The Witch (2016)
| Theatrical Performance | ||
| Domestic Box Office | $25,138,705 | Details |
| International Box Office | $15,226,020 | Details |
| Worldwide Box Office | $40,364,725 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $2,709,336 | |
| Blu-ray Sales (estimated) | $3,284,434 | |
| Total | $5,993,770 | |
| OpusData ID: 222530100 More info... | ||
| Further financial details... | ||
Synopsis
In New England circa 1630, a farmer is cast out of his colonial plantation and is forced to move his family to a remote plot of land on the edge of an ominous forest rumored to be controlled by witches. Almost immediately, strange and unsettling things begin to happen—the animals turn violent, the crops fail, and one of the children disappears, only to return seemingly possessed by an evil spirit. As suspicion and paranoia mount, everyone begins to point the finger at teenage daughter Thomasin. They accuse her of witchcraft, which she adamantly denies… but as circumstances become more and more treacherous, each family member’s faith, loyalty, and love will be tested in shocking and unforgettable ways.
Metrics
| Opening Weekend: | $8,800,230 (35.0% of total gross) |
| Legs: | 2.86 (domestic box office/biggest weekend) |
| Domestic Share: | 62.3% (domestic box office/worldwide) |
| Production Budget: | $3,500,000 (worldwide box office is 11.5 times production budget) |
| Theater counts: | 2,046 opening theaters/2,204 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $34,758,260 |
Movie Details
| Domestic Releases: | February 19th, 2016 (Wide) by A24 |
| International Releases: | March 3rd, 2016 (Wide) (Peru)
March 3rd, 2016 (Wide) (Brazil) March 11th, 2016 (Wide) (United Kingdom) March 11th, 2016 (Wide) (Australia) March 17th, 2016 (Wide) (Bolivia) ... Show all releases |
| Video Release: | May 3rd, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for disturbing violent content and graphic nudity. (Rating bulletin 2378, 6/17/2015) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Intertitle |
| Film festival: | Sundance Film Festival 2015 |
| Plot point: | Demons, Dysfunctional Family, Hallucinations, Missing Child, Orthodox Religion, Possessed, Religious, Twins, Witches |
| Social setting: | Cabin in the Woods |
| Subgenre: | Isolation Horror |
| Time period setting: | 1600s, Colonial United States |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | A24, Parts and Labor, RT Features, Rooks Nest Entertainment, Maiden Voyage Films, Mott Street Pictures, Code Red, Scythia Films, Pulse Films, Special Projects |
| Production Countries: | United States, Brazil, United Kingdom, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 19, 2016 | 4 | $8,800,230 | 2,046 | $4,301 | $8,800,230 | 1 | |
| Feb 26, 2016 | 7 | $5,066,908 | -42% | 2,204 | $2,299 | $16,675,437 | 2 |
| Mar 4, 2016 | 10 | $2,485,036 | -51% | 1,715 | $1,449 | $20,895,610 | 3 |
| Mar 11, 2016 | 15 | $1,005,067 | -60% | 945 | $1,064 | $22,914,150 | 4 |
| Mar 18, 2016 | 23 | $401,929 | -60% | 361 | $1,113 | $23,750,291 | 5 |
| Mar 25, 2016 | 24 | $162,081 | -60% | 146 | $1,110 | $24,094,799 | 6 |
| Apr 1, 2016 | 20 | $465,334 | +187% | 666 | $699 | $24,650,032 | 7 |
| Apr 8, 2016 | 28 | $129,993 | -72% | 156 | $833 | $24,954,073 | 8 |
| Apr 15, 2016 | 43 | $37,876 | -71% | 55 | $689 | $25,044,102 | 9 |
| Apr 22, 2016 | 50 | $23,741 | -37% | 45 | $528 | $25,081,475 | 10 |
| Apr 29, 2016 | 63 | $11,853 | -50% | 25 | $474 | $25,110,285 | 11 |
| May 6, 2016 | 66 | $8,300 | -30% | 14 | $593 | $25,127,155 | 12 |
| May 13, 2016 | 74 | $3,852 | -54% | 9 | $428 | $25,135,352 | 13 |
| May 20, 2016 | 87 | $1,834 | -52% | 9 | $204 | $25,138,292 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 18, 2016 | P | $630,000 | 0 | $630,000 | ||||
| Feb 19, 2016 | 3 | $3,267,965 | 2,046 | $1,597 | $3,267,965 | 1 | ||
| Feb 20, 2016 | 5 | $3,341,066 | +2% | 2,046 | $1,633 | $6,609,031 | 2 | |
| Feb 21, 2016 | 4 | $2,191,199 | -34% | 2,046 | $1,071 | $8,800,230 | 3 | |
| Feb 22, 2016 | 3 | $715,384 | -67% | 2,046 | $350 | $9,515,614 | 4 | |
| Feb 23, 2016 | 4 | $829,244 | +16% | 2,046 | $405 | $10,344,858 | 5 | |
| Feb 24, 2016 | 3 | $621,329 | -25% | 2,046 | $304 | $10,966,187 | 6 | |
| Feb 25, 2016 | 4 | $642,342 | +3% | 2,046 | $314 | $11,608,529 | 7 | |
| Feb 26, 2016 | 8 | $1,491,469 | +132% | -54% | 2,204 | $677 | $13,099,998 | 8 |
| Feb 27, 2016 | 7 | $2,288,281 | +53% | -32% | 2,204 | $1,038 | $15,388,279 | 9 |
| Feb 28, 2016 | 7 | $1,287,158 | -44% | -41% | 2,204 | $584 | $16,675,437 | 10 |
| Feb 29, 2016 | 6 | $427,538 | -67% | -40% | 2,204 | $194 | $17,102,975 | 11 |
| Mar 1, 2016 | 9 | $513,449 | +20% | -38% | 2,204 | $233 | $17,616,424 | 12 |
| Mar 2, 2016 | 8 | $412,201 | -20% | -34% | 2,204 | $187 | $18,028,625 | 13 |
| Mar 3, 2016 | 6 | $381,949 | -7% | -41% | 2,204 | $173 | $18,410,574 | 14 |
| Mar 4, 2016 | 10 | $729,304 | +91% | -51% | 1,715 | $425 | $19,139,878 | 15 |
| Mar 5, 2016 | 10 | $1,055,240 | +45% | -54% | 1,715 | $615 | $20,195,118 | 16 |
| Mar 6, 2016 | 11 | $700,492 | -34% | -46% | 1,715 | $408 | $20,895,610 | 17 |
| Mar 7, 2016 | 9 | $259,308 | -63% | -39% | 1,715 | $151 | $21,154,918 | 18 |
| Mar 8, 2016 | 10 | $291,722 | +13% | -43% | 1,715 | $170 | $21,446,640 | 19 |
| Mar 9, 2016 | 9 | $241,301 | -17% | -41% | 1,715 | $141 | $21,687,941 | 20 |
| Mar 10, 2016 | 9 | $221,142 | -8% | -42% | 1,715 | $129 | $21,909,083 | 21 |
| Mar 11, 2016 | 15 | $293,186 | +33% | -60% | 945 | $310 | $22,202,269 | 22 |
| Mar 12, 2016 | - | $427,731 | +46% | -59% | 945 | $453 | $22,630,000 | 23 |
| Mar 13, 2016 | 15 | $284,150 | -34% | -59% | 945 | $301 | $22,914,150 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 19, 2016 | 4 | $11,608,529 | 2,046 | $5,674 | $11,608,529 | 1 | |
| Feb 26, 2016 | 7 | $6,802,045 | -41% | 2,204 | $3,086 | $18,410,574 | 2 |
| Mar 4, 2016 | 10 | $3,498,509 | -49% | 1,715 | $2,040 | $21,909,083 | 3 |
| Mar 11, 2016 | 16 | $1,439,279 | -59% | 945 | $1,523 | $23,348,362 | 4 |
| Mar 18, 2016 | 23 | $584,356 | -59% | 361 | $1,619 | $23,932,718 | 5 |
| Mar 25, 2016 | 24 | $251,980 | -57% | 146 | $1,726 | $24,184,698 | 6 |
| Apr 1, 2016 | 18 | $639,382 | +154% | 666 | $960 | $24,824,080 | 7 |
| Apr 8, 2016 | 27 | $182,146 | -72% | 156 | $1,168 | $25,006,226 | 8 |
| Apr 15, 2016 | 47 | $51,508 | -72% | 55 | $937 | $25,057,734 | 9 |
| Apr 22, 2016 | 45 | $40,698 | -21% | 45 | $904 | $25,098,432 | 10 |
| Apr 29, 2016 | 61 | $20,423 | -50% | 25 | $817 | $25,118,855 | 11 |
| May 6, 2016 | 72 | $12,645 | -38% | 14 | $903 | $25,131,500 | 12 |
| May 13, 2016 | 85 | $4,958 | -61% | 9 | $551 | $25,136,458 | 13 |
| May 20, 2016 | 93 | $2,247 | -55% | 9 | $250 | $25,138,705 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/31/2016 | $346,922 | 90 | 95 | 270 | $884,813 | 11/29/2018 | |||
| Australia | 3/11/2016 | $15,605 | 4 | 2 | 132 | $484,551 | 4/4/2026 | |||
| Austria | 5/20/2016 | $8,546 | 5 | 6 | 21 | $32,888 | 7/5/2016 | |||
| Bolivia | 3/17/2016 | $25,577 | 8 | 8 | 20 | $80,609 | 12/31/2018 | |||
| Brazil | 3/3/2016 | $578,499 | 143 | 298 | 906 | $2,521,733 | 6/9/2016 | |||
| Chile | 6/23/2016 | $16,941 | 10 | 10 | 17 | $33,732 | 12/31/2018 | |||
| Colombia | 4/7/2016 | $119,702 | 60 | 60 | 123 | $288,564 | 12/31/2018 | |||
| Czech Republic | 3/24/2016 | $73,944 | 80 | 80 | 189 | $189,833 | 12/31/2018 | |||
| Estonia | 3/18/2016 | $17,327 | 11 | 11 | 11 | $17,327 | 6/9/2016 | |||
| France | 6/17/2016 | $330,192 | 141 | 143 | 441 | $883,398 | 7/20/2016 | |||
| Germany | 5/19/2016 | $289,788 | 172 | 173 | 663 | $831,998 | 9/1/2016 | |||
| Iraq | 3/17/2016 | $28,704 | 4 | 4 | 11 | $47,232 | 12/31/2018 | |||
| Italy | 8/19/2016 | $211,770 | 0 | 13 | 13 | $533,847 | 9/13/2016 | |||
| Lebanon | 3/17/2016 | $16,821 | 5 | 5 | 8 | $25,854 | 12/31/2018 | |||
| Mexico | 5/19/2016 | $1,280,161 | 642 | 642 | 1,405 | $3,425,045 | 10/4/2016 | |||
| New Zealand | 6/3/2016 | $5,033 | 4 | 4 | 19 | $40,890 | 7/20/2016 | |||
| Oman | 3/17/2016 | $5,198 | 4 | 4 | 4 | $5,198 | 12/31/2018 | |||
| Panama | 5/26/2016 | $130,865 | 13 | 13 | 25 | $306,982 | 12/31/2018 | |||
| Peru | 3/3/2016 | $103,439 | 35 | 35 | 59 | $209,247 | 12/31/2018 | |||
| Singapore | 5/5/2016 | $6,009 | 1 | 1 | 5 | $17,816 | 6/14/2016 | |||
| Slovakia | 3/25/2016 | $37,481 | 31 | 46 | 77 | $79,317 | 6/9/2016 | |||
| Spain | 5/13/2016 | $679,850 | 191 | 249 | 1,261 | $2,102,499 | 7/20/2016 | |||
| Thailand | 5/5/2016 | $17,888 | 6 | 6 | 17 | $49,373 | 6/9/2016 | |||
| United Arab Emirates | 3/17/2016 | $136,792 | 27 | 27 | 47 | $277,562 | 12/31/2018 | |||
| United Kingdom | 3/11/2016 | $645,739 | 179 | 221 | 611 | $1,767,169 | 6/9/2016 | |||
| Venezuela | 5/27/2016 | $19,363 | 25 | 25 | 38 | $55,547 | 7/20/2016 | |||
| Rest of World | $32,996 | |||||||||
| International Total | $15,226,020 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anya Taylor-Joy | Thomasin |
Supporting
| Ralph Ineson | William | |
| Kate Dickie | Katherine | |
| Harvey Scrimshaw | Caleb | |
| Ellie Grainger | Mercy | |
| Lucas Dawson | Jonas | |
| Julian Richings | Governor | |
| Bathsheba Garnett | The Witch | |
| Sarah Stephens | Young Witch | |
| Wahab Chaudry | Black Phillip | |
| Brooklyn Herd | Noble Girl | |
| Derek Herd | Peasant Man 1 | |
| Viv Moore | Lead Coven Dancing Witch | |
| Madlen Sopadzhiyan | Coven Witch | |
| Jeff Smith | Nobleman | |
| Ron G Young | White Trapper |
Production and Technical Credits
| Robert Eggers | Director | |
| Robert Eggers | Screenwriter | |
| Jay Van Hoy | Producer | |
| Lars Knudsen | Producer | |
| Jodi Redmond | Producer | |
| Daniel Bekerman | Producer | |
| Rodrigo Teixeira | Producer | |
| Lourenco Sant' Anna | Executive Producer | |
| Sophie Mas | Executive Producer | |
| Michael Sackler | Executive Producer | |
| Julia Godzinskaya | Executive Producer | |
| Chris Columbus | Executive Producer | |
| Eleanor Columbus | Executive Producer | |
| Alex Sagalchik | Executive Producer | |
| Alexandra Johnes | Executive Producer | |
| Jonathan Bronfman | Executive Producer | |
| Thomas Benski | Executive Producer | |
| Lucas Ochoa | Executive Producer | |
| Joel Burch | Co-Producer | |
| Rosalie Chilelli | Co-Producer | |
| Lauren Haber | Co-Producer | |
| Kharmel Cochrane | Casting Director | |
| John Buchan | Casting Director | |
| Jason Knight | Casting Director | |
| Linda Muir | Costume Designer | |
| Jarin Blaschke | Director of Photography | |
| Craig Lathrop | Production Designer | |
| Louise Ford | Editor | |
| Mark Korven | Composer | |
| Beau Ferris | First Assistant Director | |
| Brian Campbell | Production Manager | |
| Brian Campbell | Line Producer | |
| Christopher Guglick | Re-recording Mixer | |
| Jason Perreira | Re-recording Mixer | |
| Orest Sushko | Re-recording Mixer | |
| Jeff Brownell | Second Assistant Director | |
| Traci Loader | Make up | |
| Angela Marinis | Make up | |
| Jule Varvel | Hairstylist | |
| Luc Benning | Special Effects Supervisor | |
| Max Macdonald | Special Effects Coordinator | |
| Mark Gingras | Co-Executive Producer | |
| Mary Kirkland | Set Decorator | |
| Philip Stilman | Post-Production Supervisor | |
| Robert Turi | Sound Mixer | |
| Valeria Picerno | Costume Supervisor | |
| Eric Bryson | Stunt Coordinator | |
| Robert Racki | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In New England circa 1630, a farmer is cast out of his colonial plantation and is forced to move his family to a remote plot of land on the edge of an ominous forest rumored to be controlled by witches. Almost immediately, strange and unsettling things begin to happen—the animals turn violent, the crops fail, and one of the children disappears, only to return seemingly possessed by an evil spirit. As suspicion and paranoia mount, everyone begins to point the finger at teenage daughter Thomasin. They accuse her of witchcraft, which she adamantly denies… but as circumstances become more and more treacherous, each family member’s faith, loyalty, and love will be tested in shocking and unforgettable ways.
Metrics
| Opening Weekend: | $8,800,230 (35.0% of total gross) |
| Legs: | 2.86 (domestic box office/biggest weekend) |
| Domestic Share: | 62.3% (domestic box office/worldwide) |
| Production Budget: | $3,500,000 (worldwide box office is 11.5 times production budget) |
| Theater counts: | 2,046 opening theaters/2,204 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $34,758,260 |
Movie Details
| Domestic Releases: | February 19th, 2016 (Wide) by A24 |
| International Releases: | March 3rd, 2016 (Wide) (Peru)
March 3rd, 2016 (Wide) (Brazil) March 11th, 2016 (Wide) (United Kingdom) March 11th, 2016 (Wide) (Australia) March 17th, 2016 (Wide) (Bolivia) ... Show all releases |
| Video Release: | May 3rd, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for disturbing violent content and graphic nudity. (Rating bulletin 2378, 6/17/2015) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Intertitle |
| Film festival: | Sundance Film Festival 2015 |
| Plot point: | Demons, Dysfunctional Family, Hallucinations, Missing Child, Orthodox Religion, Possessed, Religious, Twins, Witches |
| Social setting: | Cabin in the Woods |
| Subgenre: | Isolation Horror |
| Time period setting: | 1600s, Colonial United States |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | A24, Parts and Labor, RT Features, Rooks Nest Entertainment, Maiden Voyage Films, Mott Street Pictures, Code Red, Scythia Films, Pulse Films, Special Projects |
| Production Countries: | United States, Brazil, United Kingdom, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 19, 2016 | 4 | $8,800,230 | 2,046 | $4,301 | $8,800,230 | 1 | |
| Feb 26, 2016 | 7 | $5,066,908 | -42% | 2,204 | $2,299 | $16,675,437 | 2 |
| Mar 4, 2016 | 10 | $2,485,036 | -51% | 1,715 | $1,449 | $20,895,610 | 3 |
| Mar 11, 2016 | 15 | $1,005,067 | -60% | 945 | $1,064 | $22,914,150 | 4 |
| Mar 18, 2016 | 23 | $401,929 | -60% | 361 | $1,113 | $23,750,291 | 5 |
| Mar 25, 2016 | 24 | $162,081 | -60% | 146 | $1,110 | $24,094,799 | 6 |
| Apr 1, 2016 | 20 | $465,334 | +187% | 666 | $699 | $24,650,032 | 7 |
| Apr 8, 2016 | 28 | $129,993 | -72% | 156 | $833 | $24,954,073 | 8 |
| Apr 15, 2016 | 43 | $37,876 | -71% | 55 | $689 | $25,044,102 | 9 |
| Apr 22, 2016 | 50 | $23,741 | -37% | 45 | $528 | $25,081,475 | 10 |
| Apr 29, 2016 | 63 | $11,853 | -50% | 25 | $474 | $25,110,285 | 11 |
| May 6, 2016 | 66 | $8,300 | -30% | 14 | $593 | $25,127,155 | 12 |
| May 13, 2016 | 74 | $3,852 | -54% | 9 | $428 | $25,135,352 | 13 |
| May 20, 2016 | 87 | $1,834 | -52% | 9 | $204 | $25,138,292 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 18, 2016 | P | $630,000 | 0 | $630,000 | ||||
| Feb 19, 2016 | 3 | $3,267,965 | 2,046 | $1,597 | $3,267,965 | 1 | ||
| Feb 20, 2016 | 5 | $3,341,066 | +2% | 2,046 | $1,633 | $6,609,031 | 2 | |
| Feb 21, 2016 | 4 | $2,191,199 | -34% | 2,046 | $1,071 | $8,800,230 | 3 | |
| Feb 22, 2016 | 3 | $715,384 | -67% | 2,046 | $350 | $9,515,614 | 4 | |
| Feb 23, 2016 | 4 | $829,244 | +16% | 2,046 | $405 | $10,344,858 | 5 | |
| Feb 24, 2016 | 3 | $621,329 | -25% | 2,046 | $304 | $10,966,187 | 6 | |
| Feb 25, 2016 | 4 | $642,342 | +3% | 2,046 | $314 | $11,608,529 | 7 | |
| Feb 26, 2016 | 8 | $1,491,469 | +132% | -54% | 2,204 | $677 | $13,099,998 | 8 |
| Feb 27, 2016 | 7 | $2,288,281 | +53% | -32% | 2,204 | $1,038 | $15,388,279 | 9 |
| Feb 28, 2016 | 7 | $1,287,158 | -44% | -41% | 2,204 | $584 | $16,675,437 | 10 |
| Feb 29, 2016 | 6 | $427,538 | -67% | -40% | 2,204 | $194 | $17,102,975 | 11 |
| Mar 1, 2016 | 9 | $513,449 | +20% | -38% | 2,204 | $233 | $17,616,424 | 12 |
| Mar 2, 2016 | 8 | $412,201 | -20% | -34% | 2,204 | $187 | $18,028,625 | 13 |
| Mar 3, 2016 | 6 | $381,949 | -7% | -41% | 2,204 | $173 | $18,410,574 | 14 |
| Mar 4, 2016 | 10 | $729,304 | +91% | -51% | 1,715 | $425 | $19,139,878 | 15 |
| Mar 5, 2016 | 10 | $1,055,240 | +45% | -54% | 1,715 | $615 | $20,195,118 | 16 |
| Mar 6, 2016 | 11 | $700,492 | -34% | -46% | 1,715 | $408 | $20,895,610 | 17 |
| Mar 7, 2016 | 9 | $259,308 | -63% | -39% | 1,715 | $151 | $21,154,918 | 18 |
| Mar 8, 2016 | 10 | $291,722 | +13% | -43% | 1,715 | $170 | $21,446,640 | 19 |
| Mar 9, 2016 | 9 | $241,301 | -17% | -41% | 1,715 | $141 | $21,687,941 | 20 |
| Mar 10, 2016 | 9 | $221,142 | -8% | -42% | 1,715 | $129 | $21,909,083 | 21 |
| Mar 11, 2016 | 15 | $293,186 | +33% | -60% | 945 | $310 | $22,202,269 | 22 |
| Mar 12, 2016 | - | $427,731 | +46% | -59% | 945 | $453 | $22,630,000 | 23 |
| Mar 13, 2016 | 15 | $284,150 | -34% | -59% | 945 | $301 | $22,914,150 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 19, 2016 | 4 | $11,608,529 | 2,046 | $5,674 | $11,608,529 | 1 | |
| Feb 26, 2016 | 7 | $6,802,045 | -41% | 2,204 | $3,086 | $18,410,574 | 2 |
| Mar 4, 2016 | 10 | $3,498,509 | -49% | 1,715 | $2,040 | $21,909,083 | 3 |
| Mar 11, 2016 | 16 | $1,439,279 | -59% | 945 | $1,523 | $23,348,362 | 4 |
| Mar 18, 2016 | 23 | $584,356 | -59% | 361 | $1,619 | $23,932,718 | 5 |
| Mar 25, 2016 | 24 | $251,980 | -57% | 146 | $1,726 | $24,184,698 | 6 |
| Apr 1, 2016 | 18 | $639,382 | +154% | 666 | $960 | $24,824,080 | 7 |
| Apr 8, 2016 | 27 | $182,146 | -72% | 156 | $1,168 | $25,006,226 | 8 |
| Apr 15, 2016 | 47 | $51,508 | -72% | 55 | $937 | $25,057,734 | 9 |
| Apr 22, 2016 | 45 | $40,698 | -21% | 45 | $904 | $25,098,432 | 10 |
| Apr 29, 2016 | 61 | $20,423 | -50% | 25 | $817 | $25,118,855 | 11 |
| May 6, 2016 | 72 | $12,645 | -38% | 14 | $903 | $25,131,500 | 12 |
| May 13, 2016 | 85 | $4,958 | -61% | 9 | $551 | $25,136,458 | 13 |
| May 20, 2016 | 93 | $2,247 | -55% | 9 | $250 | $25,138,705 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/31/2016 | $346,922 | 90 | 95 | 270 | $884,813 | 11/29/2018 | |||
| Australia | 3/11/2016 | $15,605 | 4 | 2 | 132 | $484,551 | 4/4/2026 | |||
| Austria | 5/20/2016 | $8,546 | 5 | 6 | 21 | $32,888 | 7/5/2016 | |||
| Bolivia | 3/17/2016 | $25,577 | 8 | 8 | 20 | $80,609 | 12/31/2018 | |||
| Brazil | 3/3/2016 | $578,499 | 143 | 298 | 906 | $2,521,733 | 6/9/2016 | |||
| Chile | 6/23/2016 | $16,941 | 10 | 10 | 17 | $33,732 | 12/31/2018 | |||
| Colombia | 4/7/2016 | $119,702 | 60 | 60 | 123 | $288,564 | 12/31/2018 | |||
| Czech Republic | 3/24/2016 | $73,944 | 80 | 80 | 189 | $189,833 | 12/31/2018 | |||
| Estonia | 3/18/2016 | $17,327 | 11 | 11 | 11 | $17,327 | 6/9/2016 | |||
| France | 6/17/2016 | $330,192 | 141 | 143 | 441 | $883,398 | 7/20/2016 | |||
| Germany | 5/19/2016 | $289,788 | 172 | 173 | 663 | $831,998 | 9/1/2016 | |||
| Iraq | 3/17/2016 | $28,704 | 4 | 4 | 11 | $47,232 | 12/31/2018 | |||
| Italy | 8/19/2016 | $211,770 | 0 | 13 | 13 | $533,847 | 9/13/2016 | |||
| Lebanon | 3/17/2016 | $16,821 | 5 | 5 | 8 | $25,854 | 12/31/2018 | |||
| Mexico | 5/19/2016 | $1,280,161 | 642 | 642 | 1,405 | $3,425,045 | 10/4/2016 | |||
| New Zealand | 6/3/2016 | $5,033 | 4 | 4 | 19 | $40,890 | 7/20/2016 | |||
| Oman | 3/17/2016 | $5,198 | 4 | 4 | 4 | $5,198 | 12/31/2018 | |||
| Panama | 5/26/2016 | $130,865 | 13 | 13 | 25 | $306,982 | 12/31/2018 | |||
| Peru | 3/3/2016 | $103,439 | 35 | 35 | 59 | $209,247 | 12/31/2018 | |||
| Singapore | 5/5/2016 | $6,009 | 1 | 1 | 5 | $17,816 | 6/14/2016 | |||
| Slovakia | 3/25/2016 | $37,481 | 31 | 46 | 77 | $79,317 | 6/9/2016 | |||
| Spain | 5/13/2016 | $679,850 | 191 | 249 | 1,261 | $2,102,499 | 7/20/2016 | |||
| Thailand | 5/5/2016 | $17,888 | 6 | 6 | 17 | $49,373 | 6/9/2016 | |||
| United Arab Emirates | 3/17/2016 | $136,792 | 27 | 27 | 47 | $277,562 | 12/31/2018 | |||
| United Kingdom | 3/11/2016 | $645,739 | 179 | 221 | 611 | $1,767,169 | 6/9/2016 | |||
| Venezuela | 5/27/2016 | $19,363 | 25 | 25 | 38 | $55,547 | 7/20/2016 | |||
| Rest of World | $32,996 | |||||||||
| International Total | $15,226,020 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anya Taylor-Joy | Thomasin |
Supporting
| Ralph Ineson | William | |
| Kate Dickie | Katherine | |
| Harvey Scrimshaw | Caleb | |
| Ellie Grainger | Mercy | |
| Lucas Dawson | Jonas | |
| Julian Richings | Governor | |
| Bathsheba Garnett | The Witch | |
| Sarah Stephens | Young Witch | |
| Wahab Chaudry | Black Phillip | |
| Brooklyn Herd | Noble Girl | |
| Derek Herd | Peasant Man 1 | |
| Viv Moore | Lead Coven Dancing Witch | |
| Madlen Sopadzhiyan | Coven Witch | |
| Jeff Smith | Nobleman | |
| Ron G Young | White Trapper |
Production and Technical Credits
| Robert Eggers | Director | |
| Robert Eggers | Screenwriter | |
| Jay Van Hoy | Producer | |
| Lars Knudsen | Producer | |
| Jodi Redmond | Producer | |
| Daniel Bekerman | Producer | |
| Rodrigo Teixeira | Producer | |
| Lourenco Sant' Anna | Executive Producer | |
| Sophie Mas | Executive Producer | |
| Michael Sackler | Executive Producer | |
| Julia Godzinskaya | Executive Producer | |
| Chris Columbus | Executive Producer | |
| Eleanor Columbus | Executive Producer | |
| Alex Sagalchik | Executive Producer | |
| Alexandra Johnes | Executive Producer | |
| Jonathan Bronfman | Executive Producer | |
| Thomas Benski | Executive Producer | |
| Lucas Ochoa | Executive Producer | |
| Joel Burch | Co-Producer | |
| Rosalie Chilelli | Co-Producer | |
| Lauren Haber | Co-Producer | |
| Kharmel Cochrane | Casting Director | |
| John Buchan | Casting Director | |
| Jason Knight | Casting Director | |
| Linda Muir | Costume Designer | |
| Jarin Blaschke | Director of Photography | |
| Craig Lathrop | Production Designer | |
| Louise Ford | Editor | |
| Mark Korven | Composer | |
| Beau Ferris | First Assistant Director | |
| Brian Campbell | Production Manager | |
| Brian Campbell | Line Producer | |
| Christopher Guglick | Re-recording Mixer | |
| Jason Perreira | Re-recording Mixer | |
| Orest Sushko | Re-recording Mixer | |
| Jeff Brownell | Second Assistant Director | |
| Traci Loader | Make up | |
| Angela Marinis | Make up | |
| Jule Varvel | Hairstylist | |
| Luc Benning | Special Effects Supervisor | |
| Max Macdonald | Special Effects Coordinator | |
| Mark Gingras | Co-Executive Producer | |
| Mary Kirkland | Set Decorator | |
| Philip Stilman | Post-Production Supervisor | |
| Robert Turi | Sound Mixer | |
| Valeria Picerno | Costume Supervisor | |
| Eric Bryson | Stunt Coordinator | |
| Robert Racki | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.