Who's Harry Crumb? (1989)
| Theatrical Performance | ||
| Domestic Box Office | $10,982,364 | Details |
| OpusData ID: 35860100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,862,719 (35.2% of total gross) |
| Legs: | 2.84 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,197 opening theaters/1,198 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,130,458 |
Movie Details
| Domestic Releases: | February 3rd, 1989 (Wide) by Sony/TriStar |
| Video Release: | March 7th, 2000 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 |
| Running Time: | 89 minutes |
| Plot point: | Father’s Footsteps, Kidnap, Private Investigator, Relationships Gone Wrong |
| Subgenre: | Crime Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Regency Enterprises, Frostbacks, NBC Film, Tri-Star Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 3, 1989 | 5 | $3,862,719 | 1,197 | $3,227 | $3,862,719 | 1 | |
| Feb 10, 1989 | 8 | $2,314,536 | -40% | 1,198 | $1,932 | $6,985,617 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 3, 1989 | 5 | $4,671,081 | 1,197 | $3,902 | $4,671,081 | 1 |
| James Belushi | Man on Bus | |
| Annie Potts | Helen Downing | |
| Jeffrey Jones | Eliot Draison | |
| Shawnee Smith | Nikki Downing | |
| Joe Flaherty | Doorman | |
| Tim Thomerson | Vince Barnes | |
| Barry Corbin | P.J. Downing |
Leading
| John Candy | Harry Crumb |
Production and Technical Credits
| Paul Flaherty | Director | |
| Arnon Milchan | Producer | |
| George Perkins | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,862,719 (35.2% of total gross) |
| Legs: | 2.84 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,197 opening theaters/1,198 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,130,458 |
Movie Details
| Domestic Releases: | February 3rd, 1989 (Wide) by Sony/TriStar |
| Video Release: | March 7th, 2000 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 |
| Running Time: | 89 minutes |
| Plot point: | Father’s Footsteps, Kidnap, Private Investigator, Relationships Gone Wrong |
| Subgenre: | Crime Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Regency Enterprises, Frostbacks, NBC Film, Tri-Star Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 3, 1989 | 5 | $3,862,719 | 1,197 | $3,227 | $3,862,719 | 1 | |
| Feb 10, 1989 | 8 | $2,314,536 | -40% | 1,198 | $1,932 | $6,985,617 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 3, 1989 | 5 | $4,671,081 | 1,197 | $3,902 | $4,671,081 | 1 |
| James Belushi | Man on Bus | |
| Annie Potts | Helen Downing | |
| Jeffrey Jones | Eliot Draison | |
| Shawnee Smith | Nikki Downing | |
| Joe Flaherty | Doorman | |
| Tim Thomerson | Vince Barnes | |
| Barry Corbin | P.J. Downing |
Leading
| John Candy | Harry Crumb |
Production and Technical Credits
| Paul Flaherty | Director | |
| Arnon Milchan | Producer | |
| George Perkins | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.