Whores’ Glory (2012)
| Theatrical Performance | ||
| Domestic Box Office | $306,151 | Details |
| International Box Office | $324,390 | |
| Worldwide Box Office | $630,541 | |
| OpusData ID: 171530100 More info... | ||
| Further financial details... | ||
Synopsis
A cinematic triptych on prostitution: three countries, three languages, three religions. In Thailand, women wait for clients behind glass panes, staring at reflections of themselves. In Bangladesh, men to go a ghetto of love to satisfy their unfulfilled desires on indentured girls. And in Mexico, women pray to a female death to avoid facing their own reality. In worlds where the most intimate act has become a commodity, these women have physically and emotionally experienced everything that can happen between a man and a woman. For this they have always received money, but it has not made their lives rich in anything but stories.
Metrics
| Opening Weekend: | $5,358 (1.8% of total gross) |
| Legs: | 57.14 (domestic box office/biggest weekend) |
| Domestic Share: | 48.6% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/3 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $459,994 |
Movie Details
| Domestic Releases: | April 27th, 2012 (Limited) by Kino Lorber |
| Video Release: | January 8th, 2013 by Kino Video |
| MPA Rating: | Not Rated |
| Running Time: | 119 minutes |
| Cast, crew, or production detail: | Intertitle |
| Plot point: | Kidnap, LGBTQ+, Narcotics, Prostitution, Religious, Sex Crimes |
| Social setting: | Organized Crime |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Lotus Film, Quintefilm Merzhausen, ZDF, Arte, Austrian Film Institute, Eurimages, Vienna Film Fund, German Film Fund, BKM, MFG Film Funding Baden Wuerttemberg, Media i2i |
| Production Countries: | Austria, Germany |
| Languages: | English, German, French, Thai, Japanese, Spanish, Bengali |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 27, 2012 | 89 | $5,358 | 3 | $1,786 | $5,358 | 1 | |
| Jun 1, 2012 | 98 | $1,498 | 1 | $1,498 | $19,353 | 6 | |
| Jun 15, 2012 | 89 | $1,882 | 1 | $1,882 | $22,208 | 8 | |
| Jul 6, 2012 | 70 | $3,743 | 2 | $1,872 | $27,221 | 11 | |
| Aug 3, 2012 | 90 | $603 | 1 | $603 | $306,151 | 15 | |
| Nov 9, 2012 | 105 | $240 | 1 | $240 | $31,313 | 29 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 2012 | 95 | $2,471 | 1 | $2,471 | $20,326 | 6 | |
| Jun 15, 2012 | 81 | $3,152 | 1 | $3,152 | $23,478 | 8 | |
| Jul 6, 2012 | 66 | $6,534 | 2 | $3,267 | $30,012 | 11 | |
| Aug 3, 2012 | 98 | $603 | 1 | $603 | $30,615 | 15 | |
| Aug 10, 2012 | 95 | $458 | -24% | 1 | $458 | $31,073 | 16 |
| Nov 9, 2012 | 110 | $347 | 1 | $347 | $31,420 | 29 |
Production and Technical Credits
| Michael Glawogger | Screenwriter | |
| Michael Glawogger | Director | |
| Wolfgang Thaler | Cinematographer | |
| Wolfgang Thaler | Lighting | |
| Monika Willi | Editor | |
| Paul Oberle | Original Sound | |
| Ekkehart Baurmung | Original Sound | |
| Tobias Fleig | Sound Mixer | |
| Tobias Fleig | Sound Designer | |
| Matz Muller | Sound Mixer | |
| Matz Muller | Sound Designer | |
| Erik Mischijew | Sound Mixer | |
| Erik Mischijew | Sound Designer | |
| Pappik & Regener | Composer | |
| Charlotte Goltermann | Music Supervisor | |
| Tina Funk | Music Supervisor | |
| Alfred Deutch | Line Producer | |
| Erich Lackner | Producer | |
| Tommy Priding | Producer | |
| Peter Wirthensohn | Producer | |
| Mirjam Quinte | Producer | |
| Pepe Danquart | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A cinematic triptych on prostitution: three countries, three languages, three religions. In Thailand, women wait for clients behind glass panes, staring at reflections of themselves. In Bangladesh, men to go a ghetto of love to satisfy their unfulfilled desires on indentured girls. And in Mexico, women pray to a female death to avoid facing their own reality. In worlds where the most intimate act has become a commodity, these women have physically and emotionally experienced everything that can happen between a man and a woman. For this they have always received money, but it has not made their lives rich in anything but stories.
Metrics
| Opening Weekend: | $5,358 (1.8% of total gross) |
| Legs: | 57.14 (domestic box office/biggest weekend) |
| Domestic Share: | 48.6% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/3 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $459,994 |
Movie Details
| Domestic Releases: | April 27th, 2012 (Limited) by Kino Lorber |
| Video Release: | January 8th, 2013 by Kino Video |
| MPA Rating: | Not Rated |
| Running Time: | 119 minutes |
| Cast, crew, or production detail: | Intertitle |
| Plot point: | Kidnap, LGBTQ+, Narcotics, Prostitution, Religious, Sex Crimes |
| Social setting: | Organized Crime |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Lotus Film, Quintefilm Merzhausen, ZDF, Arte, Austrian Film Institute, Eurimages, Vienna Film Fund, German Film Fund, BKM, MFG Film Funding Baden Wuerttemberg, Media i2i |
| Production Countries: | Austria, Germany |
| Languages: | English, German, French, Thai, Japanese, Spanish, Bengali |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 27, 2012 | 89 | $5,358 | 3 | $1,786 | $5,358 | 1 | |
| Jun 1, 2012 | 98 | $1,498 | 1 | $1,498 | $19,353 | 6 | |
| Jun 15, 2012 | 89 | $1,882 | 1 | $1,882 | $22,208 | 8 | |
| Jul 6, 2012 | 70 | $3,743 | 2 | $1,872 | $27,221 | 11 | |
| Aug 3, 2012 | 90 | $603 | 1 | $603 | $306,151 | 15 | |
| Nov 9, 2012 | 105 | $240 | 1 | $240 | $31,313 | 29 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 2012 | 95 | $2,471 | 1 | $2,471 | $20,326 | 6 | |
| Jun 15, 2012 | 81 | $3,152 | 1 | $3,152 | $23,478 | 8 | |
| Jul 6, 2012 | 66 | $6,534 | 2 | $3,267 | $30,012 | 11 | |
| Aug 3, 2012 | 98 | $603 | 1 | $603 | $30,615 | 15 | |
| Aug 10, 2012 | 95 | $458 | -24% | 1 | $458 | $31,073 | 16 |
| Nov 9, 2012 | 110 | $347 | 1 | $347 | $31,420 | 29 |
Production and Technical Credits
| Michael Glawogger | Screenwriter | |
| Michael Glawogger | Director | |
| Wolfgang Thaler | Cinematographer | |
| Wolfgang Thaler | Lighting | |
| Monika Willi | Editor | |
| Paul Oberle | Original Sound | |
| Ekkehart Baurmung | Original Sound | |
| Tobias Fleig | Sound Mixer | |
| Tobias Fleig | Sound Designer | |
| Matz Muller | Sound Mixer | |
| Matz Muller | Sound Designer | |
| Erik Mischijew | Sound Mixer | |
| Erik Mischijew | Sound Designer | |
| Pappik & Regener | Composer | |
| Charlotte Goltermann | Music Supervisor | |
| Tina Funk | Music Supervisor | |
| Alfred Deutch | Line Producer | |
| Erich Lackner | Producer | |
| Tommy Priding | Producer | |
| Peter Wirthensohn | Producer | |
| Mirjam Quinte | Producer | |
| Pepe Danquart | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.