The Wind (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $28,611 | Details |
| International Box Office | $86,904 | Details |
| Worldwide Box Office | $115,515 | |
| OpusData ID: 364830100 More info... | ||
| Further financial details... | ||
Synopsis
Lizzy is a tough, resourceful frontierswoman settling a remote stretch of land on the 19th-century American frontier. Isolated from civilization in a desolate wilderness where the wind never stops howling, she begins to sense a sinister presence that seems to be borne of the land itself, an overwhelming dread that her husband dismisses as superstition. When a newlywed couple arrives on a nearby homestead, their presence amplifies Lizzy’s fears, setting into motion a shocking chain of events. Masterfully blending haunting visuals with pulse-pounding sound design, director Emma Tammi evokes a godforsaken world in which the forces of nature come alive with quivering menace.
Metrics
| Opening Weekend: | $14,138 (49.4% of total gross) |
| Legs: | 2.02 (domestic box office/biggest weekend) |
| Domestic Share: | 24.8% (domestic box office/worldwide) |
| Theater counts: | 30 opening theaters/30 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $37,351 |
Movie Details
| Domestic Releases: | April 5th, 2019 (Limited) by IFC Midnight |
| International Releases: | June 6th, 2019 (Wide), released as ОБИТЕЛЬ СТРАХА (Russia (CIS)) |
| Video Release: | April 5th, 2019 by IFC Video |
| MPA Rating: | R for violence/disturbing images, and some sexuality. (Rating bulletin 2570 (Cert #52108), 3/20/2019) |
| Running Time: | 90 minutes |
| Plot point: | Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Haunting, Infidelity, Non-Chronological, Relationships Gone Wrong, Suicide, Troubled Pregnancy or Miscarriage |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Supernatural, Wild West |
| Subgenre: | Isolation Horror |
| Time period setting: | 1800s |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Soapbox Films, Divide/Conquer |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 50 | $14,138 | 30 | $471 | $14,138 | 1 | |
| Apr 12, 2019 | 66 | $5,797 | -59% | 18 | $322 | $26,762 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | - | $5,959 | 30 | $199 | $5,959 | 1 | ||
| Apr 6, 2019 | - | $4,893 | -18% | 30 | $163 | $10,852 | 2 | |
| Apr 7, 2019 | - | $3,286 | -33% | 30 | $110 | $14,138 | 3 | |
| Apr 8, 2019 | - | $1,925 | -41% | 30 | $64 | $16,063 | 4 | |
| Apr 9, 2019 | - | $1,376 | -29% | 30 | $46 | $17,439 | 5 | |
| Apr 10, 2019 | - | $1,891 | +37% | 30 | $63 | $19,330 | 6 | |
| Apr 11, 2019 | - | $1,635 | -14% | 30 | $55 | $20,965 | 7 | |
| Apr 12, 2019 | - | $2,431 | +49% | -59% | 18 | $135 | $23,396 | 8 |
| Apr 13, 2019 | - | $1,708 | -30% | -65% | 18 | $95 | $25,104 | 9 |
| Apr 14, 2019 | - | $1,299 | -24% | -60% | 18 | $72 | $26,762 | 10 |
| Apr 15, 2019 | - | $324 | -75% | -83% | 18 | $18 | $27,086 | 11 |
| Apr 16, 2019 | - | $751 | +132% | -45% | 18 | $42 | $27,837 | 12 |
| Apr 17, 2019 | - | $331 | -56% | -82% | 18 | $18 | $28,168 | 13 |
| Apr 18, 2019 | - | $443 | +34% | -73% | 18 | $25 | $28,611 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 51 | $20,965 | 30 | $699 | $20,965 | 1 | |
| Apr 12, 2019 | 72 | $7,646 | -64% | 18 | $425 | $28,611 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 6/6/2019 | $45,275 | 312 | 312 | 482 | $86,904 | 7/12/2019 | |||
| International Total | $86,904 | 7/12/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Caitlin Gerard | Lizzy Macklin |
Supporting
| Julia Goldani Telles | Emma Harper | |
| Ashley Zukerman | Isaac Macklin | |
| Dylan McTee | Gideon Harper | |
| Miles Anderson | The Reverend | |
| Martin C. Patterson | Eli |
Production and Technical Credits
| Emma Tammi | Director | |
| Teresa Sutherland | Screenwriter | |
| Christopher Alender | Producer | |
| David Grove Churchill Viste | Producer | |
| Adam Hendricks | Executive Producer | |
| Greg Gilreath | Executive Producer | |
| John Lang | Executive Producer | |
| Zac Locke | Executive Producer | |
| Henry Jacobson | Executive Producer | |
| Emma Tammi | Executive Producer | |
| David A. Smith | Executive Producer | |
| Lyn Moncrief | Director of Photography | |
| Hillary Andujar | Production Designer | |
| Courtney Andujar | Production Designer | |
| Alex Amick | Editor | |
| Kate De Blasio | Costume Designer | |
| Ben Lovett | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Lizzy is a tough, resourceful frontierswoman settling a remote stretch of land on the 19th-century American frontier. Isolated from civilization in a desolate wilderness where the wind never stops howling, she begins to sense a sinister presence that seems to be borne of the land itself, an overwhelming dread that her husband dismisses as superstition. When a newlywed couple arrives on a nearby homestead, their presence amplifies Lizzy’s fears, setting into motion a shocking chain of events. Masterfully blending haunting visuals with pulse-pounding sound design, director Emma Tammi evokes a godforsaken world in which the forces of nature come alive with quivering menace.
Metrics
| Opening Weekend: | $14,138 (49.4% of total gross) |
| Legs: | 2.02 (domestic box office/biggest weekend) |
| Domestic Share: | 24.8% (domestic box office/worldwide) |
| Theater counts: | 30 opening theaters/30 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $37,351 |
Movie Details
| Domestic Releases: | April 5th, 2019 (Limited) by IFC Midnight |
| International Releases: | June 6th, 2019 (Wide), released as ОБИТЕЛЬ СТРАХА (Russia (CIS)) |
| Video Release: | April 5th, 2019 by IFC Video |
| MPA Rating: | R for violence/disturbing images, and some sexuality. (Rating bulletin 2570 (Cert #52108), 3/20/2019) |
| Running Time: | 90 minutes |
| Plot point: | Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Haunting, Infidelity, Non-Chronological, Relationships Gone Wrong, Suicide, Troubled Pregnancy or Miscarriage |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Supernatural, Wild West |
| Subgenre: | Isolation Horror |
| Time period setting: | 1800s |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Soapbox Films, Divide/Conquer |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 50 | $14,138 | 30 | $471 | $14,138 | 1 | |
| Apr 12, 2019 | 66 | $5,797 | -59% | 18 | $322 | $26,762 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | - | $5,959 | 30 | $199 | $5,959 | 1 | ||
| Apr 6, 2019 | - | $4,893 | -18% | 30 | $163 | $10,852 | 2 | |
| Apr 7, 2019 | - | $3,286 | -33% | 30 | $110 | $14,138 | 3 | |
| Apr 8, 2019 | - | $1,925 | -41% | 30 | $64 | $16,063 | 4 | |
| Apr 9, 2019 | - | $1,376 | -29% | 30 | $46 | $17,439 | 5 | |
| Apr 10, 2019 | - | $1,891 | +37% | 30 | $63 | $19,330 | 6 | |
| Apr 11, 2019 | - | $1,635 | -14% | 30 | $55 | $20,965 | 7 | |
| Apr 12, 2019 | - | $2,431 | +49% | -59% | 18 | $135 | $23,396 | 8 |
| Apr 13, 2019 | - | $1,708 | -30% | -65% | 18 | $95 | $25,104 | 9 |
| Apr 14, 2019 | - | $1,299 | -24% | -60% | 18 | $72 | $26,762 | 10 |
| Apr 15, 2019 | - | $324 | -75% | -83% | 18 | $18 | $27,086 | 11 |
| Apr 16, 2019 | - | $751 | +132% | -45% | 18 | $42 | $27,837 | 12 |
| Apr 17, 2019 | - | $331 | -56% | -82% | 18 | $18 | $28,168 | 13 |
| Apr 18, 2019 | - | $443 | +34% | -73% | 18 | $25 | $28,611 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 51 | $20,965 | 30 | $699 | $20,965 | 1 | |
| Apr 12, 2019 | 72 | $7,646 | -64% | 18 | $425 | $28,611 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 6/6/2019 | $45,275 | 312 | 312 | 482 | $86,904 | 7/12/2019 | |||
| International Total | $86,904 | 7/12/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Caitlin Gerard | Lizzy Macklin |
Supporting
| Julia Goldani Telles | Emma Harper | |
| Ashley Zukerman | Isaac Macklin | |
| Dylan McTee | Gideon Harper | |
| Miles Anderson | The Reverend | |
| Martin C. Patterson | Eli |
Production and Technical Credits
| Emma Tammi | Director | |
| Teresa Sutherland | Screenwriter | |
| Christopher Alender | Producer | |
| David Grove Churchill Viste | Producer | |
| Adam Hendricks | Executive Producer | |
| Greg Gilreath | Executive Producer | |
| John Lang | Executive Producer | |
| Zac Locke | Executive Producer | |
| Henry Jacobson | Executive Producer | |
| Emma Tammi | Executive Producer | |
| David A. Smith | Executive Producer | |
| Lyn Moncrief | Director of Photography | |
| Hillary Andujar | Production Designer | |
| Courtney Andujar | Production Designer | |
| Alex Amick | Editor | |
| Kate De Blasio | Costume Designer | |
| Ben Lovett | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.