White Palace (1990)
| Theatrical Performance | ||
| Domestic Box Office | $17,487,531 | Details |
| OpusData ID: 27600100 More info... | ||
| Further financial details... | ||
Metrics
| Legs: | 5.07 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $46,868,233 |
Movie Details
| Domestic Releases: | October 19th, 1990 (Wide) by Universal |
| Video Release: | March 21st, 1991 by Universal Home Entertainment |
| MPA Rating: | R |
| Running Time: | 103 minutes |
| Plot point: | Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Dysfunctional Family, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 1990 | 3 | $3,447,360 | 864 | $3,990 | $4,974,966 | 2 | |
| Nov 2, 1990 | 4 | $3,006,040 | -13% | 892 | $3,370 | $9,069,646 | 3 |
| Nov 9, 1990 | 6 | $2,203,650 | -27% | 885 | $2,490 | $12,192,056 | 4 |
| Nov 16, 1990 | 9 | $1,449,840 | -34% | 863 | $1,680 | $14,345,471 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 1990 | 3 | $4,536,000 | 864 | $5,250 | $6,063,606 | 2 | |
| Nov 2, 1990 | 4 | $3,924,800 | -13% | 892 | $4,400 | $9,988,406 | 3 |
| Nov 9, 1990 | 6 | $2,907,225 | -26% | 885 | $3,285 | $12,895,631 | 4 |
| Jason Alexander | Neil | |
| James Spader | Max Baron | |
| Kathy Bates | Rosemary | |
| Eileen Brennan | Judy | |
| Jeremy Piven | Kahn |
Leading
| Susan Sarandon | Nora Baker |
Production and Technical Credits
| Luis Mandoki | Director | |
| Ted Tally | Screenwriter | |
| Alvin Sargent | Screenwriter | |
| George Fenton | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Legs: | 5.07 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $46,868,233 |
Movie Details
| Domestic Releases: | October 19th, 1990 (Wide) by Universal |
| Video Release: | March 21st, 1991 by Universal Home Entertainment |
| MPA Rating: | R |
| Running Time: | 103 minutes |
| Plot point: | Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Dysfunctional Family, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 1990 | 3 | $3,447,360 | 864 | $3,990 | $4,974,966 | 2 | |
| Nov 2, 1990 | 4 | $3,006,040 | -13% | 892 | $3,370 | $9,069,646 | 3 |
| Nov 9, 1990 | 6 | $2,203,650 | -27% | 885 | $2,490 | $12,192,056 | 4 |
| Nov 16, 1990 | 9 | $1,449,840 | -34% | 863 | $1,680 | $14,345,471 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 1990 | 3 | $4,536,000 | 864 | $5,250 | $6,063,606 | 2 | |
| Nov 2, 1990 | 4 | $3,924,800 | -13% | 892 | $4,400 | $9,988,406 | 3 |
| Nov 9, 1990 | 6 | $2,907,225 | -26% | 885 | $3,285 | $12,895,631 | 4 |
| Jason Alexander | Neil | |
| James Spader | Max Baron | |
| Kathy Bates | Rosemary | |
| Eileen Brennan | Judy | |
| Jeremy Piven | Kahn |
Leading
| Susan Sarandon | Nora Baker |
Production and Technical Credits
| Luis Mandoki | Director | |
| Ted Tally | Screenwriter | |
| Alvin Sargent | Screenwriter | |
| George Fenton | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.