The Wife (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $9,599,982 | Details |
| International Box Office | $9,131,427 | Details |
| Worldwide Box Office | $18,731,409 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,024,822 | |
| Blu-ray Sales (estimated) | $368,770 | |
| Total | $1,393,592 | |
| OpusData ID: 319170100 More info... | ||
| Further financial details... | ||
Synopsis
Joan Castleman is a highly intelligent and still-striking beauty—the perfect devoted wife. Forty years spent sacrificing her own talent, dreams and ambitions to fan the flames of her charismatic husband Joe and his skyrocketing literary career. Ignoring his infidelities and excuses because of his “art” with grace and humor. Their fateful pact has built a marriage upon uneven compromises and Joan’s reached her breaking point. On the eve of Joe's Nobel Prize for Literature, the crown jewel in a spectacular body of work, Joan’s coup de grace is to confront the biggest sacrifice of her life and secret of his career.
Metrics
| Opening Weekend: | $108,284 (1.1% of total gross) |
| Legs: | 8.55 (domestic box office/biggest weekend) |
| Domestic Share: | 51.3% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/541 max. theaters, 7.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,593,222 |
Movie Details
| Domestic Releases: | August 17th, 2018 (Limited) by Sony Pictures Classics |
| International Releases: | July 20th, 2018 (Wide) (Australia)
August 3rd, 2018 (Wide) (New Zealand) September 7th, 2018 (Wide) (Poland) September 14th, 2018 (Wide) (Argentina) September 28th, 2018 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | January 29th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language and some sexual content. (Rating bulletin 2514 (Cert #51474), 2/14/2018) |
| Running Time: | 100 minutes |
| Plot point: | Infidelity, Nobel Prize, Relationships Gone Wrong, Writing and Writers |
| Subgenre: | Family Drama |
| Time period setting: | 1950s, 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Anonymous Content, Tempo Productions, Silver Reel Entertainment, Meta Film London, Embankment Films, Creative Scotland, Spark Film & TV, Film Vast, Chimney |
| Production Countries: | United States, Sweden, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 17, 2018 | 34 | $108,284 | 4 | $27,071 | $108,284 | 1 | |
| Aug 24, 2018 | 27 | $212,748 | +96% | 18 | $11,819 | $375,478 | 2 |
| Aug 31, 2018 | 22 | $521,700 | +145% | 78 | $6,688 | $1,011,531 | 3 |
| Sep 7, 2018 | 20 | $639,857 | +23% | 153 | $4,182 | $1,964,144 | 4 |
| Sep 14, 2018 | 14 | $1,122,185 | +75% | 541 | $2,074 | $3,430,924 | 5 |
| Sep 21, 2018 | 16 | $890,350 | -21% | 468 | $1,902 | $4,891,527 | 6 |
| Sep 28, 2018 | 15 | $714,351 | -20% | 437 | $1,635 | $6,041,025 | 7 |
| Oct 5, 2018 | 19 | $383,403 | -46% | 358 | $1,071 | $6,790,237 | 8 |
| Oct 19, 2018 | 27 | $130,333 | 130 | $1,003 | $7,474,075 | 10 | |
| Oct 26, 2018 | 37 | $78,731 | -40% | 82 | $960 | $7,608,506 | 11 |
| Nov 2, 2018 | 43 | $40,441 | -49% | 49 | $825 | $7,691,644 | 12 |
| Nov 9, 2018 | 44 | $29,939 | -26% | 35 | $855 | $7,741,847 | 13 |
| Nov 16, 2018 | 49 | $13,583 | -55% | 25 | $543 | $7,768,601 | 14 |
| Nov 23, 2018 | 51 | $9,222 | -32% | 16 | $576 | $7,784,428 | 15 |
| Nov 30, 2018 | 76 | $846 | -91% | 6 | $141 | $7,788,275 | 16 |
| Dec 7, 2018 | 23 | $208,756 | +24,576% | 421 | $496 | $7,997,873 | 17 |
| Dec 14, 2018 | 44 | $21,632 | -90% | 67 | $323 | $8,152,628 | 18 |
| Dec 28, 2018 | 63 | $2,391 | 4 | $598 | $8,197,531 | 20 | |
| Jan 4, 2019 | 51 | $6,510 | +172% | 10 | $651 | $8,206,930 | 21 |
| Jan 11, 2019 | 32 | $111,853 | +1,618% | 156 | $717 | $8,329,486 | 22 |
| Jan 18, 2019 | 37 | $85,282 | -24% | 115 | $742 | $8,500,493 | 23 |
| Jan 25, 2019 | 32 | $114,984 | +35% | 105 | $1,095 | $8,700,552 | 24 |
| Feb 1, 2019 | 32 | $141,367 | +23% | 202 | $700 | $8,916,782 | 25 |
| Feb 8, 2019 | 35 | $94,835 | -33% | 99 | $958 | $9,095,882 | 26 |
| Feb 15, 2019 | 39 | $89,787 | -5% | 77 | $1,166 | $9,231,353 | 27 |
| Feb 22, 2019 | 37 | $148,905 | +66% | 204 | $730 | $9,412,917 | 28 |
| Mar 1, 2019 | 50 | $35,147 | -76% | 78 | $451 | $9,522,418 | 29 |
| Mar 8, 2019 | 60 | $11,038 | -69% | 29 | $381 | $9,559,194 | 30 |
| Mar 15, 2019 | 70 | $6,831 | -38% | 16 | $427 | $9,573,526 | 31 |
| Mar 22, 2019 | 74 | $2,566 | -62% | 9 | $285 | $9,580,916 | 32 |
| Mar 29, 2019 | 87 | $914 | -64% | 4 | $229 | $9,583,085 | 33 |
| Apr 5, 2019 | 85 | $641 | -30% | 3 | $214 | $9,597,359 | 34 |
| Apr 12, 2019 | 77 | $2,350 | +267% | 4 | $588 | $9,599,982 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 17, 2018 | 33 | $162,730 | 4 | $40,683 | $162,730 | 1 | |
| Aug 24, 2018 | 27 | $327,101 | +101% | 18 | $18,172 | $489,831 | 2 |
| Aug 31, 2018 | 22 | $834,456 | +155% | 78 | $10,698 | $1,324,287 | 3 |
| Sep 7, 2018 | 18 | $984,452 | +18% | 153 | $6,434 | $2,308,739 | 4 |
| Sep 14, 2018 | 13 | $1,692,438 | +72% | 541 | $3,128 | $4,001,177 | 5 |
| Sep 21, 2018 | 17 | $1,325,497 | -22% | 468 | $2,832 | $5,326,674 | 6 |
| Sep 28, 2018 | 15 | $1,080,160 | -19% | 437 | $2,472 | $6,406,834 | 7 |
| Oct 5, 2018 | 17 | $619,271 | -43% | 358 | $1,730 | $7,026,105 | 8 |
| Oct 12, 2018 | 20 | $317,637 | -49% | 201 | $1,580 | $7,343,742 | 9 |
| Oct 19, 2018 | 25 | $186,033 | -41% | 130 | $1,431 | $7,529,775 | 10 |
| Oct 26, 2018 | 34 | $121,428 | -35% | 82 | $1,481 | $7,651,203 | 11 |
| Nov 2, 2018 | 44 | $60,705 | -50% | 49 | $1,239 | $7,711,908 | 12 |
| Nov 9, 2018 | 44 | $43,110 | -29% | 35 | $1,232 | $7,755,018 | 13 |
| Nov 16, 2018 | 53 | $20,188 | -53% | 25 | $808 | $7,775,206 | 14 |
| Nov 23, 2018 | 52 | $12,223 | -39% | 16 | $764 | $7,787,429 | 15 |
| Nov 30, 2018 | 75 | $1,688 | -86% | 6 | $281 | $7,789,117 | 16 |
| Dec 7, 2018 | 24 | $341,879 | +20,153% | 421 | $812 | $8,130,996 | 17 |
| Dec 14, 2018 | 41 | $57,984 | -83% | 67 | $865 | $8,188,980 | 18 |
| Dec 21, 2018 | 61 | $6,160 | -89% | 5 | $1,232 | $8,195,140 | 19 |
| Dec 28, 2018 | 62 | $5,280 | -14% | 4 | $1,320 | $8,200,420 | 20 |
| Jan 4, 2019 | 51 | $17,213 | +226% | 10 | $1,721 | $8,217,633 | 21 |
| Jan 11, 2019 | 33 | $197,578 | +1,048% | 156 | $1,267 | $8,415,211 | 22 |
| Jan 18, 2019 | 37 | $170,357 | -14% | 115 | $1,481 | $8,585,568 | 23 |
| Jan 25, 2019 | 31 | $189,847 | +11% | 105 | $1,808 | $8,775,415 | 24 |
| Feb 1, 2019 | 34 | $225,632 | +19% | 202 | $1,117 | $9,001,047 | 25 |
| Feb 8, 2019 | 41 | $140,519 | -38% | 99 | $1,419 | $9,141,566 | 26 |
| Feb 15, 2019 | 40 | $122,446 | -13% | 77 | $1,590 | $9,264,012 | 27 |
| Feb 22, 2019 | 36 | $223,259 | +82% | 204 | $1,094 | $9,487,271 | 28 |
| Mar 1, 2019 | 49 | $60,885 | -73% | 78 | $781 | $9,548,156 | 29 |
| Mar 8, 2019 | 60 | $18,539 | -70% | 29 | $639 | $9,566,695 | 30 |
| Mar 15, 2019 | 70 | $11,655 | -37% | 16 | $728 | $9,578,350 | 31 |
| Mar 22, 2019 | 77 | $3,821 | -67% | 9 | $425 | $9,582,171 | 32 |
| Mar 29, 2019 | 62 | $14,547 | +281% | 9 | $1,616 | $9,596,718 | 33 |
| Apr 5, 2019 | 88 | $914 | -94% | 3 | $305 | $9,597,632 | 34 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/14/2018 | $57,966 | 0 | 0 | 0 | $209,823 | 3/23/2019 | |||
| Australia | 7/20/2018 | $1,390 | 2 | 241 | 1,620 | $2,065,656 | 3/5/2019 | |||
| Brazil | 1/11/2019 | $176,953 | 59 | 59 | 116 | $402,496 | 1/26/2019 | |||
| Italy | 10/4/2018 | $522,637 | 0 | 12 | 40 | $1,362,794 | 12/23/2018 | |||
| Netherlands | 11/23/2018 | $93,304 | 35 | 60 | 606 | $11,841 | 4/4/2026 | |||
| New Zealand | 8/3/2018 | $87,934 | 48 | 48 | 48 | $90,571 | 8/10/2018 | |||
| Poland | 9/7/2018 | $47,740 | 65 | 66 | 177 | $182,680 | 1/1/2019 | |||
| Portugal | 10/19/2018 | $21,825 | 26 | 26 | 97 | $139,345 | 2/15/2019 | |||
| Russia (CIS) | 11/23/2018 | $52,205 | 128 | 128 | 287 | $135,841 | 5/12/2019 | |||
| South Korea | 3/1/2019 | $68,348 | 98 | 98 | 237 | $277,465 | 4/4/2026 | |||
| Spain | 10/19/2018 | $275,593 | 111 | 115 | 408 | $971,450 | 11/22/2018 | |||
| United Kingdom | 9/28/2018 | $512,511 | 119 | 130 | 551 | $2,256,339 | 4/4/2026 | |||
| Rest of World | $1,025,126 | |||||||||
| International Total | $9,131,427 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Glenn Close | Joan Castleman | |
| Jonathan Pryce | Professor Joe Castleman |
Supporting
| Christian Slater | Nathaniel Bone | |
| Max Irons | David Castleman | |
| Harry Lloyd | Young Joe Castleman | |
| Annie Starke | Young Joan Castleman | |
| Elizabeth McGovern | Elaine Mozel | |
| Alix Wilton Regan | Susannah Castleman |
Production and Technical Credits
| Bjorne Runge | Director | |
| Rosalie Swedlin | Producer | |
| Meta Louise Foldager | Producer | |
| Piers Tempest | Producer | |
| Jo Bamford | Producer | |
| Claudia Bluemhuber | Producer | |
| Piodor Gustafsson* | Co-Producer | |
| Meg Wolitzer | Story based on the book by | |
| Jane Anderson | Screenwriter | |
| Tim Haslam | Executive Producer | |
| Hugo Grumbar | Executive Producer | |
| Gero Bauknecht | Executive Producer | |
| Nina Bisgaard | Executive Producer | |
| Mark Cooper | Executive Producer | |
| Florian Dargel | Executive Producer | |
| Tomas Eskilsson | Executive Producer | |
| Jon Mankell | Executive Producer | |
| Bjorne Runge | Executive Producer | |
| Gerd Schelpers | Executive Producer | |
| Ulf Brantas | Director of Photography | |
| Lena Runge | Editor | |
| Jocelyn Pook | Composer | |
| Mark Leese | Production Designer | |
| Trisha Biggar | Costume Designer | |
| Susanne Scheel | Casting Director | |
| Elaine Grainger | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Joan Castleman is a highly intelligent and still-striking beauty—the perfect devoted wife. Forty years spent sacrificing her own talent, dreams and ambitions to fan the flames of her charismatic husband Joe and his skyrocketing literary career. Ignoring his infidelities and excuses because of his “art” with grace and humor. Their fateful pact has built a marriage upon uneven compromises and Joan’s reached her breaking point. On the eve of Joe's Nobel Prize for Literature, the crown jewel in a spectacular body of work, Joan’s coup de grace is to confront the biggest sacrifice of her life and secret of his career.
Metrics
| Opening Weekend: | $108,284 (1.1% of total gross) |
| Legs: | 8.55 (domestic box office/biggest weekend) |
| Domestic Share: | 51.3% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/541 max. theaters, 7.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,593,222 |
Movie Details
| Domestic Releases: | August 17th, 2018 (Limited) by Sony Pictures Classics |
| International Releases: | July 20th, 2018 (Wide) (Australia)
August 3rd, 2018 (Wide) (New Zealand) September 7th, 2018 (Wide) (Poland) September 14th, 2018 (Wide) (Argentina) September 28th, 2018 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | January 29th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language and some sexual content. (Rating bulletin 2514 (Cert #51474), 2/14/2018) |
| Running Time: | 100 minutes |
| Plot point: | Infidelity, Nobel Prize, Relationships Gone Wrong, Writing and Writers |
| Subgenre: | Family Drama |
| Time period setting: | 1950s, 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Anonymous Content, Tempo Productions, Silver Reel Entertainment, Meta Film London, Embankment Films, Creative Scotland, Spark Film & TV, Film Vast, Chimney |
| Production Countries: | United States, Sweden, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 17, 2018 | 34 | $108,284 | 4 | $27,071 | $108,284 | 1 | |
| Aug 24, 2018 | 27 | $212,748 | +96% | 18 | $11,819 | $375,478 | 2 |
| Aug 31, 2018 | 22 | $521,700 | +145% | 78 | $6,688 | $1,011,531 | 3 |
| Sep 7, 2018 | 20 | $639,857 | +23% | 153 | $4,182 | $1,964,144 | 4 |
| Sep 14, 2018 | 14 | $1,122,185 | +75% | 541 | $2,074 | $3,430,924 | 5 |
| Sep 21, 2018 | 16 | $890,350 | -21% | 468 | $1,902 | $4,891,527 | 6 |
| Sep 28, 2018 | 15 | $714,351 | -20% | 437 | $1,635 | $6,041,025 | 7 |
| Oct 5, 2018 | 19 | $383,403 | -46% | 358 | $1,071 | $6,790,237 | 8 |
| Oct 19, 2018 | 27 | $130,333 | 130 | $1,003 | $7,474,075 | 10 | |
| Oct 26, 2018 | 37 | $78,731 | -40% | 82 | $960 | $7,608,506 | 11 |
| Nov 2, 2018 | 43 | $40,441 | -49% | 49 | $825 | $7,691,644 | 12 |
| Nov 9, 2018 | 44 | $29,939 | -26% | 35 | $855 | $7,741,847 | 13 |
| Nov 16, 2018 | 49 | $13,583 | -55% | 25 | $543 | $7,768,601 | 14 |
| Nov 23, 2018 | 51 | $9,222 | -32% | 16 | $576 | $7,784,428 | 15 |
| Nov 30, 2018 | 76 | $846 | -91% | 6 | $141 | $7,788,275 | 16 |
| Dec 7, 2018 | 23 | $208,756 | +24,576% | 421 | $496 | $7,997,873 | 17 |
| Dec 14, 2018 | 44 | $21,632 | -90% | 67 | $323 | $8,152,628 | 18 |
| Dec 28, 2018 | 63 | $2,391 | 4 | $598 | $8,197,531 | 20 | |
| Jan 4, 2019 | 51 | $6,510 | +172% | 10 | $651 | $8,206,930 | 21 |
| Jan 11, 2019 | 32 | $111,853 | +1,618% | 156 | $717 | $8,329,486 | 22 |
| Jan 18, 2019 | 37 | $85,282 | -24% | 115 | $742 | $8,500,493 | 23 |
| Jan 25, 2019 | 32 | $114,984 | +35% | 105 | $1,095 | $8,700,552 | 24 |
| Feb 1, 2019 | 32 | $141,367 | +23% | 202 | $700 | $8,916,782 | 25 |
| Feb 8, 2019 | 35 | $94,835 | -33% | 99 | $958 | $9,095,882 | 26 |
| Feb 15, 2019 | 39 | $89,787 | -5% | 77 | $1,166 | $9,231,353 | 27 |
| Feb 22, 2019 | 37 | $148,905 | +66% | 204 | $730 | $9,412,917 | 28 |
| Mar 1, 2019 | 50 | $35,147 | -76% | 78 | $451 | $9,522,418 | 29 |
| Mar 8, 2019 | 60 | $11,038 | -69% | 29 | $381 | $9,559,194 | 30 |
| Mar 15, 2019 | 70 | $6,831 | -38% | 16 | $427 | $9,573,526 | 31 |
| Mar 22, 2019 | 74 | $2,566 | -62% | 9 | $285 | $9,580,916 | 32 |
| Mar 29, 2019 | 87 | $914 | -64% | 4 | $229 | $9,583,085 | 33 |
| Apr 5, 2019 | 85 | $641 | -30% | 3 | $214 | $9,597,359 | 34 |
| Apr 12, 2019 | 77 | $2,350 | +267% | 4 | $588 | $9,599,982 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 17, 2018 | 33 | $162,730 | 4 | $40,683 | $162,730 | 1 | |
| Aug 24, 2018 | 27 | $327,101 | +101% | 18 | $18,172 | $489,831 | 2 |
| Aug 31, 2018 | 22 | $834,456 | +155% | 78 | $10,698 | $1,324,287 | 3 |
| Sep 7, 2018 | 18 | $984,452 | +18% | 153 | $6,434 | $2,308,739 | 4 |
| Sep 14, 2018 | 13 | $1,692,438 | +72% | 541 | $3,128 | $4,001,177 | 5 |
| Sep 21, 2018 | 17 | $1,325,497 | -22% | 468 | $2,832 | $5,326,674 | 6 |
| Sep 28, 2018 | 15 | $1,080,160 | -19% | 437 | $2,472 | $6,406,834 | 7 |
| Oct 5, 2018 | 17 | $619,271 | -43% | 358 | $1,730 | $7,026,105 | 8 |
| Oct 12, 2018 | 20 | $317,637 | -49% | 201 | $1,580 | $7,343,742 | 9 |
| Oct 19, 2018 | 25 | $186,033 | -41% | 130 | $1,431 | $7,529,775 | 10 |
| Oct 26, 2018 | 34 | $121,428 | -35% | 82 | $1,481 | $7,651,203 | 11 |
| Nov 2, 2018 | 44 | $60,705 | -50% | 49 | $1,239 | $7,711,908 | 12 |
| Nov 9, 2018 | 44 | $43,110 | -29% | 35 | $1,232 | $7,755,018 | 13 |
| Nov 16, 2018 | 53 | $20,188 | -53% | 25 | $808 | $7,775,206 | 14 |
| Nov 23, 2018 | 52 | $12,223 | -39% | 16 | $764 | $7,787,429 | 15 |
| Nov 30, 2018 | 75 | $1,688 | -86% | 6 | $281 | $7,789,117 | 16 |
| Dec 7, 2018 | 24 | $341,879 | +20,153% | 421 | $812 | $8,130,996 | 17 |
| Dec 14, 2018 | 41 | $57,984 | -83% | 67 | $865 | $8,188,980 | 18 |
| Dec 21, 2018 | 61 | $6,160 | -89% | 5 | $1,232 | $8,195,140 | 19 |
| Dec 28, 2018 | 62 | $5,280 | -14% | 4 | $1,320 | $8,200,420 | 20 |
| Jan 4, 2019 | 51 | $17,213 | +226% | 10 | $1,721 | $8,217,633 | 21 |
| Jan 11, 2019 | 33 | $197,578 | +1,048% | 156 | $1,267 | $8,415,211 | 22 |
| Jan 18, 2019 | 37 | $170,357 | -14% | 115 | $1,481 | $8,585,568 | 23 |
| Jan 25, 2019 | 31 | $189,847 | +11% | 105 | $1,808 | $8,775,415 | 24 |
| Feb 1, 2019 | 34 | $225,632 | +19% | 202 | $1,117 | $9,001,047 | 25 |
| Feb 8, 2019 | 41 | $140,519 | -38% | 99 | $1,419 | $9,141,566 | 26 |
| Feb 15, 2019 | 40 | $122,446 | -13% | 77 | $1,590 | $9,264,012 | 27 |
| Feb 22, 2019 | 36 | $223,259 | +82% | 204 | $1,094 | $9,487,271 | 28 |
| Mar 1, 2019 | 49 | $60,885 | -73% | 78 | $781 | $9,548,156 | 29 |
| Mar 8, 2019 | 60 | $18,539 | -70% | 29 | $639 | $9,566,695 | 30 |
| Mar 15, 2019 | 70 | $11,655 | -37% | 16 | $728 | $9,578,350 | 31 |
| Mar 22, 2019 | 77 | $3,821 | -67% | 9 | $425 | $9,582,171 | 32 |
| Mar 29, 2019 | 62 | $14,547 | +281% | 9 | $1,616 | $9,596,718 | 33 |
| Apr 5, 2019 | 88 | $914 | -94% | 3 | $305 | $9,597,632 | 34 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/14/2018 | $57,966 | 0 | 0 | 0 | $209,823 | 3/23/2019 | |||
| Australia | 7/20/2018 | $1,390 | 2 | 241 | 1,620 | $2,065,656 | 3/5/2019 | |||
| Brazil | 1/11/2019 | $176,953 | 59 | 59 | 116 | $402,496 | 1/26/2019 | |||
| Italy | 10/4/2018 | $522,637 | 0 | 12 | 40 | $1,362,794 | 12/23/2018 | |||
| Netherlands | 11/23/2018 | $93,304 | 35 | 60 | 606 | $11,841 | 4/4/2026 | |||
| New Zealand | 8/3/2018 | $87,934 | 48 | 48 | 48 | $90,571 | 8/10/2018 | |||
| Poland | 9/7/2018 | $47,740 | 65 | 66 | 177 | $182,680 | 1/1/2019 | |||
| Portugal | 10/19/2018 | $21,825 | 26 | 26 | 97 | $139,345 | 2/15/2019 | |||
| Russia (CIS) | 11/23/2018 | $52,205 | 128 | 128 | 287 | $135,841 | 5/12/2019 | |||
| South Korea | 3/1/2019 | $68,348 | 98 | 98 | 237 | $277,465 | 4/4/2026 | |||
| Spain | 10/19/2018 | $275,593 | 111 | 115 | 408 | $971,450 | 11/22/2018 | |||
| United Kingdom | 9/28/2018 | $512,511 | 119 | 130 | 551 | $2,256,339 | 4/4/2026 | |||
| Rest of World | $1,025,126 | |||||||||
| International Total | $9,131,427 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Glenn Close | Joan Castleman | |
| Jonathan Pryce | Professor Joe Castleman |
Supporting
| Christian Slater | Nathaniel Bone | |
| Max Irons | David Castleman | |
| Harry Lloyd | Young Joe Castleman | |
| Annie Starke | Young Joan Castleman | |
| Elizabeth McGovern | Elaine Mozel | |
| Alix Wilton Regan | Susannah Castleman |
Production and Technical Credits
| Bjorne Runge | Director | |
| Rosalie Swedlin | Producer | |
| Meta Louise Foldager | Producer | |
| Piers Tempest | Producer | |
| Jo Bamford | Producer | |
| Claudia Bluemhuber | Producer | |
| Piodor Gustafsson* | Co-Producer | |
| Meg Wolitzer | Story based on the book by | |
| Jane Anderson | Screenwriter | |
| Tim Haslam | Executive Producer | |
| Hugo Grumbar | Executive Producer | |
| Gero Bauknecht | Executive Producer | |
| Nina Bisgaard | Executive Producer | |
| Mark Cooper | Executive Producer | |
| Florian Dargel | Executive Producer | |
| Tomas Eskilsson | Executive Producer | |
| Jon Mankell | Executive Producer | |
| Bjorne Runge | Executive Producer | |
| Gerd Schelpers | Executive Producer | |
| Ulf Brantas | Director of Photography | |
| Lena Runge | Editor | |
| Jocelyn Pook | Composer | |
| Mark Leese | Production Designer | |
| Trisha Biggar | Costume Designer | |
| Susanne Scheel | Casting Director | |
| Elaine Grainger | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.