Windtalkers (2002)
| Theatrical Performance | ||
| Domestic Box Office | $40,914,068 | Details |
| International Box Office | $36,714,197 | |
| Worldwide Box Office | $77,628,265 | |
| OpusData ID: 13650100 More info... | ||
| Further financial details... | ||
Synopsis
Joe Ender feels guilty for losing his entire platoon in an ambush, and gets a chance to prove himself by protecting Navajo soldier Ben Yahzee, who is a critical asset.
Metrics
| Opening Weekend: | $14,520,412 (35.5% of total gross) |
| Legs: | 2.82 (domestic box office/biggest weekend) |
| Domestic Share: | 52.7% (domestic box office/worldwide) |
| Production Budget: | $115,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 2,898 opening theaters/2,898 max. theaters, 4.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $84,222,416 |
Movie Details
| Domestic Releases: | June 14th, 2002 (Wide) by MGM |
| Video Release: | February 4th, 2003 by MGM Video |
| MPA Rating: | R for pervasive graphic war violence, and for language |
| Running Time: | 134 minutes |
| Plot point: | Native Americans, War |
| Release detail: | Disrupted by 2001 September 11 Attacks |
| Social setting: | World War II |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Metro-Goldwyn-Mayer Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2002 | 3 | $14,520,412 | 2,898 | $5,010 | $14,520,412 | 1 | |
| Jun 21, 2002 | 6 | $6,551,131 | -55% | 2,898 | $2,261 | $26,600,014 | 2 |
| Jun 28, 2002 | 10 | $3,501,253 | -47% | 2,529 | $1,384 | $33,175,859 | 3 |
| Jul 5, 2002 | 15 | $1,769,971 | -49% | 1,563 | $1,132 | $36,601,964 | 4 |
| Jul 12, 2002 | 17 | $1,187,328 | -33% | 1,485 | $800 | $38,645,492 | 5 |
| Jul 19, 2002 | 18 | $833,136 | -30% | 1,285 | $648 | $40,146,482 | 6 |
| Jul 26, 2002 | 32 | $116,414 | -86% | 202 | $576 | $40,358,935 | 7 |
| Aug 2, 2002 | 35 | $98,229 | -16% | 187 | $525 | $40,531,308 | 8 |
| Aug 9, 2002 | 45 | $73,827 | -25% | 140 | $527 | $40,657,108 | 9 |
| Aug 30, 2002 | 68 | $15,053 | 34 | $443 | $40,859,614 | 12 | |
| Sep 6, 2002 | 78 | $7,701 | -49% | 21 | $367 | $40,871,393 | 13 |
| Sep 13, 2002 | 82 | $8,941 | +16% | 13 | $688 | $40,883,601 | 14 |
| Sep 20, 2002 | 105 | $5,347 | -40% | 12 | $446 | $40,892,057 | 15 |
| Sep 27, 2002 | 93 | $9,887 | +85% | 20 | $494 | $40,904,367 | 16 |
| Oct 4, 2002 | 105 | $4,021 | -59% | 11 | $366 | $40,911,830 | 17 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 14, 2002 | 3 | $4,400,000 | 2,898 | $1,518 | $4,400,000 | 1 | ||
| Jun 15, 2002 | 4 | $4,564,000 | +4% | 2,898 | $1,575 | $8,964,000 | 2 | |
| Jun 16, 2002 | 3 | $4,500,000 | -1% | 2,898 | $1,553 | $14,520,412 | 3 | |
| Jun 17, 2002 | 3 | $1,527,000 | -66% | 2,898 | $527 | $16,047,000 | 4 | |
| Jun 18, 2002 | 4 | $1,491,000 | -2% | 2,898 | $514 | $17,539,000 | 5 | |
| Jun 19, 2002 | 4 | $1,301,000 | -13% | 2,898 | $449 | $18,840,000 | 6 | |
| Jun 20, 2002 | 4 | $1,209,000 | -7% | 2,898 | $417 | $20,049,000 | 7 | |
| Jun 21, 2002 | 8 | $1,907,000 | +58% | -57% | 2,898 | $658 | $21,956,000 | 8 |
| Jun 22, 2002 | 8 | $2,700,000 | +42% | -41% | 2,898 | $932 | $24,700,000 | 9 |
| Jun 23, 2002 | 6 | $2,000,000 | -26% | -56% | 2,898 | $690 | $26,600,000 | 10 |
| Jun 24, 2002 | 7 | $735,000 | -63% | -52% | 2,898 | $254 | $27,335,000 | 11 |
| Jun 25, 2002 | 7 | $819,000 | +11% | -45% | 2,898 | $283 | $28,154,000 | 12 |
| Jun 26, 2002 | 7 | $766,000 | -6% | -41% | 2,898 | $264 | $28,920,000 | 13 |
| Jun 27, 2002 | 7 | $754,000 | -2% | -38% | 2,898 | $260 | $29,675,000 | 14 |
| Jun 28, 2002 | 10 | $935,000 | +24% | -51% | 2,529 | $370 | $30,610,000 | 15 |
| Jun 29, 2002 | 10 | $1,378,000 | +47% | -49% | 2,529 | $545 | $31,988,000 | 16 |
| Jun 30, 2002 | 10 | $1,110,000 | -19% | -45% | 2,529 | $439 | $33,170,000 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2002 | 3 | $20,048,883 | 2,898 | $6,918 | $20,048,883 | 1 | |
| Jun 21, 2002 | 7 | $9,625,723 | -52% | 2,898 | $3,322 | $29,674,606 | 2 |
| Jun 28, 2002 | 12 | $5,157,387 | -46% | 2,529 | $2,039 | $34,831,993 | 3 |
| Jul 5, 2002 | 15 | $2,626,171 | -49% | 1,563 | $1,680 | $37,458,164 | 4 |
| Jul 12, 2002 | 18 | $1,855,182 | -29% | 1,485 | $1,249 | $39,313,346 | 5 |
| Jul 19, 2002 | 21 | $929,175 | -50% | 1,285 | $723 | $40,242,521 | 6 |
| Jul 26, 2002 | 32 | $190,558 | -79% | 202 | $943 | $40,433,079 | 7 |
| Aug 2, 2002 | 38 | $150,202 | -21% | 187 | $803 | $40,583,281 | 8 |
| Aug 30, 2002 | 67 | $19,131 | 34 | $563 | $40,863,692 | 12 | |
| Sep 6, 2002 | 81 | $10,968 | -43% | 21 | $522 | $40,874,660 | 13 |
| Sep 13, 2002 | 83 | $12,050 | +10% | 13 | $927 | $40,886,710 | 14 |
| Sep 20, 2002 | 99 | $7,770 | -36% | 12 | $648 | $40,894,480 | 15 |
| Sep 27, 2002 | 89 | $13,329 | +72% | 20 | $666 | $40,907,809 | 16 |
| Oct 4, 2002 | 89 | $6,259 | -53% | 11 | $569 | $40,914,068 | 17 |
Leading
| Nicolas Cage | Sergeant Joe Enders | |
| Adam Beach | Private Ben Yahzee |
Supporting
| Peter Stormare | Sergeant Eric 'Gunny' Hjelmstad | |
| Noah Emmerich | Corporal Charles 'Chick' Rogers | |
| Mark Ruffalo | Pappas | |
| Brian Van Holt | Harrigan | |
| Roger Willie | Private Charles Whitehorse | |
| Frances O’Connor | Nurse Rita Swelton | |
| Christian Slater | Sergeant Peter 'Ox' Henderson | |
| Martin Henderson | Nellie | |
| Jason Isaacs | Major Mellitz | |
| William Morts* | Sgt. Fortino | |
| Cameron Thor | Mertens | |
| Kevin Cooney | Ear Doctor | |
| Holmes Osborne | Colonel Hollings | |
| Keith Campbell | Kittring | |
| Clayton Barber | Hasby | |
| Scott Atkinson | Camp Tarawa Staff Sergeant | |
| Jeremy Davidson | Marine | |
| Brian F. Maynard | Corpsman | |
| Albert Smith | Navajo Man | |
| James D. Dever | Field Hospital Colonel | |
| Vincent Whipple | Navajo Instructor | |
| Jim Morse | Marine Recruit | |
| Chris Devlin | Sgt. Code Instructor | |
| Jeff Davis | Tech Sgt. | |
| Glen Begay | Radio Codetalker | |
| Ross Lasi Tanoai | Eddie the Bartender | |
| Brian Kasai | Japanese Intelligence Officer | |
| Hiroshi "Rosh" Mori* | Japanese Radio Operator | |
| John Takeshi Ichikawa | Japanese Bunker Commander | |
| Christopher T. Yamamoto | Japanese Bunker Gunner | |
| Marc McClellan | Marine Artillery Commander | |
| Steve Tanizaki | Japanese Artillery Officer | |
| Malcolm Dohi | Battleship Codetalker | |
| Darrel Guilbeau | Battleship Petty Officer | |
| Aaron Yamagata | Tanapag Boy | |
| Victoria Chen | Tanapag Mother | |
| Jon Michael Souza | N.C.O. Officer | |
| Carissa Jung | Tanapag Girl | |
| Wataru Yoshida | Japanese Artillery | |
| Junya Oishi | Japanese Artillery Sighter | |
| Jiro Koga | Japanese Artillery Gunner |
Production and Technical Credits
| John Woo | Director | |
| John Rice | Screenwriter | |
| Joe Batteer | Screenwriter | |
| John Woo | Producer | |
| Terence Chang | Producer | |
| Tracie Graham | Producer | |
| Alison Rosenzweig | Producer | |
| C.O. Erickson | Executive Producer | |
| John J. Smith | Line Producer | |
| Richard Stenta | Line Producer | |
| Jeffrey Kimball | Director of Photography | |
| Holger Gross | Production Designer | |
| Steven Kemper | Editor | |
| Jeff Gullo | Editor | |
| Tom Rolf | Editor | |
| Kevin Yagher | Special Make-up Effects | |
| Caroline Macaulay | Co-Producer | |
| Arthur Anderson | Co-Producer | |
| James Horner | Composer | |
| Steve Traxler | Associate Producer | |
| Arthur Anderson | Assistant Director | |
| Brian Smrz | Second Unit Director | |
| John J. Smith | Production Manager | |
| Kevin Ishioka | Art Director | |
| Richard Goddard | Set Decorator | |
| Bill Mitchell | Additional Photography | |
| Kevin Lingenfelser | Visual Effects Supervisor | |
| John Frazier | Special Effects Coordinator | |
| Nick Scarano | Costume Supervisor | |
| Richard Goodman | Production Sound Mixer | |
| Randy Thom | Re-recording Mixer | |
| David E. Fluhr | Re-recording Mixer | |
| Mark P. Stoeckinger | Supervising Sound Editor | |
| Alan Rankin | Co-Supervising Sound Editor | |
| Victor Ray Ennis | Co-Supervising Sound Editor | |
| Paul Jyrala | Sound Editor | |
| Perry Robertson | Sound Editor | |
| Bryan Bowen | Sound Designer | |
| Bruce Tanis | Sound Designer | |
| Michael Hertlein | Dialogue Editor | |
| David A. Cohen | Dialogue Editor | |
| Jim Henrikson | Supervising Music Editor | |
| Dick Bernstein | Music Editor | |
| Philip Tallman | Music Editor | |
| Joe E. Rand | Music Editor | |
| Steve LaPorte | Key Makeup | |
| Janis Clark | Key Hairstylist | |
| Mitch Coughlin | Special Effects Makeup Supervisor | |
| Rick Stratton | Key Special Effects Makeup | |
| Jamie Kelman | Special Effects Makeup | |
| Mindy Marin | Casting Director | |
| Brian Smrz | Stunt Coordinator | |
| Gregg Smrz | Stunt Co-Coordinator | |
| Eddie Yansick | Stunt Co-Coordinator | |
| Al Goto | Stunt Co-Coordinator | |
| Brian Smrz | Second Unit Camera |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Joe Ender feels guilty for losing his entire platoon in an ambush, and gets a chance to prove himself by protecting Navajo soldier Ben Yahzee, who is a critical asset.
Metrics
| Opening Weekend: | $14,520,412 (35.5% of total gross) |
| Legs: | 2.82 (domestic box office/biggest weekend) |
| Domestic Share: | 52.7% (domestic box office/worldwide) |
| Production Budget: | $115,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 2,898 opening theaters/2,898 max. theaters, 4.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $84,222,416 |
Movie Details
| Domestic Releases: | June 14th, 2002 (Wide) by MGM |
| Video Release: | February 4th, 2003 by MGM Video |
| MPA Rating: | R for pervasive graphic war violence, and for language |
| Running Time: | 134 minutes |
| Plot point: | Native Americans, War |
| Release detail: | Disrupted by 2001 September 11 Attacks |
| Social setting: | World War II |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Metro-Goldwyn-Mayer Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2002 | 3 | $14,520,412 | 2,898 | $5,010 | $14,520,412 | 1 | |
| Jun 21, 2002 | 6 | $6,551,131 | -55% | 2,898 | $2,261 | $26,600,014 | 2 |
| Jun 28, 2002 | 10 | $3,501,253 | -47% | 2,529 | $1,384 | $33,175,859 | 3 |
| Jul 5, 2002 | 15 | $1,769,971 | -49% | 1,563 | $1,132 | $36,601,964 | 4 |
| Jul 12, 2002 | 17 | $1,187,328 | -33% | 1,485 | $800 | $38,645,492 | 5 |
| Jul 19, 2002 | 18 | $833,136 | -30% | 1,285 | $648 | $40,146,482 | 6 |
| Jul 26, 2002 | 32 | $116,414 | -86% | 202 | $576 | $40,358,935 | 7 |
| Aug 2, 2002 | 35 | $98,229 | -16% | 187 | $525 | $40,531,308 | 8 |
| Aug 9, 2002 | 45 | $73,827 | -25% | 140 | $527 | $40,657,108 | 9 |
| Aug 30, 2002 | 68 | $15,053 | 34 | $443 | $40,859,614 | 12 | |
| Sep 6, 2002 | 78 | $7,701 | -49% | 21 | $367 | $40,871,393 | 13 |
| Sep 13, 2002 | 82 | $8,941 | +16% | 13 | $688 | $40,883,601 | 14 |
| Sep 20, 2002 | 105 | $5,347 | -40% | 12 | $446 | $40,892,057 | 15 |
| Sep 27, 2002 | 93 | $9,887 | +85% | 20 | $494 | $40,904,367 | 16 |
| Oct 4, 2002 | 105 | $4,021 | -59% | 11 | $366 | $40,911,830 | 17 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 14, 2002 | 3 | $4,400,000 | 2,898 | $1,518 | $4,400,000 | 1 | ||
| Jun 15, 2002 | 4 | $4,564,000 | +4% | 2,898 | $1,575 | $8,964,000 | 2 | |
| Jun 16, 2002 | 3 | $4,500,000 | -1% | 2,898 | $1,553 | $14,520,412 | 3 | |
| Jun 17, 2002 | 3 | $1,527,000 | -66% | 2,898 | $527 | $16,047,000 | 4 | |
| Jun 18, 2002 | 4 | $1,491,000 | -2% | 2,898 | $514 | $17,539,000 | 5 | |
| Jun 19, 2002 | 4 | $1,301,000 | -13% | 2,898 | $449 | $18,840,000 | 6 | |
| Jun 20, 2002 | 4 | $1,209,000 | -7% | 2,898 | $417 | $20,049,000 | 7 | |
| Jun 21, 2002 | 8 | $1,907,000 | +58% | -57% | 2,898 | $658 | $21,956,000 | 8 |
| Jun 22, 2002 | 8 | $2,700,000 | +42% | -41% | 2,898 | $932 | $24,700,000 | 9 |
| Jun 23, 2002 | 6 | $2,000,000 | -26% | -56% | 2,898 | $690 | $26,600,000 | 10 |
| Jun 24, 2002 | 7 | $735,000 | -63% | -52% | 2,898 | $254 | $27,335,000 | 11 |
| Jun 25, 2002 | 7 | $819,000 | +11% | -45% | 2,898 | $283 | $28,154,000 | 12 |
| Jun 26, 2002 | 7 | $766,000 | -6% | -41% | 2,898 | $264 | $28,920,000 | 13 |
| Jun 27, 2002 | 7 | $754,000 | -2% | -38% | 2,898 | $260 | $29,675,000 | 14 |
| Jun 28, 2002 | 10 | $935,000 | +24% | -51% | 2,529 | $370 | $30,610,000 | 15 |
| Jun 29, 2002 | 10 | $1,378,000 | +47% | -49% | 2,529 | $545 | $31,988,000 | 16 |
| Jun 30, 2002 | 10 | $1,110,000 | -19% | -45% | 2,529 | $439 | $33,170,000 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2002 | 3 | $20,048,883 | 2,898 | $6,918 | $20,048,883 | 1 | |
| Jun 21, 2002 | 7 | $9,625,723 | -52% | 2,898 | $3,322 | $29,674,606 | 2 |
| Jun 28, 2002 | 12 | $5,157,387 | -46% | 2,529 | $2,039 | $34,831,993 | 3 |
| Jul 5, 2002 | 15 | $2,626,171 | -49% | 1,563 | $1,680 | $37,458,164 | 4 |
| Jul 12, 2002 | 18 | $1,855,182 | -29% | 1,485 | $1,249 | $39,313,346 | 5 |
| Jul 19, 2002 | 21 | $929,175 | -50% | 1,285 | $723 | $40,242,521 | 6 |
| Jul 26, 2002 | 32 | $190,558 | -79% | 202 | $943 | $40,433,079 | 7 |
| Aug 2, 2002 | 38 | $150,202 | -21% | 187 | $803 | $40,583,281 | 8 |
| Aug 30, 2002 | 67 | $19,131 | 34 | $563 | $40,863,692 | 12 | |
| Sep 6, 2002 | 81 | $10,968 | -43% | 21 | $522 | $40,874,660 | 13 |
| Sep 13, 2002 | 83 | $12,050 | +10% | 13 | $927 | $40,886,710 | 14 |
| Sep 20, 2002 | 99 | $7,770 | -36% | 12 | $648 | $40,894,480 | 15 |
| Sep 27, 2002 | 89 | $13,329 | +72% | 20 | $666 | $40,907,809 | 16 |
| Oct 4, 2002 | 89 | $6,259 | -53% | 11 | $569 | $40,914,068 | 17 |
Leading
| Nicolas Cage | Sergeant Joe Enders | |
| Adam Beach | Private Ben Yahzee |
Supporting
| Peter Stormare | Sergeant Eric 'Gunny' Hjelmstad | |
| Noah Emmerich | Corporal Charles 'Chick' Rogers | |
| Mark Ruffalo | Pappas | |
| Brian Van Holt | Harrigan | |
| Roger Willie | Private Charles Whitehorse | |
| Frances O’Connor | Nurse Rita Swelton | |
| Christian Slater | Sergeant Peter 'Ox' Henderson | |
| Martin Henderson | Nellie | |
| Jason Isaacs | Major Mellitz | |
| William Morts* | Sgt. Fortino | |
| Cameron Thor | Mertens | |
| Kevin Cooney | Ear Doctor | |
| Holmes Osborne | Colonel Hollings | |
| Keith Campbell | Kittring | |
| Clayton Barber | Hasby | |
| Scott Atkinson | Camp Tarawa Staff Sergeant | |
| Jeremy Davidson | Marine | |
| Brian F. Maynard | Corpsman | |
| Albert Smith | Navajo Man | |
| James D. Dever | Field Hospital Colonel | |
| Vincent Whipple | Navajo Instructor | |
| Jim Morse | Marine Recruit | |
| Chris Devlin | Sgt. Code Instructor | |
| Jeff Davis | Tech Sgt. | |
| Glen Begay | Radio Codetalker | |
| Ross Lasi Tanoai | Eddie the Bartender | |
| Brian Kasai | Japanese Intelligence Officer | |
| Hiroshi "Rosh" Mori* | Japanese Radio Operator | |
| John Takeshi Ichikawa | Japanese Bunker Commander | |
| Christopher T. Yamamoto | Japanese Bunker Gunner | |
| Marc McClellan | Marine Artillery Commander | |
| Steve Tanizaki | Japanese Artillery Officer | |
| Malcolm Dohi | Battleship Codetalker | |
| Darrel Guilbeau | Battleship Petty Officer | |
| Aaron Yamagata | Tanapag Boy | |
| Victoria Chen | Tanapag Mother | |
| Jon Michael Souza | N.C.O. Officer | |
| Carissa Jung | Tanapag Girl | |
| Wataru Yoshida | Japanese Artillery | |
| Junya Oishi | Japanese Artillery Sighter | |
| Jiro Koga | Japanese Artillery Gunner |
Production and Technical Credits
| John Woo | Director | |
| John Rice | Screenwriter | |
| Joe Batteer | Screenwriter | |
| John Woo | Producer | |
| Terence Chang | Producer | |
| Tracie Graham | Producer | |
| Alison Rosenzweig | Producer | |
| C.O. Erickson | Executive Producer | |
| John J. Smith | Line Producer | |
| Richard Stenta | Line Producer | |
| Jeffrey Kimball | Director of Photography | |
| Holger Gross | Production Designer | |
| Steven Kemper | Editor | |
| Jeff Gullo | Editor | |
| Tom Rolf | Editor | |
| Kevin Yagher | Special Make-up Effects | |
| Caroline Macaulay | Co-Producer | |
| Arthur Anderson | Co-Producer | |
| James Horner | Composer | |
| Steve Traxler | Associate Producer | |
| Arthur Anderson | Assistant Director | |
| Brian Smrz | Second Unit Director | |
| John J. Smith | Production Manager | |
| Kevin Ishioka | Art Director | |
| Richard Goddard | Set Decorator | |
| Bill Mitchell | Additional Photography | |
| Kevin Lingenfelser | Visual Effects Supervisor | |
| John Frazier | Special Effects Coordinator | |
| Nick Scarano | Costume Supervisor | |
| Richard Goodman | Production Sound Mixer | |
| Randy Thom | Re-recording Mixer | |
| David E. Fluhr | Re-recording Mixer | |
| Mark P. Stoeckinger | Supervising Sound Editor | |
| Alan Rankin | Co-Supervising Sound Editor | |
| Victor Ray Ennis | Co-Supervising Sound Editor | |
| Paul Jyrala | Sound Editor | |
| Perry Robertson | Sound Editor | |
| Bryan Bowen | Sound Designer | |
| Bruce Tanis | Sound Designer | |
| Michael Hertlein | Dialogue Editor | |
| David A. Cohen | Dialogue Editor | |
| Jim Henrikson | Supervising Music Editor | |
| Dick Bernstein | Music Editor | |
| Philip Tallman | Music Editor | |
| Joe E. Rand | Music Editor | |
| Steve LaPorte | Key Makeup | |
| Janis Clark | Key Hairstylist | |
| Mitch Coughlin | Special Effects Makeup Supervisor | |
| Rick Stratton | Key Special Effects Makeup | |
| Jamie Kelman | Special Effects Makeup | |
| Mindy Marin | Casting Director | |
| Brian Smrz | Stunt Coordinator | |
| Gregg Smrz | Stunt Co-Coordinator | |
| Eddie Yansick | Stunt Co-Coordinator | |
| Al Goto | Stunt Co-Coordinator | |
| Brian Smrz | Second Unit Camera |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.