White Girl (2016)
| Theatrical Performance | ||
| Domestic Box Office | $200,242 | Details |
| OpusData ID: 262930100 More info... | ||
| Further financial details... | ||
Synopsis
Equipped with platinum blond hair and a winning smile, NYC college girl Leah seeks out pleasure in any form. Between getting high with her roommate and snorting lines with her boss, Leah falls for Blue, a young man dealing drugs on her corner. Within days, the two are selling cocaine to her boss and his downtown friends and living the high life. Summer love crashes to a halt when Blue is arrested and Leah is left with a serious bag of his coke. Enlisting the help of an overpriced lawyer, Leah finds herself deep in debt as she crosses all boundaries to get Blue back.
Metrics
| Opening Weekend: | $34,058 (17.0% of total gross) |
| Legs: | 5.88 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/16 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $276,862 |
Movie Details
| Domestic Releases: | September 2nd, 2016 (Limited) by FilmRise |
| Video Release: | December 2nd, 2016 by Netflix |
| MPA Rating: | Not Rated |
| Running Time: | 88 minutes |
| Film festival: | Sundance Film Festival 2016 |
| Geographical setting: | New York City |
| Plot point: | Narcotics, Romance |
| Social setting: | College |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bank Street Films, A Supermarche, Killer Films, Greencard Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2016 | 57 | $34,058 | 3 | $11,353 | $34,058 | 1 | |
| Sep 9, 2016 | 57 | $26,385 | -23% | 8 | $3,298 | $76,631 | 2 |
| Sep 16, 2016 | 55 | $27,495 | +4% | 16 | $1,718 | $117,784 | 3 |
| Sep 23, 2016 | 52 | $20,479 | -26% | 12 | $1,707 | $153,520 | 4 |
| Sep 30, 2016 | 62 | $12,774 | -38% | 5 | $2,555 | $176,301 | 5 |
| Oct 7, 2016 | 66 | $8,219 | -36% | 2 | $4,110 | $193,038 | 6 |
| Oct 14, 2016 | 89 | $2,445 | -70% | 1 | $2,445 | $198,493 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2016 | 57 | $50,246 | 3 | $16,749 | $50,246 | 1 | |
| Sep 9, 2016 | 56 | $42,108 | -16% | 8 | $5,264 | $92,354 | 2 |
| Sep 16, 2016 | 53 | $42,752 | +2% | 16 | $2,672 | $135,106 | 3 |
| Sep 23, 2016 | 53 | $30,486 | -29% | 12 | $2,541 | $165,592 | 4 |
| Sep 30, 2016 | 65 | $19,227 | -37% | 5 | $3,845 | $184,819 | 5 |
| Oct 7, 2016 | 66 | $13,250 | -31% | 2 | $6,625 | $198,069 | 6 |
| Oct 14, 2016 | 105 | $2,445 | -82% | 1 | $2,445 | $200,242 | 7 |
Leading
| Morgan Saylor | Leah | |
| Brian ‘Sene’ Marc* | Blue |
Supporting
| Justin Bartha | Kelly | |
| India Salvor Menuez | Katie | |
| Adrian Martinez | Lloyd | |
| Anthony Ramos | Kilo | |
| Ralph Rodriguez | Nene | |
| Annabelle Dexter-Jones | Alexa | |
| Chris Noth | George | |
| Eden Marryshow | Undercover Cop | |
| Charles Barboza | Carlos | |
| Graig Guggenheim | Limo Driver | |
| Brendan Burke | Corrections Officer | |
| Jermel Howard | Darnell on Train | |
| Anthony ‘Grim Reaper Q’ Charles* | Le Baron Bouncer | |
| Pete Klein | Bouncer #2 | |
| Kyanna Simone Simpson | Pregnant Girl | |
| Nancy Eng | Restaurant Cashier | |
| Duane Littles | Inmate | |
| Tamika Sonja Lawrence | Female Visitor #1 | |
| Danielle Thomas | Female Visitor #2 | |
| Szeming Celia Auh | Partygoer #1 | |
| Byrne Davis | Homeless Man |
Production and Technical Credits
| Elizabeth Wood | Director | |
| Elizabeth Wood | Screenwriter | |
| Matthew Achterberg | Producer | |
| Petra Ahmann | Producer | |
| Gabriel Nussbaum | Producer | |
| Orlee-Rose Strauss | Producer | |
| Christine Vachon | Executive Producer | |
| David Hinojosa | Executive Producer | |
| Henry Joost | Executive Producer | |
| Ariel Schulman | Executive Producer | |
| Michael Simmonds | Cinematographer | |
| Michael Taylor | Editor | |
| Fletcher Chancey | Production Designer | |
| Matthew Achterberg | Co-Producer | |
| Josh Kessler | Music Supervisor | |
| Coll Anderson | Supervising Sound Editor | |
| Coll Anderson | Re-recording Mixer | |
| Jessica Daniels | Casting Director | |
| Rachel Dainer Best | Costume Designer | |
| Orlee-Rose Strauss | Associate Producer | |
| Pierre Sebaste | Associate Producer | |
| Petra Ahmann | Line Producer | |
| David Newhouse | Unit Production Manager | |
| Yori Tondrowski | First Assistant Director | |
| Ramiro Quintero | Second Assistant Director | |
| Adam Newport-Berra | Additional Photography | |
| Sean Price Williams | Additional Photography | |
| Sasha Vitelli | Script Supervisor | |
| Wynn Thomas | Sound Mixer | |
| Lit Kilpatrick | Location Manager | |
| Steve Grise | Art Director | |
| Nicole Watts | Set Decorator | |
| Jackie Risotto | Make-up and Hair Designer | |
| Emily Nowacki | Make-up and Hair Designer | |
| Suzie Jozkowski | Production Supervisor | |
| Gabriel Nussbaum | Editor | |
| Kevin Tadge | Associate Editor | |
| Matthew Snedecor | Sound Effects Editor | |
| Duncan Clark | Dialogue Editor | |
| Jack Heeren | Foley Mixer | |
| Don White | Foley Mixer | |
| Jenna Dalla Riva | Foley Recordist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Equipped with platinum blond hair and a winning smile, NYC college girl Leah seeks out pleasure in any form. Between getting high with her roommate and snorting lines with her boss, Leah falls for Blue, a young man dealing drugs on her corner. Within days, the two are selling cocaine to her boss and his downtown friends and living the high life. Summer love crashes to a halt when Blue is arrested and Leah is left with a serious bag of his coke. Enlisting the help of an overpriced lawyer, Leah finds herself deep in debt as she crosses all boundaries to get Blue back.
Metrics
| Opening Weekend: | $34,058 (17.0% of total gross) |
| Legs: | 5.88 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/16 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $276,862 |
Movie Details
| Domestic Releases: | September 2nd, 2016 (Limited) by FilmRise |
| Video Release: | December 2nd, 2016 by Netflix |
| MPA Rating: | Not Rated |
| Running Time: | 88 minutes |
| Film festival: | Sundance Film Festival 2016 |
| Geographical setting: | New York City |
| Plot point: | Narcotics, Romance |
| Social setting: | College |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bank Street Films, A Supermarche, Killer Films, Greencard Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2016 | 57 | $34,058 | 3 | $11,353 | $34,058 | 1 | |
| Sep 9, 2016 | 57 | $26,385 | -23% | 8 | $3,298 | $76,631 | 2 |
| Sep 16, 2016 | 55 | $27,495 | +4% | 16 | $1,718 | $117,784 | 3 |
| Sep 23, 2016 | 52 | $20,479 | -26% | 12 | $1,707 | $153,520 | 4 |
| Sep 30, 2016 | 62 | $12,774 | -38% | 5 | $2,555 | $176,301 | 5 |
| Oct 7, 2016 | 66 | $8,219 | -36% | 2 | $4,110 | $193,038 | 6 |
| Oct 14, 2016 | 89 | $2,445 | -70% | 1 | $2,445 | $198,493 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2016 | 57 | $50,246 | 3 | $16,749 | $50,246 | 1 | |
| Sep 9, 2016 | 56 | $42,108 | -16% | 8 | $5,264 | $92,354 | 2 |
| Sep 16, 2016 | 53 | $42,752 | +2% | 16 | $2,672 | $135,106 | 3 |
| Sep 23, 2016 | 53 | $30,486 | -29% | 12 | $2,541 | $165,592 | 4 |
| Sep 30, 2016 | 65 | $19,227 | -37% | 5 | $3,845 | $184,819 | 5 |
| Oct 7, 2016 | 66 | $13,250 | -31% | 2 | $6,625 | $198,069 | 6 |
| Oct 14, 2016 | 105 | $2,445 | -82% | 1 | $2,445 | $200,242 | 7 |
Leading
| Morgan Saylor | Leah | |
| Brian ‘Sene’ Marc* | Blue |
Supporting
| Justin Bartha | Kelly | |
| India Salvor Menuez | Katie | |
| Adrian Martinez | Lloyd | |
| Anthony Ramos | Kilo | |
| Ralph Rodriguez | Nene | |
| Annabelle Dexter-Jones | Alexa | |
| Chris Noth | George | |
| Eden Marryshow | Undercover Cop | |
| Charles Barboza | Carlos | |
| Graig Guggenheim | Limo Driver | |
| Brendan Burke | Corrections Officer | |
| Jermel Howard | Darnell on Train | |
| Anthony ‘Grim Reaper Q’ Charles* | Le Baron Bouncer | |
| Pete Klein | Bouncer #2 | |
| Kyanna Simone Simpson | Pregnant Girl | |
| Nancy Eng | Restaurant Cashier | |
| Duane Littles | Inmate | |
| Tamika Sonja Lawrence | Female Visitor #1 | |
| Danielle Thomas | Female Visitor #2 | |
| Szeming Celia Auh | Partygoer #1 | |
| Byrne Davis | Homeless Man |
Production and Technical Credits
| Elizabeth Wood | Director | |
| Elizabeth Wood | Screenwriter | |
| Matthew Achterberg | Producer | |
| Petra Ahmann | Producer | |
| Gabriel Nussbaum | Producer | |
| Orlee-Rose Strauss | Producer | |
| Christine Vachon | Executive Producer | |
| David Hinojosa | Executive Producer | |
| Henry Joost | Executive Producer | |
| Ariel Schulman | Executive Producer | |
| Michael Simmonds | Cinematographer | |
| Michael Taylor | Editor | |
| Fletcher Chancey | Production Designer | |
| Matthew Achterberg | Co-Producer | |
| Josh Kessler | Music Supervisor | |
| Coll Anderson | Supervising Sound Editor | |
| Coll Anderson | Re-recording Mixer | |
| Jessica Daniels | Casting Director | |
| Rachel Dainer Best | Costume Designer | |
| Orlee-Rose Strauss | Associate Producer | |
| Pierre Sebaste | Associate Producer | |
| Petra Ahmann | Line Producer | |
| David Newhouse | Unit Production Manager | |
| Yori Tondrowski | First Assistant Director | |
| Ramiro Quintero | Second Assistant Director | |
| Adam Newport-Berra | Additional Photography | |
| Sean Price Williams | Additional Photography | |
| Sasha Vitelli | Script Supervisor | |
| Wynn Thomas | Sound Mixer | |
| Lit Kilpatrick | Location Manager | |
| Steve Grise | Art Director | |
| Nicole Watts | Set Decorator | |
| Jackie Risotto | Make-up and Hair Designer | |
| Emily Nowacki | Make-up and Hair Designer | |
| Suzie Jozkowski | Production Supervisor | |
| Gabriel Nussbaum | Editor | |
| Kevin Tadge | Associate Editor | |
| Matthew Snedecor | Sound Effects Editor | |
| Duncan Clark | Dialogue Editor | |
| Jack Heeren | Foley Mixer | |
| Don White | Foley Mixer | |
| Jenna Dalla Riva | Foley Recordist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.