Who We Are: A Chronicle of Racism in America (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $234,298 | Details |
| International Box Office | $74 | |
| Worldwide Box Office | $234,372 | |
| Further financial details... | ||
Synopsis
Former ACLU Deputy Legal Director Jeffery Robinson had one of the best educations in America. He went to Marquette University and Harvard Law School and has been a trial lawyer for over 40 years. In 2011, Robinson began raising his then 13-year-old nephew and, as a Black man raising a Black son, struggled with what to tell his son about racism in America. How, he wondered, did we get here? And when he started looking at our Nation’s history, Robinson was shocked by what he had not known. For the past 10 years, in community centers, concert halls, houses of worship, and conference rooms across America, he has been sharing what he learned. In WHO WE ARE — A Chronicle of Racism in America, Robinson faces his largest audience, asking all of us to examine who we are, where we come from, and who we want to be.
Metrics
| Opening Weekend: | $21,578 (9.2% of total gross) |
| Legs: | 3.92 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/357 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $266,122 |
Movie Details
| Domestic Releases: | January 14th, 2022 (Limited) by Sony Pictures Classics |
| International Releases: | November 4th, 2021 (Wide) (New Zealand) |
| Video Release: | March 29th, 2022 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for thematic content, disturbing images, violence and strong language - all involving racism. (Rating bulletin 2704 (cert #53468), 10/27/2021) |
| Running Time: | 118 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Off Center Media, Sony Pictures Classics |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 14, 2022 | - | $21,578 | 4 | $5,395 | $21,578 | 1 | |
| Jan 21, 2022 | - | $2,291 | -89% | 4 | $573 | $32,892 | 2 |
| Jan 28, 2022 | - | $1,526 | -33% | 3 | $509 | $35,883 | 3 |
| Feb 4, 2022 | - | $59,734 | +3,814% | 357 | $167 | $96,746 | 4 |
| Feb 11, 2022 | - | $15,426 | -74% | 255 | $60 | $145,990 | 5 |
| Feb 18, 2022 | - | $26,444 | +71% | 226 | $117 | $182,710 | 6 |
| Feb 25, 2022 | - | $15,781 | -40% | 235 | $67 | $217,392 | 7 |
| Mar 4, 2022 | - | $2,853 | -82% | 29 | $98 | $227,709 | 8 |
| Mar 11, 2022 | - | $1,730 | -39% | 11 | $157 | $230,463 | 9 |
| Mar 18, 2022 | - | $1,955 | +13% | 9 | $217 | $233,375 | 10 |
| Mar 25, 2022 | - | $197 | -90% | 3 | $66 | $234,217 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 14, 2022 | - | $30,601 | 4 | $7,650 | $30,601 | 1 | |
| Jan 21, 2022 | - | $3,756 | -88% | 4 | $939 | $34,357 | 2 |
| Jan 28, 2022 | - | $2,555 | -32% | 3 | $852 | $37,012 | 3 |
| Feb 4, 2022 | - | $93,552 | +3,562% | 357 | $262 | $130,564 | 4 |
| Feb 11, 2022 | - | $25,702 | -73% | 255 | $101 | $156,266 | 5 |
| Feb 18, 2022 | - | $45,345 | +76% | 226 | $201 | $201,611 | 6 |
| Feb 25, 2022 | - | $23,245 | -49% | 226 | $103 | $224,856 | 7 |
| Mar 4, 2022 | - | $3,877 | -83% | 29 | $134 | $228,733 | 8 |
| Mar 11, 2022 | - | $2,687 | -31% | 11 | $244 | $231,420 | 9 |
| Mar 18, 2022 | - | $2,600 | -3% | 9 | $289 | $234,020 | 10 |
| Mar 25, 2022 | - | $278 | -89% | 3 | $93 | $234,298 | 11 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Former ACLU Deputy Legal Director Jeffery Robinson had one of the best educations in America. He went to Marquette University and Harvard Law School and has been a trial lawyer for over 40 years. In 2011, Robinson began raising his then 13-year-old nephew and, as a Black man raising a Black son, struggled with what to tell his son about racism in America. How, he wondered, did we get here? And when he started looking at our Nation’s history, Robinson was shocked by what he had not known. For the past 10 years, in community centers, concert halls, houses of worship, and conference rooms across America, he has been sharing what he learned. In WHO WE ARE — A Chronicle of Racism in America, Robinson faces his largest audience, asking all of us to examine who we are, where we come from, and who we want to be.
Metrics
| Opening Weekend: | $21,578 (9.2% of total gross) |
| Legs: | 3.92 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/357 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $266,122 |
Movie Details
| Domestic Releases: | January 14th, 2022 (Limited) by Sony Pictures Classics |
| International Releases: | November 4th, 2021 (Wide) (New Zealand) |
| Video Release: | March 29th, 2022 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for thematic content, disturbing images, violence and strong language - all involving racism. (Rating bulletin 2704 (cert #53468), 10/27/2021) |
| Running Time: | 118 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Off Center Media, Sony Pictures Classics |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 14, 2022 | - | $21,578 | 4 | $5,395 | $21,578 | 1 | |
| Jan 21, 2022 | - | $2,291 | -89% | 4 | $573 | $32,892 | 2 |
| Jan 28, 2022 | - | $1,526 | -33% | 3 | $509 | $35,883 | 3 |
| Feb 4, 2022 | - | $59,734 | +3,814% | 357 | $167 | $96,746 | 4 |
| Feb 11, 2022 | - | $15,426 | -74% | 255 | $60 | $145,990 | 5 |
| Feb 18, 2022 | - | $26,444 | +71% | 226 | $117 | $182,710 | 6 |
| Feb 25, 2022 | - | $15,781 | -40% | 235 | $67 | $217,392 | 7 |
| Mar 4, 2022 | - | $2,853 | -82% | 29 | $98 | $227,709 | 8 |
| Mar 11, 2022 | - | $1,730 | -39% | 11 | $157 | $230,463 | 9 |
| Mar 18, 2022 | - | $1,955 | +13% | 9 | $217 | $233,375 | 10 |
| Mar 25, 2022 | - | $197 | -90% | 3 | $66 | $234,217 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 14, 2022 | - | $30,601 | 4 | $7,650 | $30,601 | 1 | |
| Jan 21, 2022 | - | $3,756 | -88% | 4 | $939 | $34,357 | 2 |
| Jan 28, 2022 | - | $2,555 | -32% | 3 | $852 | $37,012 | 3 |
| Feb 4, 2022 | - | $93,552 | +3,562% | 357 | $262 | $130,564 | 4 |
| Feb 11, 2022 | - | $25,702 | -73% | 255 | $101 | $156,266 | 5 |
| Feb 18, 2022 | - | $45,345 | +76% | 226 | $201 | $201,611 | 6 |
| Feb 25, 2022 | - | $23,245 | -49% | 226 | $103 | $224,856 | 7 |
| Mar 4, 2022 | - | $3,877 | -83% | 29 | $134 | $228,733 | 8 |
| Mar 11, 2022 | - | $2,687 | -31% | 11 | $244 | $231,420 | 9 |
| Mar 18, 2022 | - | $2,600 | -3% | 9 | $289 | $234,020 | 10 |
| Mar 25, 2022 | - | $278 | -89% | 3 | $93 | $234,298 | 11 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.