William Tell (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $43,089 | Details |
| International Box Office | $820,404 | Details |
| Worldwide Box Office | $863,493 | |
| OpusData ID: 704590100 More info... | ||
| Further financial details... | ||
Synopsis
In 14th-century Switzerland, a legendary, once-peaceful hunter leads his people in rebellion after his family and country are threatened by the tyrannical King of Austria. As the Holy Roman Empire crumbles, the ambitious Austrians encroach upon Switzerland, upending the quiet lives of the Swiss peasants.
Metrics
| Opening Weekend: | $26,555 (61.6% of total gross) |
| Legs: | 1.62 (domestic box office/biggest weekend) |
| Domestic Share: | 5.0% (domestic box office/worldwide) |
| Theater counts: | 111 opening theaters/111 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $43,089 |
Movie Details
| Domestic Releases: | April 4th, 2025 (Limited) by Samuel Goldwyn Films |
| International Releases: | January 10th, 2025 (Limited) (United Kingdom)
January 30th, 2025 (Limited) (Croatia) February 20th, 2025 (Limited) (Australia) February 20th, 2025 (Limited) (Netherlands) February 27th, 2025 (Limited) (New Zealand) ... Show all releases |
| Video Release: | April 4th, 2025 by Samuel Goldwyn |
| MPA Rating: | R for strong/bloody violence and brief nudity. (Rating bulletin 2865 (cert #55309), 12/18/2024) |
| Running Time: | 132 minutes |
| Film festival: | Toronto International Film Festival 2024 |
| Geographical setting: | Switzerland |
| Release detail: | Festival Acquisition |
| Subgenre: | Historical Drama |
| Time period setting: | 1300s |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Samuel Goldwyn Films, Freeturn Films, Tempo Productions, Beta Cinema, WME Independent, Prime Focus Studios, Groenlandia, Cineroma SRL |
| Production Countries: | United Kingdom, Switzerland, Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2025 | - | $26,555 | 111 | $239 | $26,555 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Apr 4, 2025 | - | $8,771 | 111 | $79 | $8,771 | 1 | |
| Apr 5, 2025 | - | $8,725 | -1% | 111 | $79 | $17,496 | 2 |
| Apr 6, 2025 | - | $9,059 | +4% | 111 | $82 | $26,555 | 3 |
| Apr 7, 2025 | - | $3,947 | -56% | 111 | $36 | $30,502 | 4 |
| Apr 8, 2025 | - | $7,325 | +86% | 111 | $66 | $37,827 | 5 |
| Apr 9, 2025 | - | $3,848 | -47% | 111 | $35 | $41,675 | 6 |
| Apr 10, 2025 | - | $1,414 | -63% | 111 | $13 | $43,089 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2025 | 33 | $43,089 | 111 | $388 | $43,089 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/20/2025 | $7,995 | 26 | 26 | 0 | $21,674 | 4/4/2026 | |||
| Croatia | 1/30/2025 | $8,366 | 37 | 37 | 71 | $26,198 | 2/21/2025 | |||
| Czech Republic | 3/13/2025 | $18,647 | 141 | 141 | 141 | $18,647 | 4/4/2026 | |||
| Finland | 3/14/2025 | $14,259 | 55 | 56 | 55 | $22,038 | 4/21/2026 | |||
| Italy | 4/3/2025 | $108,214 | 0 | 0 | 0 | $108,214 | 4/4/2026 | |||
| Netherlands | 2/20/2025 | $60,183 | 55 | 55 | 201 | $211,924 | 4/4/2026 | |||
| New Zealand | 2/27/2025 | $5,840 | 29 | 29 | 0 | $15,397 | 4/4/2026 | |||
| Portugal | 9/18/2025 | $9,099 | 25 | 25 | 35 | $14,436 | 4/4/2026 | |||
| Romania | 3/14/2025 | $21,379 | 75 | 75 | 0 | $58,264 | 4/4/2026 | |||
| Slovakia | 3/13/2025 | $8,652 | 65 | 65 | 65 | $8,652 | 4/4/2026 | |||
| Spain | 4/4/2025 | $170,448 | 239 | 239 | 455 | $279,841 | 4/4/2026 | |||
| United Kingdom | 1/10/2025 | $0 | 0 | 132 | 132 | $35,119 | 1/23/2025 | |||
| International Total | $820,404 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Claes Bang | William Tell | |
| Connor Swindells | Gessler | |
| Golshifteh Farahani | Suna | |
| Jonah Hauer-King | Rudenz | |
| Ellie Bamber | Bertha | |
| Rafe Spall | Stauffacher | |
| Emily Beecham | Gertrude | |
| Jonathan Pryce | Attinghausen | |
| Ben Kingsley | King Albrecht |
Supporting
| Solly McLeod | Melchtal |
Production and Technical Credits
| Nick Hamm | Director | |
| Nick Hamm | Screenwriter | |
| Friedrich Schiller | Story Creator | |
| Piers Tempest | Producer | |
| Marie-Christine Jaeger-Firmenich | Producer | |
| Jon Hamm | Executive Producer | |
| Francesco Marras | Executive Producer | |
| David Nichols | Executive Producer | |
| Jamie Ramsay | Director of Photography | |
| Tonino Zera | Production Designer | |
| Yan Miles | Editor | |
| Andrew Simmonds | Visual Effects Supervisor | |
| Francesca Sartori | Costume Designer | |
| Steven Price | Composer | |
| Francesco Pegoretti | Hairstylist | |
| Luca Mazzoccoli | Make up | |
| Lauren Evans | Casting Director | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 14th-century Switzerland, a legendary, once-peaceful hunter leads his people in rebellion after his family and country are threatened by the tyrannical King of Austria. As the Holy Roman Empire crumbles, the ambitious Austrians encroach upon Switzerland, upending the quiet lives of the Swiss peasants.
Metrics
| Opening Weekend: | $26,555 (61.6% of total gross) |
| Legs: | 1.62 (domestic box office/biggest weekend) |
| Domestic Share: | 5.0% (domestic box office/worldwide) |
| Theater counts: | 111 opening theaters/111 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $43,089 |
Movie Details
| Domestic Releases: | April 4th, 2025 (Limited) by Samuel Goldwyn Films |
| International Releases: | January 10th, 2025 (Limited) (United Kingdom)
January 30th, 2025 (Limited) (Croatia) February 20th, 2025 (Limited) (Australia) February 20th, 2025 (Limited) (Netherlands) February 27th, 2025 (Limited) (New Zealand) ... Show all releases |
| Video Release: | April 4th, 2025 by Samuel Goldwyn |
| MPA Rating: | R for strong/bloody violence and brief nudity. (Rating bulletin 2865 (cert #55309), 12/18/2024) |
| Running Time: | 132 minutes |
| Film festival: | Toronto International Film Festival 2024 |
| Geographical setting: | Switzerland |
| Release detail: | Festival Acquisition |
| Subgenre: | Historical Drama |
| Time period setting: | 1300s |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Samuel Goldwyn Films, Freeturn Films, Tempo Productions, Beta Cinema, WME Independent, Prime Focus Studios, Groenlandia, Cineroma SRL |
| Production Countries: | United Kingdom, Switzerland, Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2025 | - | $26,555 | 111 | $239 | $26,555 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Apr 4, 2025 | - | $8,771 | 111 | $79 | $8,771 | 1 | |
| Apr 5, 2025 | - | $8,725 | -1% | 111 | $79 | $17,496 | 2 |
| Apr 6, 2025 | - | $9,059 | +4% | 111 | $82 | $26,555 | 3 |
| Apr 7, 2025 | - | $3,947 | -56% | 111 | $36 | $30,502 | 4 |
| Apr 8, 2025 | - | $7,325 | +86% | 111 | $66 | $37,827 | 5 |
| Apr 9, 2025 | - | $3,848 | -47% | 111 | $35 | $41,675 | 6 |
| Apr 10, 2025 | - | $1,414 | -63% | 111 | $13 | $43,089 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2025 | 33 | $43,089 | 111 | $388 | $43,089 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/20/2025 | $7,995 | 26 | 26 | 0 | $21,674 | 4/4/2026 | |||
| Croatia | 1/30/2025 | $8,366 | 37 | 37 | 71 | $26,198 | 2/21/2025 | |||
| Czech Republic | 3/13/2025 | $18,647 | 141 | 141 | 141 | $18,647 | 4/4/2026 | |||
| Finland | 3/14/2025 | $14,259 | 55 | 56 | 55 | $22,038 | 4/21/2026 | |||
| Italy | 4/3/2025 | $108,214 | 0 | 0 | 0 | $108,214 | 4/4/2026 | |||
| Netherlands | 2/20/2025 | $60,183 | 55 | 55 | 201 | $211,924 | 4/4/2026 | |||
| New Zealand | 2/27/2025 | $5,840 | 29 | 29 | 0 | $15,397 | 4/4/2026 | |||
| Portugal | 9/18/2025 | $9,099 | 25 | 25 | 35 | $14,436 | 4/4/2026 | |||
| Romania | 3/14/2025 | $21,379 | 75 | 75 | 0 | $58,264 | 4/4/2026 | |||
| Slovakia | 3/13/2025 | $8,652 | 65 | 65 | 65 | $8,652 | 4/4/2026 | |||
| Spain | 4/4/2025 | $170,448 | 239 | 239 | 455 | $279,841 | 4/4/2026 | |||
| United Kingdom | 1/10/2025 | $0 | 0 | 132 | 132 | $35,119 | 1/23/2025 | |||
| International Total | $820,404 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Claes Bang | William Tell | |
| Connor Swindells | Gessler | |
| Golshifteh Farahani | Suna | |
| Jonah Hauer-King | Rudenz | |
| Ellie Bamber | Bertha | |
| Rafe Spall | Stauffacher | |
| Emily Beecham | Gertrude | |
| Jonathan Pryce | Attinghausen | |
| Ben Kingsley | King Albrecht |
Supporting
| Solly McLeod | Melchtal |
Production and Technical Credits
| Nick Hamm | Director | |
| Nick Hamm | Screenwriter | |
| Friedrich Schiller | Story Creator | |
| Piers Tempest | Producer | |
| Marie-Christine Jaeger-Firmenich | Producer | |
| Jon Hamm | Executive Producer | |
| Francesco Marras | Executive Producer | |
| David Nichols | Executive Producer | |
| Jamie Ramsay | Director of Photography | |
| Tonino Zera | Production Designer | |
| Yan Miles | Editor | |
| Andrew Simmonds | Visual Effects Supervisor | |
| Francesca Sartori | Costume Designer | |
| Steven Price | Composer | |
| Francesco Pegoretti | Hairstylist | |
| Luca Mazzoccoli | Make up | |
| Lauren Evans | Casting Director | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.