | 21 |
| Oct 5, 2018 | 12 | $187,106 | +11% | -74% | 880 | $213 | $22,935,192 | 22 |
| Oct 6, 2018 | 11 | $241,422 | +29% | -77% | 880 | $274 | $23,176,614 | 23 |
| Oct 7, 2018 | 11 | $174,813 | -28% | -72% | 880 | $199 | $23,351,427 | 24 |
| Oct 8, 2018 | 13 | $103,174 | -41% | -58% | 880 | $117 | $23,454,601 | 25 |
| Oct 9, 2018 | 11 | $100,194 | -3% | -73% | 880 | $114 | $23,554,795 | 26 |
| Oct 10, 2018 | 11 | $79,691 | -20% | -66% | 880 | $91 | $23,634,486 | 27 |
| Oct 11, 2018 | 13 | $60,851 | -24% | -64% | 880 | $69 | $23,695,337 | 28 |
| Oct 12, 2018 | - | $46,523 | -24% | -75% | 190 | $245 | $23,741,860 | 29 |
| Oct 13, 2018 | - | $73,009 | +57% | -70% | 190 | $384 | $23,814,869 | 30 |
| Oct 14, 2018 | - | $36,831 | -50% | -79% | 190 | $194 | $23,851,700 | 31 |
| Oct 15, 2018 | - | $16,875 | -54% | -84% | 190 | $89 | $23,868,575 | 32 |
| Oct 16, 2018 | - | $18,111 | +7% | -82% | 190 | $95 | $23,886,686 | 33 |
| Oct 17, 2018 | - | $14,457 | -20% | -82% | 190 | $76 | $23,901,143 | 34 |
| Oct 18, 2018 | - | $11,623 | -20% | -81% | 190 | $61 | $23,912,766 | 35 |
| Oct 19, 2018 | - | $8,026 | -31% | -83% | 57 | $141 | $23,920,792 | 36 |
| Oct 20, 2018 | - | $11,371 | +42% | -84% | 57 | $199 | $23,932,163 | 37 |
| Oct 21, 2018 | - | $4,991 | -56% | -86% | 57 | $88 | $23,937,154 | 38 |
| Oct 22, 2018 | - | $3,880 | -22% | -77% | 57 | $68 | $23,941,034 | 39 |
| Oct 23, 2018 | - | $2,994 | -23% | -83% | 57 | $53 | $23,944,028 | 40 |
| Oct 24, 2018 | - | $2,719 | -9% | -81% | 57 | $48 | $23,946,747 | 41 |
| Oct 25, 2018 | - | $1,992 | -27% | -83% | 57 | $35 | $23,948,739 | 42 |
| Oct 26, 2018 | - | $8,125 | +308% | +1% | 64 | $127 | $23,956,864 | 43 |
| Oct 27, 2018 | - | $12,259 | +51% | +8% | 64 | $192 | $23,969,123 | 44 |
| Oct 28, 2018 | - | $8,031 | -34% | +61% | 64 | $125 | $23,977,154 | 45 |
| Oct 29, 2018 | - | $3,862 | -52% | n/c | 64 | $60 | $23,981,016 | 46 |
| Oct 30, 2018 | - | $4,048 | +5% | +35% | 64 | $63 | $23,985,064 | 47 |
| Oct 31, 2018 | - | $3,787 | -6% | +39% | 64 | $59 | $23,988,851 | 48 |
| Nov 1, 2018 | - | $3,651 | -4% | +83% | 64 | $57 | $23,992,502 | 49 |
| Nov 2, 2018 | - | $3,598 | -1% | -56% | 38 | $95 | $23,996,100 | 50 |
| Nov 3, 2018 | - | $5,709 | +59% | -53% | 38 | $150 | $24,001,809 | 51 |
| Nov 4, 2018 | - | $3,024 | -47% | -62% | 38 | $80 | $24,004,833 | 52 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 4 | $12,410,368 | 2,504 | $4,956 | $12,410,368 | 1 | |
| Sep 21, 2018 | 6 | $6,919,413 | -44% | 2,504 | $2,763 | $19,329,781 | 2 |
| Sep 28, 2018 | 9 | $3,418,305 | -51% | 2,017 | $1,695 | $22,748,086 | 3 |
| Oct 5, 2018 | 11 | $947,251 | -72% | 880 | $1,076 | $23,695,337 | 4 |
| Oct 12, 2018 | 27 | $217,429 | -77% | 190 | $1,144 | $23,912,766 | 5 |
| Oct 19, 2018 | 43 | $35,973 | -83% | 57 | $631 | $23,948,739 | 6 |
| Oct 26, 2018 | 46 | $43,763 | +22% | 64 | $684 | $23,992,502 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 1/2/2019 | $380,207 | 115 | 115 | 226 | $570,717 | 1/16/2019 | |||
| Germany | 3/7/2019 | $20,263 | 101 | 101 | 151 | $109,791 | 4/2/2019 | |||
| Italy | 3/7/2019 | $198,137 | 0 | 89 | 105 | $379,374 | 5/23/2019 | |||
| Netherlands | 1/3/2019 | $168,047 | 52 | 53 | 215 | $484,691 | 2/20/2019 | |||
| Russia (CIS) | 1/31/2019 | $99,366 | 296 | 296 | 609 | $179,110 | 2/28/2019 | |||
| South Africa | 3/8/2019 | $0 | 0 | 6 | 8 | $10,349 | 3/26/2019 | |||
| Spain | 2/8/2019 | $5,151 | 14 | 14 | 19 | $8,971 | 2/20/2019 | |||
| Sweden | 2/1/2019 | $4,595 | 14 | 14 | 20 | $8,246 | 2/12/2019 | |||
| United Kingdom | 12/7/2018 | $38,361 | 103 | 103 | 141 | $81,828 | 4/4/2026 | |||
| Rest of World | $110,073 | |||||||||
| International Total | $1,943,150 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matthew McConaughey | Richard Wershe Sr. | |
| Richie Merritt | Richard Wershe Jr. |
Supporting
| Bel Powley | Dawn Wershe | |
| Jennifer Jason Leigh | FBI Agent Snyder | |
| Brian Tyree Henry | Officer Mel “Roach” Jackson | |
| Rory Cochrane | FBI Agent Byrd | |
| RJ Cyler | Rudell “Boo” Curry | |
| Jonathan Majors | Johnny “Lil Man” Curry | |
| Eddie Marsan | Art Derrick | |
| Taylour Paige | Cathy Volsan-Curry | |
| Bruce Dern | Grandpa Roman “Ray” Wershe | |
| Piper Laurie | Grandma Vera Wershe | |
| Raekwon Haynes | Edwin “Nugg” Crutcher | |
| IshDARR | “Freaky Steve” Roussell | |
| James Howard | Chief Homicide Inspector Hill | |
| Y. G. | Leo “Big Man” Curry | |
| Danny Brown | “Black Ed” Hanserd | |
| Kyanna Simone Simpson | Brenda Moore | |
| Morerice Thornton | Jamil Cannon | |
| Isaiah Ali | Demetrius Johnson | |
| E’ Xavion Walker | Clarence Bishop | |
| Lawrence Adimora | Tyler Finney | |
| Alan Bomar Jones | Willie Volsan | |
| Art Terry | Mayor Coleman Young | |
| Santos Velasquez | FBI Agent Crespo | |
| Heidi Sulzman | Blonde Gun Buyer | |
| LaShawn Little | Leon Lucas | |
| Ronald Williams Jr | Frankie Lucas | |
| Anthony Woods | Damian Lucas | |
| James Shinkle | William Bufalino Jr. | |
| Lauren Ashley Berry | Caesar’s Ticket Lady | |
| Peter Lawson Jones | Judge Thomas Jackson | |
| Jim Yost | Policeman | |
| Brad Carter | Gun Show Dealer Bob | |
| Meg Rasmussen | Gun Show Annie | |
| Carmen Gangale | Juror Foreman | |
| Pamela Morton | Juror #1 | |
| Cassandra Collier-Williams | Juror #2 | |
| Michael Smith | Juror #3 | |
| William Bower | Juror #4 | |
| Jerrod Primm | Crack House Doorman | |
| David Lozada | Corrections Officer | |
| Jerry Slomka | Guard | |
| DeVito Parker Jr | Marcus | |
| Velma Booker | Mrs. Angela | |
| Donald Scruggs III | TJ | |
| Joe Gallipoli | Sheriff | |
| Ahmed Thomas | Isaac “Doc” Mueller | |
| Leigh Kilton Smith | Ginger | |
| Donald White | Jimmy Harris |
Production and Technical Credits
| Yann Demange | Director | |
| Logan Miller | Screenwriter | |
| Noah Miller | Screenwriter | |
| Andy Weiss | Screenwriter | |
| John Lesher | Producer | |
| Darren Aronofsky | Producer | |
| Jeff Robinov | Producer | |
| Georgia Kacandes | Executive Producer | |
| Matthew Krul | Executive Producer | |
| Ari Handel | Executive Producer | |
| Michael J. Weiss | Executive Producer | |
| Christopher Mallick | Executive Producer | |
| Logan Miller | Executive Producer | |
| Noah Miller | Executive Producer | |
| Tat Radcliffe | Director of Photography | |
| Stefania Cella | Production Designer | |
| Chris Wyatt | Editor | |
| Georgia Kacandes | Unit Production Manager | |
| Thomas Patrick Smith | First Assistant Director | |
| Robert E. Kay | Second Assistant Director | |
| Dan Rodgers | Music Supervisor | |
| Thomas Patrick Smith | Associate Producer | |
| Marie Nguyen | Associate Producer | |
| Sean Murphy | Associate Producer | |
| Nathan Kelly | Production Supervisor | |
| Michael Arnold | Choreography | |
| Ele Bardha | Stunt Coordinator | |
| Mark Norby | Stunt Coordinator | |
| Audra Avery | Supervising Art Director | |
| Bryan Felty | Art Director | |
| Jon Bush | Set Decorator | |
| Scott Peterson | Script Supervisor | |
| Steffany Bernstein-Pratt | Costume Supervisor | |
| Brian B. Badie | Hairstylist | |
| Anita Gibson | Make up | |
| Adrien Morot | Special Make-up Effects | |
| Willie D. Burton | Sound Mixer | |
| William Dawson | Special Effects Supervisor | |
| Charles Harrington* | Supervising Location Manager | |
| Gregory Chiodo | Location Manager | |
| Geza Kassai | Set Designer | |
| Josh Sheppard | Story Artist | |
| Jeff Robinson | Post-Production Supervisor | |
| Michael Fleming | Assistant Editor | |
| Patrick Shewmaker | Assistant Editor | |
| Christopher S. Aud | Supervising Sound Editor | |
| Michael Barry | Re-recording Mixer | |
| Jeremy Peirson | Re-recording Mixer | |
| Aaron Glascock | Supervising Sound Editor | |
| Michael Feuser | Dialogue Editor | |
| Eliza Paley | Dialogue Editor | |
| Matthew Haasch | Foley Editor | |
| Igor Nikolic | Foley Editor | |
| Micah Bliachman | Foley Mixer | |
| Nancy Allen | Supervising Music Editor | |
| Jonathan Schultz | Music Editor | |
| Rupert Coulson | Score Recordist | |
| Rupert Coulson | Score Mixer | |
| Jacob Slutsky | Visual Effects Supervisor | |
| Tom Bussell | Visual Effects Supervisor | |
| Charlotte Arnold | Visual Effects Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set in 1980s Detroit at the height of the crack epidemic and the War on Drugs, WHITE BOY RICK is based on the moving true story of a blue-collar father and his teenage son, Rick Wershe, who became an undercover police informant and later a drug dealer, before he was abandoned by his handlers and sentenced to life in prison.
Metrics
| Opening Weekend: | $8,860,431 (36.9% of total gross) |
| Legs: | 2.71 (domestic box office/biggest weekend) |
| Domestic Share: | 92.5% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 2,504 opening theaters/2,504 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,514,576 |
Movie Details
| Domestic Releases: | September 14th, 2018 (Wide) by Sony Pictures |
| International Releases: | December 7th, 2018 (Limited) (United Kingdom)
January 2nd, 2019 (Wide) (France) January 3rd, 2019 (Wide) (Netherlands) January 31st, 2019 (Wide) (Russia (CIS)) February 1st, 2019 (Wide) (Sweden) ... Show all releases |
| Video Release: | December 11th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language throughout, drug content, violence, some sexual references, and brief nudity. (Rating bulletin 2543 (Cert #51433), 9/5/2018) |
| Running Time: | 111 minutes |
| Plot point: | Biography, Drug Trafficking, Dysfunctional Family, Father’s Footsteps, FBI, Gunrunner, Narcotics |
| Social setting: | Hood Film, Organized Crime |
| Subgenre: | Crime Drama |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Protozoa Pictures, Studio 8, LBI Entertainment, Columbia Pictures, Le Grisbi |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 4 | $8,860,431 | 2,504 | $3,539 | $8,860,431 | 1 | |
| Sep 21, 2018 | 6 | $4,857,655 | -45% | 2,504 | $1,940 | $17,268,023 | 2 |
| Sep 28, 2018 | 9 | $2,402,240 | -51% | 2,017 | $1,191 | $21,732,021 | 3 |
| Oct 5, 2018 | 11 | $603,341 | -75% | 880 | $686 | $23,351,427 | 4 |
| Oct 12, 2018 | 26 | $156,363 | -74% | 190 | $823 | $23,851,700 | 5 |
| Oct 19, 2018 | 42 | $24,388 | -84% | 57 | $428 | $23,937,154 | 6 |
| Oct 26, 2018 | 46 | $28,415 | +17% | 64 | $444 | $23,977,154 | 7 |
| Nov 2, 2018 | 56 | $12,331 | -57% | 38 | $325 | $24,004,833 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 13, 2018 | P | $575,000 | 2,176 | $264 | $575,000 | |||
| Sep 14, 2018 | 4 | $3,469,034 | 2,504 | $1,385 | $3,469,034 | 1 | ||
| Sep 15, 2018 | 5 | $3,159,662 | -9% | 2,504 | $1,262 | $6,628,696 | 2 | |
| Sep 16, 2018 | 5 | $2,231,735 | -29% | 2,504 | $891 | $8,860,431 | 3 | |
| Sep 17, 2018 | 4 | $823,107 | -63% | 2,504 | $329 | $9,683,538 | 4 | |
| Sep 18, 2018 | 4 | $1,208,027 | +47% | 2,504 | $482 | $10,891,565 | 5 | |
| Sep 19, 2018 | 5 | $853,320 | -29% | 2,504 | $341 | $11,744,885 | 6 | |
| Sep 20, 2018 | 5 | $665,483 | -22% | 2,504 | $266 | $12,410,368 | 7 | |
| Sep 21, 2018 | 6 | $1,482,444 | +123% | -57% | 2,504 | $592 | $13,892,812 | 8 |
| Sep 22, 2018 | 6 | $2,111,906 | +42% | -33% | 2,504 | $843 | $16,004,718 | 9 |
| Sep 23, 2018 | 6 | $1,263,305 | -40% | -43% | 2,504 | $505 | $17,268,023 | 10 |
| Sep 24, 2018 | 6 | $470,524 | -63% | -43% | 2,504 | $188 | $17,738,547 | 11 |
| Sep 25, 2018 | 7 | $747,338 | +59% | -38% | 2,504 | $298 | $18,485,885 | 12 |
| Sep 26, 2018 | 6 | $515,703 | -31% | -40% | 2,504 | $206 | $19,001,588 | 13 |
| Sep 27, 2018 | 7 | $328,193 | -36% | -51% | 2,504 | $131 | $19,329,781 | 14 |
| Sep 28, 2018 | 9 | $725,720 | +121% | -51% | 2,017 | $360 | $20,055,501 | 15 |
| Sep 29, 2018 | 10 | $1,042,849 | +44% | -51% | 2,017 | $517 | $21,098,350 | 16 |
| Sep 30, 2018 | 9 | $633,671 | -39% | -50% | 2,017 | $314 | $21,732,021 | 17 |
| Oct 1, 2018 | 9 | $245,088 | -61% | -48% | 2,017 | $122 | $21,977,109 | 18 |
| Oct 2, 2018 | 10 | $367,344 | +50% | -51% | 2,017 | $182 | $22,344,453 | 19 |
| Oct 3, 2018 | 9 | $235,817 | -36% | -54% | 2,017 | $117 | $22,580,270 | 20 |
| Oct 4, 2018 | 10 | $167,816 | -29% | -49% | 2,017 | $83 | $22,748,086 | 21 |
| Oct 5, 2018 | 12 | $187,106 | +11% | -74% | 880 | $213 | $22,935,192 | 22 |
| Oct 6, 2018 | 11 | $241,422 | +29% | -77% | 880 | $274 | $23,176,614 | 23 |
| Oct 7, 2018 | 11 | $174,813 | -28% | -72% | 880 | $199 | $23,351,427 | 24 |
| Oct 8, 2018 | 13 | $103,174 | -41% | -58% | 880 | $117 | $23,454,601 | 25 |
| Oct 9, 2018 | 11 | $100,194 | -3% | -73% | 880 | $114 | $23,554,795 | 26 |
| Oct 10, 2018 | 11 | $79,691 | -20% | -66% | 880 | $91 | $23,634,486 | 27 |
| Oct 11, 2018 | 13 | $60,851 | -24% | -64% | 880 | $69 | $23,695,337 | 28 |
| Oct 12, 2018 | - | $46,523 | -24% | -75% | 190 | $245 | $23,741,860 | 29 |
| Oct 13, 2018 | - | $73,009 | +57% | -70% | 190 | $384 | $23,814,869 | 30 |
| Oct 14, 2018 | - | $36,831 | -50% | -79% | 190 | $194 | $23,851,700 | 31 |
| Oct 15, 2018 | - | $16,875 | -54% | -84% | 190 | $89 | $23,868,575 | 32 |
| Oct 16, 2018 | - | $18,111 | +7% | -82% | 190 | $95 | $23,886,686 | 33 |
| Oct 17, 2018 | - | $14,457 | -20% | -82% | 190 | $76 | $23,901,143 | 34 |
| Oct 18, 2018 | - | $11,623 | -20% | -81% | 190 | $61 | $23,912,766 | 35 |
| Oct 19, 2018 | - | $8,026 | -31% | -83% | 57 | $141 | $23,920,792 | 36 |
| Oct 20, 2018 | - | $11,371 | +42% | -84% | 57 | $199 | $23,932,163 | 37 |
| Oct 21, 2018 | - | $4,991 | -56% | -86% | 57 | $88 | $23,937,154 | 38 |
| Oct 22, 2018 | - | $3,880 | -22% | -77% | 57 | $68 | $23,941,034 | 39 |
| Oct 23, 2018 | - | $2,994 | -23% | -83% | 57 | $53 | $23,944,028 | 40 |
| Oct 24, 2018 | - | $2,719 | -9% | -81% | 57 | $48 | $23,946,747 | 41 |
| Oct 25, 2018 | - | $1,992 | -27% | -83% | 57 | $35 | $23,948,739 | 42 |
| Oct 26, 2018 | - | $8,125 | +308% | +1% | 64 | $127 | $23,956,864 | 43 |
| Oct 27, 2018 | - | $12,259 | +51% | +8% | 64 | $192 | $23,969,123 | 44 |
| Oct 28, 2018 | - | $8,031 | -34% | +61% | 64 | $125 | $23,977,154 | 45 |
| Oct 29, 2018 | - | $3,862 | -52% | n/c | 64 | $60 | $23,981,016 | 46 |
| Oct 30, 2018 | - | $4,048 | +5% | +35% | 64 | $63 | $23,985,064 | 47 |
| Oct 31, 2018 | - | $3,787 | -6% | +39% | 64 | $59 | $23,988,851 | 48 |
| Nov 1, 2018 | - | $3,651 | -4% | +83% | 64 | $57 | $23,992,502 | 49 |
| Nov 2, 2018 | - | $3,598 | -1% | -56% | 38 | $95 | $23,996,100 | 50 |
| Nov 3, 2018 | - | $5,709 | +59% | -53% | 38 | $150 | $24,001,809 | 51 |
| Nov 4, 2018 | - | $3,024 | -47% | -62% | 38 | $80 | $24,004,833 | 52 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 4 | $12,410,368 | 2,504 | $4,956 | $12,410,368 | 1 | |
| Sep 21, 2018 | 6 | $6,919,413 | -44% | 2,504 | $2,763 | $19,329,781 | 2 |
| Sep 28, 2018 | 9 | $3,418,305 | -51% | 2,017 | $1,695 | $22,748,086 | 3 |
| Oct 5, 2018 | 11 | $947,251 | -72% | 880 | $1,076 | $23,695,337 | 4 |
| Oct 12, 2018 | 27 | $217,429 | -77% | 190 | $1,144 | $23,912,766 | 5 |
| Oct 19, 2018 | 43 | $35,973 | -83% | 57 | $631 | $23,948,739 | 6 |
| Oct 26, 2018 | 46 | $43,763 | +22% | 64 | $684 | $23,992,502 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 1/2/2019 | $380,207 | 115 | 115 | 226 | $570,717 | 1/16/2019 | |||
| Germany | 3/7/2019 | $20,263 | 101 | 101 | 151 | $109,791 | 4/2/2019 | |||
| Italy | 3/7/2019 | $198,137 | 0 | 89 | 105 | $379,374 | 5/23/2019 | |||
| Netherlands | 1/3/2019 | $168,047 | 52 | 53 | 215 | $484,691 | 2/20/2019 | |||
| Russia (CIS) | 1/31/2019 | $99,366 | 296 | 296 | 609 | $179,110 | 2/28/2019 | |||
| South Africa | 3/8/2019 | $0 | 0 | 6 | 8 | $10,349 | 3/26/2019 | |||
| Spain | 2/8/2019 | $5,151 | 14 | 14 | 19 | $8,971 | 2/20/2019 | |||
| Sweden | 2/1/2019 | $4,595 | 14 | 14 | 20 | $8,246 | 2/12/2019 | |||
| United Kingdom | 12/7/2018 | $38,361 | 103 | 103 | 141 | $81,828 | 4/4/2026 | |||
| Rest of World | $110,073 | |||||||||
| International Total | $1,943,150 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matthew McConaughey | Richard Wershe Sr. | |
| Richie Merritt | Richard Wershe Jr. |
Supporting
| Bel Powley | Dawn Wershe | |
| Jennifer Jason Leigh | FBI Agent Snyder | |
| Brian Tyree Henry | Officer Mel “Roach” Jackson | |
| Rory Cochrane | FBI Agent Byrd | |
| RJ Cyler | Rudell “Boo” Curry | |
| Jonathan Majors | Johnny “Lil Man” Curry | |
| Eddie Marsan | Art Derrick | |
| Taylour Paige | Cathy Volsan-Curry | |
| Bruce Dern | Grandpa Roman “Ray” Wershe | |
| Piper Laurie | Grandma Vera Wershe | |
| Raekwon Haynes | Edwin “Nugg” Crutcher | |
| IshDARR | “Freaky Steve” Roussell | |
| James Howard | Chief Homicide Inspector Hill | |
| Y. G. | Leo “Big Man” Curry | |
| Danny Brown | “Black Ed” Hanserd | |
| Kyanna Simone Simpson | Brenda Moore | |
| Morerice Thornton | Jamil Cannon | |
| Isaiah Ali | Demetrius Johnson | |
| E’ Xavion Walker | Clarence Bishop | |
| Lawrence Adimora | Tyler Finney | |
| Alan Bomar Jones | Willie Volsan | |
| Art Terry | Mayor Coleman Young | |
| Santos Velasquez | FBI Agent Crespo | |
| Heidi Sulzman | Blonde Gun Buyer | |
| LaShawn Little | Leon Lucas | |
| Ronald Williams Jr | Frankie Lucas | |
| Anthony Woods | Damian Lucas | |
| James Shinkle | William Bufalino Jr. | |
| Lauren Ashley Berry | Caesar’s Ticket Lady | |
| Peter Lawson Jones | Judge Thomas Jackson | |
| Jim Yost | Policeman | |
| Brad Carter | Gun Show Dealer Bob | |
| Meg Rasmussen | Gun Show Annie | |
| Carmen Gangale | Juror Foreman | |
| Pamela Morton | Juror #1 | |
| Cassandra Collier-Williams | Juror #2 | |
| Michael Smith | Juror #3 | |
| William Bower | Juror #4 | |
| Jerrod Primm | Crack House Doorman | |
| David Lozada | Corrections Officer | |
| Jerry Slomka | Guard | |
| DeVito Parker Jr | Marcus | |
| Velma Booker | Mrs. Angela | |
| Donald Scruggs III | TJ | |
| Joe Gallipoli | Sheriff | |
| Ahmed Thomas | Isaac “Doc” Mueller | |
| Leigh Kilton Smith | Ginger | |
| Donald White | Jimmy Harris |
Production and Technical Credits
| Yann Demange | Director | |
| Logan Miller | Screenwriter | |
| Noah Miller | Screenwriter | |
| Andy Weiss | Screenwriter | |
| John Lesher | Producer | |
| Darren Aronofsky | Producer | |
| Jeff Robinov | Producer | |
| Georgia Kacandes | Executive Producer | |
| Matthew Krul | Executive Producer | |
| Ari Handel | Executive Producer | |
| Michael J. Weiss | Executive Producer | |
| Christopher Mallick | Executive Producer | |
| Logan Miller | Executive Producer | |
| Noah Miller | Executive Producer | |
| Tat Radcliffe | Director of Photography | |
| Stefania Cella | Production Designer | |
| Chris Wyatt | Editor | |
| Georgia Kacandes | Unit Production Manager | |
| Thomas Patrick Smith | First Assistant Director | |
| Robert E. Kay | Second Assistant Director | |
| Dan Rodgers | Music Supervisor | |
| Thomas Patrick Smith | Associate Producer | |
| Marie Nguyen | Associate Producer | |
| Sean Murphy | Associate Producer | |
| Nathan Kelly | Production Supervisor | |
| Michael Arnold | Choreography | |
| Ele Bardha | Stunt Coordinator | |
| Mark Norby | Stunt Coordinator | |
| Audra Avery | Supervising Art Director | |
| Bryan Felty | Art Director | |
| Jon Bush | Set Decorator | |
| Scott Peterson | Script Supervisor | |
| Steffany Bernstein-Pratt | Costume Supervisor | |
| Brian B. Badie | Hairstylist | |
| Anita Gibson | Make up | |
| Adrien Morot | Special Make-up Effects | |
| Willie D. Burton | Sound Mixer | |
| William Dawson | Special Effects Supervisor | |
| Charles Harrington* | Supervising Location Manager | |
| Gregory Chiodo | Location Manager | |
| Geza Kassai | Set Designer | |
| Josh Sheppard | Story Artist | |
| Jeff Robinson | Post-Production Supervisor | |
| Michael Fleming | Assistant Editor | |
| Patrick Shewmaker | Assistant Editor | |
| Christopher S. Aud | Supervising Sound Editor | |
| Michael Barry | Re-recording Mixer | |
| Jeremy Peirson | Re-recording Mixer | |
| Aaron Glascock | Supervising Sound Editor | |
| Michael Feuser | Dialogue Editor | |
| Eliza Paley | Dialogue Editor | |
| Matthew Haasch | Foley Editor | |
| Igor Nikolic | Foley Editor | |
| Micah Bliachman | Foley Mixer | |
| Nancy Allen | Supervising Music Editor | |
| Jonathan Schultz | Music Editor | |
| Rupert Coulson | Score Recordist | |
| Rupert Coulson | Score Mixer | |
| Jacob Slutsky | Visual Effects Supervisor | |
| Tom Bussell | Visual Effects Supervisor | |
| Charlotte Arnold | Visual Effects Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.