Wildcats (1986)
| Theatrical Performance | ||
| Domestic Box Office | $26,285,544 | Details |
| OpusData ID: 20650100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $5,472,905 (20.8% of total gross) |
| Legs: | 4.80 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,054 opening theaters/1,062 max. theaters, 8.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $80,131,938 |
Movie Details
| Domestic Releases: | February 14th, 1986 (Wide) by Warner Bros. |
| Video Release: | July 11th, 2006 by Warner Home Video |
| MPA Rating: | R |
| Running Time: | 107 minutes |
| Geographical setting: | Chicago |
| Plot point: | Bigotry, Father’s Footsteps, Football, Sexism, Underdog, Woman in a Male Dominated Profession |
| Social setting: | High School Sports |
| Subgenre: | Sports Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 1986 | 4 | $5,472,905 | 1,054 | $5,193 | $5,472,905 | 1 | |
| Feb 21, 1986 | 2 | $4,323,648 | -21% | 1,054 | $4,102 | $10,907,064 | 2 |
| Feb 28, 1986 | 6 | $3,196,701 | -26% | 1,062 | $3,010 | $15,111,241 | 3 |
| Mar 7, 1986 | 6 | $2,505,363 | -22% | 1,043 | $2,402 | $18,426,459 | 4 |
| Mar 14, 1986 | 8 | $1,778,971 | -29% | 1,007 | $1,767 | $20,980,602 | 5 |
| Mar 21, 1986 | 13 | $1,080,522 | -39% | 965 | $1,120 | $22,569,562 | 6 |
| Mar 28, 1986 | 16 | $574,181 | -47% | 729 | $788 | $23,583,117 | 7 |
| Apr 4, 1986 | 13 | $905,019 | +58% | 721 | $1,255 | $24,749,057 | 8 |
| Apr 11, 1986 | 14 | $458,887 | -49% | 593 | $774 | $25,207,944 | 9 |
| Apr 18, 1986 | 16 | $381,245 | -17% | 483 | $789 | $25,745,600 | 10 |
| Apr 25, 1986 | 14 | $324,067 | -15% | 462 | $701 | $26,187,968 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 1986 | 4 | $6,583,416 | 1,054 | $6,246 | $6,583,416 | 1 | |
| Feb 21, 1986 | 3 | $5,331,124 | -19% | 1,054 | $5,058 | $11,914,540 | 2 |
| Feb 28, 1986 | 6 | $4,006,556 | -25% | 1,062 | $3,773 | $15,921,096 | 3 |
| Mar 7, 1986 | 6 | $3,280,535 | -18% | 1,043 | $3,145 | $19,201,631 | 4 |
Leading
| Goldie Hawn | Molly McGrath |
Supporting
| James Keach | ||
| Swoosie Kurtz | Verna | |
| Woody Harrelson | Krushinski | |
| LL Cool J | Rapper | |
| Gloria Stuart | Mrs. Connoly | |
| Wesley Snipes | Trumaine | |
| Mykelti Williamson | Levander "Bird" Williams | |
| M. Emmet Walsh | Walt Coes | |
| Jan Hooks | Stephanie Needham | |
| Bruce McGill | Dan Darwell | |
| Robyn Lively | Alice Needham | |
| Jsu Garcia | Cerulo |
Production and Technical Credits
| Michael Ritchie | Director | |
| Ezra Sacks | Screenwriter | |
| Jennifer L. Parsons | Costumer: Women |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $5,472,905 (20.8% of total gross) |
| Legs: | 4.80 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,054 opening theaters/1,062 max. theaters, 8.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $80,131,938 |
Movie Details
| Domestic Releases: | February 14th, 1986 (Wide) by Warner Bros. |
| Video Release: | July 11th, 2006 by Warner Home Video |
| MPA Rating: | R |
| Running Time: | 107 minutes |
| Geographical setting: | Chicago |
| Plot point: | Bigotry, Father’s Footsteps, Football, Sexism, Underdog, Woman in a Male Dominated Profession |
| Social setting: | High School Sports |
| Subgenre: | Sports Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 1986 | 4 | $5,472,905 | 1,054 | $5,193 | $5,472,905 | 1 | |
| Feb 21, 1986 | 2 | $4,323,648 | -21% | 1,054 | $4,102 | $10,907,064 | 2 |
| Feb 28, 1986 | 6 | $3,196,701 | -26% | 1,062 | $3,010 | $15,111,241 | 3 |
| Mar 7, 1986 | 6 | $2,505,363 | -22% | 1,043 | $2,402 | $18,426,459 | 4 |
| Mar 14, 1986 | 8 | $1,778,971 | -29% | 1,007 | $1,767 | $20,980,602 | 5 |
| Mar 21, 1986 | 13 | $1,080,522 | -39% | 965 | $1,120 | $22,569,562 | 6 |
| Mar 28, 1986 | 16 | $574,181 | -47% | 729 | $788 | $23,583,117 | 7 |
| Apr 4, 1986 | 13 | $905,019 | +58% | 721 | $1,255 | $24,749,057 | 8 |
| Apr 11, 1986 | 14 | $458,887 | -49% | 593 | $774 | $25,207,944 | 9 |
| Apr 18, 1986 | 16 | $381,245 | -17% | 483 | $789 | $25,745,600 | 10 |
| Apr 25, 1986 | 14 | $324,067 | -15% | 462 | $701 | $26,187,968 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 1986 | 4 | $6,583,416 | 1,054 | $6,246 | $6,583,416 | 1 | |
| Feb 21, 1986 | 3 | $5,331,124 | -19% | 1,054 | $5,058 | $11,914,540 | 2 |
| Feb 28, 1986 | 6 | $4,006,556 | -25% | 1,062 | $3,773 | $15,921,096 | 3 |
| Mar 7, 1986 | 6 | $3,280,535 | -18% | 1,043 | $3,145 | $19,201,631 | 4 |
Leading
| Goldie Hawn | Molly McGrath |
Supporting
| James Keach | ||
| Swoosie Kurtz | Verna | |
| Woody Harrelson | Krushinski | |
| LL Cool J | Rapper | |
| Gloria Stuart | Mrs. Connoly | |
| Wesley Snipes | Trumaine | |
| Mykelti Williamson | Levander "Bird" Williams | |
| M. Emmet Walsh | Walt Coes | |
| Jan Hooks | Stephanie Needham | |
| Bruce McGill | Dan Darwell | |
| Robyn Lively | Alice Needham | |
| Jsu Garcia | Cerulo |
Production and Technical Credits
| Michael Ritchie | Director | |
| Ezra Sacks | Screenwriter | |
| Jennifer L. Parsons | Costumer: Women |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.